Advertisement
| rihanna gender appropriations: Édith Piaf David Looseley, 2015 The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined' Piaf. |
| rihanna gender appropriations: Sportswomen’s Apparel in the United States Linda K. Fuller, 2020-11-17 This volume presents a collection of essays that explore the relationship between sporting clothing and gender. Drawing on uniform and sports apparel as a means of exploring the socio-sexual politics of contemporary US society, the contributions analyse the historical, political-economic, socio-cultural and sport-specific dimensions of gendered clothing in sport. Part of a two-volume series (the other discussing this phenomenon in a global context), contributors cover topics such as WNBA uniform politics, military promotion, female sportscaster clothing, magazine depictions, plus-size exercise apparel, FloJo, the Skirt Chaser 5k race, and the socio-politics of the LPGA, CrossFit, roller derby, rock climbing, and more. As the first single compendium to discuss American sportswomen’s apparel, this collection will be of interest to practitioners and scholars of sports history, the sociology of sport, and gender/media studies. |
| rihanna gender appropriations: Who Owns Culture? Susan Scafidi, 2005 It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production. |
| rihanna gender appropriations: Tracking Classical Monsters in Popular Culture Liz Gloyn, 2019-10-31 What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book. |
| rihanna gender appropriations: Fandom as Methodology Catherine Grant, Kate Random Love, 2019-12-03 An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang |
| rihanna gender appropriations: Feminism in Popular Culture Joanne Hollows, Rachel Moseley, 2006 Based on a diverse range of texts and sites, including: Bridget Jones, African-American music videos, news coverage, radio shows, the Scream trilogy, Sex and the City and hip hop the authors analyse how different meanings of feminism have been negotiated within popular culture and how popular culture has made sense of feminism. |
| rihanna gender appropriations: Digital Passages: Migrant Youth 2.0 Koen Leurs, 2015 Increasingly, young people live online, with the vast majority of their social and cultural interactions conducted through means other than face-to-face conversation. How does this transition impact the ways in which young migrants understand, negotiate, and perform identity? That's the question taken up by Digital Passages: Migrant Youth 2.0, a groundbreaking analysis of the ways that youth culture online interacts with issues of diaspora, gender, and belonging. Drawing on surveys, in-depth interviews, and ethnography, Koen Leurs builds an interdisciplinary portrait of online youth culture and the spaces it opens up for migrant youth to negotiate power relations and to promote intercultural understanding. |
| rihanna gender appropriations: Gender, Branding, and the Modern Music Industry Kristin J. Lieb, 2013-02-11 Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being short term brands, positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications on the greater social world. This book is for Sociology of Media and Sociology of Popular Culture courses. |
| rihanna gender appropriations: Color Struck Lori Latrice Martin, Hayward Derrick Horton, Cedric Herring, Verna M. Keith, Melvin Thomas, 2017-08-25 Skin color and skin tone has historically played a significant role in determining the life chances of African Americans and other people of color. It has also been important to our understanding of race and the processes of racialization. But what does the relationship between skin tone and stratification outcomes mean? Is skin tone correlated with stratification outcomes because people with darker complexions experience more discrimination than those of the same race with lighter complexions? Is skin tone differentiation a process that operates external to communities of color and is then imposed on people of color? Or, is skin tone discrimination an internally driven process that is actively aided and abetted by members of communities of color themselves? Color Struck provides answers to these questions. In addition, it addresses issues such as the relationship between skin tone and wealth inequality, anti-black sentiment and whiteness, Twitter culture, marriage outcomes and attitudes, gender, racial identity, civic engagement and politics at predominately White Institutions. Color Struck can be used as required reading for courses on race, ethnicity, religious studies, history, political science, education, mass communications, African and African American Studies, social work, and sociology. |
| rihanna gender appropriations: Heritage Regimes and the State Regina Bendix, Aditya Eggert, Arnika Peselmann, 2012 What happens when UNESCO heritage conventions are ratified by a state? How do UNESCO’s global efforts interact with preexisting local, regional and state efforts to conserve or promote culture? What new institutions emerge to address the mandate? The contributors to this volume focus on the work of translation and interpretation that ensues once heritage conventions are ratified and implemented. With seventeen case studies from Europe, Africa, the Caribbean and China, the volume provides comparative evidence for the divergent heritage regimes generated in states that differ in history and political organization. The cases illustrate how UNESCO’s aspiration to honor and celebrate cultural diversity diversifies itself. The very effort to adopt a global heritage regime forces myriad adaptations to particular state and interstate modalities of building and managing heritage. |
