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| rock around the clock piano notes: Rock Around the Clock Jim Dawson, 2005 The author of What Was the First Rock 'n' Roll Record? chronicles the spectacular chart-topping success of Bill Haley's hit record Rock Around the Clock, focusing particular attention on the cultural setting that surrounded the birth of rock music in 1955. Original. |
| rock around the clock piano notes: 100 Rock 'n' Roll Standards Hal Leonard Corp., 2019-03-01 (Piano/Vocal/Guitar Songbook). 100 arrangements for piano, voice and guitar are included in this collection of hits from the early days of rock & roll. Songs include: All I Have to Do Is Dream * Blueberry Hill * Can't Help Falling in Love * Daydream Believer * Earth Angel * Fun, Fun, Fun * Great Balls of Fire * Hello Mary Lou * I Heard It Through the Grapevine * Louie, Louie * My Girl * Oh, Pretty Woman * Proud Mary * Rock Around the Clock * Shout * The Twist * Wild Thing * Wooly Bully * and more. |
| rock around the clock piano notes: Alfred's Piano 101, Pop Book 1 Carol Matz, 2008-03-11 Designed to be used in conjunction with Piano 101, Book 1, this collection of popular pieces will help motivate students in continuing their studies. Selections from movies, TV, radio and stage reinforce concepts from each unit of the book, beginning with Unit 4. Titles: * Beauty and the Beast (from Walt Disney’s Beauty and the Beast) * Can You Feel the Love Tonight (from Walt Disney’s The Lion King) * Ding-Dong! The Witch Is Dead (from The Wizard of Oz) * Great Balls of Fire * It’s My Party * The James Bond Theme * The Lion Sleeps Tonight * Old Time Rock & Roll * Part of Your World (from Walt Disney’s The Little Mermaid) * (We’re Gonna) Rock Around the Clock * Take My Breath Away * Theme from New York, New York * This Land Is Your Land * What a Wonderful World * A Whole New World (from Walt Disney’s Aladdin) * Wipe Out. |
| rock around the clock piano notes: I Used to Play Piano: 40s and 50s Hits Carol Matz, Adults returning to the piano after a break will enjoy playing well-arranged pop hits from recordings, Broadway and television. These carefully sequenced collections correlate with I Used to Play Piano: Refresher Course, Alfred Item# 22166. Titles: * Blue Moon * Cruella de Vil * Cry Me a River * Great Balls of Fire * I Could Have Danced All Night * Laura * Misty * Music! Music! Music! (Put Another Nickel In) * My Funny Valentine * (We're Gonna) Rock Around the Clock * Satin Doll * That's Entertainment. |
| rock around the clock piano notes: Alfred's Basic Adult Piano Course: Greatest Hits Book 1 E. L. Lancaster, Morton Manus, This series answers the often-expressed need for a variety of supplementary material in many different popular styles. What could be more fun for an adult than to play the music that everybody knows and loves? When the books in the Greatest Hits series are assigned in conjunction with the Lesson Books, these appealing pieces reinforce new concepts as they are introduced. In addition, the motivation the music provides could not be better. The emotional satisfaction students receive from mastering each popular song increases their enthusiasm to begin the next one. With the popular music available in the Greatest Hits series (Levels 1 and 2), the use of both books will significantly increase every adult's interest in piano study. Two selections from this book are featured on the Royal Conservatory of Music Popular Selection List (2007 Ed.): * The Rainbow Connection * Nadia's Theme |
| rock around the clock piano notes: The School of Arizona Dranes Timothy Dodge, 2013-09-12 Arizona Dranes (1889-1963) was a true musical innovator whose recordings made for the Okeh label during the years 1926-1928 helped lay the foundations for what would soon be known as gospel music. Her unique blend of ragtime, barrelhouse, and boogie woogie piano plus her exciting and emotional Pentecostal style of singing influenced the development of gospel music for the next forty years and beyond. The School of Arizona Dranes: Gospel Music Pioneer covers the life and career of Dranes and situates her accomplishments in the broader history of African American gospel music and the rise of the Pentecostal movement. Starting with the earliest recordings of the music in the late nineteenth century, this book provides a history of African American sacred and gospel music that convincingly demonstrates the revolutionary nature of Dranes’s musical accomplishment. Using specific examples, the author traces the far-reaching influence of Arizona Dranes on African American gospel piano playing and singing. |
