Robert Delaunay Abstract

  robert delaunay abstract: Resisting Abstraction Gordon Hughes, 2014-11-25 The first English-language study of the influential French painter Robert Delaunay to appear in thirty years. Delaunay has long been appreciated as one of the leading Parisian artists of the early twentieth century. And art historians have consistently viewed his vibrantly colored paintings starting in 1912 as early experiments in abstraction. Hughes, however, tautly argues that Delaunay was not just one of the earliest artists to work in pure abstraction, but the earliest one to do so. The colorful, optically driven canvases that Delaunay produced set him apart from the more ethereal abstraction of Kandinsky, Mondrian, Malevich, and Kupka, with whom he is often clubbed and whose spiritual motivations he rejected. Delaunay s paintings were grounded in material sensation and reflected the modern optical science of his time. They had nothing in common with the idealism that drove Kandinsky and the others. As a result, his work set the stage not only for the kind of abstraction that would come to dominate painting in the mid twentieth century (Pollock, Stella, Still, Kline); it also inspired the critics who theorized and elevated that particular strain of modernist practice.
  robert delaunay abstract: Inventing Abstraction, 1910-1925 Leah Dickerman, Matthew Affron, 2012 This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
  robert delaunay abstract: The New Art of Color Robert Delaunay, Sonia Delaunay, 1978 The Delaunays' efforts to ensure that their work would be perceived as they had conceived it prompted several essays and lectures, numerous letters, and volumes of notebooks, most of which have never been translated into English. The light they shed on the life and thought of this exciting period in the history of art will be invaluable to any student of modern art--
  robert delaunay abstract: Robert Delaunay and the City of Lights Lena Huber, Robert Delaunay, Simonetta Fraquelli, Céline Chicha-Castex, Anne De Mondenard, Kunsthaus Zürich, Nancy Ireson, 2018 Robert Delaunay and The City of Lights will recognise Delaunay's unwavering commitment to colour in painting to convey form, depth, light and movement, while highlighting how the modern metropolis of Paris often provided the inspiration for his imagery and pictorial research. The newly commissioned texts allow the reader to experience the wide-ranging and prescient nature of Robert Delaunay's work - exploring the significant themes of movement, technology, sport, and advertising that were to preoccupy him throughout his career.
  robert delaunay abstract: Sonia Delaunay Jacques Damase, Sonia Delaunay, 1997 For liveliness and inventiveness alone, Delaunay deserves a place in the art history books.... Her designs vibrate on the pages. -Vogue
  robert delaunay abstract: Colour Moves Matteo de Leeuw-de Monti, Sonia Delaunay, Petra Timmer, 2011 Published to accompany a major exhibition at the Smithsonian Institution in New York City, Colour Moves focuses not only on abstract painter and colourist Sonia Delaunay's art but also her avant-garde fashion designs from her own Atelier Simultané in Paris during the 1920s as well as textiles she designed for the Metz & Co Department store in Amsterdam in the 1930s. Applying her talents and theories to all areas of visual expression, including graphics, interiors, theatre and film, fashion and textiles, a trademark of Delaunay's work is the sense of movement and rhythm created by the simultaneous contrasts of certain colours. The book features authoritative essays by Matilda McQuaid, Matteo de Leeuw-de Monti and Petra Timmer, accompanied by reproductions of over 250 of Delaunay's paintings, drawings, textiles and garments with correlating designs, fashion illustrations and period photographs.
  robert delaunay abstract: The Gas Heart Tristan Tzara, 2008-01-18 Written in 1920 or 1921 first performed on June 10, 1921, next and most famously performed July 6, 1923. Modus ponens: If the purpose of Dada in general and The Gas Heart in particular was to piss people off, then both, especially the latter, succeeded marvelously. The purpose of Dada in general and The Gas Heart in particular was to piss people off. Therefore, ...
  robert delaunay abstract: Robert Delaunay Sherry A. Buckberrough, 1982 This study of the work of artist Robert Delaunay focuses on 1909 to 1914. It is the period in which Cubism, Futurism, Expressionism, Orphism, and more came into the spotlight. The French artist cofounded the Orphism movement, known for bold colors and geometric shapes. The book examines his noted series: Saint-Sevrin, the City, the Eiffel Tower, the City of Paris, the Window, the Cardiff Team, the Circular Forms and the First Disk.