| rihanna gender appropriations: Borrowed Power Bruce H. Ziff, Pratima V. Rao, 1997 An informative and insightful collection of essays on cultural appropriation, focusing on America's appropriation and use of Native American culture specifically. |
| rihanna gender appropriations: Ethical Glamour and Fashion: Styling Persona Brands Kiera Obbard, Nicole Bojko, Samita Nandy, 2020-08-31 |
| rihanna gender appropriations: Studying Sexualities Niall Richardson, Clarissa Smith, Angela Werndly, 2013-05-31 Sexuality is an integral part of our lives, and our identities. But how do we study it? Written in a lively and accessible style, Studying Sexualities aims to introduce students to the critical study of sexuality, taking a look at the major theories, media representations, and cultural practices. After having carefully explained the key theoretical and empirical debates on the subject – outlining Foucauldian Constructionism, Psychoanalysis, and Queer Theory - the authors draw on their own original research to address timely topics related to gender, sexuality, and popular culture. Contemporary examples used within the book include discussions of sex shops, cybersex, and sex toys, the TV series Sex and the City, Will and Grace and The L Word, and the immensely popular Twilight books. Studying Sexualities is essential reading for undergraduate and postgraduate students on Cultural, Media, Film, or visual Studies, or Sociology and Sexuality courses, who are interested in researching the fascinating complexities of sexuality today. NIALL RICHARDSON is a lecturer at the University of Sussex, and CLARISSA SMITH and ANGELA WERNDLY are lecturers at the University of Sunderland, UK. This book is the culmination of their considerable teaching and writing experience within the field of sexualities. Their specific research interests include feminism and popular culture, queer theory, the body and consumption. |
| rihanna gender appropriations: Performances that Change the Americas Stuart Alexander Day, 2021-09-16 This collection of essays explores activist performances, all connected to theater or performance training, that have changed the Americas—from Canada to the Southern Cone. Through the study of specific examples from numerous countries, the authors of this volume demonstrate a crucial, shared outlook: they affirm that ordinary people change the direction of history through performance. This project offers concrete, compelling cases that emulate the modus operandi of people like historian Howard Zinn. In the same spirit, the chapters treat marginal groups whose stories underscore the potentially unstoppable and transformative power of united, embodied voices. This book will be of great interest to students and scholars of theatre, performance, art and politics. |
| rihanna gender appropriations: Principles of Data Management and Presentation John P. Hoffmann, 2017-07-03 Why research? -- Developing research questions -- Data -- Principles of data management -- Finding and using secondary data -- Primary and administrative data -- Working with missing data -- Principles of data presentation -- Designing tables for data presentations -- Designing graphics for data presentations |
| rihanna gender appropriations: Queerness in Pop Music Stan Hawkins, 2015-12-07 This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury, the Pet Shop Boys, George Michael, and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality, which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this, illuminating aspects of parody, nostalgia, camp, naivety, masquerade, irony, and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music, offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists, songwriters, producers, directors, choreographers, and engineers all contribute to the final composite of the pop recording, it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender, ethnicity, nationality, class, and sexuality. Ultimately, Hawkins contends that queerness is a performative force that connotes futurity and utopian promise. |
| rihanna gender appropriations: Big Sounds from Small Peoples Roger Wallis, Krister Malm, 1984 |
| rihanna gender appropriations: Venus in the Dark Janell Hobson, 2013-10-18 Western culture has long been fascinated by black women, but a history of enslavement and colonial conquest has variously labeled black women's bodies as exotic and grotesque. In this remarkable cultural history of black female beauty, Janell Hobson explores the enduring figure of the Hottentot Venus. In 1810, Saartjie Baartman was taken from South Africa to Europe, where she was put on display at circuses, salons, and museums and universities as the Hottentot Venus. The subsequent legacy of representations of black women's sexuality-from Josephine Baker to Serena Williams to hip-hop and dancehall videos-continues to refer back to this persistent icon. This book analyzes the history of critical and artistic responses to this iconography by black women in contemporary photography, film, literature, music, and dance. |