| rock around the clock piano notes: Muzician Piano Chords for Absolute Beginners Muzician.com, Gary Turner, Andrew Scott, 2022-09-09 Contains all the chords you need to play any style of music. Each chord is clearly shown as an easy-to-read diagram, detailing exactly which keys must be pressed and which fingers must be used. Includes lots of reference material for understanding more about chords, chord progressions and chord construction. |
| rock around the clock piano notes: Rhythmic and melodic patterns to accompany popular songs using chord symbols and their piano arrangements Tomáš Kuhn, 2017-01-01 Publikace mapuje různé druhy klavírní stylizace populárních písní patřící do hudby jazzového okruhu. Je první českou publikací, která systematicky popisuje a předkládá rytmicko-melodické modely určené k doprovodu populárních písní hraných současně s melodií i bez melodie. Text je rozdělen do dvou částí. První blok obsahuje analytickou část, která je zaměřena na hudební teorii z pohledu sledované látky, tj. klavírní fakturu, harmonii, rytmus ad. vážící se ke zkoumanému tématu. Náplň druhé části tvoří typologie rytmicko-melodických modelů a variací vhodných k doprovodům populárních písní. |
| rock around the clock piano notes: Rock the Nation Roberto Avant-Mier, 2010-05-06 Rock the Nation analyzes Latino/a identity through rock 'n' roll music and its deep Latin/o history. By linking rock music to Latinos and to music from Latin America, the author argues that Latin/o music, people, and culture have been central to the development of rock music as a major popular music form, in spite of North American racial logic that marginalizes Latino/as as outsiders, foreigners, and always exotic. According to the author, the Latin/o Rock Diaspora illuminates complex identity issues and interesting paradoxes with regard to identity politics, such as nationalism. Latino/as use rock music for assimilation to mainstream North American culture, while in Latin America, rock music in Spanish is used to resist English and the hegemony of U.S. culture. Meanwhile, singing in English and adopting U.S. popular culture allows youth to resist the hegemonic nationalisms of their own countries. Thus, throughout the Americas, Latino/as utilize rock music for assimilation to mainstream national culture(s), for resistance to the hegemony of dominant culture(s), and for mediating the negotiation of Latino/a identities. |
| rock around the clock piano notes: Faber Studio Collection, Level 4: Selections from BigTime Piano Nancy Faber, Randall Faber, 2013-06 Piano/Keyboard Methods/Series |
| rock around the clock piano notes: Guitar World's 50 Greatest Rock Songs of All Time Songbook Hal Leonard Corp., 2013-01-01 (Guitar Recorded Versions). The name says it all: the 50 best as decided by the experts at Guitar World magazine transcribed for guitar note-for-note. Includes: All Along the Watchtower * All Day and All of the Night * Barracuda * Bohemian Rhapsody * Carry on Wayward Son * Crazy Train * Detroit Rock City * Enter Sandman * Free Bird * Highway to Hell * Hotel California * Iron Man * Layla * Misirlou * Pride and Joy * School's Out * Smells like Teen Spirit * Smoke on the Water * Sweet Child O' Mine * Tush * Welcome to the Jungle * You Really Got Me * and more. |
| rock around the clock piano notes: The Cool and the Crazy Peter Stanfield, 2015-04-08 Explosive! Amazing! Terrifying! You won’t believe your eyes! Such movie taglines were common in the 1950s, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era’s biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture. Peter Stanfield reveals how Hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were “ripped from the headlines” on everything from the Korean War to rock and roll. As he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. In the process, Stanfield uncovers surprising synergies between Hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950s Western. Delivering sharp critical insights in jazzy, accessible prose, The Cool and the Crazy offers an appreciation of cinema as a “pop” medium, unabashedly derivative, faddish, and ephemeral. By studying these long-burst bubbles of 1950s “pop,” Stanfield reveals something new about what films do and the pleasures they provide. |