  robert delaunay abstract: Visions of Paris Robert Delaunay, Mark Lawrence Rosenthal, Matthew Drutt, 1997 Published to accompany an exhibition which moved from the Deutsche Guggenheim Berlin to the Guggenheim Museum, New York, in February 1998, this is a study of a series of paintings and drawings of Paris between 1909 and 1914 which established Robert Delaunay as a major artist.
  robert delaunay abstract: Old Mistresses Rozsika Parker, Griselda Pollock, 2020-10-01 Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
  robert delaunay abstract: The Liberation of Painting Patricia Leighten, 2013-11-08 The years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
  robert delaunay abstract: Abstract Art Pepe Karmel, 2020-11-17 A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.
  robert delaunay abstract: Sonia Delaunay Axel Madsen, 2015-03-17 Sonia Delaunay, wife of painter Robert Delaunay, and co-founder of the Orphist school in 1910, was the center of a brilliant circle in Paris. Madsen offers a rich and compelling look at this fascinating and influential woman, the first living female artist to have a retrospective show at the Louvre.
  robert delaunay abstract: Value in Art Henry M. Sayre, 2022-03-10 Art historian Henry M. Sayre traces the origins of the term “value” in art criticism, revealing the politics that define Manet’s art. How did art critics come to speak of light and dark as, respectively, “high in value” and “low in value”? Henry M. Sayre traces the origin of this usage to one of art history’s most famous and racially charged paintings, Édouard Manet’s Olympia. Art critics once described light and dark in painting in terms of musical metaphor—higher and lower tones, notes, and scales. Sayre shows that it was Émile Zola who introduced the new “law of values” in an 1867 essay on Manet. Unpacking the intricate contexts of Zola’s essay and of several related paintings by Manet, Sayre argues that Zola’s usage of value was intentionally double coded—an economic metaphor for the political economy of slavery. In Manet’s painting, Olympia and her maid represent objects of exchange, a commentary on the French Empire’s complicity in the ongoing slave trade in the Americas. Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet’s painting bears. Locating the presence of slavery at modernism’s roots, Value in Art is a surprising and necessary intervention in our understanding of art history.
  robert delaunay abstract: Robert Delaunay , 1937
  robert delaunay abstract: Concerning the Spiritual in Art Wassily Kandinsky, 2012-04-20 Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
  robert delaunay abstract: Practices of Abstract Art Wiebke Gronemeyer, Isabel Wünsche, 2016-12-14 Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.
  robert delaunay abstract: The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts Michel Eugène Chevreul, 1860
  robert delaunay abstract: Sonia Delaunay, 27 Tableaux Vivants Sonia Delaunay, 1986 The exciting, novel fashions of Sonia Delauney, a member of the avant-garde movement in Paris in the early twentieth century, heralded the advent of a radically new concept in clothing design.
  robert delaunay abstract: Critical Critters Ralph Steadman, Ceri Levy, 2017-07-27 Ceri's humorous but meaningful message accompanied by Ralph's sensational paintings will satisfy art-lovers and conservationists alike. Following on from Extinct Boids and Nextinction, Critical Critters is the third in this epic trilogy of books dedicated to extinct and critically endangered animals from cartoonist Ralph Steadman and film-maker Ceri Levy - the GONZOVATIONISTS. Expect plenty more of what made the first two books so successful - unpredictable nonsense beasts, irreverent jokes, a diary-style record of the creative mayhem, and around 100 spectacular illustrations by Ralph of critically endangered mammals, insects, fish, lizards and trees – a stunning collection, with a serious conservation message.
  robert delaunay abstract: Sounds Wassily Kandinsky, 2019-09-13 Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.