| rihanna gender appropriations: Eminem and Rap, Poetry, Race Scott F. Parker, 2014-10-21 Eminem is the best-selling musical artist of the 21st century. He is also one of the most contentious and most complex artists of our time. His verbal dexterity ranks him among the greatest technical rappers ever. The content of his songs combines the grotesque and the comical with the sincere and the profound, all told through the sophisticated layering of multiple personae. However one finally assesses his contribution to popular culture, there’s no denying his central place in it. This collection of essays gives his work the critical attention it has long deserved. Drawing from history, philosophy, sociology, musicology, and other fields, the writers gathered here consider Eminem’s place in Hip Hop, the intellectual underpinnings of his work, and the roles of race, gender and privilege in his career, among various other topics. This original treatment will be appreciated by Eminem fans and cultural scholars alike. |
| rihanna gender appropriations: Fashion Communication Teresa Sádaba, Nadzeya Kalbaska, Francesca Cominelli, Lorenzo Cantoni, Marta Torregrosa Puig, 2021-09-20 These conference proceedings are the output of one of the first academic events of its nature happening globally, targeting fashion from a communication sciences perspective, including, in a broad sense, cultural heritage studies and marketing. The chapters present theoretical and empirical interdisciplinary work on how various communication practices impact the fashion industry and on societal fashion-related practices and values. The special focus of this volume is how digital transformation is changing the field and its utility to practitioners. Using these academic insights, practitioners can understand the core causes and reasons for trends and developments in the field of fashion communication and marketing. |
| rihanna gender appropriations: Unruly Media Carol Vernallis, 2013-11 Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors. |
| rihanna gender appropriations: Music Video After MTV Mathias Korsgaard, 2017-05-18 Since the 1980s, music videos have been everywhere, and today almost all of the most-viewed clips on YouTube are music videos. However, in academia, music videos do not currently share this popularity. Music Video After MTV gives music video its due academic credit by exploring the changing landscapes surrounding post-millennial music video. Across seven chapters, the book addresses core issues relating to the study of music videos, including the history, analysis, and audiovisual aesthetics of music videos. Moreover, the book is the first of its kind to truly address the recent changes following the digitization of music video, including its changing cycles of production, distribution and reception, the influence of music videos on other media, and the rise of new types of online music video. Approaching music videos from a composite theoretical framework, Music Video After MTV brings music video research up to speed in several areas: it offers the first account of the research history of music videos, the first truly audiovisual approach to music video studies and it presents numerous inspiring case studies, ranging from classics by Michel Gondry and Chris Cunningham to recent experimental and interactive videos that interrogate the very limits of music video. |
| rihanna gender appropriations: The Cultural Impact of Kanye West J. Bailey, 2014-03-06 Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them. |
| rihanna gender appropriations: Mitchum Blutch, 2020-04-07 A star of French comics imagines America--its movie stars, its history, its fashion--in these tantalizing graphic short stories about everything from love to, yes, the actor Robert Mitchum. Blutch is one of the most inventive storytellers in comics, and nothing reveals it like Mitchum. Serialized and collected in the mid-90s and never before available in English, this is Blutch at his most wide-ranging: from Puritan fever dreams to an encounter with a shape-shifting Robert Mitchum, Blutch builds stories out of his dreams, visions of America, and anything else he can get his hands on. Drawn in his unmistakable line that veers in a moment from crude to elegant, blotchy to crisp, horrific to serene, these comics show Blutch searching for new artistic frontiers. What he finds is sometimes surprising, occasionally unsettling, and endlessly fascinating. |
| rihanna gender appropriations: Mobilizing India Tejaswini Niranjana, 2006-10-12 Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad’s population today. While many Indo-Trinidadians identify themselves as Indian, what “Indian” signifies—about nationalism, gender, culture, caste, race, and religion—in the Caribbean is different from what it means on the subcontinent. Yet the ways that “Indianness” is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities “back home,” Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the “first world” West as the referent against which postcolonial subjects understand themselves and are understood by others. Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about “the woman question” as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India’s disavowal of the indentured woman—viewed as morally depraved by her forced labor in Trinidad—as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad’s most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians—male and female, of both Indian and African descent—in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso. |
