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| rocky horror picture show monster: The Rocky Horror Show Richard O'Brien, 1983 Rock Musical Characters: 7 males, 3 females Scenery: Interior That sweet transvestite and his motley crew did the time warp on Broadway in a 25th anniversary revival. Complete with sass from the audience, cascading toilet paper and an array of other audience participation props, this deliberately kitschy rock 'n' roll sci fi gothic is more fun than ever. A socko wacko weirdo rock concert.-WNBC TV. A musical that deals with mutating identity and time warps becomes one of the most mutated, time warped phenomena in show business.-N.Y. Times. Campy trash.-Time. |
| rocky horror picture show monster: Creatures of the Night Sal Piro, 2014-07-17 Sal Piro, President of the International Rocky Horror Picture Show Fan Club looks at the first 15 years of The Rocky Horror Picture Show fandom and how the quirky film became an international phenomena. This edition presents in its entirety, the original book from 1990 (Stabur) with all the pictures and narratives from the beginning to the celebration of the 15th Anniversary. Time was...and is...fleeting...come, join in.... |
| rocky horror picture show monster: Horror Show Greg Kihn, 2015-08-18 A Bram Stoker Award finalist for Best First Novel: This endlessly inventive thriller pays homage to 1950s Hollywood horror films—with a demonic twist Schlock horror director Landis Woodley lives in a decaying mansion in the Hollywood Hills. When he abandoned the movie business—after being reduced to filming skin flicks and peep shows—he also left a laundry list of enemies, including the IRS. But avid fan Clint Stockbern is determined to write a piece on the alcoholic recluse for Monster magazine. Woodley agrees to the interview—for $600 in cash. As the tape recorder starts rolling, Stockbern travels back in time with Woodley. He hears recollections of Attack of the Haunted Saucer, the worst movie of all time, and Blood Ghouls of Malibu. But he really wants to know about Woodley’s masterpiece, Cadaver. Shot on location in the Los Angeles County morgue, the film was rumored to have used real corpses and everyone associated with the production has been fatally haunted since its 1957 release. But the truth is far more terrifying than Stockbern imagined. Is a dead Satanist, possessed by the devil, reaching out beyond the grave? Or is the reporter the final victim in a diabolical scheme dreamed up by mortals? Horror Show is a wild and wacky romp that sends up mid-century Hollywood horror movies and schlockmeisters Roger Corman, William Castle, and Ed Wood. |
| rocky horror picture show monster: Punk Slash! Musicals David Laderman, 2010-03-01 Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of slip-sync. Riffing on the commonplace lip-sync phenomenon, slip-sync refers to moments in the films when the punk performer slips out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture. |
| rocky horror picture show monster: Postmodernism and Film Catherine Constable, 2015-06-30 This volume focuses on postmodern film aesthetics and contemporary challenges to the aesthetic paradigms dominating analyses of Hollywood cinema. It explores conceptions of the classical, modernist, post-classical/new Hollywood, and their construction as linear history of style in which postmodernism forms a debatable final act. This history is challenged by using Jean-François Lyotard's non-linear conception of postmodernism in order to view postmodern aesthetics as a paradigm that can occur across the history of Hollywood. This study also explores 'nihilistic' theorists of the postmodern, Jean Baudrillard and Frederic Jameson, and 'affirmative' theorists, notably Linda Hutcheon, charting the ways in which the latter provide the means to conceptualize nuanced and positive variants of postmodern aesthetics and deploying them in the analysis of Hollywood films, including Bombshell, Sherlock Junior, and Kill Bill. |
| rocky horror picture show monster: The Rocky Horror Picture Show Jim Sharman, 2007 |
| rocky horror picture show monster: Science Fiction Double Feature J. P. Telotte, Gerald Duchovnay, 2015 Edited collection examining the relationship between science fiction and the formation of cult cinema. |
| rocky horror picture show monster: The Frankenstein Legend: a Tribute to Mary Shelley and Boris Karloff Donald F. Glut, 1973 Om Frankenstein-figuren på film, teater, TV og i litteraturen |