  robert delaunay abstract: Contrasts of Form Magdalena Dabrowski, Museum of Modern Art (New York, N.Y.), 1985 Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
  robert delaunay abstract: Day of the Artist Linda Patricia Cleary, 2015-07-14 One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
  robert delaunay abstract: Robert Delaunay Gustav Vriesen, 1967
  robert delaunay abstract: Gustave Caillebotte Mary G. Morton, George T. M. Shackelford, Gustave Caillebotte, 2015-06 More than fifty of Gustave Caillebotte's (1848-1894) strongest paintings illustrate the fertile period from 1875 to 1885 when he was most closely allied with the impressionists. Accompanying the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, this volume explores the inquisitive, experimental, almost fearless vision that inspired his masterworks--
  robert delaunay abstract: Abstract Art (Second) (World of Art) Anna Moszynska, 2020-04-14 An exceptionally clear, thorough, and well- illustrated introduction to abstract art since 1900. Since the early years of the twentieth century, Western abstract art has fascinated, outraged, and bewildered audiences. Its path to acceptance within the artistic mainstream was slow. This revised edition traces the origins and evolution of abstract art, placing it in broad cultural context. Well-respected scholar Anna Moszynska examines the pioneering work of Hilma af Klint, Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian alongside the Russian Constructivists, the De Stijl group, and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and '40s with the emphasis on personal expression after World War II. Op, kinetic, and minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival—in paint, fabric, sculpture, and installation—in recent decades. The first edition of Abstract Art, published in 1990, was acclaimed by reviewers. Revised with extensive updates, this book includes new chapters on recent trends and offers fully global coverage of art produced in North and South America, Europe, China, Korea, and the Middle East. Now in full color and comprehensively revised, it will serve as the best introduction to abstract art for a new generation.
  robert delaunay abstract: Rhythm and Geometry Jon Wood, Andrew Bick, Tania Moore, Calvin Winner, 2021-10
  robert delaunay abstract: A Century of Artists Books Riva Castleman, 1997-09 Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
  robert delaunay abstract: Kandinsky Compositions Magdalena Dabrowski, Wassily Kandinsky, 1995 Essay by Magdalena Dabrowski. Foreword by Richard E. Oldenburg.
  robert delaunay abstract: Sonia Delaunay , 1980
  robert delaunay abstract: Bauhaus Journal 1926-1931 Lars Müller, 2019 One hundred years after the founding of Bauhaus, it s time to revisit bauhaus journal as significant written testimony of this iconic movement of modern art. In this journal, published periodically from 1926 to 1931, the most important voices of the movement are heard: masters of the Bauhaus, among others, Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Oskar Schlemmer, as well as Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld and many more. They address the developments in and around the Bauhaus, the methods and focal points of their own teaching, and current projects of students and masters. At the time primarily addressed to the members of the circle of friends of the bauhaus, the journal published by Gropius and Moholy-Nagy makes tangible the authentic voice of this mouthpiece of the avant-garde. The facsimile reprint is intended to give new impetus to international discussion and research on the Bauhaus, its theories and designs. The exact replica of all individual issues are accompanied by a commentary booklet including an overview of the content, an English translation of all texts, and a scholarly essay which places the journal in its historical context. Includes 14 issues with seperate commentary in transparent slipcase.
  robert delaunay abstract: Rachel Jones , 2022-05 Artist Rachel Jones's first publication, say cheeeeese, is published to accompany her new commission at Chisenhale Gallery, London, in spring 2022. For her first solo exhibition in an institution, she has developed her chosen materials of oil pastels and oil sticks to produce a new body of paintings on canvas and paper. The publication will feature reproductions of new works by Jones alongside her photo essay and newly commissioned texts by poet and artist Anaïs Duplan; Chisenhale Gallery Senior Curator, Ellen Greig; curator and researcher Aïcha Mehrez; poet, essayist, playwright, and MacArthur Fellow Claudia Rankine; and curator Yates Norton; with a foreword by Chisenhale Gallery Director, Zoé Whitley.
  robert delaunay abstract: Sonia Delaunay Sonia Delaunay, Anne Montfort, Cecile Godefroy, 2014 Sonia Delaunay (1885 - 1979) is one of the most important female artists of the early twentieth century, whose contribution to the European avant-garde was fundamental. Russian-born, she moved to Paris in 1906 where she studied at the Academie de la Palette. Her early work was infl uenced by the bold Fauvist paintings of Matisse, Gauguin and Van Gogh among others. Shifting her interest to abstraction, she celebrated the modern world and urban life, exploring ideas of colour theory together with her husband Robert Delaunay. She also collaborated with artists and poets such as Guillaume Apollinaire and Blaise Cendrars with whom she created the acclaimed book Prose on the Transsiberian Railway and of Little Jehanne of France. After spending time in Spain and Portugal during the First World War, Delaunay returned to Paris in the 1920s where she translated her experiments in painting into the realm of fashion. She collaborated with the Metz & Co textile department in Amsterdam and Liberty in London and also produced individual items of clothing under commission. Her interest in fashion expanded into theatre and cinema, for which she created costumes and designs for film sets. During the Second World War and soon after, she participated in the creation of the Salon des Realites Nouvelles (1939) and developed her interest in different media, creating mosaics, tapestries and lithographs. In the same period, her paintings and gouaches evoked a renewed interest in abstraction and colour, marking her seminal role in the development of postwar abstract and applied art.
  robert delaunay abstract: The world of Abstract art unveiled Victoria Charles, 2025-02-28 Entdecken Sie die fabelhaft bunte Welt von James Ensor! Diese neue Monografie führt Sie auf eine fesselnde Reise durch das Schaffen des bedeutenden belgischen Malers. Ensor, mit seinem einzigartigen Stil und Mut, schenkte uns eine Welt voller Masken, Skelette und Karnevalsfestlichkeiten. Jede Seite versetzt Sie in eine extravagante Szene, in der Fantasie und Wirklichkeit miteinander verschmelzen. Dieses Buch lädt Sie ein, in das kreative Labyrinth von Ensors Gedankenwelt einzutauchen. Mit hochwertigen Illustrationen und leicht verständlichen Texten werden Sie von der visuellen Poesie dieses Malermeisters begeistert sein, der sowohl provokativ als auch humorvoll ist.
  robert delaunay abstract: On Abstract Art Briony Fer, 2000-01-01 Introducing abstract painting and sculpture of the 20th century, this volume explores new ways to think about abstract art and the problems of interpretation it raises. Each of the ten chapters in the book addresses a particular problem associated with abstract art by focusing on specific works.
  robert delaunay abstract: Sonia Delaunay Cara Manes, Fatinha Ramos, 2017-08-22 Sonia Delaunay made enormous contributions to the development of abstraction in the early 1900s. Sonia Delaunay: Art Is Life introduces young audiences to her art as Sonia and her six-year-old Charles embark on a magical road trip in their car, modelled after Sonia's 1925 design for a Citroën convertible. Together they glide into a landscape made up of colours and shapes drawn from Sonia's early abstract compositions - almost as if they've entered one of her paintings. Along the road, they make pit stops at 'sites' that inspired some of Sonia's key paintings of this period (such as the dance hall depicted in her 1913 work Bal Bulier and the open air Portuguese market that was the subject of her 1915 painting Marché au Minho). Sonia and Charles also explore her gorgeous and colourful designs for fabrics and clothing. Through these encounters, Sonia helps her son understand her artistic process of abstracting from reality by asking Charles what shapes and colours he discerns within these subjects. Their journey ends back in the real world, and Charles realizes that his mother's thinking about art permeates every aspect of their life.
  robert delaunay abstract: Abstract Colour Paintings Roy Osborne, 2017 'Roy Osborne: Abstract Colour Paintings' presents an annotated survey of the author's artworks 2008-2020. An accomplished colourist, colour theorist and historian, his previous publications include 'Lights and Pigments: Colour Principles for Artists', 'Color Influencing Form: A Color Coursebook', 'Books on Colour 1495-2020: History and Bibliography', and 'Renaissance Colour Symbolism'. Roy Osborne was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.
  robert delaunay abstract: Creating Abstract Art Dean Nimmer, 2014-09-03 Celebrate your own nonconformist place in the world of art. Going far beyond standard notions of developing an abstract style or particular look, Creating Abstract Art unleashes the numerous possibilities that abound in your creative subconscious. Familiar obstacles such as I don't know what to paint or How do I know if this is good? are easily set aside as you explore fun exercises such as connecting dots, automatic drawing, shadow hunting, working with haiku poetry paintings and much more. So turn off the noise in your head, follow your own instincts and delight in what emerges! • 40 exercises exploring original ideas and inventive techniques for making abstract art. • Projects can be done in any order and with nearly any materials--start working right away on any project that grabs your attention! • 50 contemporary artists share diverse work and viewpoints on the process of working abstractly. Write your own artistic license and start Creating Abstract Artyour way, today!
  robert delaunay abstract: Marc, Macke und Delaunay Sprengel Museum Hannover, 2009
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