| rihanna gender appropriations: Venus Suzan-Lori Parks, 2012-12-15 Suzan-Lori Parks continues her examination of black people in history and stage through the life of the so-called Hottentot Venus, an African woman displayed semi-nude throughout Europe due to her extraordinary physiognomy; in particular, her enormous buttocks. She was befriended, bought and bedded by a doctor who advanced his scientific career through his anatomical measurements of her after her premature death. |
| rihanna gender appropriations: Video Vortex Reader II Geert Lovink, 2011 |
| rihanna gender appropriations: Ethnic Apocalypse: The Coming European Civil War Guillaume Faye, 2019-07-05 In the last book he completed before his death, the irrepressible and trenchant Guillaume Faye takes a bold and ruthlessly candid look at the increasingly volatile situation on the ground in Europe. With the growing incidence of Islamicist terrorism and inter-religious violence on European soil, alongside the first signs of native resistance to the demographic changes which have made this violence possible, Faye compellingly argues that Europe is poised for a terrible new civil war, threatening to break out along the many ethnic faultlines which have arisen thanks to years of bad immigration policies and bad political will. Using some of the most troubling developments in French politics, culture and society as his arguments, Faye throws off the blinders of political correctness and confronts his readers with the harsh reality of an unsettled and deeply divisive multicultural Europe. Ethnic Apocalypse is a wake-up call aimed at making Europeans aware of their increasingly dire situation -- before it is too late. |
| rihanna gender appropriations: Migritude Shailja Patel, 2010 The U.S. debut of internationally acclaimed poet and performance artist Shailja Patel, Migritude is a tour-de-force hybrid text that confounds categories and conventions. Part poetic memoir, part political history, Migritude weaves together family history, reportage and monologues to create an achingly beautiful portrait of women's lives and migrant journeys undertaken under the boot print of Empire. Patel, who was born in Kenya and educated in England and the U.S., honed her poetic skills in performances of this work that have received standing ovations throughout Europe, Africa and North America. She has been described by the Gulf Times as the poetic equivalent of Arundhati Roy and by CNN as the face of globalization as a people-centered phenomenon of migration and exchange. Migritude includes interviews with the author, as well as performance notes and essays. |
| rihanna gender appropriations: Race and Racisms Tanya Maria Golash-Boza, 2018-07-20 Ideal for instructors who want the flexibility to assign additional readings, Race and Racisms: A Critical Approach, Brief Second Edition, is a topical text that engages students in significant questions related to racial dynamics in the United States and around the world. Shorter thanGolash-Boza's highly acclaimed comprehensive text, the Brief Second Edition features a streamlined narrative and is enhanced by its own unique features.Organized into topics and concepts rather than discrete racial groups, the text addresses:* How and when the idea of race was created and developed* How structural racism has worked historically to reproduce inequality* How we have a society rampant with racial inequality, even though most people do not consider themselves to be racist* How race, class, and gender work together to create inequality and identities* How immigration policy in the United States has been racialized* How racial justice could be imagined and realizedCentrally focused on racial dynamics, Race and Racisms, Brief Second Edition, also incorporates an intersectional perspective, discussing the intersections of racism, patriarchy, and capitalism. |
| rihanna gender appropriations: Why White Kids Love Hip Hop Bakari Kitwana, 2006-05-30 The author looks at the culture of hip hop and how race is being lived by young people. At the same time he addresses uncomfortable truths about America's level of comfort with black people and challenges preconceived notions of race such as whether culture belongs to a race in the first place. |
