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| robert antelme the human race: The Human Race Robert Antelme, 1998 Arrested by the Gestapo and deported to Dachau, Robert Antelme recovered his freedom a year later when François Mitterand, visiting the camp in an official capacity, recognized the dying Antelme and had him spirited to Paris. Antelme's story of his experiences in Germany--his only book--indelibly marked an entire generation, a work written without hatred, a work of boundless compassion such as that is to be found only in the great Russians. Also available: On the Human Race: Essays and Commentary |
| robert antelme the human race: On Robert Antelme's The Human Race Robert Antelme, 2003 Table of contents |
| robert antelme the human race: On Robert Antelme's the Human Race Daniel Dobbels, 2003 |
| robert antelme the human race: Frantz Fanon’s 'Black Skin, White Masks' Max Silverman, 2017-10-03 First published in 1952, Frantz Fanon's 'Black Skin, White Masks' is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican heritage, Fanon and Creolism, ideas of race and racism and new humanism, Fanon and Sartre, representations of Blacks and Jews, and the psychoanalysis of race, gender and violence. Contributors offer new ways of reading the text and the volume as a whole constitutes an important contribution to the growing field of Fanon studies. |
| robert antelme the human race: Midrash and Theory David Stern, 1996 In Midrash and Theory, David Stern presents an approach to midrashic literature through the prism of contemporary theory. As midrash--the literature of classical Jewish Scriptural interpretation--has become the focus of new interest in contemporary literary circles, it has been invoked as a precursor of post-structuralist theory and criticism. At the same time, the midrashic imagination has undergone a revival in the larger Jewish community and shown itself capable of exercising a powerful influence and hold on a new type of contemporary Jewish writing. Stern examines this resurgence of fascination with ancient Jewish interpretation from the persepctive of the cultural relevance of midrash and its connection to its original historical and literary contexts. |
| robert antelme the human race: Bearing Witness to the Witness Dana Amir, 2018-10 Bearing Witness to the Witness examines the different methods of testimony given by trauma victims and the ways in which these can enrich or undermine the ability of the reader to witness them. Years of listening to both direct and indirect testimonies on trauma has lead Dana Amir to identify four modes of witnessing trauma: the metaphoric mode, the metonymic mode, the excessive mode and the Muselmann mode. In doing so, the author demonstrates the importance of testimony in understanding the nature of trauma, and therefore how to respond to trauma more generally in a clinical psychoanalytic setting. To follow these four modes of interaction with the traumatic memory, the various chapters of the book present a close reading of three genres of traumatic witnessing: Literary accounts by Holocaust survivors, memoirs (located between autobiographic recollection and fiction), and 'raw' testimonies taken from Holocaust survivors. Since every traumatic testimonial narrative contains a combination of all four modes with various shifts between them, it is of crucial importance to identify the singular combination of modes that characterizes each traumatic narrative, focusing on the specific areas within which a shift occurs from one mode to another. Such a focus is extremely important, as illustrated and analysed throughout this book, to the rehabilitation of the psychic metabolic system which conditions the digestion of traumatic materials, allowing a metaphoric working through of traumatic zones that were so far only accessible to repetition and evacuation-- |
| robert antelme the human race: Politics, Metaphysics, and Death Andrew Norris, 2005-07-11 The Italian philosopher Giorgio Agamben is having an increasingly significant impact on Anglo-American political theory. His most prominent intervention to date is the powerful reassessment of sovereignty and the politics of life and death laid out in his multivolume Homo Sacer project. Agamben argues that in both the modern world and the ancient, politics inevitably involves a sovereign decision that bans some individuals from the political and human communities. For Agamben, the Nazi concentration camps—in which some inmates are reduced to a form of living death—are not a political aberration but instead the place where this essential political decision about life most clearly reveals itself. Engaging specifically with Homo Sacer, the essays in this collection draw out and contend with the wide-ranging implications of Agamben’s radical and controversial interpretation of modern political life. The contributors analyze Agamben’s thought from the perspectives of political theory, philosophy, jurisprudence, and the history of law. They consider his work not only in relation to that of his major interlocutors—Hannah Arendt, Michel Foucault, Carl Schmitt, Walter Benjamin, and Martin Heidegger—but also in relation to the thought of Plato, Pindar, Heraclitus, Descartes, Kafka, Bataille, and Derrida. The essayists’ approaches are varied, as are their ultimate evaluations of the cogency and accuracy of Agamben’s arguments. This volume also includes an original essay by Agamben in which he considers the relation of Benjamin’s “Critique of Violence” to Schmitt’s Political Theology. Politics, Metaphysics, and Death is a necessary, multifaceted exposition and evaluation of the thought of one of today’s most important political theorists. Contributors: Giorgio Agamben, Andrew Benjamin, Peter Fitzpatrick, Anselm Haverkamp, Paul Hegarty, Andreas Kalyvas, Rainer Maria Kiesow , Catherine Mills, Andrew Norris, Adam Thurschwell, Erik Vogt, Thomas Carl Wall |