| rocky horror picture show monster: Literature Through Film Robert Stam, 2004-10-22 This lively and accessible textbook, written by an expert in film studies, provides a fascinating introduction to the process and art of literature-to-film adaptations. Provides a lively, rigorous, and clearly written account of key moments in the history of the novel from Don Quixote and Robinson Crusoe up to Lolita and One Hundred Years of Solitude Includes diversity of topics and titles, such as Fielding, Nabokov, and Cervantes in adaptations by Welles, Kubrick, and the French New Wave Emphasizes both the literary texts themselves and their varied transtextual film adaptations Examines numerous literary trends – from the self-conscious novel to magic realism – before exploring the cinematic impact of the movement Reinvigorates the field of adaptation studies by examining it through the grid of contemporary theory Brings novels and film adaptations into the age of multiculturalism, postcoloniality, and the Internet by reflecting on their contemporary relevance. |
| rocky horror picture show monster: The Gothic in the Movie the Rocky Horror Picture Show Anonym, 2013-08 Seminar paper from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Bonn (Anglistik), course: Gothic Fiction, language: English, abstract: 1. Introduction We encounter the term Gothic in a lot of domains. In history, the term is to be found referring to the East Germanic tribe called the Goths and in linguistics referring to their extinct language. It also relates to Gothic architecture, prevalent in Western Europe in the 12th to 16th century and its revival from the mid-18th to early 20th century, characterized by pointed arches, rib vaults, flying buttresses, large windows and elaborate tracery. It is also used as a reference to the gloomy and horrifying Dark Ages. Today we have a subculture which refers to oneself as Goths and their style as Gothic. In literature Horace Walpole's The Castle of Otranto from 1764 is assigned as the origin of Gothic in literature. From this time on, Gothic features can be found in many novels by different authors from continental Europe. It continued throughout different literary periods, be it Romanticism or the Victorian Age, and its elements and figures were used in novels, drama, poetry and short stories. Therefore, it is no wonder that its presence continued in the new media of the twentieth century like radio, television and movies. There are movie adaptations of Gothic writings as well as movies influenced by the Gothic and making use of its features. The cult movie The Rocky Horror Picture Show offers grotesque characters: the straps and makeup wearing Dr. Frank N. Furter, a 'sweet transvestite', his sun-tanned, flaxen-haired muscular creation Rocky, wearing golden underpants. A sinister and humped servant called Riff Raff and all the strange-looking people doing the 'Time Warp'. This and an innocent couple's strange adventure in an old and isolated mansion which is the home of the mysterious Dr. Frank N. Furter, tempt the spectator to see a Gothic influence in thi |
| rocky horror picture show monster: 150 Movies You Should Die Before You See Steve Miller, 2010-10-18 Sure, everyone's seen The Rocky Horror Picture Show, The Texas Chain Saw Massacre, and Attack of the Killer Tomatoes. But as you'll learn in this shockingly tasteless collection of great awful movies, there's so much more to the world of truly bad film. You'll dive into the steaming swamp of such disastrously delicious movies as: Young Hannah, Queen of the Vampires Puppet Master versus Demonic Toys Creature with the Atom Brain Cannibal Holocaust Jesus Christ, Vampire Hunter For each movie, film buff and reviewer Steve Miller includes a list of principal cast, director, producer, a plot overview, why the movie sucked, a rating, choice quotes, interesting trivia, and a quiz. For anyone who's ever enjoyed awful movies, this is the book to have on the couch, along with the popcorn, as the opening credits flash on the screen for Gingerdead Men 2: The Passion of the Crust. |
| rocky horror picture show monster: Skin Job Evan J. Peterson, 2012-08-01 Monsters, mutants and mad mayhem punctuate this poetic exploration of death and the deadly. Rarely has poetry been put to such ghastly use. The results are horrifyingly great. Jack Halberstam, author of Skin Shows: Gothic Horror and the Technology of Monsters and The Queer Art of Failure Those of you who have long suspected that Evan J. Peterson is the love child of Bette Davis and the Marquis de Sade will find your suspicions confirmed here. Shot in Hollywood and edited in a clammy French dungeon, Skin Job is part seduction, part coercion, all pure pleasure. David Kirby, author of Talking about Movies with Jesus and The Ha-Ha Skin Job is the opening salvo of the new wave of science fiction and horror poetry. Evan J. Peterson, horror poetry columnist, debuts his own first collection of horror and sci-fi poetry in this meditation on monstrosity. Stitching together such visceral inspirations as David Cronenberg, Allen Ginsberg, David Lynch, H. P. Lovecraft, Sylvia Plath, Oscar Wilde, and The Rocky Horror Picture Show, Skin Job raises the bar on so-called genre poetry. Now available from Minor Arcana Press, the poetry imprint of Squall Publishing. Find the book trailer, a short horror film, at the Minor Arcana Press website. |
