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| rossini bassoon concerto: The Double Reed , 2008 |
| rossini bassoon concerto: The Bassoon James B. Kopp, 2012-01-01 This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description]. |
| rossini bassoon concerto: Edward the Emu Sheena Knowles, 1998-04-04 Edward the emu was sick of the zoo, There was nowhere to go, there was nothing to do, And compared to the seals that lived right next door, Well being an emu was frankly a bore. Tired of his life as an emu, Edward decides to try being something else for a change. He tries swimming with the seals. He spends a day lounging with the lions. He even does a stint slithering with the snakes. But Edward soon discovers that being an emu may be the best thing after all. And so he returns to his pen, only to find a big surprise awaiting him. . . . Edward is tired of being an emu, so he decides to try being something else for a change. First he spends some time swimming with the seals. Next, he lounges with the lions. He even slithers with the snakes. But Edward soon discovers that being an emu may not be so bad after all. So he heads back to his pen, only to find a big surprise awaiting him . . .Sheena Knowles' upbeat, rhyming text and Rod Clement's deliciously droll illustrations are sure to make readers laugh out loud in this whimsical picture book by the creators of Edwina the Emu.If you buy one book...for sheer fun, there's no question it should be this one. San Diego Union Tribune |
| rossini bassoon concerto: Introduction, Theme and Variations Gioachino Rossini, Ralph Hermann, David Glazer, 1985-06-01 for Bb clarinet and band This is an ideal concert for piece for a conservatory or university concert band to highlight a clarinetist. The band arrangement is accessible and uncomplicated which allows the brilliant clarinet solo to be clearly heard. |
| rossini bassoon concerto: Programs University of Michigan. School of Music, Theatre & Dance, 2013 |
| rossini bassoon concerto: Piano Concerto No. 3 in C Major, Op. 26 Sergey Prokofiev, 1985-03 All three movements are Federation Festivals 2016-2020 selections. |
| rossini bassoon concerto: The Gramophone , 1927 |
| rossini bassoon concerto: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| rossini bassoon concerto: University of Michigan Official Publication , 1959 |
| rossini bassoon concerto: Catalogue of the University of Michigan University of Michigan, 1960 Announcements for the following year included in some vols. |
| rossini bassoon concerto: The Romantic Overture and Musical Form from Rossini to Wagner Steven Vande Moortele, 2017-04-27 The first comprehensive study of musical form in operatic and concert overtures in continental Europe between 1815 and 1850. |
| rossini bassoon concerto: The Penguin Guide to Recorded Classical Music , 2008 |
| rossini bassoon concerto: The Chester Bassoon Anthology Chester Music, 2017-07-01 The Chester Bassoon Anthology presents 12 popular works for Bassoon with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and bassoon score, a dedicated bassoon score is included along with performance notes by Amy Harman. The tracks included are: - Fantasio [Robert Bariller] - Sonata For Bassoon And Piano [Richard Rodney Bennett] - Notturno for Bassoon and Piano [Robert Clérisse] - Sonata No. 1 in C Major, Op. 24 [François Devienne] - Romance, Op. 62 [Edward Elgar] - Piece for Bassoon and Piano [Gabriel Fauré] - 12 Danzas Espanolas [Enrique Granados] - Bassoon Concerto [Joseph Horovitz] - Sonata in Bb Major, K. 292 [W. A. Mozart] - Pièce En Forme De Habañera [Maurice Ravel] - Sonatine Sportive, Op. 63 [Alexander Tcherepnin] - Scherzo-Kolomyjka [Hynek Vokáček] |
| rossini bassoon concerto: Catalog of Copyright Entries Library of Congress. Copyright Office, 1949 |
| rossini bassoon concerto: A Dictionary of Music and Musicians George Grove, 1879 |
| rossini bassoon concerto: “A” Dictionary of Music and Musicians (A.D. 1450-1883) ... Sir George Grove, 1900 |
| rossini bassoon concerto: Dictionary of Music and Musicians George Grove, 1896 |
| rossini bassoon concerto: A Dictionary of Music and Musicians G. Grove, 1940 |
| rossini bassoon concerto: A Dictionary of Music and Musicians (A.D. 1450-1880) by Eminent Writers, English and Foreign George Grove, 1879 |
| rossini bassoon concerto: A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers, English and Foreign John Alexander Fuller-Maitland, 1900 |
| rossini bassoon concerto: The Gramophone , 1960-09 |