| robert antelme the human race: Paths to Contemporary French Literature, Volume 1 John Taylor, 2004 ** Named a Best Book of 2007 by Ready Steady Book, an independent book review website, working in association with The Book Depository, which is devoted to reviewing the best books in literary fiction, poetry, history and philosophy. An invaluable guide to new literary territory, Taylor is equally good in discussing writers whom the reader already knows. -- Raphael Rubenstein, Rain Taxi The paths that John Taylor invites us to walk in this book are inviting ones: fifty-five luminous essays devoted to the broad avenues and the seductive byways of contemporary writing in France. John Taylor is opinionated but his opinions are rigorously argued ones. He strikes a canny and productive balance among a variety of competing concerns: the will to instruct his readers, the desire to share with them some very real pleasures, the imperative to interpret critically, and so forth. What emerges here is the image of a rare reader, one who is always willing to engage literature on its own terms, and that of a literature that is mobile, ambitious, provocative and deeply invested in the process of becoming. -- Warren Motte, Review of Contemporary Fiction In this great introduction to some 50 French writers and poets little known outside of France, Taylor (The Presence of Things Past; The World As It Is), winner of the Three Oaks Prize for Fiction, invites his readers on an interesting journey.--Library Journal Here it is under one cover: a deeply informed, delightful, and provocative stroll' through the literature of postwar France. From the chroniques of Cingria to the mythologies of Barthes, John Taylor introduces us to the prose and poetry of dozens of French authors, many of them regrettably never translated into English. Taylor is a skillful and witty guide, able to locate a writer between the traditions of Catullus and Pavese or to identify a style borrowing equally from Hlderlin and Hemingway. Working across every genre from autobiography to poetry to fiction to travelogue to the essay, these French authors, well known and obscure, have plumbed the quintessential French problem' of subjectivity. Tired of the culture wars? The language-lyric debate? The post-game analysis of post-structuralism? I suggest you dive into any one of John Taylor's Paths' for a reminder of the astonishing breadth and depth and complexity of which literature is capable.--Erica Funkhouser, author, Pursuit Here we have vast erudition revealed in graceful, arresting sentences, writing that provides confidence and pleasure. John Taylor's writing strongly evokes Henry James' writing about French literature in his own day. Like James, Taylor is both generous and astute, never relinquishing admiration for the intricate process of analysis, analysis that he does so penetratingly and eloquently. However brilliant Taylor's observations, behind them rests a deep esteem for the writer, for his or her work, and for the tradition from which it comes. This is critical writing that is satisfying at every single level.--Richard Goodman, author, French Dirt: The Story of a Garden in the South of France As they stroll through forgotten quartiers of Paris, wander in memory through the fields of a Norman childhood, reflect on a poem's resemblance to the salt marshes of the Breton coast, mourn the death of a beloved young wife, or look for answers in questions to which the only answers are more questions--France's most celebrated and, in some cases, still uncelebrated contemporary writers are exquisitely captured by John Taylor in a prose both limpid and lapidary and through a host of finely wrought essays, each a small jewel of critical insight, poetic sensitivity, and meticulous interpretation. Like a message in a bottle cast up on the shore, this work offers the English-speaking reader an original and poetic way to understand, appreciate, and love French |
| robert antelme the human race: An Ideological Death Rachel S. Harris, 2014-08-15 An Ideological Death: Suicide in Israeli Literature examines literary challenges to Israel’s national narratives. The centrality of the army, the mythology of the new Jew, the vision of the first Israeli city, Tel Aviv, and the very process by which a nation’s history is constructed are confronted in fiction by many prominent Israeli writers. Using the image of suicide, A. B. Yehoshua, Amos Oz, Etgar Keret, Yehudit Katzir, Alon Hilu, Yaakov Shabtai, Benjamin Tammuz, and Yehoshua Kenaz each engage in a critical and rhetorical process that examines the nation’s formation and reconsiders myths at the heart of the Zionist project. In Israeli literature, suicide represents a society’s compulsion to create impossible ideals that leave its populace disappointed and deluded. Yet, as Rachel S. Harris shows, even at their harshest these writers also represent the idealism that helped build Israel as a modern nation-state. |