| rocky horror picture show monster: Monster Cinema Barry Keith Grant, 2018-04-16 Monster Cinema introduces readers to a vast menagerie of movie monsters, from gigantic beasts to microscopic parasites, from grotesque demons to normal-looking serial killers. Film expert Barry Keith Grant considers what each type of movie monster might reveal about how we regard the natural, the supernatural, and the human. |
| rocky horror picture show monster: Monsters in the Closet Harry M. Benshoff, 1997-11-15 Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally monsterize) queer sexuality, and what the pleasures and costs of such representations might be both for individual spectators and culture at large. |
| rocky horror picture show monster: Scary Monsters Mark Duffett, Jon Hackett, 2021-01-14 Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture. |
| rocky horror picture show monster: Frankensteins Monster Cathleen Small, 2015-12-15 When Mary Wollstonecraft Shelley published Frankenstein in 1818, little did she suspect the monster of her tale would turn into one of the worlds most recognizable and classic horror creatures. There have been other examples of the monster Shelley invented in different cultures; however, her monster and its story have had a lasting impact on pop culture today. This book delves into the world of Shelley, the manifestations of the monster in different cultures around the world, and the effect of the monster on todays society. |
| rocky horror picture show monster: The Monster Theory Reader Jeffrey Andrew Weinstock, 2020-01-15 A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche. Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises. Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster. |
| rocky horror picture show monster: The Ultimate Book of Movie Monsters Christopher Carton, 2022-07-20 Do you believe in monsters? We dare you to take a look inside this cursed tome containing some of the most iconic and obscure monsters from the history of cinema. Cower in fear of Count Dracula and his dreaded children of the night. Abandon hope as the mightiest kaiju ever seen on film decimate all around them. Pray that silhouette at the end of your bed is just a shadow and not the dreaded Babadook. Spanning nearly a century of cinematic terrors, The Ultimate Book of Movie Monsters showcases creatures from genres such as horror, fantasy, B-movies and even musicals. Along with legendary beasts like Frankenstein’s monster, Godzilla, the Living Dead and the (mostly) friendly creatures of Monsters Inc., you’ll find film facts, creature strengths and weaknesses and over 150 full-color pictures of the monsters themselves. From the era of stop-motion beasties to the cinematic showdown of the century in Godzilla vs. Kong, film lovers and horror aficionados will find plenty to keep their lust for terror satiated. But beware, for the beasts that dwell within these forsaken pages may just keep you up all night. You have been warned... |
| rocky horror picture show monster: The Tell-Tale Heart Edgar Allan Poe, 2020-08-12 Ten tantalizing tales include The Fall of the House of Usher, William Wilson, The Pit and the Pendulum, The Cask of Amontillado, The Purloined Letter, The Murders in the Rue Morgue, more. |
| rocky horror picture show monster: Speaking of Monsters Caroline Joan S. Picart, John Edgar Browning, 2012-07-16 Employing a range of approaches to examine how monster-talk pervades not only popular culture but also public policy through film and other media, this book is a one-stop shop of sorts for students and instructors employing various approaches and media in the study of teratologies, or discourses of the monstrous. |
| rocky horror picture show monster: Abject Terrors Tony Magistrale, 2005 Abject Terrors is an expansive study of the most significant films from the prolific horror genre - from its origins in the 1920s and 1930s, to its contemporary representations. This survey brings together close analyses of individual motion pictures, demonstrating the interconnections among these filmic texts and their contribution to defining quintessential aspects of the modern and postmodern horror film. |
| rocky horror picture show monster: Playing with Fire (after Frankenstein) Barbara Field, 1989 THE STORY: As the play begins, an exhausted and dying Victor Frankenstein has finally tracked down his Creature in the lonely, frozen tundra of the North Pole. Determined to right the wrong he has committed by, at last, destroying the malignant evil he be |