| rihanna gender appropriations: Word from the Mother Geneva Smitherman, 2021-11-25 This classic text by Geneva Smitherman, pioneering scholar of Black Talk, is a definitive statement on African American Language (AAL). Enriched by her inimitable writing style, the book outlines past debates on the speech of African Americans and provides a vision for the future. As global manifestations of AAL increase, she argues that we must broaden our conception of the language and its speakers, and further examine the implications of gender, age and class on AAL. Perhaps most of all we must appreciate the artistic and linguistic genius of AAL, from Hip Hop lyrics to the rhyme and rhetoric of the broader Black speech community. Smitherman explores AAL's contribution to American English, includes a summary of expressions as a suggested linguistic core of AAL, and features cartoons that educate readers on the broader relationship between language, race, and racism. This classic edition features a new foreword by H. Samy Alim, celebrating Smitherman's continuing impact on Black Language scholarship and her influence on the future of the field. Word from the Mother is an essential read for students of African American speech, language, culture and sociolinguistics, as well as the general reader interested in the worldwide crossover of Black popular culture. |
| rihanna gender appropriations: Sound Clash Carolyn Cooper, 2004-09-15 Megawattage sound systems have blasted the electronically enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture Carolyn Cooper, Professor of Literary and Cultural Studies at the University of the West Indies, Mona, Jamaica, offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B, Apache Indian. She demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes that characterise Jamaican society. Cooper also analyses the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders. |
| rihanna gender appropriations: Intermedial Studies Jørgen Bruhn, Beate Schirrmacher, 2021-11-17 Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media – including literature, film, music, performance, news and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part I explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to intermedial studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text. |
| rihanna gender appropriations: The Philosophy of Modern Song Bob Dylan, 2022-11-01 The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One — and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over 60 essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyses what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years and, like everything that Dylan does, it is a momentous artistic achievement. |
| rihanna gender appropriations: Violent Exceptions Wendy S Hesford, 2021-04-29 Exposes how humanitarian discourses privilege certain children's lives and rights over others. |
| rihanna gender appropriations: Créolité and Creolization Okwui Enwezor, 2003 Documenta11 consisted of five platforms. The first four platforms addressed specific issues at different venues in cooperation with various partners. The exhibition in Kassel was the fifth platform. The publications for Documenta11 are published by Hatje Cantz Publishers. They are comprised of four volumes of the collected platform lectures, a commissioned study of urban conditions in Latin America (edited by Armando Silva), the exhibition catalog, a photo documentation of the exhibition, and a short guide to the exhibition. |
| rihanna gender appropriations: Fighting For Our Lives Nick Cook, 2020-02-01 ‘An incredible testimony to the darkest hours of Australia’s queer history – and the organisation that helped change everything. A story of devastation, resistance and, ultimately, survival, every Australian should know.’ — Benjamin Law Fighting For Our Lives is the inspirational story of communities directly affected by the AIDS crisis. Against a harrowing backdrop of illness and death, fear and anger, hate and discrimination, they bravely took action. During the darkest years of the epidemic, marginalised communities – mostly gay men, sex workers and people who inject drugs – came together to form organisations that gave them a voice in the corridors of power. They built an unprecedented alliance with politicians and medical experts, a three-way partnership that made Australia’s response to AIDS one of the most successful in the world. Fighting For Our Lives captures the high-stakes drama of this extraordinary period and the stories of the people at the very centre of a life-or-death struggle. It is a gripping read, an important story, and one that must never be forgotten. ‘Fighting For Our Lives is an impressive history on the scourge of HIV/AIDS in Australia, and how affected communities came together and forged a remarkable alliance. Nick Cook’s exhaustive and meticulous research highlights the extraordinary resilience of these communities and how they literally rose up and fought for their lives.’ — Peter FitzSimons ‘This book is proof positive that light, hope and courage can grow out of the darkest corners of human experience. ACON emerged in 1980s to give leadership in the Australian struggle against HIV/AIDS. Soon that challenge expanded to a myriad of new controversies: gay rights, drug use, sex work, trans and prisoner experience. Nick Cook chronicles the terrifying early years of the HIV epidemic, identifying heroes and villains. And the story continues to this day to call forth our “better angels”.’ — The Hon. Michael Kirby AC CMG, Past Justice of the High Court of Australia and Patron of the Kirby Institute |