| robert antelme the human race: Constraining Chance Alison James, 2009-02-03 This text examines the representation and staging of chance in literature through the study of a specific case - the work of the 20th-century French writer Georges Perec (1936-82). |
| robert antelme the human race: After the Deportation Philip Nord, 2020-12-03 Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust. |
| robert antelme the human race: Women Writing Jewish Modernity, 1919-1939 Allison Schachter, 2021-12-15 Focusing on interwar Hebrew and Yiddish writers, Allison Schachter illuminates how women authors leveraged prose fiction to challenge the patriarchal norms of Jewish textual authority, reconceptualize Jewish cultural belonging, and contribute to Jewish literary modernity. |
| robert antelme the human race: The Future of the Image Jacques Rancière, 2019-09-03 In The Future of the Image, Jacques Rancire develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancire there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals. |
| robert antelme the human race: Maat, the Moral Ideal in Ancient Egypt Maulana Karenga, 2004 First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. |
| robert antelme the human race: Species of Spaces and Other Pieces Georges Perec, 1997 This selection of non-fictional work from the author of Life, a User's Manual, demonstrates Georges Perec's characteristic lightness of touch, wry humour and accessibility. |
| robert antelme the human race: Inspecting Jews Laurence Roth, 2004 Inthis book, Laurence Roth argues that the popular genre of Jewish detective stories offers new insights into the construction of ethnic and religious identity. Roth frames his study with the concept of kosher hybridity to look at the complex process of mediation between Jewish and American culture in which Jewish writers voice the desire to be both different from and yet the same as other Americans. He argues that the detective story, located at the intersection of narrative and popular culture in modern America, examines the need for order in a disorderly society, and thus offers a window into the negotiation of Jewish identity differing from that of literary fiction. The writers of these popular cultural texts, which are informed by contradiction and which thrive on intended and unintended ironies, formulate idioms for American Jewish identities that intentionally and unintentionally create social, ethnic, and religious syntheses in American Jewish life. Roth examines stories about American Jewish detectives--including Harry Kemelman's Rabbi Small, Faye Kellerman's Peter Decker and Rina Lazarus, Stuart Kaminsky's Abe Lieberman, and Rochelle Krich's Jessica Drake--not only as a genre of literature but also as a reflection of contemporary acculturation in the American Jewish popular arts. |
| robert antelme the human race: Repetition Søren Kierkegaard, 1941 |
| robert antelme the human race: World Heritage Angkor and Beyond Brigitta Hauser-Schäublin, 2011 Angkor, the temple and palace complex of the ancient Khmer capital in Cambodiais one of the world's most famous monuments. Hundreds of thousands oftourists from all over the globe visit Angkor Park, one of the finest UNESCO WorldHeritage Sites, every year. Since its UNESCO listing in 1992, the Angkor regionhas experienced an overwhelming mushrooming of hotels and restaurants; theinfrastructure has been hardly able to cope with the rapid growth of mass tourismand its needs. This applies to the access and use of monument sites as well. The authors of this book critically describe and analyse the heritage nominationprocesses in Cambodia, especially in the case of Angkor and the temple ofPreah Vihear on the Cambodian/Thai border. They examine the implications theUNESCO listings have had with regard to the management of Angkor Park andits inhabitants on the one hand, and to the Cambodian/Thai relationships on theother. Furthermore, they address issues of development through tourism thatUNESCO has recognised as a welcome side-effect of heritage listings. They raisethe question whether development through tourism deepens already existinginequalities rather than contributing to the promotion of the poor--Publisher's description. |
| robert antelme the human race: Understanding The Nazi Genocide Enzo Traverso, 1999-06-20 Enzo Traverso's Understanding the Nazi Genocide draws on the critical and heretical Marxism of Walter Benjamin and the Frankfurt School. |
| robert antelme the human race: The Return Roberto Bolaño, 2014-09-01 One of the remarkable qualities of Bolaño's short stories is that they seem to tell what Bolaño called 'the secret story', 'the one we'll never know'. The Return contains thirteen unforgettable tales bent on returning to haunt you, most of them appearing in English for the first time here. Wide-ranging, suggestive, and daring, a Bolaño story is just as likely to concern the unexpected fate of a beautiful ex-girlfriend, the history of a porn star or two embittered police detectives debating their favourite weapons: his plots go anywhere and everywhere and they always surprise. Consider the title piece: a young party animal collapses in a Parisian disco and dies on the dance floor; just as his soul is departing his body, it realizes strange doings are afoot - and what follows next defies the imagination (except Bolaño's own, of course). |