| rock around the clock piano notes: The Power of Notes Stilovsky, Schrödinger, 2018-09-13 Notes are fundamental to the making of music, but its not just the notes that fascinate us. We love to learn about the musicians who use them to make great music and entertain us. Felix Schrodinger and Pyotr Stilovsky have compiled in this, the third volume of the series, a compendium of information that will appeal to all who love music and especially to those who seek out knowledge for its own sake. |
| rock around the clock piano notes: How the Mind Works Steven Pinker, 2009-06-22 A model of scientific writing: erudite, witty, and clear. —New York Review of Books In this Pulitzer Prize finalist and national bestseller, one of the world's leading cognitive scientists tackles the workings of the human mind. What makes us rational—and why are we so often irrational? How do we see in three dimensions? What makes us happy, afraid, angry, disgusted, or sexually aroused? Why do we fall in love? And how do we grapple with the imponderables of morality, religion, and consciousness? How the Mind Works synthesizes the most satisfying explanations of our mental life from cognitive science, evolutionary biology, and other fields to explain what the mind is, how it evolved, and how it allows us to see, think, feel, laugh, interact, enjoy the arts, and contemplate the mysteries of life. This edition of Pinker's bold and buoyant classic is updated with a new foreword by the author. |
| rock around the clock piano notes: The Hanged Man of Conakry Jean-Christophe Rufin, 2021-12-28 A minor French official in Guinea must solve the case of a tourist found hanged from a sailboat in this “gem of a diplomatic thriller” (Publishers Weekly, starred review). Having grown up in Romania, Aurel Timescu never quite fit in his native France. A former piano player with the disheveled air of a character from between the wars, nobody can understand how he got to be Consul. Now he’s taken a position in French Guinea, where he passes his time perspiring, drinking Tokay, and composing librettos. Until, that is, a vacationer is found hanging from the mast of a sailboat. How did he end up dead, on a mast, on Aurel Timescu’s watch? Had his personal life been hanging by a thread? Was he hanging around waiting for love to be reciprocated? Had he been hanging out with the wrong crowd? Had he hung his hat on the peg of some quixotic dream? A Prix Goncourt–winning author and former diplomat, Jean-Christophe Rufin brings Aurel to vivid life in a novel that “offers razor-sharp insights into cultural clashes in the former French colony . . . readers will be reminded of Georges Simenon, only better” (Publishers Weekly, starred review) |
| rock around the clock piano notes: Life Could Be a Dream Jerry Wasserman, 2025-05-15 In the tumultuous decade following World War II, the civil rights movement began transforming Black lives and American society. The era also proved momentous for African American popular music: new record labels, new styles, and exciting new sounds in the form of electrified blues combos, rhythm and blues shouters and balladeers, gospel and doo wop quartets. By the late 1950s, with rock 'n' roll dominating the American soundscape, much of the phenomenal Black music of the postwar decade began to drift into relative obscurity. This book brings a remarkable body of African American music, excluding jazz, back into sharp focus, and explores its connections to the socio-political dreams of Black America during that period of frustrated hopes and great expectations. With close attention to the singers, musicians, and lyrics in hundreds of recordings from 1946 to 1956, it offers for the first time a detailed examination of four musical genres along the blues continuum: blues, rhythm & blues, gospel, and secular harmony (better known as doo wop). Meet the artists and listen to the sounds and themes of Black America in a musically explosive decade. |