| rocky horror picture show monster: The Mad Scientist’s Guide to Composition Jeffrey Andrew Weinstock, 2019-11-13 Considering the composition classroom as a mad scientist’s laboratory, The Mad Scientist’s Guide to Composition introduces different kinds of writing as experiments. Writing an essay is a task that can strike fear into a student’s heart, but performing an experiment licenses creativity and doesn’t presume that one knows the outcome from the start. The Mad Scientist’s Guide covers the kinds of writing most often required on college campuses, while also addressing important steps and activities frequently overlooked in composition guides, such as revision and peer reviewing. Actual examples of student writing are included throughout, as are helpful reminders and tips to help students polish their skills. Above all, the Mad Scientist’s Guide seeks to make writing fun. |
| rocky horror picture show monster: Monster Holidays Norman Bridwell, 1975-11 Contains advice to children on how to have more fun with their monsters on each holiday of the year. |
| rocky horror picture show monster: Beyond the Suburbs of the Mind Michael Gassenmeier, Norbert H. Platz, 1987 |
| rocky horror picture show monster: Psychedelic Renegades Mick Rock, 2007 When he passed permanently into the next dimension in 2006, Syd Barretts life had developed into something far more significant than he could ever have imagined. The man who turned his back on probable fame, fortune and the entire rock music scene over thirty years ago had become an involuntary legend. Was he a genius or just a madman? The definitive answer to this question will never be known. But Psychedelic Renegades goes a long way towards unraveling the enigma that was Syds personality. Mick Rocks extraordinary images and frank text expose a man with enormous natural charisma, whose moods could be dark and brooding as well as buoyant with madcap laughter. This superbly produced book covers the period 1969-71, and features the photo session in and around Syd's London flat that produced the cover for his first solo album, The Madcap Laughs; it also features images Mick shot for the now famous Rolling Stone interview in 1971, which became the last photos Syd ever posed for. |
| rocky horror picture show monster: Carrie Stephen King, 2011-08-30 #1 NEW YORK TIMES BESTSELLER • 50TH ANNIVERSARY EDITION WITH A NEW INTRODUCTION BY MARGARET ATWOOD • Stephen King's legendary debut, the bestselling smash hit that put him on the map as one of America's favorite writers • In a world where bullies rule, one girl holds a secret power. Unpopular and tormented, Carrie White's life takes a terrifying turn when her hidden abilities become a weapon of horror. Stephen King’s first novel changed the trajectory of horror fiction forever. Fifty years later, authors say it’s still challenging and guiding the genre. —Esquire “A master storyteller.” —The Los Angeles Times • “Guaranteed to chill you.” —The New York Times • Gory and horrifying. . . . You can't put it down. —Chicago Tribune Unpopular at school and subjected to her mother's religious fanaticism at home, Carrie White does not have it easy. But while she may be picked on by her classmates, she has a gift she's kept secret since she was a little girl: she can move things with her mind. Doors lock. Candles fall. Her ability has been both a power and a problem. And when she finds herself the recipient of a sudden act of kindness, Carrie feels like she's finally been given a chance to be normal. She hopes that the nightmare of her classmates' vicious taunts is over . . . but an unexpected and cruel prank turns her gift into a weapon of horror so destructive that the town may never recover. |
| rocky horror picture show monster: How to Survive a Horror Movie Seth Grahame-Smith, 2011-05-18 The screenwriter and producer behind Stephen King’s It shares a hilarious, tongue-in-cheek survival guide that celebrates iconic horror movies both past and present! THE PERFECT GIFT FOR HORROR MOVIE LOVERS: Features spooky illustrations, a list of 100 must-see horror films, and an introduction by Nightmare on Elm Street’s Wes Craven. Are you reading this in a cornfield, at a summer camp, or in an abandoned mental institution? Have you noticed that everything is poorly lit, or that music surges every time you open a door? If the answer is yes, you’re probably trapped in a horror movie. But don’t freak out—just read this book! With it you will learn how to overcome every obstacle found in scary films, including: • How to determine what type of horror film you’re trapped in • The five types of slashers and how to defeat them • How to handle killer dolls, murderous automobiles, and other haunted objects • How to deal with alien invasions, zombie apocalypses, and other global threats • What to do if you did something last summer, if your corn has children in it, or if you suspect you’re already dead So don't be afraid: no vampire, zombie horde, cannibal hillbilly, Japanese vengeance ghost, or other horror movie monster can hurt you—as long as you have this book. |