| robert antelme the human race: Primo Levi Myriam Anissimov, 2006 This edition of Myriam Anissimov's penetrating and thoughtful biography of Primo Levi, delves deeply into the life, mind and work of the influential and controversial writer, philosopher and Holocaust witness. |
| robert antelme the human race: Emotions and Mass Atrocity Thomas Brudholm, Johannes Lang, 2018-03-22 A nuanced range of interdisciplinary perspectives on the role of emotions in moral and political reactions to mass violence. |
| robert antelme the human race: The Memory of Pain Camila Loew, 2011 In this book, Camila Loew analyzes four women’s testimonial literary writings on the Holocaust to examine and question some of the tenets of the fields of Holocaust studies, gender studies, and testimony. Through a close reading of the works of Charlotte Delbo, Margarete Buber-Neumann, Ruth Klüger, and Marguerite Duras, Loew foregrounds these authors’ search for a written form to engage with their experiences of the extreme. Although each chapter contains its individual focus and features, the book possesses a unity in intention, concerns, and consequences. In the theoretical introduction that unites the four chapters, Loew eschews essentialism and revises the emergence of the field of Women and Holocaust studies from the early 1980s on, and signals some of its shortcomings. In response, and in accordance with a recent turn in various disciplines of the Humanities, Loew highlights the ethical dimension of testimony and its responsible commitment to the other. In dealing with the texts as literary testimonies—a complex genre, between literature and history—, testimony is freed from the obligation to respond to the requirements of factual truth, and becomes a privileged form to voice the traumatic event, and to symbolically explore the role of excess. |
| robert antelme the human race: Wartime Writings Marguerite Duras, 2009-07 For fifty years, celebrated literary figure Marguerite Duras kept four small notebooks filled with writings from the World War II years hidden in a closet in her country home in France. Published in their entirety for the first time, these remarkable wartime writings include slices of autobiography and feature the early drafts of and true stories behind Duras's most famous works. Hailed as a marvel and a treasure (Le Monde), Wartime Writings chronicles the poignant circumstances of her childhood in colonial Vietnam, her experiences with the French Resistance during the war, and the conflicted and exhilarating time of the Liberation and the early postwar years. Throughout, Duras paints an unflinching portrait of this troubled and formative period in France's history. |
| robert antelme the human race: Concentrationary Cinema Griselda Pollock, Max Silverman, 2012-01-01 Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais’s benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition. |
| robert antelme the human race: The Nature of Blood Caryl Phillips, 2009-09-23 A German Jewish girl whose life is destroyed by the atrocities of World War II . . . her uncle, who undermines the sureties of his own life in order to fight for Israeli statehood . . . the Jews of a 15th-century Italian ghetto . . Othello, newly arrived in Venice . . . a young Ethiopian Jewish woman resettled in Israel. These are the extraordinary people who inhabit Caryl Phillips' eloquent and moving new novel, and whose stories are connected by circumstance, spirit, and blood across the centuries. |
| robert antelme the human race: Identity And Difference Etienne Balibar, 2013-10-08 John Locke’s foundational place in the history of British empiricism and liberal political thought is well established. So, in what sense can Locke be considered a modern European philosopher? Identity and Difference argues for reassessing this canonical figure. Closely examining the treatise on identity added to the second edition of An Essay Concerning Human Understanding, Étienne Balibar demonstrates Locke’s role in the formation of two concepts central to the metaphysics of the subject—consciousness and the self—and the complex philosophical, legal, moral and political nature of his terms. With an accompanying essay by Stella Sandford, situating Balibar’s reading of Locke in the history of the reception of the Essay and within Balibar’s other writings on the subject, Identity and Difference rethinks a crucial moment in the history of Western philosophy. |
| robert antelme the human race: Remnants of Auschwitz Giorgio Agamben, 1999 A philosophical study of the testimony of the survivors of Auschwitz.In this book the Italian philosopher Giorgio Agamben looks closely at the literature of the survivors of Auschwitz, probing the philosophical and ethical questions raised by their testimony. In its form, this book is a kind of perpetual commentary on testimony. It did not seem possible to proceed otherwise. At a certain point, it became clear that testimony contained at its core an essential lacuna; in other words, the survivors bore witness to something it is impossible to bear witness to. As a consequence, commenting on survivors' testimony necessarily meant interrogating this lacuna or, more precisely, attempting to listen to it. Listening to something absent did not prove fruitless work for this author. Above all, it made it necessary to clear away almost all the doctrines that, since Auschwitz, have been advanced in the name of ethics.--Giorgio Agamben |