| rossini bassoon concerto: Solitary Refinement Nadina Mackie Jackson, 2020-12-09 A musician’s journey never ends, and the work is often solitary. Fortunately for bassoonists, Solitary Refinement can be a trusted companion throughout their musical career, replete with exercises adaptable by bassoon students who are still developing their skills, all the way to virtuosi seeking to perfect their craft. Drawing on her extensive career as a professional bassoonist and teacher, Nadina Mackie Jackson has assembled a comprehensive volume of technical exercises for the serious bassoonist. This book covers chromatic scales in many permutations and intervals, diatonic scales and chords, and exercises designed to strengthen fundamental basics, such as fingering, embouchure, double tonguing, vibrato, tuning and tone quality. In elegant, accessible prose, Nadina Mackie Jackson also shares her wisdom on the importance and philosophy of technical practice, with sensible advice on how to build good habits. Beyond the exercises, this book also serves as a guide for bassoonists on how to set personal goals and develop a sustained practice that will nurture their musical growth over a lifetime. Solitary Refinement is designed for the seriously committed bassoonist of any age to maintain, develop and expand their command of the bassoon, and will inspire players to see themselves in a world that combines musical passion and fundamental discipline. |
| rossini bassoon concerto: Ignaz Moscheles and the Changing World of Musical Europe Mark Kroll, 2014 The first full-length study devoted to Ignaz Moscheles (1794-1870), pianist, conductor and composer. This book, the first full-length study devoted to Ignaz Moscheles (1794-1870), explores how the son of middle-class Jewish parents in Prague became one of the most important musicians of his era, achieving recognition and world-wide admiration as a virtuoso pianist, conductor and composer, a sought-after piano teacher, and a pioneer in the historical performance of early music. Placing Moscheles' career within the context of the social, political and economic milieu in which he lived, the book offers new insights into the business of music and music making; the lives and works of his contemporaries, such as Schumann, Meyerbeer, Chopin, Hummel, Rossini, Liszt, Berlioz and others; the transformation of piano playing from the classical to romantic periods; and the challenges faced by Jewish artists during a dynamic period in European history. A section devoted to Moscheles' engagement as both a performer and editor with the music of J. S. Bach and Handel enhances our understanding of nineteenth-century approaches to early music, and the separate chapters that detail Moscheles' interactions with Beethoven and his extraordinarily close relationship with Mendelssohn adds considerably to the existing literature on these two masters. MARK KROLL has earned worldwide recognition as a harpsichordist, scholar and educator during a career spanning more than forty years. Professor emeritus at Boston University, Kroll has published scholarly editions of the music of Hummel, Geminiani, Charles Avison and Francesco Scarlatti, and is the author of Johann Nepomuk Hummel: A Musician's Lifeand World; Playing the Harpsichord Expressively; and The Beethoven Violin Sonatas. |
| rossini bassoon concerto: General Register University of Michigan, 1960 Announcements for the following year included in some vols. |
| rossini bassoon concerto: Cantata No. 82 -- Ich habe genüg Johann Sebastian Bach, 1999-08-26 A Solo Cantata composed by Johann Sebastian Bach with Cembalo and Orchestra Accompaniment. |
| rossini bassoon concerto: Aloys Fleischmann Séamas De Barra, 2006 |
| rossini bassoon concerto: A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers, English and Foreign George Grove, 1879 |
| rossini bassoon concerto: Cue , 1966 |
| rossini bassoon concerto: “The” Quarterly Musical Magazine and Review , 1825 |
| rossini bassoon concerto: Guide to the Euphonium Repertoire R. Winston Morris, Lloyd E. Bone, Jr., Eric Paull, 2007-03-01 Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker. |
| rossini bassoon concerto: Daniels' Orchestral Music David Daniels, David W. Oertel, David A. Rahbee, 2022-06-30 Daniels’ Orchestral Music is the gold standard reference for conductors, music programmers, librarians, and any other music professional researching an orchestral program. This sixth edition, celebrating the fiftieth anniversary of the original work, includes over 14,000 entries with a vast number of new listings and updates. |