| rocky horror picture show monster: The Endurance of Frankenstein George Levine, U. C. Knoepflmacher, 2023-11-15 MARY SHELLEY's Frankenstein; or, The Modern Prometheus grew out of a parlor game and a nightmare vision. The story of the book's origin is a famous one, first told in the introduction Mary Shelley wrote for the 1831 edition of the novel. The two Shelleys, Byron, Mary's stepsister Claire Clairmont, and John William Polidori (Byron's physician) spent a wet, ungenial summer in the Swiss Alps. Byron suggested that each write a ghost story. If one is to trust Mary Shelley's account (and James Rieger has shown the untrustworthiness of its chronology and particulars), only she and poor Polidori took the contest seriously. The two illustrious poets, according to her, annoyed by the platitude of prose, speedily relinquished their uncongenial task. Polidori, too, is made to seem careless, unable to handle his story of a skull-headed lady. Though Mary Shelley is just as deprecating when she speaks of her own tiresome unlucky ghost story, she also suggests that its sources went deeper. Her truant muse became active as soon as she fastened on the idea of making only a transcript of the grim terrors of my waking dream: 'I have found it! What terrified me will terrify others.' The twelve essays in this collection attest to the endurance of Mary Shelley's waking dream. Appropriately, though less romantically, this book also grew out of a playful conversation at a party. When several of the contributors to this book discovered that they were all closet aficionados of Mary Shelley's novel, they decided that a book might be written in which each contributor-contestant might try to account for the persistent hold that Frankenstein continues to exercise on the popular imagination. Within a few months, two films--Warhol's Frankenstein and Mel Brooks's Young Frankenstein--and the Hall-Landau and Isherwood-Bachardy television versions of the novel appeared to remind us of our blunted purpose. These manifestations were an auspicious sign and resulted in the book Endurance of Frankenstein. MARY SHELLEY's Frankenstein; or, The Modern Prometheus grew out of a parlor game and a nightmare vision. The story of the book's origin is a famous one, first told in the introduction Mary Shelley wrote for the 1831 edition of the novel. The two Shelleys, |
| rocky horror picture show monster: Invisible Monsters Chuck Palahniuk, 2011-06-30 She's a catwalk model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden motor 'accident' leaves her disfigured and incapable of speech, she goes from being the beautiful centre of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from being a real woman, who will teach her that reinventing yourself means erasing your past and making up something better, and that salvation hides in the last place you'll ever want to look. The narrator must exact revenge upon Evie, her best friend and fellow model; kidnap Manus, her two-timing ex-boyfriend; and hit the road with Brandy in search of a brand-new past, present and future. |
| rocky horror picture show monster: Frankenstein Christopher Frayling, 2017 This book will trace the journey of Shelley's Frankenstein from limited edition literature to the bloodstream of contemporary culture. It includes new research on the novel's origins, with a reprint of the earliest-known version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the nineteenth century; series of visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture on posters, advertisements, packaging, in comics and graphic novels. |
| rocky horror picture show monster: The Way of Kings Brandon Sanderson, 2014-03-04 A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series |
| rocky horror picture show monster: Blood on Black Wax (RSD Edition) Aaron Lupton, Jeff Szpirglas, 2019-04-13 RECORD STORE DAY EDITION: Signed book + exclusive red-colored 7-inch containing unreleased music from the 1980 cult slasher Prom Night._____Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synth of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and The Witch? You're not alone. Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist, and George A. Romero's Dead films, highlighting both the music and the amazing - often rare - artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more. Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and wild stories about both renown and unusual releases - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker. Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history! |
| rocky horror picture show monster: Eternal Goth Emma Madden, 2025 Delve into the roots of a macabre lifestyle in Eternal Goth, a comprehensive exploration of gothic culture through the ages-- |
