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| reading biblical narrative: Reading Biblical Narrative J. P. Fokkelman, 1999-01-01 Narrator, characters, action, hero, quest, plot, time and space, entrances and exits--these are the essential components of all narrative literature. This authoritative and engaging introduction to the literary features of biblical narrative and poetry will help the reader grasp the full significance of these components, allowing them to enter more perceptively into the narrative worlds created by the great writers of the Bible. |
| reading biblical narrative: Reading Biblical Narratives Yaira Amit, 2001 Based on a series of lectures given in Israel, Amit introduces the reader to the subtle ways of the biblical narrators. Covering issues of character, plot development, catchword association, narration, and dialog, she brings the biblical text to life, helping the reader enter the stories from new vantage points. |
| reading biblical narrative: Reading Biblical Narrative J. P. Fokkelman, 2000-03-01 Narrator, characters, action, hero, quest, plot, time and space, entrances and exits--these are the essential components of all narrative literature. This authoritative and engaging introduction to the literary features of biblical narrative and poetry will help the reader grasp the full significance of these components, allowing them to enter more perceptively into the narrative worlds created by the great writers of the Bible. |
| reading biblical narrative: The Art of Biblical Narrative Robert Alter, 2011-04-26 Since it was first published nearly three decades ago, The Art of Biblical Narrative has radically expanded the horizons of biblical scholarship by recasting the Bible as a work of literary art deserving studied criticism. Renowned critic and translator Robert Alter presents the Hebrew Bible as a cohesive literary work, one whose many authors used innovative devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of human history: the revelation of a single god. |
| reading biblical narrative: Reading Luke-Acts William S. Kurz, 1993-01-01 This excellent book shows how literary criticism illuminates the Gospel of Luke and the Acts of the Apostles, reclaiming them as Biblical narrative. Kurz explores literary aspects such as implied authors or readers, plot, and assumed information, or gaps. Finally, he traces the implications of reading Luke-Acts as canonical Scripture and the merits of literary methods. |
| reading biblical narrative: Reading Biblical Poetry , 2001-01-01 A companion to Reading Biblical Narrative provides a holistic introduction to biblical poetry, offering literary examples of how the poets of the bible created their works. Original. |
| reading biblical narrative: Poetics and Interpretation of Biblical Narrative Adele Berlin, 1983 Poetics, the science of literature, makes us aware of how texts achieve their meaning. Poetics aids interpretation. If we know how texts mean, we are in a better position to discover what a particular text means. This is a book which offers fundamental guidelines for the sensitive reading and understanding of biblical stories. - Back cover. |
| reading biblical narrative: Old Testament Narrative Jerome T. Walsh, 2010-02-01 The Old Testament's stories are intriguing, mesmerizing, and provocative not only due to their ancient literary craft but also because of their ongoing relevance. In this volume, well suited to college and seminary use, Jerome Walsh explains how to interpret these narrative passages of Scripture based on standard literary elements such as plot, characterization, setting, pace, point of view, and patterns of repetition. What makes this book an exceptional resource is an appendix that offers practical examples of narrative interpretation- something no other book on Old Testament interpretation offers. |
| reading biblical narrative: How Bible Stories Work Leland Ryken, 2021-10-21 This is the first of a projected six-volume series called Reading the Bible as Literature (the second volume being Sweeter Than Honey, Richer Than Gold). An expert at exploring the intersection of the Bible and literature, Ryken shows pastors and students and teachers of the Bible how to appreciate the craftsmanship and beauty of biblical narrative and how to interpret it correctly. Dr. Ryken goes one step further than merely explaining the genre of story-he includes exercises to help students master this rich literary treasure. |
| reading biblical narrative: Literary Interpretations of Biblical Narratives Kenneth R. R. Gros Louis, James Stokes Ackerman, Thayer S. Warshaw, 1974 The trend toward elective courses in public schools and mounting interest in the Bible as an academic study prompted this collection of literary analyses. Literary Interpretations of Biblical Narratives is the only book of its kind written specifically for use by teachers and is the first of a series of teaching resources called The Bible in Literature Courses. This series is specifically designed to meet the needs of teachers and students of both secondary school literature and undergraduate college literature. - Back cover. |
| reading biblical narrative: Biblical Narrative and the Death of the Rhapsode Robert S. Kawashima, 2004-12-09 Informed by literary theory and Homeric scholarship as well as biblical studies, Biblical Narrative and the Death of the Rhapsode sheds new light on the Hebrew Bible and, more generally, on the possibilities of narrative form. Robert S. Kawashima compares the narratives of the Hebrew Bible with Homeric and Ugaritic epic in order to account for the novelty of biblical prose narrative. Long before Herodotus or Homer, Israelite writers practiced an innovative narrative art, which anticipated the modern novelist's craft. Though their work is undeniably linked to the linguistic tradition of the Ugaritic narrative poems, there are substantive differences between the bodies of work. Kawashima views biblical narrative as the result of a specifically written verbal art that we should counterpose to the oral-traditional art of epic. Beyond this strictly historical thesis, the study has theoretical implications for the study of narrative, literature, and oral tradition. Indiana Studies in Biblical Literature -- Herbert Marks, General Editor |