| rossini bassoon concerto: Questions of Music Norman Edwards, 2006-07-01 101 classical music CD recital programmes on many disparate themes, most involving relevant anagrams or enigmas of varying complexity to solve with notes and/or anecdotes on each. A brief preface on early career selling Beatles records in to the Liverpool and North Wales dealers during the Beatles boom in the 60's and some valedictory and controversial musical musings at the end. |
| rossini bassoon concerto: Music & Opera Around the World , 2001 |
| rossini bassoon concerto: Gramophone , 2002 |
| rossini bassoon concerto: Orchestral Music David Daniels, 2005-10-13 Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals |
| rossini bassoon concerto: Gramophone Classical Catalogue , 1983-09 |
| rossini bassoon concerto: The Gramophone Classical Catalogue , 1984-03 |
| rossini bassoon concerto: New York Magazine , 1985-07-22 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| rossini bassoon concerto: 48 Famous Studies (2nd and 3rd Part) Albert Andraud, 1968-04 Southern Music |
| rossini bassoon concerto: Gramophone Long Playing Classical Record Catalogue , 1963-12 |
Gioachino Rossini - Wikipedia
Rossini as a young man, c. 1810–1815. Gioachino [n 1] Antonio Rossini [n 2] (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical and …
Gioachino Rossini | Italian Composer & Opera Pioneer | Britan…
Gioachino Rossini was the son of Giuseppe Rossini, an impoverished trumpeter who played in miscellaneous bands and orchestras, and Anna Guidarini, a singer of secondary …
Gioachino Rossini - World History Encyclopedia
Gioachino Rossini (1792-1868) was an Italian composer of around 40 operas, including the comic operas The Italian Girl in Algiers and The Barber of Seville. Rossini championed …
Biography - Museo Nazionale Rossini
Rossini’s Italian career was brought to a triumphant conclusion with “Semiramide” (Venice, La Fenice, 3 February 1823). Having left Italy, after a brief sojourn in Paris, the …
Gioachino Rossini Biography, Facts, Videos, and Works - Classical Clips
Rossini’s extraordinary contribution to the world of music has left an everlasting legacy. His comedic masterpieces continue to be regarded as cornerstones of the genre. His …
Gioachino Rossini - Wikipedia
Rossini as a young man, c. 1810–1815. Gioachino [n 1] Antonio Rossini [n 2] (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical and early Romantic eras. He …
Gioachino Rossini | Italian Composer & Opera Pioneer | Britannica
Gioachino Rossini was the son of Giuseppe Rossini, an impoverished trumpeter who played in miscellaneous bands and orchestras, and Anna Guidarini, a singer of secondary roles. Thus, …
Gioachino Rossini - World History Encyclopedia
Gioachino Rossini (1792-1868) was an Italian composer of around 40 operas, including the comic operas The Italian Girl in Algiers and The Barber of Seville. Rossini championed melody and …
Biography - Museo Nazionale Rossini
Rossini’s Italian career was brought to a triumphant conclusion with “Semiramide” (Venice, La Fenice, 3 February 1823). Having left Italy, after a brief sojourn in Paris, the composer went to …
Gioachino Rossini Biography, Facts, Videos, and Works - Classical …
Rossini’s extraordinary contribution to the world of music has left an everlasting legacy. His comedic masterpieces continue to be regarded as cornerstones of the genre. His unique blend …
Rossini America | Devoted to the music of Rossini
Apr 10, 2025 · The American Rossini Society is an organization devoted to promoting the work of Gioachino Rossini throughout North America. Inspired by the suggestions of the late Alberto …
Gioachino Rossini
Gioachino Rossini (1792–1868) was the greatest Italian composer of his time. In the first half of his life he was astonishingly prolific, and composed nearly forty operas by the age of 38. Of …
Gioachino Rossini: A Life - Classic FM
During the mid-to-late 1820s, Rossini finally won over the notoriously fickle French public with a series of five works, culminating in 1829 with the ever-popular William Tell. Then, with the …
List of operas by Gioachino Rossini - Wikipedia
The Italian composer Gioachino Rossini (1792–1868) is best known for his operas, of which he wrote 39 between 1806 and 1829. Adopting the opera buffa style of Domenico Cimarosa and …
The Life of Gioachino Rossini: Compositions & Operas | ENO
Gioachino Antonio Rossini was the most significant Italian composer of the first half of the nineteenth century. Although he wrote many songs including chamber music and piano …