| rocky horror picture show monster: Paper Dandy's Horrorgami Marc Hagan-Guirey, 2015-09-01 Paper Dandy's Horrorgami features 20 kirigami (cut-and-fold) designs based around haunted houses and scenes from horror films by the creator of the successful Horrorgami blog and exhibition. Each project features step-by-step instructions and a template that you remove from the book. You then follow the lines on the template, cutting and folding to make your own kirigami model. All you need is a scalpel, a cutting mat and a ruler. Clear cutting tips help you with the tricky stages and give you an order in which to complete your work, while photos of the finished model show you the final design. Suitable for folding experts and beginners alike, Paper Dandy's Horrorgami makes the perfect Halloween activity. |
| rocky horror picture show monster: William Shakespeare's Get Thee Back to the Future! Ian Doescher, 2019-04-23 Celebrate Back to the Future with this illustrated adaptation of the cult classic script, retold in Shakespearean verse by the best-selling author of William Shakespeare's Star Wars. In the iconic film by Robert Zemeckis and Bob Gale, teenaged Marty McFly travels back in time from the 1980s to the 1950s, changing the path of his parents’ destiny . . . as well as his own. Now fans of the movie can journey back even further—to the 16th century, when the Bard of Avon unveils his latest masterpiece: William Shakespeare’s Get Thee Back to the Future! Every scene and line of dialogue from the hit movie is re-created with authentic Shakespearean rhyme, meter, and stage directions. This reimagining also includes jokes and Easter eggs for movie fans, from Huey Lewis call-outs to the inner thoughts of Einstein (the dog). By the time you’ve finished reading, you’ll be convinced that Shakespeare had a time-traveling DeLorean of his own, speeding to our era so he could pen this time-tossed tale. |
| rocky horror picture show monster: Hollywood Monsters & Creepy Things Terry Rowan, 2016-10-14 The story about Hollywood Monsters, vampires, zombies, werew;lfs, phantoms, mummies, and ghosts of literature - and how they went Hollywood. Classic monsters are primarily the creatures of legend, touched by the supernatural or created by the madness of men who ventured where no man should go, the good old monsters who lurked in gloomy settings of Central European villages, ancient castles and tombs, moulding mansions and stone laboratories filled mazes of bewilding equipment in dark nights and violent storms. From A to Z which inspired by Edgar Allan Poe, Bram Stoker and Mary Shelley. |
| rocky horror picture show monster: Making a Monstrous Halloween Chris Kullstroem, 2009-08-11 Halloween is one of the most popular holidays, known for its fun and creativity for all ages. This work offers instructions and tips for Halloween-related activities and events for a variety of settings, from school to work to home to the local graveyard. History, crafts, decorations, games, trips, and other seasonal activities are described in detail. |
| rocky horror picture show monster: Project Hail Mary Andy Weir, 2022-10-04 #1 NEW YORK TIMES BESTSELLER • SOON TO BE A MAJOR MOTION PICTURE STARRING RYAN GOSLING AND DIRECTED BY CHRISTOPHER LORD AND PHIL MILLER From the author of The Martian, a lone astronaut must save the earth from disaster in this “propulsive” (Entertainment Weekly), cinematic thriller full of suspense, humor, and fascinating science. HUGO AWARD FINALIST • ONE OF THE YEAR’S BEST BOOKS: Bill Gates, GatesNotes, New York Public Library, Parade, Newsweek, Polygon, Shelf Awareness, She Reads, Kirkus Reviews, Library Journal • New York Times Readers Pick: 100 Best Books of the 21st Century “An epic story of redemption, discovery and cool speculative sci-fi.”—USA Today “If you loved The Martian, you’ll go crazy for Weir’s latest.”—The Washington Post Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he? An irresistible interstellar adventure as only Andy Weir could deliver, Project Hail Mary is a tale of discovery, speculation, and survival to rival The Martian—while taking us to places it never dreamed of going. |
| rocky horror picture show monster: Monsters in Performance Michael Chemers, Analola Santana, 2022-06-01 Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of undesirables. Throughout, the writers employ the concept of monstrosity to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly. |
Rocky (1976) - IMDb
Dec 3, 1976 · "Rocky" (1976) is a professionally produced drama about a struggling boxer, Rocky played by Sylvester Stallone, who gets a "once in a lifetime" shot to fight Heavyweight …
Rocky (1976) - Plot - IMDb
Rocky is doing some random collection jobs for a local loan shark Tony Gazzo (Joe Spinell) who gives him $20 a pop. Gazzo wants Rocky to be ruthless, but Rocky can't pummel a deadbeat …
Rocky (1976) - Full cast & crew - IMDb
Rocky (1976) - Cast and crew credits, including actors, actresses, directors, writers and more.