| rock around the clock piano notes: The Stock Picker Paul Mumford, 2016-11-14 |
| rock around the clock piano notes: Catch a Wave Peter Ames Carlin, 2007-06-26 Brian Wilson was the visionary behind America's most successful and influential rock band. As the leader of the Beach Boys, he sold 100 million records and built a catalog of songs that continues to define the sound and feel of American popular music. Healso became one of the culture's most mysterious and tragic figures--but after spending years lost in a wilderness of despair, Wilson has fought his way back to productivity. Now journalist Carlin, who conducted in-depth interviews with dozens of sourcesand listened to hundreds of hours of unreleased studio recordings and live music, tells a uniquely American story of the band, the music, and the culture the Beach Boys both sang about and helped create.--From publisher description. |
| rock around the clock piano notes: Forces in Motion Graham Lock, 2018-08-28 Remarkable. — Rolling Stone. Based on interviews from a 1985 tour, this book profiles one of jazz's most important figures. Anthony Braxton discusses the expression of his musical visions and related ethical, political, and spiritual beliefs. Absolutely essential reading. — The Wire. |
| rock around the clock piano notes: Poetic Song Verse Mike Mattison, Ernest Suarez, 2021-11-01 Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre. |
| rock around the clock piano notes: A History of Rock Music Stephen K. Valdez, 2006 |
| rock around the clock piano notes: The History of Live Music in Britain, Volume I: 1950-1967 Simon Frith, Matt Brennan, Martin Cloonan, Emma Webster, 2016-03-09 The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history. |
| rock around the clock piano notes: Rock: The Primary Text - Developing a Musicology of Rock Allan F Moore, 2017-11-01 This title was first published in 2001: Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation of progressive rock itself. This book has been written in the conviction that, with rock criticism and commentary in general, insufficient attention is paid to what the author calls the primary text - that constituted by the sounds themselves, as opposed to commentaries on them. In the first chapter, Allan Moore argues for the development of a musicology particular to rock, which may share aspects of established musicology, but which acknowledges that rock differs in its purposes, publics and aims. The primary elements of such a musicology are then laid out in Chapter 2. Next, there are critiques of rock myths of authenticity and unmediated expression. These are centred on the ideological appropriation of the ethos and techniques of the blues, and extend to discussions of a range of more recent rock styles. The crucial role played by authenticity in the reception of rock is considered at more length in Chapter 5. |
| rock around the clock piano notes: Encyclopedia of Great Popular Song Recordings Steve Sullivan, 2017-05-17 This masterful survey covers all genres of popular music, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. |
| rock around the clock piano notes: ChordTime Piano Classics - Level 2B Nancy Faber, Randall Faber, 1990-01-01 (Faber Piano Adventures ). Piano arrangements of some of the great symphonic and operatic masterworks of Western music. Contents include: Aria (from the Peasant Cantata) by J.S. Bach * La Donna e Mobile (from the opera Rigoletto ) by Verdi * Largo (from the opera Die Fliedermaus ) by J. Strauss, Jr. * The Little Man in the Woods (from the opera Hansel and Gretel ) by Humperdinck * March Militaire by Shubert * Overture (from the opera William Tell ) by Rossini * Pizzicato Polka by J. Strauss, Jr. & J. Strauss * Polvetzian Dance No. 17 (from the opera Prince Igor ) by Borodin * Roses from the South by J. Strauss, Jr. * The Rage Over the Lost Penny by Beethoven * Theme from The Surprise Symphony by Haydn * Theme from Trumpet Concerto in Eb by Haydn * Trepak (from the ballet The Nutcracker ) by Tchaikovsky. |
| rock around the clock piano notes: Child Play Peter Slade, 1995 This comprehensive book explores theories and practice of play. It suggests that media influences have a profound effect on behaviour, and by stressing the importance of understanding play as a chart of development, and drawing links between home, school, clinics and therapy, he offers the prospect of an understanding of delinquency and difficulty. |
