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| regal cinema sheffield: Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65 Sam Manning, 2020-03-31 Cinema-going was the most popular commercial leisure activity in the first half of the twentieth century, peaking in 1946 with 1.6 billion recorded admissions. Though ‘going to the pictures’ remained a popular pastime, the transition to peacetime altered citizens’ leisure habits. During the 1950s increased affluence, the growth of television ownership and the diversification of leisure led to rapid declines in attendance. Cinema attendances fell in all regions, but the speed, nature and extent of decline varied widely across the United Kingdom. By linking national developments to detailed case studies of Belfast and Sheffield, this book adds nuance to our understanding of regional variations in film exhibition, audience habits and cinema-going experiences during a period of profound social and cultural change. Drawing on a wide range of quantitative and qualitative sources, Cinema and Cinema-Going conveys the diverse nature of this important industry, and the significance of place as a determinant of film attendance in post-war Britain. |
| regal cinema sheffield: The Beatles Ticket to read Alessandro Spronelli, 2025-03-07 Every Beatles fan would have loved to be at all of their legendary concerts, to experience the thrill of a live performance, and hear their unforgettable songs in person. Unfortunately, this dream is impossible for most of us, as their performances took place in a time long past, and their concerts were so numerous and spread all over the world. So, I thought to myself: why not collect the tickets from those concerts? But then I realized that this idea too was a bit unachievable. However, collecting their pictures—those tangible memories—seemed possible. They allow you to breathe the same air that those who attended once felt. And so, despite the challenges, I embarked on the journey of gathering images that allow us to relive, even if only through a book, the magic of the Beatles on stage. ---------------------------Ogni fan dei Beatles avrebbe voluto essere presente a tutti i loro leggendari concerti, per vivere l'emozione di una performance dal vivo e sentire le loro indimenticabili canzoni di persona. Così, mi sono detto: perché non collezionare i biglietti di quei concerti? Impossibile! Tuttavia, raccogliere le loro foto—memorie tangibili di quei momenti- sembrava possibile. E così, nonostante le difficoltà, ho intrapreso il viaggio di raccogliere immagini che ci permettano di rivivere, anche solo attraverso un libro, la magia dei Beatles sul palco. |
| regal cinema sheffield: Kinematograph Year Book , 1953 |
| regal cinema sheffield: Flight , 1931 |
| regal cinema sheffield: The P.R. Gazette ... , 1928 |
| regal cinema sheffield: Exhibitors Daily Review , 1929 |
| regal cinema sheffield: Kinematograph and Television Year Book , 1971 |
| regal cinema sheffield: The Woman Teacher , 1952 |
| regal cinema sheffield: My Spring Jean A. Stockdale, 2013-04-01 An unusual memoir contrasting the lives of Royals, with an ordinary working class Sheffield family.An aristocratic lady and a girl from Sheffield are born into large families at the height of the British Empire, where grand houses had elephant foot stools, cutlery with ivory handles, tiger skin rugs and Imperial Leather soap. In the north, horse and carts with ‘rag and bone’ men shout, “Any old irons.”The northern girl wears ‘hand me down’ clothes and lives in a ‘two up, two down’, back to back house. The lady wears fine clothes and lives in grand homes. Both women experience turmoil and sadness in the First World War, and they both marry in 1923.This book is about the parallel life stories of an extraordinary Royal lady and an ordinary woman as they go through life changing upheavals and the fear of a second World War. They both have daughters in the same year – one was destined to be Queen and the other was to become the author’s mother.Jean A Stockdale began by writing poetry before moving onto write the stories that lay behind each poem. My Spring is her look at the past through the unusual lens of her own northern family background and contrasting it with the Royal Family. |
| regal cinema sheffield: Handbook and Register of Members , 1937 |
| regal cinema sheffield: My Story for His Glory Sammie Davis-Dyson, 2020-08-11 Whether I had to be taken into sleeplessness, loss of appetite, spiritual pressure, or financial deficit, I learned that the discipline of God is always consistent. Indeed, he is not a respecter of persons (Romans 2:11). Not only is his discipline consistent across the board, for all of his children, so is his reward for their pleasing and faithful behavior. Walking in obedience to his wooing and to his word pays dividends for this life and for eternity (1 Corinthians 3:9-15)! My story is only beginning in this book. Its focus is, indeed, about the phenomenal ways in which Holy Spirit has been the core driver of my life's circumstances and situations. No, not in interfering with my free will, but using my life circumstances and choices to influence his sovereign will and plan for me. Indeed, he knows the plans he has for me which are to give me a future and a hope (Jeremiah 29:11). Though that verse was directed specifically to the children of Israel, it can certainly be generalized as applicable to all of us. My desire, above all, is that this book will encourage the hopeless. But it is also my desire to emphasize that God is not our genie, Santa Claus, or slot machine. If we choose to walk in willful perpetual disobedience, the consequences are punishments, not rewards. I learned that truth the hard way! |
| regal cinema sheffield: Kine weekly , 1951 |
