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| rossetti boudoir: Pre-Raphaelites Re-viewed Marcia R. Pointon, 1989 The Pre-Raphaelite Brotherhood, formed in 1848 by the young Millais, Holman Hunt and Rossetti, has long been recognised as a high point in Victorian artistic production. But whilst we know much of the private lives of Pre-Raphaelite artists and writers and their best-known paintings are very familiar, their work (and particularly their visual imagery) has attracted limited attention from art historians and critical theorists. This collection redresses the situation with a series of detailed critical and historical studies of individual issues and productions, artistic and literary, relative to Pre-Raphaelitism. Using rigorous new critical analysis, the book throws new light on the ways in which the Pre-Raphaelites addressed philosophical, religious, political and social questions. It will be essential reading for all students of Victorian art, literature and ideas.--Back cover. |
| rossetti boudoir: The Poems of Shelley: Volume Five Carlene Adamson, Will Bowers, Jack Donovan, Kelvin Everest, Mathelinda Nabugodi, Michael Rossington, 2024-06-20 Percy Bysshe Shelley (1792–1822) was one of the major poets of the English Romantic period. This is the fifth volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between late summer 1821 and late January 1822. They include Hellas, a lyrical drama written in support of the Greek War of Independence, composed in September–November 1821 and published in February–March 1822, his unfinished tragedy Charles the First which he had been planning for several years, as well as important shorter poems such as ‘The Indian Girl’s Song’, ‘Autumn: a Dirge’ and his ‘Epitaph’ for John Keats. In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. Now completed, this is the most comprehensive edition of Shelley’s poetry available to students and scholars. |
| rossetti boudoir: A Study of the Influence of Rossetti's Painting and Art Theories on His Poetry Sister Mariella Gable, 1929 |
| rossetti boudoir: Reading Dante Gabriel Rossetti Dr Brian Donnelly, 2015-07-28 Suggesting that Rossetti’s work should be approached through his poetry, Brian Donnelly argues that it is both inscribed by and inscribes the development of verbal as well as visual culture in the Victorian period. He situates Rossetti’s poetry as the key to all of his work and central in its representation of the dominant discourses of the Victorian era: faith, sex, consumption, death, and the nature of representation itself. |
| rossetti boudoir: Rossetti's Wombat John Simons, 2008 Rossetti's Wombat tells the story of Top, a wombat who belonged to the Pre-Raphaelite painter Dante Gabriel Rossetti for a few months in 1869. The book also describes the strange history of the European fascination with the wildlife of Australia, from the late 18th century onwards. By 1860, most well-to-do people could buy a pet kangaroo from a London pet shop - and many of them did. Wombats were rarer and more expensive but the tradition of wombat owning was well established by the turn of the 19th century. Napoleon had a pet wombat, as did the Duke of Edinburgh. Rossetti's Wombat is a light-hearted account of an improbable side of Victorian England. It examines the way a wombat participated in the delicate relationships between the men and women in the Pre-Raphaelite circle - particularly Rossetti's emotional affair with Jane Morris, wife of his friend and colleague William Morris. Fully illustrated with drawings and etchings of the period, Rossetti's Wombat will appeal to those with an interest in Victorian England and the Pre-Raphaelites - and to wombat lovers everywhere. John Simons is Professor of English and Dean of the Faculty of Media, Humanities and Technology at the University of Lincoln. He has published widely on subjects ranging from medieval chivalric romance to Andy Warhol, and from editions of medieval and early modern texts to a history of Hampshire cricket. |
| rossetti boudoir: The Pre-Raphaelite Body J. B. Bullen, 1998 Pre-Raphaelitism was the first avant-garde movement in Britain. It shocked its first audience, and as it modulated into Aestheticism it continued to disturb the British public. In this fresh and original study, Professor Bullen traces the sources of that shock to the representation of the human body. By examining the discourses which were developed to denounce or to explain the new art forms he shows that the distorted, maimed, or eroticized body formed the principal focus of anxiety in nineteenth-century criticism. Using a truly interdisciplinary method he relates the painting of Millais and other early Pre-Raphaelites to fears about cholera and Catholicism; he demonstrates how the body of the sexualized female became an object of obsessive fascination in the painting and poetry of Dante Gabriel Rossetti and William Morris; he locates the writing of Swinburne and Prater in the context of the debate over the `Woman Question', and he shows how the responses to the `Aesthetic' painting of Burne-Jones were conditioned by the sexual psychopathology of mid nineteenth-century mental science. |
| rossetti boudoir: Paradise Preserved Max F. Schulz, 1985 Examines the ways in which the idea of an earthly paradise inspired English life and thought in the eighteenth and nineteenth centuries. |
| rossetti boudoir: Victorian Poets Valentine Cunningham, 2014-01-13 Victorian Poets: A Critical Reader features a collection of critical essays focusing on various aspects of Victorian-era poetry from the 1830s to the 1890s. Presents key criticism on Victorian poetry Features contributions from a variety of scholars in the field Illustrates the full range of critical approaches to the Victorian poets, including attention to texts, words, forms, modes, and sub-genres Offers fresh reinterpretations, many driven by contemporary ideological interests, including gender questions, selfhood, and body issues |
| rossetti boudoir: Ruskin's Artists Robert Hewison, 2017-11-22 This was first published in 2000: A study of John Ruskin's engagement with art and architecture as a critic, a patron and a teacher. It offers insights into both his writings and the visual economy of the Victorian world. Each essay examines Ruskin's relationship with an individual artist or a distinct aspect of art practice. J.M.W. Turner, D.G. Rossetti, W. Holman Hunt and E. Burne-Jones are among those artists discussed whose personal relationships with Ruskin affected his critical writing. Ruskin's attitude to women artists and his approach to the teaching of art are given special attention. |
| rossetti boudoir: The Builder , 1904 |
| rossetti boudoir: Building , 1904 |
| rossetti boudoir: The Gothic Forms of Victorian Poetry Olivia Loksing Moy, 2023-08-30 A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems. |
| rossetti boudoir: Rossettiana Satyendra Nātha Rāẏa, 1981 Articles on the life and works of Dante Gabriel Rossetti, 1828-1882, poet and painter. |
| rossetti boudoir: Soft-Shed Kisses Małgorzata Łuczyńska-Hołdys, 2013-07-26 The femme fatale appears with unceasing regularity in the texts of major poets of the nineteenth century. She symbolises an intractable mystery, a refusal to be defined and a fierce attempt to exist outside the established gender system. Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century interrogates the construction and use of the fatal woman motif in the poetry of canonical male writers of the times, both Romantic and Victorian. Subsequent chapters investigate a variety of poems by John Keats, Percy Bysshe Shelley, Alfred Tennyson, Dante Gabriel Rossetti and Charles Algernon Swinburne in which the femme fatale surfaces as the most important character. Close-readings of poetry are enriched by an examination of the same motif in visual art, set against the vivid cultural background of the Victorian era. |
| rossetti boudoir: Kunst und kunsthandwerk , 1901 |
| rossetti boudoir: The Wayward Muse Elizabeth Hickey, 2008-07-08 From the critically acclaimed author of The Painted Kiss comes a rich and romantic story of the passionate love triangle between William Morris, founder of the Arts and Crafts movement; his mentor, the painter Daunt Gabriel Rossetti; and the woman they both love. |
| rossetti boudoir: Narcissism and D. G. Rossetti's "The House of Life" Arthur Cyrus Johnston, 1977 |
| rossetti boudoir: Oriental Interiors John Potvin, 2015-12-17 Since the publication of Edward Said's groundbreaking work Orientalism 35 years ago, numerous studies have explored the West's fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike. |
| rossetti boudoir: The Pageant Charles Shannon, Gleeson White, 1896 |
| rossetti boudoir: The Sewanee Review , 1929 |
| rossetti boudoir: Dangerous Beauty: Medusa in Classical Art Kiki Karoglou, 2018-02-01 Medusa, the monstrous Gorgon of Greek mythology whose gaze turned beholders to stone, became increasingly anthropomorphic and feminine beginning in the fifth century B.C. A similar transformation occurred in representations of other female half-human beings from Greek myth, such as sphinxes, sirens, and the sea monster Scylla. Believed to have protective powers, these mythical hybrid creatures were frequently employed on sepulchral monuments, sacred architecture, military equipment, drinking vessels, and the luxury arts. Their metamorphosis was a consequence of the idealizing humanism of Greek art of the Classical period (480–323 B.C.), which understood beauty as the result of harmony and ideal proportions, a concept that influenced not only the representation of the human body but also that of mythological beings. “Dangerous Beauty: Medusa in Classical Art,” on view at The Met until January 6, 2019, is organized by Kiki Karoglou, Associate Curator in the Department of Greek and Roman Art, who is also the author of this Bulletin. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} |
| rossetti boudoir: The Pageant , 1896 |
| rossetti boudoir: Critics, Coteries, and Pre-Raphaelite Celebrity Wendy Graham, 2017-12-26 Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement’s refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites’ debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England. Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. Graham threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them. |
| rossetti boudoir: The House of Life Dante Gabriel Rossetti, 1903 |
| rossetti boudoir: The House of Fiction as the House of Life Francesca Saggini, Anna Enrichetta Soccio, 2020-05-15 In recent years, the interest in the house has grown irresistibly, to the point that in many ways houses seem to be situated at the very core of the creative, artistic and cultural domains of contemporaneity. Their presence sprawls across the media, from magazines to TV programmes, and across the globe, possibly because as repositories of the human, houses have a long-standing and profound connection not only with men and women but, at a deeper level, with the ways of representing man’s world, across its declinations of gender, class, and race. Houses – the perennial, ubiquitous and silent background to our daily lives – could many “a tale unfold”: the tales of their inhabitants and/in their relationships with others, of the times they lived in, of their configurations of the world, as well as the visions (and nightmares) of the artists who created them. This collection offers a comprehensive and transdisciplinary look at the paper houses of English Literature in the eighteenth and nineteenth century. Among the configurations addressed, the authors investigate the domestic spatialization of authority, gendered houses, narratives of household construction and deconstruction, exotic mansions, fin-de-siècle habitats, haunted edifices, and houses in detective and Gothic fiction. |
| rossetti boudoir: Victorian Modernism Jessica R. Feldman, 2009-10 In Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience Jessica Feldman sheds a pragmatist light on the relation between the Victorian age and Modernism by dislodging truistic notions of Modernism as an art of crisis, rupture, elitism and loss. Examining the works of John Ruskin (art critic and social thinker), Dante Gabriel Rossetti (poet and painter), Augusta Evans (best-selling domestic novelist,)and William James (philosopher and psychologist), Feldman relates them to selected twentieth-century creations. |
| rossetti boudoir: The Complete Poetry of Percy Bysshe Shelley Percy Bysshe Shelley, 2021-05-04 This new volume of JHU Press's landmark Shelley edition contains posthumous poems edited from original manuscripts. The world will surely one day feel what it has lost, wrote Mary Shelley after Percy Bysshe Shelley's premature death in July 1822. Determined to hasten that day, she recovered his unpublished and uncollected poems and sifted through his surviving notebooks and papers. In Genoa during the winter of 1822–23, she painstakingly transcribed poetry interlined and broken into fragments, so that the sense could only be deciphered and joined by guesses. Blasphemy and sedition laws prevented her from including her husband's most outspoken radical works, but the resulting volume, Posthumous Poems of Percy Bysshe Shelley (1824), was a magnificent display of Shelley's versatility and craftsmanship between 1816 and 1822. Few such volumes have made more difference to an author's reputation. The seventh volume of the acclaimed Complete Poetry of Percy Bysshe Shelley extracts from Posthumous Poems those original poems and fragments Mary Shelley edited. The collection opens with Shelley's enigmatic dream vision The Triumph of Life, the last major poem he began—and, in the opinion of T. S. Eliot, the finest thing he ever wrote. There follow some of the most famous and beautiful of Shelley's short lyrics, narrative fragments, two unfinished plays, and other previously unreleased pieces. Upholding the standards of accuracy and comprehensiveness set by previous volumes, every item in Volume 7 has been newly edited from the original manuscripts, in some cases superseding texts that have stood since 1870. Extensive appendixes contain Mary Shelley's preface to Posthumous Poems, Shelley's source for Ginevra, and preparatory material for his play Charles the First. Wide-ranging discussions of the poems' composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. The editorial overview and commentaries offer insights into Mary Shelley's editorial strategies while proposing surprising new contexts and redatings. Volumes 4 to 6 are in preparation. |
| rossetti boudoir: ImageScapes Christian Emden, Gabriele Rippl, 2010 The relationship between different media has emerged as one of the most important areas of research in contemporary cultural and literary studies. But how should we conceive of the relationship between texts and images today? Should we speak of collaboration, interaction or competition? What is the role of literary, historical and scientific texts in a culture dominated by the visual? What is the status of images as cultural artefacts? Are images forms of representation, do they simulate reality or do they intervene in the material world? And how do literature and cultural theory - themselves essentially textual discourses - react to the much-discussed visual turn within Western culture? Does the concept of 'intermediality' allow literary, historical and cultural scholars to envisage a more general theory of media? Addressing these questions from a programmatic point of view, the articles in this volume investigate the effects of different forms of representation in modern European and American literature, media and thought. |
| rossetti boudoir: Modern Painting George Moore, 2019-11-22 In Modern Painting, George Moore presents a comprehensive exploration of the evolution of art during a time of profound societal transformation. Through a critical lens, he examines the interplay between aesthetic innovation and the cultural zeitgeist of the early 20th century. Moore's literary style is both evocative and analytical, employing rich imagery and insightful commentary to unpack the philosophies and techniques of modern painters. The work contextualizes the movements of Impressionism, Post-Impressionism, and beyond, providing readers with a profound understanding of how art reflects and influences contemporary thought. George Moore was an influential figure in the Irish literary renaissance and a close observer of artistic movements in Europe. His own experiences as a painter and writer infused his scholarship with a unique perspective. Moore was particularly interested in the intersection of art and literature, often grappling with the role of the artist in society. This personal investment in the subject matter adds depth to his criticisms and insights, making Modern Painting a significant contribution to art historical discourse. I highly recommend Modern Painting to anyone interested in the evolution of artistic expression and the rich tapestry of modernity. Moore's articulate prose and profound insights not only educate but also inspire introspection on the role of art in our lives, making it an invaluable addition to both academic and personal libraries. |
| rossetti boudoir: Edith Wharton in Context Adeline R. Tintner, 2015-06-15 These new and classic essays, researched and written over a 25-year period, are driven and enriched by the enthusiasm, curiosity, and passion of a scholar still making discoveries about a subject of lifelong fascination. Essays at the center of the collection explore Wharton's textual relationships with authors whom she knew well--especially Henry James but also Paul Bourget, F. Marion Crawford, and Vivienne de Watteville. |
| rossetti boudoir: Scribners Monthly , 1876 |
| rossetti boudoir: Arthur O'Shaughnessy, A Pre-Raphaelite Poet in the British Museum Jordan Kistler, 2016-02-26 Arthur O'Shaughnessy's career as a natural historian in the British Museum, and his consequent preoccupation with the role of work in his life, provides the context with which to reexamine his contributions to Victorian poetry. O'Shaughnessy's engagement with aestheticism, socialism, and Darwinian theory can be traced to his career as a Junior Assistant at the British Museum, and his perception of the burden of having to earn a living outside of art. Making use of extensive archival research, Jordan Kistler demonstrates that far from being merely a minor poet, O'Shaughnessy was at the forefront of later Victorian avant-garde poetry. Her analyses of published and unpublished writings, including correspondence, poetic manuscripts, and scientific notebooks, demonstrate O'Shaughnessy's importance to the cultural milieu of the 1870s, particularly his contributions to English aestheticism, his role in the importation of decadence from France, and his unique position within contemporary debates on science and literature. |
| rossetti boudoir: Zennor in Darkness Helen Dunmore, 2007-10-25 They stand by side on the rock, facing out to sea. They are hidden from land here. Even spies would see nothing of them. It is spring 1917 in the Cornish coastal village of Zennor, and the young artist Clare Coyne is waking up to the world. Ignoring the whispers from her neighbours, she has struck a rare friendship with D.H. Lawrence and his German wife, who are hoping to escape the war-fever of London. In between painting and visits to her new friends she whiles away the warm days with her cousin John, who is on leave from the trenches, harbouring secrets she couldn't begin to understand. But as the heat picks up, so too do the fear and the gossip that haunt the village. And the freedom to love will come at a steep price. ______________________________________________ **Winner of the McKitterick Prize** 'Highly original and beautifully written' Sunday Telegraph 'Electrifying . . . Helen Dunmore mesmerizes you with her magical pen' Daily Mail 'Deceit gives Helen Dunmore's novel a jagged edge. Secrets, unspoken words, lies that have the truth wrapped up in them somewhere make Dunmore's stories ripples with menace and suspense' Sunday Times 'We believe in Clare's intelligence, talent and passion. A triumph' Independent on Sunday |
| rossetti boudoir: Pre-Raphaelite Photography Michael Bartram, 1983 |
| rossetti boudoir: Vision and Difference Griselda Pollock, 2015-08-27 Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but als |
| rossetti boudoir: Cacarinette in Provence Régine Franceschi, 2014-10-30 Hi, I’m Cacarinette! I’m twelve and half years old and I live in Provence. I’m a little bit mischievous, sometimes a bit wild, often rebellious and always ditsy! My parents are in despair, but my friends love it, especially Damien, my Parisian friend, who has a bit of a vicious tongue and makes fun of me constantly... So, if you want to laugh at my silliness, meet Espigaou and follow me in my craziness, then make your way quickly into my universe... I’m waiting for you. |
| rossetti boudoir: A Woman's Touch Isabelle Anscombe, 1985 For centuries, women have organized, supervised, and labored in the households they ran, but only during the last hundred years or so did they begin to have a say in how homes and furnishings were designed. Now, in this richly illustrated survey of design and design movements from the 1860s to the 1980s, women gain their rightful place in the history of design. Isabelle Anscombe illuminates the contributions of women to the Arts and Crafts Movement in Britain, the Glasgow School of Art, and the Bauhaus school, and discusses the great interior decorators of the 1920s and 1930s. Drawing on original interviews and on social and art history, Anscombe shows how the textiles, tableware, and furniture created by designers such as Vanessa Bell, Sonia Delaunay, and Elsie de Wolfe revolutionized ideas about the form and function of the home. Thoroughly researched and written with both wit and authority, A Woman's Touch is an important addition to the literature of design. -- From publisher's description |
| rossetti boudoir: The Henry James Review , 2014 |
| rossetti boudoir: Modern Archaics Shenquing Wu, 2020-10-26 After the collapse of the Qing dynasty in 1911 and the rise of a vernacular language movement, most scholars and writers declared the classical Chinese poetic tradition to be dead. But how could a longstanding high poetic form simply grind to a halt, even in the face of tumultuous social change? In this groundbreaking book, Shengqing Wu explores the transformation of Chinese classical-style poetry in the early twentieth century. Drawing on extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu discusses the continuing significance of the classical form with its densely allusive and intricately wrought style. She combines close readings of poems with a depiction of the cultural practices their authors participated in, including poetry gatherings, the use of mass media, international travel, and translation, to show how the lyrical tradition was a dynamic force fully capable of engaging with modernity. By examining the works and activities of previously neglected poets who maintained their commitment to traditional aesthetic ideals, Modern Archaics illuminates the splendor of Chinese lyricism and highlights the mutually transformative power of the modern and the archaic. |
| rossetti boudoir: The Complete Poems of Christina Rossetti Christina Rossetti, 1986-02-01 Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. Her brother Dante Gabriel Rossetti, himself a poet and painter, soon recognized her genius and urged her to publish her poems. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Although she is regarded as the greatest woman poet of the Victorian period, there has not been until now and authoritative edition of her poetry. In this second volume of the three-volume The Complete Poems of Christina Rossetti, R.W. Crump continues the editorial standards she established n Volume I, published in 1979. She gives the reader a comprehensive text with notes revealing Christina’s process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti’s The Poetical Works of Christina Georgina Rossetti (1904). A special feature of both Volumes I and II is a complete list of holographs and their locations. Volume II contains Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893), as well as the poems added to these volumes after their original publication. Volume III contains poems Christina published but did not include in any of her collections as well as poems that have not previously appeared in print. |
ROSSETTI | Designing Experiences Generating Value
May 20, 2025 · ROSSETTI is an architecture and design firm in Detroit with expertise in Architecture, Planning, Interiors and Analytics.
Honoring Ford Field’s timeless design and enduring impact
Jan 15, 2025 · In 2002, that vision became a reality with the opening of Ford Field, marking a new era in Lions history as the team moved from the Pontiac Silverdome to downtown Detroit. …
Cosm Announces Detroit as Its Fourth Immersive Entertainment …
Nov 7, 2024 · As a Detroit-based company for 55 years, ROSSETTI is not only thrilled that this venue is coming to our city, but we are also excited to merge our expertise in sports and …
Cosm Detroit | ROSSETTI
Cosm has partnered with ROSSETTI for their global sports and entertainment design expertise and their deep connection to Detroit’s culture as a proud Detroit-based firm. The primary …
Ford Field Reimagination - ROSSETTI
ROSSETTI’s renovation of Ford Field enhanced functionality, strengthened the Detroit Lions’ brand, and delivered extraordinary financial results through innovative design solutions.
Truist Park Reimagination | ROSSETTI
Recognizing the evolving trends in MLB ballparks, the Atlanta Braves partnered with ROSSETTI to create a master plan focused on enhancing fan experiences and identifying new revenue …
Miami Open | ROSSETTI
Given ROSSETTI’s expertise in designing dynamic guest experiences, the firm was selected to develop a master plan and architectural strategy to transform Hard Rock Stadium and its …
Atlanta Falcons Training Facility Reimagination | ROSSETTI
ROSSETTI partnered with the Atlanta Falcons to reconfigure and expand their facility, enhancing efficiency, technology integration, and spaces that elevate player experience and team dynamics.
Architecture - ROSSETTI
At ROSSETTI, we see architecture as more than just creating structures; it’s about shaping immersive, dynamic environments that inspire and leave a lasting impact. We blend beauty …
Careers - ROSSETTI
Additionally, ROSSETTI is proud to provide training programs and support for employee professional development and licensing.
ROSSETTI | Designing Experiences Generating Value
May 20, 2025 · ROSSETTI is an architecture and design firm in Detroit with expertise in Architecture, Planning, Interiors and Analytics.
Honoring Ford Field’s timeless design and enduring impact
Jan 15, 2025 · In 2002, that vision became a reality with the opening of Ford Field, marking a new era in Lions history as the team moved from the Pontiac Silverdome to downtown Detroit. …
Cosm Announces Detroit as Its Fourth Immersive Entertainment …
Nov 7, 2024 · As a Detroit-based company for 55 years, ROSSETTI is not only thrilled that this venue is coming to our city, but we are also excited to merge our expertise in sports and …
Cosm Detroit | ROSSETTI
Cosm has partnered with ROSSETTI for their global sports and entertainment design expertise and their deep connection to Detroit’s culture as a proud Detroit-based firm. The primary …
Ford Field Reimagination - ROSSETTI
ROSSETTI’s renovation of Ford Field enhanced functionality, strengthened the Detroit Lions’ brand, and delivered extraordinary financial results through innovative design solutions.
Truist Park Reimagination | ROSSETTI
Recognizing the evolving trends in MLB ballparks, the Atlanta Braves partnered with ROSSETTI to create a master plan focused on enhancing fan experiences and identifying new revenue …
Miami Open | ROSSETTI
Given ROSSETTI’s expertise in designing dynamic guest experiences, the firm was selected to develop a master plan and architectural strategy to transform Hard Rock Stadium and its …
Atlanta Falcons Training Facility Reimagination | ROSSETTI
ROSSETTI partnered with the Atlanta Falcons to reconfigure and expand their facility, enhancing efficiency, technology integration, and spaces that elevate player experience and team dynamics.
Architecture - ROSSETTI
At ROSSETTI, we see architecture as more than just creating structures; it’s about shaping immersive, dynamic environments that inspire and leave a lasting impact. We blend beauty …
Careers - ROSSETTI
Additionally, ROSSETTI is proud to provide training programs and support for employee professional development and licensing.