| rock around the clock piano notes: Essential Elements for Guitar, Book 1 (Music Instruction) Will Schmid, Bob Morris, 2007-12-01 (Essential Elements Guitar). Take your guitar teaching to a new level! Hal Leonard's top-selling comprehensive method for band and strings is now also available for guitar. With the time-tested classroom teaching methods of Will Schmid and Bob Morris and popular songs in a variety of styles, Essential Elements for Guitar is sure to become a staple of guitar teachers' instruction and get beginning guitar students off to a great start. This method has been designed to meet the National Standards for Music Education, with features such as cross-curricular activities, quizzes, multicultural songs, basic improvisation and more. Concepts covered in Book 1 include: getting started; basic music theory; guitar chords; notes on each string; ensemble playing; and much more! Songs used in Book 1 include such hits as: Dust in the Wind * Eleanor Rigby * Every Breath You Take * Hey Jude * Hound Dog * Let It Be * Ode to Joy * Rock Around the Clock * Stand By Me * Surfin' USA * Sweet Home Chicago * This Land Is Your Land * You Really Got Me * and more! |
| rock around the clock piano notes: Rock: The Primary Text Allan F. Moore, 2017-10-03 This thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock. |
| rock around the clock piano notes: Shaving Lessons Kurt Chandler, 2000-04 SHAVING LESSONS is a truly honest and moving memoir that captures perfectly what it means to be a father--and a son. |
| rock around the clock piano notes: Catalog of Copyright Entries Library of Congress. Copyright Office, 1953 |
| rock around the clock piano notes: 1000 Keyboard Ideas Ronald Herder, 1990 The greatest tips and tricks used by professional musicians to create their unique sounds -- by the best experts in the field! Each section contains dozens of articles on the topics you want so you can browse at your heart's content, or choose just the information you are looking for! This book is a virtual encyclopedia of information on playing keyboards for more enjoyment and satisfaction. |
| rock around the clock piano notes: Greater Guitar White Pages , 2006-07 Songs presented in standard notation and tablature, with lyrics and chord symbols. Chord diagrams at head of each song. Additional verses printed as text at end of song. |
| rock around the clock piano notes: Billboard , 1955-11-05 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| rock around the clock piano notes: A Dozen a Day Book 1 Edna Mae Burnam, 2005-10-01 (Willis). The Dozen a Day books are universally recognized as one of the most remarkable technique series on the market for all ages! Each book in this series contains short warm-up exercises to be played at the beginning of each practice session, providing excellent day-to-day training for the student. |
| rock around the clock piano notes: Rock'n America Deena Weinstein, 2015-01-27 What is rock? This book offers a new and systematic approach to understanding rock by applying sociological concepts in a historical context. Deena Weinstein, a rock critic, journalist, and academic, starts by outlining an original approach to understanding rock, explaining how the form has developed through a complex and ever-changing set of relations between artists, fans, and mediators. She then traces the history of rock in America through its distinctive eras, from rock's precursors to rock in the digital age. The book includes suggested listening lists to accompany each chapter, a detailed filmography of movies about rock, and a wide range of visuals and fascinating anecdotes. Never separating rock music from the social, political, economic, and cultural changes in America's history, Rock'n America provides a comprehensive overview of the genre and a new way of appreciating its place in American society. |
| rock around the clock piano notes: The Best in Country Sheet Music Dan Coates, 1999-12-01 Easy piano sheet music for the biggest country hits from Garth Brooks, LeAnn Rimes, Shania Twain, Clint Black, John Michael Montgomery, Alabama, Vince Gill, and more. Titles: * Angels Among Us * Any Man of Mine * Blue * The Dance * Don't Take the Girl * Forever's As Far As I'll Go * I Can Love You Like That * I Cross My Heart * I Do * I Swear * I Will Always Love You * If Tomorrow Never Comes * In This Life * Long As I Live * The River * Unanswered Prayers * Years from Here * Your Love Amazes Me |
| rock around the clock piano notes: Too Much Too Young Sheila Whiteley, 2013-10-18 Too Much Too Young investigates how age and gender have shaped the careers and images of pop music stars, examining the role of youth and youthfulness in pop music through a series of themed case studies. Whiteley begins by investigating the exploitation of child stars such as Brenda Lee and Michael Jackson, offering a psychoanalytic reading of the relationship between child star and oppressive manager, and looks at the current glut of boy- and girl- bands and stars in the mold of Britney Spears to examine the continuing fatal attraction of stardom for adolescents. Whiteley then considers the star images of female singer-songwriters Kate Bush, Tori Amos, and Bjork, whose 'little girl' voices and characterization by the media suggests a girlish feminitity which is often at odds with the intentions of their musical output. She then moves on to explore the rock/pop divide as it affects the image of male performers, considering why male stars usually fall into the category of 'wild boys' such as Kurt Cobain or Jim Morrison, or 'nice boys', like Cliff Richard, The Monkees, and Wham! Whiteley ends by asking what happens to stars who set so much store by manipulations of youthfulness when they begin to age, and points to stars like Robbie Williams, Kylie Minogue and Cher to demonstrate that it is possible to achieve iconic pop status even without dying young. |
| rock around the clock piano notes: ChordTime Piano Favorites - Level 2B Nancy Faber, Randall Faber, 1989-01-01 (Faber Piano Adventures ). Favorite folk songs and familiar melodies which provide delightful pieces for recital and group sing-along. The arrangements emphasize the student's mastery of I, IV, and V7 chords. Contents include: Skip to My Lou * The Mexican Clapping Song * Rise and Shine * The Great Meat Pie * Long, Long Ago * The Duke of York * Three Blind Mice * Everybody Loves Saturday Night * Down by the Riverside * Auld Lang Syne * Where Has My Little Dog Gone? * Hot Cross Buns * Turkey in the Straw * America. |
| rock around the clock piano notes: Early Rock'N'Roll Era Fake Book (Songbook) Hal Leonard Corp., 2001-10-01 (Fake Book). This second edition features a top-of-the-charts collection of over 350 early rock classics, including: All Alone Am I * Alley-oop * Alone at Last * Baby, It's You * Barbara Ann * Be-Bop-A-Lula * Big All Alone Am I * All Shook Up * Alley-oop * Baby I Need Your Lovin' * Barbara Ann * Big Girls Don't Cry * Blue Velvet * Calendar Girl * Chains of Love * Crying * Daydream Believer * Diana * Fever * Fun, Fun, Fun * Green Onions * Heartaches by the Number * Hey, Good Lookin' * In My Room * I Fall to Pieces * I Walk the Line * It's Now or Never * It's My Party * Leader of the Pack * Louie, Louie * (You've Got) the Magic Touch * My Prayer * Peggy Sue * (You've Got) Personality * Puppy Love * Put Your Head on My Shoulder * Rebel 'Rouser * Rock Around the Clock * Rockin' Robin * Sixteen Candles * Sixteen Tons * Stand by Me * Surfin' U.S.A. * A Teenager in Love * Tequila * Twist and Shout * Wake up Little Susie * Girls Don't Cry * Blue Velvet * Blueberry Hill * Can't Help Falling in Love * Chains of Love * Chantilly Lace * Crying * Dancing in the Street * Diana * Don't Be Cruel (To a Heart That's True) * Fever * Fun, Fun, Fun * Green Onions * Hard Headed Woman * I Walk the Line * It's My Party * and more. |
| rock around the clock piano notes: Music, Books on Music, and Sound Recordings Library of Congress, 1987 |
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Britannica’s new platform provides content designed and written specifically for early learners. Creating a more engaging and fun learning experience for students, the activities in Britannica …
All 119 References in “We Didn’t Start the Fire,” Explained
After Stalin’s death his close collaborator Georgy Malenkov became prime minister of the Soviet Union as well as the Communist Party’s senior secretary. He held the latter role for only a few …