| reading biblical narrative: Uncovering Violence Amy Cottrill, 2021-10-26 It is no surprise that the Bible is filled with stories of violence, having come into being through the crucible of trauma, cultural conflict, and warfare. But the more obvious acts of physical or sexual violence in the Hebrew Bible often overshadow its subtler forms throughout Scripture and belie the variety of perspectives on violence embedded in biblical narratives. This hinders readers' ability to recognize the full spectrum of human engagement with violence, both in texts and in their lived experiences. Uncovering Violence: Reading Biblical Narratives as an Ethical Project seeks to provide a theoretical vocabulary for the various forms that violence can take—including textual violence, interpretive violence, moral injury, and slow violence—and to offer a fresh ethical reading of violence in the biblical text. Focusing on four narratives from the Hebrew Bible, Cottrill uses the approach of narrative ethics to lay out the many ways that stories can make moral claims on readers, not by delivering a discrete lesson or takeaway but by making transformative contact with readers and involving them in a more embodied dialogue with the text. Exploring the narratives of Jael’s killing of Sisera, the toxic masculinity of Samson, environmental devastation and failures of legal systems in Ruth, and Abigail’s mediation with King David, Uncovering Violence presents strategies for reading that allow for this close encounter. In doing so, it helps prepare readers to better recognize, interpret, and even respond to violence and its many effects within and beyond the text. |
| reading biblical narrative: The Poetics of Biblical Narrative Meir Sternberg, 1987-08-22 Meir Sternberg’s classic study is “an important book for those who seek to take the Bible seriously as a literary work.” (Adele Berlin, Prooftexts) In “a book to read and then reread” (Modern Language Review), Meir Sternberg “has accomplished an enormous task, enriching our understanding of the theoretical basis of Biblical narrative and giving us insight into a remarkable number of particular texts.” (Journal of the American Academy of Religion). The result is a “a brilliant work” (Choice) distinguished “both for his comprehensiveness and for the clearly-avowed faith stance from which he understands and interprets the strategies of the biblical narratives.” (Theological Studies). The Poetics of Biblical Narrative shows, in Adele Berlin’s words, “more clearly and emphatically than any book I know, that the Bible is a serious literary work―a text manifesting a highly sophisticated and successful narrative poetics.” |
| reading biblical narrative: The Hebrew Bible as Literature: A Very Short Introduction Tod Linafelt, 2016-04-12 The Hebrew Bible, or Christian Old Testament, contains some of the finest literature that we have. This biblical literature has a place not only in the synagogue or the church but also among the classics of world literature. The stories of Jacob and David, for instance, present the earliest surviving examples of literary characters whose development the reader follows over the length of a lifetime. Elsewhere, as in the books of Esther or Ruth, readers find a snapshot of a particular, fraught moment that will define the character. The Hebrew Bible also provides quite a few high points of lyric poetry, from the praise and lament of the Psalms to the double entendres in the love of poetry of the Song of Songs. In short, the Bible can be celebrated not only as religious literature but, quite simply, as literature. This book offers a thorough and lively introduction to the Bible's two primary literary modes, narrative and poetry, foregrounding the nuances of plot, character, metaphor, structure and design, and intertextual allusions. Tod Linafelt thus gives readers the tools to fully experience and appreciate the Old Testament's literary achievement. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| reading biblical narrative: The Oxford Handbook of Biblical Narrative Danna Nolan Fewell, 2016 The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology that highlights biblical narrative's aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities. |
| reading biblical narrative: God as Storyteller John A Beck, 2008-06-01 The Bible is filled with carefully told stories that are designed to reach from their pages into our lives. They reach out to entertain us. They cause us to laugh or make us cry. But most importantly, the stories in the Bible shape our thinking and our faith. This book honors the role of God as storyteller and explores how God's inspired authors carefully select and present an event so as to instill it with meaning. In order to deepen our appreciation of the storyteller's craft, this book surveys the traditional categories of narrative criticism to see how the design of scene, plot, characterization, narration, time, and wordplay shape the story we read. But the reader will also find a considerable portion of this book devoted to a new form of narrative analysis-narrative geography. Since the stories of the Bible are filled not only with people but also with place, we note how the storyteller may strategically use, reuse, and nuance geography as part of the storytelling process. As we come to a fuller appreciation of how the events of the Bible become its stories, we will have set the stage for a discussion of the reader's craft, seeking meaning in such stories. In the end, the reader will be rewarded with a new and exciting way of reading God's stories that appreciates not only their composition but also their meaning. |
| reading biblical narrative: Telling God's Story Preben Vang, Terry G. Carter, 2013 Bridging the gaps for those who've acquired their Bible knowledge in random order, professors Vang and Carter help readers comprehend Scripture as one cohesive story from beginning to end. Second edition with all supporting charts, photographs, and illustrations in full color. |
| reading biblical narrative: Reading Biblical Narratives Yaira Amit, 2001 Based on a series of lectures given in Israel, Amit introduces the reader to the subtle ways of the biblical narrators. Covering issues of character, plot development, catchword association, narration and dialogue, she brings the biblical text to life, helping the reader enter the stories from new vantage points. |
| reading biblical narrative: Narrative Art in Genesis Jan Fokkelman, 2004-05-14 'Narrative Art in Genesis' was remarkable for its uncompromising insistence on the analysis of the 'final form' of the text, and for the attempt at a total description of every level of organization, from the phoneme up.... [It] is a pleasure, because of the freshness of writing that transgresses unabashedly the conventions of academic discourse. from the Foreword by Francis Landy |
| reading biblical narrative: Reading Biblical Narrative Jan P. Fokkelman, 2019-05-21 This is an enormously instructive and practical hands-on introduction for students of the Bible as literature, by one of the world’s leading exponents of Hebrew narrative technique. Issues covered include: introduction to the art of reading, the narrator and his characters, narrative structure, narrative devices. |
| reading biblical narrative: The Heart of Biblical Narrative Karl Allen Kuhn, Modern biblical scholarship has long been preoccupied with the relationship between history and doctrine. Karl A. Kuhn argues that an overly rational approach to the thought of the biblical authors misses the equally important but long neglected affective dimension of biblical narrative.In Part I of The Heart of Biblical Narrative, Kuhn presents an approach to the Bible that applies affective analysis to get at a cardiography of biblical narrative. Biblical narrative in both Israel's scripture and the New Testament is understood fundamentally as an attempt to persuade and move the reader, not simply to convince the reader of certain truths.In Part II, Kuhn's close reading of the opening chapters of Luke's Gospel shows how biblical authors employed pathos as a way of drawing readers into their narrative and, thereby, their understanding of reality. |
| reading biblical narrative: In the Way of the Story Huw Thomas, 2021-12-08 You'll be doing all the work. You'll be picking apart plots, analyzing characters, exploring the setting of biblical narratives, and engaging with narrative levels and reader response theory. And you'll be doing all the work. This is a book about you, the reader. Drawing on narrative theory, this book places readers in the way of the story, reading biblical narrative through fresh eyes. Using entertaining explanations of literary theory, it liberates readers to read their own chosen Bible stories with a fresh understanding of how narratives work. Practical activities will inspire the reader to develop their own understanding of stories and, in doing so, this book tackles hallowed and authoritarian interpretations that can sometimes get in the way of the story. This is a book of clear explanation and practical application. |
| reading biblical narrative: Genesis Robert Alter, 1997-09-02 A translation of Genesis, which attempts to recover the meanings of the ancient Hebrew and convey them in modern English prose. It is accompanied by a commentary and annotations, and aims to illuminate the original work without any touch of the fake antique. |
| reading biblical narrative: Holy Bible (NIV) Various Authors,, 2008-09-02 The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation. |
| reading biblical narrative: How to Read Bible Stories Daniel Marguerat, Yvan Bourquin, Marcel Durrer, 1999 A welcome supplement to the bestselling How to Read the OT and How to Read the NT, indicating more recent developments in biblical studies especially in the area of narrative criticism. |
| reading biblical narrative: End of Story? Andrew Perriman, 2019-11-12 This book is an exercise in a thoroughgoing narrative theology. The social and legal validation of same-sex relationships in the West over the last two decades has presented an immense challenge to the church insofar as it seeks to remain faithful to Scripture. But it is not an isolated ethical problem. It is just one element—albeit a very important one—in the much broader, long-term overhaul and reorientation of Western culture after the collapse of the Christian consensus. The forces of history that are driving this transformation, however, have also alerted us to the historical perspectives that constrained biblical thought. Andrew Perriman suggests that Paul’s argument about same-sex behavior, perhaps more clearly than any other issue, highlights the narrative shape of the mission of the early church in the Greek world. By the same token, we must ask how that storyline has been refracted across the boundary of modernity, and how it now shapes the mission of the church as it adapts to its marginalized position in an aggressively secular world. |