| regal cinema sheffield: William Alwyn Ian Johnson, 2005 Ian Johnson's evaluation of Alwyn's film music places his achievement in the context of wider movements within the film industry. William Alwyn was a leading composer of British film music in the 1940s and '50s, a time when the British film industry was at its peak. His scores ranged from documentaries to almost 80 full-length feature films, including classics such as Fires were Started, Desert Victory, Odd Man Out, The Fallen Idol, and The History of Mr Polly; he was adept at any musical genre, from classical to cartoon slapstick, and in the process worked with legendary directors, including Carol Reed, David Lean, Humphrey Jennings, and Anthony Asquith. Alone with Vaughan Williams he was granted the distinction of a separate title credit; columnists mentioned him alongside Bliss, Bax and Walton. However, as the reputation of the British film industry declined in the 1950s, so musical snobbery against those who were its leading lights became unpleasantly raw. In recent years, however, with sensitive performances of hisfilm and concert music available on CD, this most appealing of composers has enjoyed something of a renaissance. In this long overdue reassessment, Alwyn's films are analysed and put into the context of his biography,the film industry, and of society at large: the author shows in particular this remarkably versatile composer developed a hitherto unrecognised grammar of film music which enhanced every film on which he worked. He also examines his work for war propaganda, radio, and the concert hall. The volume is enhanced by the most complete filmography, discography, and bibliography of the composer's works yet published, as well as listings of his concert and radio music. |
| regal cinema sheffield: The Beatles Day by Day Mark Lewisohn, 1990 Here is the perfect quick-reference guide to the Beatles' career, impeccably researched and written by the world's pre-eminent authority on the Beatles, Mark Lewisohn, author of the bestselling The Beatles: Recording Sessions. Photographs. |
| regal cinema sheffield: Day Kenneth Goldsmith, 2003 Poetry. I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page. With these words, Kenneth Goldsmith embarked upon a project which he termed uncreative writing, that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. When I reach 40, I hope to have cleansed myself of all creativity-Kenneth Goldsmith. |
| regal cinema sheffield: The Word , 1943 |
| regal cinema sheffield: Motion Picture Herald , 1957 |
| regal cinema sheffield: The Beatles Book Hunter Davies, 2016-09-01 Hunter Davies, the only ever authorised biographer of the group, has produced the essential Beatles guide. Divided into four sections – People, Songs, Places and Broadcast and Cinema – it covers all elements of the band’s history and vividly brings to live every influence that shaped them. Illustrated with material from Hunter's remarkable private collection of artefacts and memorabilia, this is the definitive Beatles treasure. |
| regal cinema sheffield: International Projectionist , 1936 |
| regal cinema sheffield: The Furnishing World , 1937 |
| regal cinema sheffield: Better Dancing Courtenay Castle, |
| regal cinema sheffield: The Amateur Theatre and Playwrights' Journal , 1937 |
| regal cinema sheffield: Muse, Odalisque, Handmaiden Rose Simpson, 2021-02-23 A memoir by a member of the Incredible String Band that charts a journey from hippie utopia to post-Woodstock implosion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of Swinging London and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world. |
| regal cinema sheffield: Popular Filmgoing in 1930s Britain John Sedgwick, 2000 In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences. |
| regal cinema sheffield: The Beatles Diary Volume 1: The Beatles Years Barry Miles, 2009-10-27 An intimate day-by-day history of all four Beatles from childhood to the break-up of the group. All the concerts...film, TV and radio appearances...interviews, hushed-up scandals, the sex and the drugs...the triumphs and quarrels...and all the Beatles-related births, marriages and deaths. Essential reading for anyone interested in rock's most influential phenomenon of all time. |
| regal cinema sheffield: Los Beatles día a día Barry Miles, 2003 |
| regal cinema sheffield: Index of Trademarks Issued from the United States Patent and Trademark Office , 1997 |
| regal cinema sheffield: International Motion Picture Almanac Terry Ramsaye, 1992 |
| regal cinema sheffield: The Electrical Review , 1954 |
| regal cinema sheffield: Telegraphic Journal and Monthly Illustrated Review of Electrical Science , 1954 |
| regal cinema sheffield: The History of Live Music in Britain, Volume I: 1950-1967 Simon Frith, Matt Brennan, Martin Cloonan, Emma Webster, 2016-03-09 The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history. |
| regal cinema sheffield: Black Music & Jazz Review , 1979-04 |
| regal cinema sheffield: Predicasts F & S Index United States , 1996 A comprehensive index to company and industry information in business journals |
| regal cinema sheffield: Reelin' in the Years Mark Radcliffe, 2011-05-12 When Mark Radcliffe was born in the late 1950s, Britain was trying to find its own version of the dangerously sexy Elvis … we gave the world Cliff Richard but by the time Mark was old enough to recognise pop songs on the radio, the UK was exploding into the world's most exciting place to be for a young music fan. In this, his eagerly awaited new book, Mark Radcliffe takes a record from each year of his life, using the song as a starting point from which to reach out and pull together a wonderfully entertaining catalogue of memories and asides about British culture. And, as one would expect from this unique and popular broadcaster, the tunes he lists are not the usual suspects. From The Kinks' 'See My Friends', through Slade's 'Coz I Luv You' to Kraftwerk's 'Europe Endless' and Joy Division's 'Atmosphere', Mark's selections bring forth a diverse collision of styles from eras uniquely defined by their musical genres and fashions. Bringing his choices right up to the present day, we see the inclusion of artists such as Richard Hawley, Elbow and Fleet Foxes. Mark's hugely entertaining and affectionate trawl through his favourite music of the past 50 years is guaranteed to surprise and delight his many fans. |
| regal cinema sheffield: To-day's Cinema News and Property Gazette , 1955 |
| regal cinema sheffield: Journal and Proceedings , 1944 |
| regal cinema sheffield: The Broadcaster, Electrical & Wireless Retailer , 1929 |
| regal cinema sheffield: The London Gazette , 1921 |
| regal cinema sheffield: A History of the County of York, East Riding: The borough and liberties of Beverley Keith John Allison, 1969 |
| regal cinema sheffield: Continental Film Review , 1953 |
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