Rocky Balboa (2006) - IMDb
Rocky Balboa: Directed by Sylvester Stallone. With Sylvester Stallone, Burt Young, Antonio Tarver, Geraldine Hughes. Thirty years after the ring of the first bell, Rocky Balboa comes out …
Rocky Movies Chronology - IMDb
Rocky faces the ultimate challenge from a powerful new contender, and must turn to a former rival to help regain his throne as the undisputed fighting champion. Director Sylvester Stallone Stars …
Rocky IV (1985) - IMDb
Rocky IV: Directed by Sylvester Stallone. With Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Rocky Balboa proudly holds the world heavyweight boxing championship, but a new …
Rocky II (1979) - IMDb
Rocky II: Directed by Sylvester Stallone. With Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Rocky struggles in family life after his bout with Apollo Creed, while the …
Rocky III (1982) - IMDb
Rocky III: Directed by Sylvester Stallone. With Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Rocky faces the ultimate challenge from a powerful new contender, and must turn to …
Burt Young - IMDb
Burt Young. Actor: Rocky. Burly, talented character actor who remained consistently busy playing "rough edged" or scary characters, often on the wrong side of the law. Young was born on April …
Rocky (1976) - Awards - IMDb
Rocky (1976) - Awards, nominations, and wins. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie …
Rocky (1976) - IMDb
Dec 3, 1976 · "Rocky" (1976) is a professionally produced drama about a struggling boxer, Rocky played by Sylvester Stallone, who gets a "once in a lifetime" shot to fight Heavyweight …
Rocky (1976) - Plot - IMDb
Rocky is doing some random collection jobs for a local loan shark Tony Gazzo (Joe Spinell) who gives him $20 a pop. Gazzo wants Rocky to be ruthless, but Rocky can't pummel a deadbeat …
Rocky (1976) - Full cast & crew - IMDb
Rocky (1976) - Cast and crew credits, including actors, actresses, directors, writers and more.
Rocky Balboa (2006) - IMDb
Rocky Balboa: Directed by Sylvester Stallone. With Sylvester Stallone, Burt Young, Antonio Tarver, Geraldine Hughes. Thirty years after the ring of the first bell, Rocky Balboa comes out …
Rocky Movies Chronology - IMDb
Rocky faces the ultimate challenge from a powerful new contender, and must turn to a former rival to help regain his throne as the undisputed fighting champion. Director Sylvester Stallone …
Rocky IV (1985) - IMDb
Rocky IV: Directed by Sylvester Stallone. With Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Rocky Balboa proudly holds the world heavyweight boxing championship, but a …
Rocky II (1979) - IMDb
Rocky II: Directed by Sylvester Stallone. With Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Rocky struggles in family life after his bout with Apollo Creed, while the …
Rocky III (1982) - IMDb
Rocky III: Directed by Sylvester Stallone. With Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers. Rocky faces the ultimate challenge from a powerful new contender, and must turn …
Burt Young - IMDb
Burt Young. Actor: Rocky. Burly, talented character actor who remained consistently busy playing "rough edged" or scary characters, often on the wrong side of the law. Young was born on …
Rocky (1976) - Awards - IMDb
Rocky (1976) - Awards, nominations, and wins. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie …
