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| robert smithson biography: Robert Smithson Robert Smithson, 200? |
| robert smithson biography: Robert Smithson Ann Reynolds, 2004-10-01 An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life—magazines, postcards from other artists, notebooks, and perhaps most important, his library—from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds's analysis is Smithson's fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again—alone and with fellow artists—to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was elsewhere; but for Smithson, elsewheres were the defining, if often forgotten, locations on the map of contemporary culture. |
| robert smithson biography: Allan Kaprow, Robert Smithson, and the Limits to Art Philip Ursprung, Fiona Elliott, 2013-05-10 This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art--both what it is and where it is. Ursprung provides a sophisticated yet accessible analysis, placing the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits. |
| robert smithson biography: Robert Smithson Robert Smithson, Ingrid Commandeur, Trudy van Riemsdijk-Zandee, Anja Maria Novak, 2012 Robert Smithson, who achieved cult status in the international art scene during the 1960s and 1970s, continues to generate great interest among artists and curators to this day. This book brings together a complete selection of archival material related to the work - ranging from photographs, film scripts and drawings to original manuscripts and letters - spread over different archives in the Netherlands and the US. |
| robert smithson biography: Inside the Spiral Suzaan Boettger, 2023-02-21 An expansive and revelatory study of Robert Smithson's life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson's story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jetty and beyond, to the circumstances leading to what became his final work, Amarillo Ramp. While Smithson is widely known for his monumental earthwork at the edge of the Great Salt Lake, Inside the Spiral delves into the arc of his artistic production, recognizing it as a response to his family's history of loss, which prompted his birth and shaped his strange intelligence. Smithson configured his personal conflicts within painterly depictions of Christ's passion, the rhetoric of science fiction, imagery from occult systems, and the impersonal posture of conceptual sculpture. Aiming to achieve renown, he veiled his personal passions and transmuted his professional persona, becoming an acclaimed innovator and fierce voice in the New York art scene. Featuring copious illustrations never before published of early work that eluded Smithson's destruction, as well as photographs of Smithson and his wife, the noted sculptor Nancy Holt, and recollections from nearly all those who knew him throughout his life, Inside the Spiral offers unprecedented insight into the hidden impulses of one of modern art's most enigmatic figures. With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson's iconic art pilgrimage site and the experiences and works that brought him to its peculiar blood red water. |
| robert smithson biography: Nancy Holt Alena J. Williams, Pamela M. Lee, 2015-07-21 Newly available in paperback, this landmark volume is the definitive study of the work of visionary American artist Nancy Holt (1938–2014). Since the late 1960s, Holt’s wide-ranging production has included Land art—particularly the monumental Sun Tunnels (1973–76)—as well as significant projects in sculpture, installation, photography, film, and video. A comprehensive representation of Holt’s working process in both word and image, Alena J. Williams’s momentous publication illuminates the artist’s interest in physical space and reveals how the geographic variety and boundlessness of the American landscape afforded her numerous opportunities to develop large-scale projects beyond the confines of New York City’s gallery walls. Contributions by a distinguished group of writers—including Pamela M. Lee, Lucy R. Lippard, Ines Schaber, and Matthew Coolidge—chart Holt’s fascinating trajectory from her initial experiments with sound, light, and industrial materials to major site interventions and environmental sculpture. James Meyer’s valuable interview with Holt and Julia Alderson’s illustrated chronology expand our knowledge of this groundbreaking artist and the crucial contexts in which she worked. More than twenty original writings by the artist and a rare selection of her concrete poetry, documentary photographs, and preparatory drawings reveal Holt’s revolutionary concepts of space, time, optics, and scale. |
| robert smithson biography: Earthworks Suzaan Boettger, 2002 A comprehensive history of the Earthworks movement provides an in-depth analysis of the forms that initiated Land Art, profiling top contributors and achievements within a context of the social and political climate of the 1960s, and noting the form's relationship to ecological movements. (Fine Arts) |
| robert smithson biography: Mirror-travels Jennifer L. Roberts, Robert Smithson, 2004 Offering a critical analysis of Smithson's view of time, it provides comprehensive case studies of three of his most influential projects: The Monuments of Passaic, a sardonic tour of a decaying New Jersey city conducted in the wake of the passage of the National Historic Preservation Act; Incidents of Mirror-Travel in the Yucatan, a textual-sculptural-photographic travelogue that coincided with a series of revolutionary discoveries about Maya history; and the Spiral Jetty.--BOOK JACKET. |
| robert smithson biography: Robert Smithson--sculpture Robert Carleton Hobbs, 1981 Serves as a record of Smithson's known three-dimensional works ... strikingly illustrated with color plates and more than 225 black and white illustrations--Dustjacket. |
| robert smithson biography: Robert Smithson Unearthed Eugenie Tsai, Robert Smithson, 1991 Robert Smithson Unearthed: Drawings, Collages, Writings, the first full survey of this artist's work, reevaluates its larger resonance and its place in the historical development of recent art. Eugenie Tsai's re-presentation of the work of Smithson expands our understanding of his achievement. Looking beyond the Minimalist structures and the earthworks for which she is best known, she explores his intellectual and aesthetic roots, his early imaginings, and discovers a richer range of personal affect in Smithson's art than we had been led to expect. |
| robert smithson biography: Inside the Spiral Suzaan Boettger, 2023-04-11 An expansive and revelatory study of Robert Smithson’s life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson’s story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jetty and beyond, to the circumstances leading to what became his final work, Amarillo Ramp. While Smithson is widely known for his monumental earthwork at the edge of the Great Salt Lake, Inside the Spiral delves into the arc of his artistic production, recognizing it as a response to his family’s history of loss, which prompted his birth and shaped his strange intelligence. Smithson configured his personal conflicts within painterly depictions of Christ’s passion, the rhetoric of science fiction, imagery from occult systems, and the impersonal posture of conceptual sculpture. Aiming to achieve renown, he veiled his personal passions and transmuted his professional persona, becoming an acclaimed innovator and fierce voice in the New York art scene. Featuring copious illustrations never before published of early work that eluded Smithson’s destruction, as well as photographs of Smithson and his wife, the noted sculptor Nancy Holt, and recollections from nearly all those who knew him throughout his life, Inside the Spiral offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson’s iconic art pilgrimage site and the experiences and works that brought him to its peculiar blood red water. |
| robert smithson biography: The Spirit of Secular Art Robert Nelson, 2007 THE SPIRIT OF SECULAR ART explains the spiritual prestige of art. Various theorists have discussed how art has an aura or indefinable magic. This book explains how, when and why it gained its spiritual properties. The idea that all art is somehow spiritual (even though not religious) is often assumed; this book, while narrating the historical trajectory of art in the most accessible language, reveals how the mysteries of religious practice are abstracted and saved through all stages of secularisation in European culture. THE SPIRIT OF SECULAR ART presents a coherent theory defining the sacred basis of Western aesthetics. It evocatively describes the afterlife of the holy from Ancient Greece to the present, and outlines how the mysterious institution of art can be explained in material terms. Unlike other books in the genre, THE SPIRIT OF SECULAR ART radically deconstructs traditional art history in terms of 'prestige' and the value of the non-material. The book functions as: an alternative critical history of art, integrated with the histories of literature and belief; a philosophical essay on the fundamental values of art and religion; and a critique of the spiritual conceits of contemporary aesthetics and art appreciation. |
| robert smithson biography: Spiral Jetta Erin Hogan, 2008-11-15 Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey. A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some. “I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New YorkTimes Book Review “The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic “Smart and unexpectedly hilarious.”—Kevin Nance, ChicagoSun-Times “One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, ChicagoTribune “Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker |
| robert smithson biography: Site-specific Art Nick Kaye, 2000 This text traces the historical antecedents of installation and performance art, while also assembling a documentation of contemporary practice around the world. It provides individual analyses of the themes of space, materials, site and frames. |
| robert smithson biography: Georgia O'Keeffe's Wartime Texas Letters Amy Von Lintel, 2020-04-30 In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. |
| robert smithson biography: Chronophobia Pamela M. Lee, 2006-02-17 An examination of the pervasive anxiety about and fixation with time seen in 1960s art. In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called not being entitled to time. This anxiety and uneasiness about time, which Pamela Lee calls chronophobia, cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology. Lee discusses the chronophobia of art relative to the emergence of the Information Age in postwar culture. The accompanying rapid technological transformations, including the advent of computers and automation processes, produced for many an acute sense of historical unknowing; the seemingly accelerated pace of life began to outstrip any attempts to make sense of the present. Lee sees the attitude of 1960s art to time as a historical prelude to our current fixation on time and speed within digital culture. Reflecting upon the 1960s cultural anxiety about temporality, she argues, helps us historicize our current relation to technology and time. After an introductory framing of terms, Lee discusses such topics as presentness with repect to the interest in systems theory in 1960s art; kinetic sculpture and new forms of global media; the temporality of the body and the spatialization of the visual image in the paintings of Bridget Riley and the performance art of Carolee Schneemann; Robert Smithson's interest in seriality and futurity, considered in light of his reading of George Kubler's important work The Shape of Time: Remarks on the History of Things and Norbert Wiener's discussion of cybernetics; and the endless belaboring of the present in sixties art, as seen in Warhol's Empire and the work of On Kawara. |
| robert smithson biography: Art and Nature in the Anthropocene Susan Ballard, 2021-03-17 This book examines how contemporary artists have engaged with histories of nature, geology, and extinction within the context of the changing planet. Susan Ballard describes how artists challenge the categories of animal, mineral, and vegetable—turning to a multispecies order of relations that opens up a new vision of what it means to live within the Anthropocene. Considering the work of a broad range of artists including Francisco de Goya, J. M. W. Turner, Robert Smithson, Nancy Holt, Yhonnie Scarce, Joyce Campbell, Lisa Reihana, Katie Paterson, Taryn Simon, Susan Norrie, Moon Kyungwon and Jeon Joonho, Ken + Julia Yonetani, David Haines and Joyce Hinterding, Angela Tiatia, and Hito Steyerl and with a particular focus on artists from Australia and Aotearoa New Zealand, this book reveals the emergence of a planetary aesthetics that challenges fixed concepts of nature in the Anthropocene. The book will be of interest to scholars working in art history, visual culture, narrative nonfiction, digital and media art, and the environmental humanities. |
| robert smithson biography: Who Owns America's Past? Robert C. Post, 2013-10-15 When preserving our history, what do we choose to value, why, and who decides? Honorable Mention for the National Council on Public History Book Award of the National Council on Public History In 1994, when the National Air and Space Museum announced plans to display the Enola Gay, the B-29 sent to destroy Hiroshima with an atomic bomb, the ensuing political uproar caught the museum's parent Smithsonian Institution entirely unprepared. As the largest such complex in the world, the Smithsonian cares for millions of objects and has displayed everything from George Washington's sword to moon rocks to Dorothy’s ruby slippers from The Wizard of Oz. Why did this particular object arouse such controversy? From an insider’s perspective, Robert C. Post’s Who Owns America’s Past? offers insight into the politics of display and the interpretation of history. Never before has a book about the Smithsonian detailed the recent and dramatic shift from collection-driven shows, with artifacts meant to speak for themselves, to concept-driven exhibitions, in which objects aim to tell a story, displayed like illustrations in a book. Even more recently, the trend is to show artifacts along with props, sound effects, and interactive elements in order to create an immersive environment. Rather than looking at history, visitors are invited to experience it. Who Owns America’s Past? examines the different ways that the Smithsonian’s exhibitions have been conceived and designed—whether to educate visitors, celebrate an important historical moment, or satisfy donor demands or partisan agendas. Combining information from hitherto-untapped archival sources, extensive interviews, a thorough review of the secondary literature, and considerable personal experience, Post gives the reader a behind-the-scenes view of disputes among curators, academics, and stakeholders that were sometimes private and at other times burst into headline news. |
| robert smithson biography: Robert Smithson Biography , 1988 |
| robert smithson biography: Robert Herman Robert Herman, 2013 The New Yorkers is a glorious look at a city bursting with colour and life. It is a body of work full of frozen moments, serendipity and reflection. Through Robert Herman s work we recognise the New York we knew and the New York we still know today. His street photography freezes people and places in this city at decisive moments, with spontaneity and authenticity. In this book the city waves at us, looks us right in the eye and brushes past us, without seeing. It layers images upon images like the best graffiti -- always renewing and reforming itself. Features a Foreword by Sean Corocoran, Curator of Prints and Photographs, Museum of the City of New York and an Essay by Stella Kramer, Pulitzer Prize Winning Photo Editor. |
| robert smithson biography: Artists Reclaim the Commons Glenn Harper, Twylene Moyer, 2013 Percent-for-art commissions may represent the official, professionalized face of public art, but beyond the plaza--in neighborhoods, back streets, vacant lots, suburban hinterlands, rural villages, and remote virtual realms--another kind of art has been taking shape, one that questions the very nature and experience of the commons. Driven by artists, curators, and nonprofit organizations, these independent projects treat public space as more than an outdoor gallery. Whether temporary or permanent, guerrilla or sanctioned, object or action, such works invite us to imagine alternative ways of seeing and being while opening up new possibilities for individual and collective consciousness. When we enter its domain, public space becomes a site of resistance, a stage on which to enact experimental scenarios, and a catalyst for action--a place of both art and life. Twylene Moyer and Glenn Harper are the editors of four previous volumes in the Perspectives on Contemporary Sculpture series. |
| robert smithson biography: Milton Avery Robert Carleton Hobbs, 1990 Milton Avery chronicles the work of an artist who, although he did not become a serious, full-time painter until after he moved to New York at the age of 40, managed to carve out a unique position for himself in the art world over the next thirty-five years. A friend and colleague of the Abstract Expressionists who nevertheless maintained his commitment to representation, Avery was enormously important to several succeeding generations of artists and produced some of the most resonant and beloved images in American art history. Avery's work reflects the concerns he shared with the pioneer French modernists including Matisse, Dufy, and Picasso: saturated colour in distinctly new combinations and an interest in retaining the two-dimensional character of the canvas. The combination allowed him to create a distinctly American brand of modernism. AUTHOR: Robert Hobbs is an art historian who has taught at Yale and Cornell Universities. He is also the author of monographs on Robert Smithson and Edward Hopper. Hilton Kramer is a former critic of The New York Observer and former chief art critic of The New York Times. SELLING POINTS: The highly anticipated reprint of the artist's monograph that is still is considered the most comprehensive presentation of Avery's work Included are many unfamiliar pieces, in oversize colour plates that range in date from the early 1920s to 1963 A detailed chronology of the artist's life is included and rounding out the volume are essays that explore Avery's career in detail, from the importance of Avery's wife Sally Michel, to the interaction--personal, artistic, and political--between him and his Abstract Expressionist colleagues 120 colour & 38 b/w illustrations |
| robert smithson biography: Robert Moses and the Modern City Hilary Ballon, Kenneth T Jackson, 2007-02-20 A fresh look at the greatest builder in the history of New York City and one of its most controversial figures. “We are rebuilding New York, not dispersing and abandoning it”: Robert Moses saw himself on a rescue mission to save the city from obsolescence, decentralization, and decline. His vast building program aimed to modernize urban infrastructure, expand the public realm with extensive recreational facilities, remove blight, and make the city more livable for the middle class. This book offers a fresh look at the physical transformation of New York during Moses’s nearly forty-year reign over city building from 1934 to 1968. It is hard to imagine that anyone will ever have the same impact on New York as did Robert Moses. In his various roles in city and state government, he reshaped the fabric of the city, and his legacy continues to touch the lives of all New Yorkers. Revered for most of his life, he is now one of the most controversial figures in the city’s history. Robert Moses and the Modern City is the first major publication devoted to him since Robert Caro’s damning 1974 biography, The Power Broker: Robert Moses and the Fall of New York. In these pages eight short essays by leading scholars of urban history provide a revised perspective; stunning new photographs offer the first visual record of Moses’s far-reaching building program as it stands today; and a comprehensive catalog of his works is illustrated with a wealth of archival records: photographs of buildings, neighborhoods, and landscapes, of parks, pools, and playgrounds, of demolished neighborhoods and replacement housing and urban renewal projects, of bridges and highways; renderings of rejected designs and controversial projects that were defeated; and views of spectacular models that have not been seen since Moses made them for promotional purposes.Robert Moses and the Modern City captures research undertaken in the last three decades and will stimulate a new round of debate. Robert Moses and the Modern City captures research undertaken in the last three decades and will stimulate a new round of debate. |
| robert smithson biography: Land Art Michael Lailach, 2007 'Land Art' includes a detailed introduction as well as a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period. It contains a selection of the most important works of the epoch. |
| robert smithson biography: Land Art Ben Tufnell, 2006 A chronology of many histories of Land art, this title begins with the early American masters of the movement, including Robert Smithson, Michael Heizer, Walter De Maria, and James Turrell. While making a thorough study these figures, the author explores the contribution of many key figures such as Richard Long, Jamish Fulton, Giuseppe Penone, Joseph Beuys and Ana Mendieta. |
| robert smithson biography: Ethics and the Visual Arts Elaine A. King, Gail Levin, 2006-09 'Ethics and the Visual Arts' offers insights on matters as far ranging as art and censorship, cultural globalization, the effect of the Internet on art and artists, and the ethics and role of new media. |
| robert smithson biography: Day of the Artist Linda Patricia Cleary, 2015-07-14 One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy! |
| robert smithson biography: Passages in Modern Sculpture Rosalind E. Krauss, 1981-02-26 Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present. |
| robert smithson biography: Pictures of Nothing Kirk Varnedoe, 2006-10-29 He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. |
| robert smithson biography: Creative Legacies Kathy Battista, Bryan Faller, 2020 Creative Legacies is an in-depth guide to practical, legal, and financial considerations and best-practice for artists' estates. Beyond simply offering advice for effective legacy management, the book seeks a nuanced investigation of specific topics relevant to artists' legacy. What is an artist's legacy? Should artists' estates be maintained in perpetuity or permitted to sunset? How do younger artists engage with estate planning today? How do we ensure the legacies of jewelers, architects, and artists working with ephemeral materials or whose work is entirely site-specific? For all artists and their estates, art-market professionals and students of the art market, Creative Legacies offers vital answers to these fascinating and often complex questions of artistic legacy. |
| robert smithson biography: Conversations about Sculpture Richard Serra, Hal Foster, 2018-11-27 “The rhythm of the body moving through space has been the motivating source of most of my work.”—Richard Serra Drawn from talks between celebrated artist Richard Serra and acclaimed art historian Hal Foster held over a fifteen-year period, this volume offers revelations into Serra’s prolific six-decade career and the ideas that have informed his working practice. Conversations about Sculpture is both an intimate look at Serra’s life and work, with candid reflections on personal moments of discovery, and a provocative examination of sculptural form from antiquity to today. Serra and Foster explore such subjects as the artist’s work in steel mills as a young man; the impact of music, dance, and architecture on his art; the importance of materiality and site specificity to his aesthetic; the controversies and contradictions his work has faced; and his belief in sculpture as experience. They also discuss sources of inspiration—from Donatello and Brancusi to Japanese gardens and Machu Picchu—revealing a history of sculpture across time and culture through the eyes of one of the medium’s most brilliant figures. Introduced with an insightful preface by Foster, this probing dialogue is beautifully illustrated with duotone images that bring to life both Serra's work and his key commitments. |
| robert smithson biography: Tony Smith Tony Smith, Robert Storr, 2003 Drawn from a critical period of Tony Smith's career, when the artist lived in Germany from 1953-55, the Louisenberg series is named after a German geological site. Containing paintings and drawings based on an abstract grid composed of circles--some self-contained, others fused into peanut-shaped groups of two or more--the work's modular approach reflects Smith's architectural ideas and prefigures his familiar sculptural methods. |
| robert smithson biography: New Art in the 60s and 70s Anne Rorimer, 2001 Provides a richly illustrated study of developments in conceptual art during the late 1960s and 1970s, describing the use of alternative media and procedures, examining the cultural, political, and social context of the art, and analyzing the work of Sol LeWitt, Bruce Nauman, Robert Smithson, Eleonor Antin, Jasper Johns, Robert Rauschenberg, and other notable artists. |
| robert smithson biography: Destination Art Amy Dempsey, 2006 Lucidly written, beautifully illustrated, and accompanied by practical details, Amy Dempsey's book can be studied at home by readers who dream wistfully of traveling to one or more of these Destination Art sites, or by travelers, who, volume in hand, have just arrived triumphantly to experience them firsthand.--Moira Roth, author of Traveling Companions/Fractured Worlds |
| robert smithson biography: 112 Greene Street , 2012-07-31 112 Greene Street was more than a physical space—it was a locus of energy and ideas that with a combination of genius and chance had a profound impact on the trajectory of contemporary art...its permeable walls became the center of an artistic community that challenged the traditional role of the artist, the gallery, the performer, the audience, and the work of art. — Jessamyn Fiore 112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark, and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. 112 Greene Street: The Early Years (1970–1974) is the culmination of an exhibition by the same name that was on view at David Zwirner in New York in 2011. This extensively researched and historically important book brings together a number of works that were exhibited at the seminal space (including works by Gordon Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret, and Richard Serra); extensive interviews with many of the artists involved in the space; a fascinating timeline of all the activity at 112 Greene Street in the early years; and installation views of the 2011 exhibition. The interviews in the book have been prepared by the exhibition’s curator, Jessamyn Fiore, and Louise Sørensen, Head of Research at David Zwirner, has contributed an introductory text that illuminates the space’s significance and critical reception during the prime years of its operation, as well as commentary on individual works in the show. |
| robert smithson biography: Mirror-travels Jennifer L. Roberts, 2004 Robert Smithson (1938-1973), an artist of paramount importance in postwar America, created radical new perspectives for landscape architecture, photography, art criticism, and site-specific installation. His Spiral Jetty-- a 1,500-foot-long coil of rock built in 1970 at the edge of the Great Salt Lake-- is widely appreciated as one of the most significant art projects of the twentieth century. Less well known is the connection between the Jetty and the nearby Golden Spike National Historic Site, location of the completion of the first U.S. transcontinental railroad. The link between these two monuments is but one facet of an entire complex of historical reference and reflection that structures Smithson's work. close analysis of the artist's working model of history and featuring comprehensive case studies of three of his most influential works: The Monuments of Passaic, Incidents of Mirror-Travel in the Yucatan, and the Spiral Jetty. Incorporating abundant new material from Smithson's personal papers and library, Jennifer Roberts offers surprising new interpretations about the artist and his responses to the social, ideological, and material contradictions of his time--Publisher's description. |
| robert smithson biography: Nature Jeffrey Kastner, 2012 This anthology considers how the rise of transdisciplinary practices in the post-war era allowed for new kinds of artistic engagement with nature. It provides an overview of the eclectic scientific and philosophical sources that inform contemporary art's investigations of nature. |
| robert smithson biography: Robert Smithson, Land Art, and Speculative Realities Rory O'Dea, 2023-10-23 This book explores the ways Robert Smithson’s art revealed and defamiliarized the constructs of rational reality in order to allow radically speculative alternatives to emerge. In this way, his art is conceived as a true fiction that eradicates a false reality. By tracing the web of correspondences between Smithson and science fictional, speculative and mystical modes of thought, Rory O’Dea explores the aesthetic encounters engendered by his art as a means to warp the contours of reality and loosen the boundaries of being human. Given the current and impending catastrophes of the Anthropocene, which represents the ever-expanding planetary shadow cast by humanism, the possibility of being other-than-human posited by Smithson’s art is a matter of urgent concern. The book will be of interest to scholars working in art history, contemporary art, American studies and environmental humanities. |
| robert smithson biography: Rodney Smith Photographs Rodney Smith, 2020-10-13 In the tradition of Richard Avedon and Irving Penn, Rodney Smith has a signature, timeless style. This dazzling collection, now in paperback and with a framable print, celebrates 50 years of Smith's photography. Rodney Smith bridges the gap between commercial photography and art, between the real world we live in and the artist's world of the imagination. His images--silhouettes and skylines, a man in a hat, elegant women in lush gardens--are by now familiar to us. Rodney Smith Photographs presents the man behind the photographs. A selection of pictures spanning four decades, organized thematically, stand alongside personal reflections drawn from Smith's popular blog. It reveals that the photographer's signature style is the product of his unusual background, his unique perspective, and his many years of self-analysis: in short, Smith's photographs are also pictures of their creator. |
| robert smithson biography: Robert Smithson Robert Smithson, Eugenie Tsai, Cornelia H. Butler, Thomas E. Crow, Alexander Alberro, Museum of Contemporary Art (Los Angeles, Calif.), Moira Roth, Whitney Museum of American Art, 2004 This catalogue is the major study of Smithson (1938-1973), who is most renowned as an early earthworks artist and creator of Spiral Jetty, a 1,500-foot rock coil dramatically situated in the Great Salt Lake. |
Robert - Wikipedia
The name Robert is an ancient Germanic given name, from Proto-Germanic *Hrōþi- "fame" and *berhta- "bright" (Hrōþiberhtaz). [1] . Compare Old Dutch Robrecht and Old High German …
Meaning, origin and history of the name Robert
Oct 6, 2024 · From the Germanic name Hrodebert meaning "bright fame", derived from the elements hruod "fame" and beraht "bright". The Normans introduced this name to Britain, …
Robert: Name Meaning, Origin, Popularity - Parents
5 days ago · Robert is an old German name that means “bright fame.” It’s taken from the old German name Hrodebert. The name is made up of two elements: hrod which means "fame" …
Robert Kincaid (58) Great Falls, VA (270)723-7853
Apr 28, 2015 · Robert T Kincaid is 58 years old and was born in March of 1967. Currently Robert lives at the address 1098 Mccue Ct, Great Falls VA 22066. Robert has lived at this Great Falls, …
Robert: meaning, origin, and significance explained
Meaning: The name Robert is of English origin and carries the meaning of “Bright Fame.” It is a classic and timeless name that has been popular for centuries. Those named Robert are often …
Robert North in Virginia 11 people found - Whitepages
Find Robert's current address in Virginia, phone number and email. Contact information for people named Robert North found in Great Falls, Abingdon, Arlington and 6 other U.S. cities in VA, …
Robert - Name Meaning and Origin
The name Robert is of Germanic origin and is derived from the elements "hrod," meaning "fame," and "beraht," meaning "bright." It carries the meaning of "bright fame" or "famous one." Robert …
Robert Knieriem - Advisory, Integration Sales Architect - LinkedIn
Over a decade of working in high-performing entrepreneurial, defense and enterprise sales teams. Interested in products that sit at the intersection of technical...
Robert Wilson Mobley, AIA
Welcome to the web site of an architect who loves designing architecture of all types - particularly houses and changes to houses. I hope this site gives you a glimpse of my passion and love for …
Robert Name: Origin, Popularity, Hebrew, Biblical, & Spiritual …
Nov 15, 2023 · Robert offers a compelling combination of historical significance, distinguished origins, and widespread recognition. Its meaning of “bright fame” speaks to the potential for …
Robert - Wikipedia
The name Robert is an ancient Germanic given name, from Proto-Germanic *Hrōþi- "fame" and *berhta- "bright" (Hrōþiberhtaz). [1] . Compare Old Dutch Robrecht and Old High German …
Meaning, origin and history of the name Robert
Oct 6, 2024 · From the Germanic name Hrodebert meaning "bright fame", derived from the elements hruod "fame" and beraht "bright". The Normans introduced this name to Britain, …
Robert: Name Meaning, Origin, Popularity - Parents
5 days ago · Robert is an old German name that means “bright fame.” It’s taken from the old German name Hrodebert. The name is made up of two elements: hrod which means "fame" …
Robert Kincaid (58) Great Falls, VA (270)723-7853
Apr 28, 2015 · Robert T Kincaid is 58 years old and was born in March of 1967. Currently Robert lives at the address 1098 Mccue Ct, Great Falls VA 22066. Robert has lived at this Great Falls, …
Robert: meaning, origin, and significance explained
Meaning: The name Robert is of English origin and carries the meaning of “Bright Fame.” It is a classic and timeless name that has been popular for centuries. Those named Robert are often …
Robert North in Virginia 11 people found - Whitepages
Find Robert's current address in Virginia, phone number and email. Contact information for people named Robert North found in Great Falls, Abingdon, Arlington and 6 other U.S. cities in VA, …
Robert - Name Meaning and Origin
The name Robert is of Germanic origin and is derived from the elements "hrod," meaning "fame," and "beraht," meaning "bright." It carries the meaning of "bright fame" or "famous one." Robert …
Robert Knieriem - Advisory, Integration Sales Architect - LinkedIn
Over a decade of working in high-performing entrepreneurial, defense and enterprise sales teams. Interested in products that sit at the intersection of technical...
Robert Wilson Mobley, AIA
Welcome to the web site of an architect who loves designing architecture of all types - particularly houses and changes to houses. I hope this site gives you a glimpse of my passion and love for …
Robert Name: Origin, Popularity, Hebrew, Biblical, & Spiritual …
Nov 15, 2023 · Robert offers a compelling combination of historical significance, distinguished origins, and widespread recognition. Its meaning of “bright fame” speaks to the potential for …