| robert antelme the human race: The Cradle of Humanity Georges Bataille, 2005 Art of indigenous peoples. |
| robert antelme the human race: Traces of War Colin Davis, 2017-11-28 Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it. |
| robert antelme the human race: Rue Ordener, Rue Labat Sarah Kofman, 1996-01-01 The author, a prominent French philosopher, writes of life under the German occupation |
| robert antelme the human race: Memory, History, Forgetting Paul Ricoeur, 2009-01-01 Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history overly remembers some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative. Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora. A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation. “His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal “Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review |
| robert antelme the human race: Ecriture Du Däsastre Maurice Blanchot, 1995-01-01 Modern history is haunted by the disasters of the century-world wars, concentration camps, Hiroshima, and the Holocaust-grief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its very nature it defies speech and compels silence, burns books and shatters meaning? The Writing of the Disaster reflects upon efforts to abide in disaster's infinite threat. First published in French in 1980, it takes up the most serious tasks of writing: to describe, explain, and redeem when possible, and to admit what is not possible. Neither offers consolation. Maurice Blanchot has been praised on both sides of the Atlantic for his fiction and criticism. The philosopher Emmanuel Levinas once remarked that Blanchot's writing is a language of pure transcendence, without correlative. Literary theorist and critic Geoffrey Hartman remarked that Blanchot's influence on contemporary writers cannot be overestimated. Ann Smock is a professor of French at the University of California at Berkeley. She has translated Blanchot's The Space of Literature, also available as a Bison Book. Jeffrey Mehlman, a professor of French at Boston University, is the author of many books and articles on twentieth-century France and French literature. |
| robert antelme the human race: The Oxford Handbook of Holocaust Studies Peter Hayes, John K. Roth, 2012-11-22 Few scholarly fields have developed in recent decades as rapidly and vigorously as Holocaust Studies. At the start of the twenty-first century, the persecution and murder perpetrated by the Nazi regime have become the subjects of an enormous literature in multiple academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as politics, ethics and religion. Forward-looking and multi-disciplinary, this handbook draws on the work of an international team of forty-seven outstanding scholars. The handbook is thematically divided into five broad sections. Part One, Enablers, concentrates on the broad and necessary contextual conditions for the Holocaust. Part Two, Protagonists, concentrates on the principal persons and groups involved in the Holocaust and attempts to disaggregate the conventional interpretive categories of perpetrator, victim, and bystander. It examines the agency of the Nazi leaders and killers and of those involved in resisting and surviving the assault. Part Three, Settings, concentrates on the particular places, sites, and physical circumstances where the actions of the Holocaust's protagonists and the forms of persecution were literally grounded. Part Four, Representations, engages complex questions about how the Holocaust can and should be grasped and what meaning or lack of meaning might be attributed to events through historical analysis, interpretation of texts, artistic creation and criticism, and philosophical and religious reflection. Part Five, Aftereffects, explores the Holocaust's impact on politics and ethics, education and religion, national identities and international relations, the prospects for genocide prevention, and the defense of human rights. |
| robert antelme the human race: Anti-Semite and Jew Jean-Paul Sartre, 1946 |
| robert antelme the human race: The Holocaust in Italian Culture, 1944–2010 Robert Gordon, 2012-07-11 The Holocaust in Italian Culture, 1944–2010 is the first major study of how postwar Italy confronted, or failed to confront, the Holocaust. Fascist Italy was the model for Nazi Germany, and Mussolini was Hitler's prime ally in the Second World War. But Italy also became a theater of war and a victim of Nazi persecution after 1943, as resistance, collaboration, and civil war raged. Many thousands of Italians—Jews and others—were deported to concentration camps throughout Europe. After the war, Italian culture produced a vast array of stories, images, and debate through which it came to terms with the Holocaust's difficult legacy. Gordon probes a rich range of cultural material as he paints a picture of this shared encounter with the darkest moment of twentieth-century history. His book explores aspects of Italian national identity and memory, offering a new model for analyzing the interactions between national and international images of the Holocaust. |
| robert antelme the human race: Writing and Life, Literature and History Liran Razinsky, 2016-01-01 In 1963, French-Spanish writer Jorge Semprun published Le Grand Voyage (The Long Voyage), a fictional account of his deportation to Buchenwald. Later, Semprun became an Academy Award-nominated screenwriter and served as Spain's minister of culture. This volume of the Yale French Studies series constitutes an overall assessment of his work, spanning his broad range of genres and traditions. Including both new perspectives and pieces by authors who have written widely on Semprun, this volume is a refreshing and dynamic look at one of the twentieth-century's most interesting literary voices. |
| robert antelme the human race: Theatre and Human Rights after 1945 Mary Luckhurst, Emilie Morin, 2016-04-29 This volume investigates the rise of human rights discourses manifested in the global spectrum of theatre and performance since 1945. Essays address topics such as disability, discrimination indigenous rights, torture, gender violence, genocide and elder abuse. |
| robert antelme the human race: Adorno Stefan Müller-Doohm, 2015-10-09 'Even the biographical individual is a social category', wrote Adorno. ‘It can only be defined in a living context together with others.’ In this major new biography, Stefan Müller-Doohm turns this maxim back on Adorno himself and provides a rich and comprehensive account of the life and work of one of the most brilliant minds of the twentieth century. This authoritative biography ranges across the whole of Adorno's life and career, from his childhood and student years to his years in emigration in the United States and his return to postwar Germany. At the same time, Muller-Doohm examines the full range of Adorno's writings on philosophy, sociology, literary theory, music theory and cultural criticism. Drawing on an array of sources from Adorno's personal correspondence with Horkheimer, Benjamin, Berg, Marcuse, Kracauer and Mann to interviews, notes and both published and unpublished writings, Muller-Doohm situates Adorno's contributions in the context of his times and provides a rich and balanced appraisal of his significance in the 20th Century as a whole. Müller-Doohm's clear prose succeeds in making accessible some of the most complex areas of Adorno's thought. This outstanding biography will be the standard work on Adorno for years to come. |
| robert antelme the human race: The War Against the Jews, 1933–1945 Lucy S. Dawidowicz, 2010-11-09 A history of how anti-Semitism evolved into the Holocaust in Germany: “If any book can tell what Hitlerism was like, this is it” (Alfred Kazin). Lucy Dawidowicz’s groundbreaking The War Against the Jews inspired waves of both acclaim and controversy upon its release in 1975. Dawidowicz argues that genocide was, to the Nazis, as central a war goal as conquering Europe, and was made possible by a combination of political, social, and technological factors. She explores the full history of Hitler’s “Final Solution,” from the rise of anti-Semitism to the creation of Jewish ghettos to the brutal tactics of mass murder employed by the Nazis. Written with devastating detail, The War Against the Jews is the definitive and comprehensive book on one of history’s darkest chapters. |
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The name Robert is an ancient Germanic given name, from Proto-Germanic *Hrōþi- "fame" and *berhta- "bright" (Hrōþiberhtaz). [1] . Compare Old Dutch Robrecht and Old High German …
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Robert Kincaid (58) Great Falls, VA (270)723-7853
Apr 28, 2015 · Robert T Kincaid is 58 years old and was born in March of 1967. Currently Robert lives at the address 1098 Mccue Ct, Great Falls VA 22066. Robert has lived at this Great …
Robert: meaning, origin, and significance explained
Meaning: The name Robert is of English origin and carries the meaning of “Bright Fame.” It is a classic and timeless name that has been popular for centuries. Those named Robert are often …
Robert North in Virginia 11 people found - Whitepages
Find Robert's current address in Virginia, phone number and email. Contact information for people named Robert North found in Great Falls, Abingdon, Arlington and 6 other U.S. cities in VA, …
Robert - Name Meaning and Origin
The name Robert is of Germanic origin and is derived from the elements "hrod," meaning "fame," and "beraht," meaning "bright." It carries the meaning of "bright fame" or "famous one." Robert …
Robert Knieriem - Advisory, Integration Sales Architect - LinkedIn
Over a decade of working in high-performing entrepreneurial, defense and enterprise sales teams. Interested in products that sit at the intersection of technical...
Robert Wilson Mobley, AIA
Welcome to the web site of an architect who loves designing architecture of all types - particularly houses and changes to houses. I hope this site gives you a glimpse of my passion and love for …
Robert Name: Origin, Popularity, Hebrew, Biblical, & Spiritual …
Nov 15, 2023 · Robert offers a compelling combination of historical significance, distinguished origins, and widespread recognition. Its meaning of “bright fame” speaks to the potential for …