| rihanna gender appropriations: Contemporary Popular Music Studies Marija Dumnić Vilotijević, Ivana Medić, 2019-03-01 This is the second volume in the series that documents the 19th edition of the biennial conference of the International Association for the Study of Popular Music. The volume contains contributions on the variety of musical genres from all over the world. Authors engage with the role of popular music in contemporary music education, as well as definitions and conceptualizations of the notion of ‘popular’ in different contexts. Other issues discussed in this volume include methodologies, the structure and interpretations of popular music scenes, genres and repertoires, approaches to education in this area, popular music studies outside the Anglophone world, as well as examinations of discursive and technological aspects of numerous popular music phenomena. |
| rihanna gender appropriations: From 'stone-age' to 'real-time' Martin Slama, Jenny Munro, 2015 There are probably no other people on earth to whom the image of the 'stone-age' is so persistently attached than the inhabitants of the island of New Guinea, which is divided into independent Papua New Guinea and the western part of the island, known today as Papua and West Papua. From 'Stone-Age' to 'Real-Time' examines the forms of agency, frictions and anxieties the current moment generates in West Papua, where the persistent 'stone-age' image meets the practices and ideologies of the 'real-time' - a popular expression referring to immediate digital communication. The volume is thus essentially occupied with discourses of time and space and how they inform questions of hierarchy and possibilities for equality. Papuans are increasingly mobile, and seeking to rework inherited ideas, institutions and technologies, while also coming up against palpable limits on what can be imagined or achieved, secured or defended. This volume investigates some of these trajectories for the cultural logics and social or political structures that shape them. The chapters are highly ethnographic, based on in-depth research conducted in diverse spaces within and beyond Papua. These contributions explore topics ranging from hip hop to HIV/ AIDS to historicity, filling much-needed conceptual and ethnographic lacunae in the study of West Papua. |
Rihanna - Wikipedia
Rihanna is the best-selling female recording artist of the 21st century according to Guinness World Records and the highest-certified female digital single artist by Recording Industry …
Rihanna | Biography, Music, Movies, & Facts | Britannica
Jun 5, 2025 · Rihanna (born February 20, 1988, St. Michael parish, Barbados) is a Barbadian pop and rhythm-and-blues (R&B) singer who became a worldwide star in the early 21st century. …
Rihanna - Official Site
Discover the official site of Rihanna. Explore her latest music, fashion ventures, beauty products, and more. Stay updated with exclusive news, events, and a closer look at the multifaceted …
Rihanna and A$AP Rocky Eye Baby No. 3 in Paradise: Will She ...
Rihanna announced herpregnancy with baby No. 3 on May 5, coinciding with the Met Gala. Before showcasing her baby bump on the red carpet in a structured menswear-inspired outfit, …
Rihanna Is Pregnant! Singer Reveals She's Expecting Baby No ...
May 6, 2025 · Rihanna and A$AP Rocky are expecting their third child together, the singer revealed as she put her baby bump on display at the 2025 Met Gala
Rihanna Announces New Single for the First Time in 3 Years ...
May 14, 2025 · Rihanna is racking up reasons to celebrate — and now, so are her fans.. On Wednesday, the singer took to social media to share the trailer for the upcoming 'Smurfs' …
Rihanna and A$AP Rocky Considering Having Baby No. 3 in ...
Jun 3, 2025 · Rihanna revealed she was pregnant with baby No. 3 on May 5, which also coincided with the Met Gala. Before making her baby bump debut on the red carpet in a …
Rihanna - Wikipedia
Rihanna is the best-selling female recording artist of the 21st century according to Guinness World Records and the highest-certified female digital single artist by Recording Industry …
Rihanna | Biography, Music, Movies, & Facts | Britannica
Jun 5, 2025 · Rihanna (born February 20, 1988, St. Michael parish, Barbados) is a Barbadian pop and rhythm-and-blues (R&B) singer who became a worldwide star in the early 21st century. She …
Rihanna - Official Site
Discover the official site of Rihanna. Explore her latest music, fashion ventures, beauty products, and more. Stay updated with exclusive news, events, and a closer look at the multifaceted …
Rihanna and A$AP Rocky Eye Baby No. 3 in Paradise: Will She ...
Rihanna announced herpregnancy with baby No. 3 on May 5, coinciding with the Met Gala. Before showcasing her baby bump on the red carpet in a structured menswear-inspired outfit, the …
Rihanna Is Pregnant! Singer Reveals She's Expecting Baby No ...
May 6, 2025 · Rihanna and A$AP Rocky are expecting their third child together, the singer revealed as she put her baby bump on display at the 2025 Met Gala
Rihanna Announces New Single for the First Time in 3 Years ...
May 14, 2025 · Rihanna is racking up reasons to celebrate — and now, so are her fans.. On Wednesday, the singer took to social media to share the trailer for the upcoming 'Smurfs' movie …
Rihanna and A$AP Rocky Considering Having Baby No. 3 in ...
Jun 3, 2025 · Rihanna revealed she was pregnant with baby No. 3 on May 5, which also coincided with the Met Gala. Before making her baby bump debut on the red carpet in a structured …