| reading biblical narrative: Understanding the Bible Dr. John R.W. Stott, 2011-05-24 Understanding the Bible will provide you with a foundational knowledge of the entirety of Scripture with a focus on broadening your vision of Jesus Christ. This book answers foundational questions: Who wrote the Bible? What is its message? Why is it thought to be a holy book? How does one read and interpret it? By delving into the geographical, religious, and historical concerns that shaped the world of biblical times, you'll see Jesus as never before: both as a man of his times and culture, and as the culmination of a divine providence that prepared the way for the ministry of the Messiah. Written by renowned preacher, writer, and apologist John Stott, this new, expanded edition includes: Questions at the beginning of each chapter to help you focus. New, up-to-date maps for the chapters on history and geography. An index to help you speedily access areas of interest. |
| reading biblical narrative: Women, Seduction, and Betrayal in Biblical Narrative Alice Bach, 1997-08-28 This accessible, readable book looks at the cultural study of the Bible, challenging the traditional mode of reading the women in the Bible. Alice Bach applies literary theory, cultural representations of biblical figures, films, and paintings to a close reading of a group of biblical texts revolving around the 'wicked' literary figures in the Bible. She compares the biblical character of the wife of Potiphar with the Second Temple Period narratives and rabbinic midrashim that expand her story. She then reads Bathsheba against a Yiddish novel by David Pinski, and finally looks at the Biblical Salome against a very different Salome created by Oscar Wilde, and the selection of Salomes created by Hollywood. Bach argues that biblical characters have a life in the mind of the reader independent of the stories in which they were created, thus making the reader the site at which the texts and the cultures that produced them come together. |
| reading biblical narrative: Creation, Sin and Reconciliation Robert Ignatius Letellier, 2016-02-08 This volume considers aspects of the Book of Genesis; as the first book of the Torah, and hence of the Bible, its position is unique, especially in its provision of the foundational stories of Creation, the emergence of mankind, and the beginning of human society. Through close reading of chapters 1–11, 32–33 and 37–50 (the beginning, middle and end of Genesis), with consideration of the language, style and possible implications of the text, this approach explores the fundamental themes of Berishit and the enduring relevance of its powerful message for humanity and our place in the world. The method is both synchronic (a literary, exegetic analysis of the received text), and diachronic (a more historical consideration of other forms of interpretation, whether archaeological, theological, philosophical, generic or comparative). The mystery of creation and the origins of the world and humankind are enduringly important, and with the rise of interest in cosmology and ever-growing ecological concerns for the earth and its sustainability, nothing could be more topical. Where do we come from? What is our place in the world? What is our responsibility for it? Intimately related to Creation are the nature of human origins and the mystery of the beautiful yet disturbing imperfection of human nature and society. Why are we as we are? What does this mean for concepts of family, community and nation? The Patriarchal Narratives of the forebears of Ancient Israel (Abraham, Isaac, Jacob and Joseph) provide some of the most enduring stories of election, mission, endeavour and interaction in the annals of world literature. The power and unwavering truthfulness of these stories hold a mirror to human behaviour with seemingly fathomless implications. They provide a dynamic, a positive way forward in reflecting on the intractable hostility that perennially blights the history of humankind. The recurrence of universal themes and symbols generated in Genesis and found throughout the Bible (and in wider folk literature) emphasizes the conceptual unity of a Great Code of meaning, and is pertinent to a canonical reading of Scripture; for example, Joseph’s story prefigures that of Jesus, and posits reconciliation as the very harbinger of salvation. |
| reading biblical narrative: Sweeter Than Honey, Richer Than Gold Leland Ryken, 2021-10-21 This is the second of a projected six-volume series called Reading the Bible as Literature (the first volume being How Bible Stories Work). An expert at exploring the intersection of the Bible and literature, Ryken shows pastors and students and teachers of the Bible how to appreciate the craftsmanship and beauty of biblical poetry and how to interpret it correctly. Dr. Ryken goes one step further than merely explaining the genre of poetry-he includes exercises to help students master this rich literary treasure. |
| reading biblical narrative: Narrative Art in the Bible Shimeon Bar-Efrat, 1989-01-01 This new series is designed with the needs of introductory level students in mind. It will also appeal to general readers who want to be better informed about the latest advances in our understanding of the Bible and of the intellectual, political and religious world in which it was formed. The authors in this series bring to light the methods and insights of a whole range of disciplines - including archaeology, history, literary criticism and the social sciences - while also introducing fresh insights and approaches arising from their own research.--BOOK JACKET. |
| reading biblical narrative: Texts of Terror Phyllis Trible, 2002 In this book, Phyllis Trible examines four Old Testament narratives of suffering in ancient Israel: Hagar, Tamar, an unnamed concubine and the daughter of Jephthah. These stories are for Trible the substance of life, which may imspire new beginnings and by interpreting these stories of outrage and suffering on behalf of their female victims, the author recalls a past that is all to embodied in the present, and prays that these terrors shall not come to pass again. Texts of Terror is perhaps Trible's most readable book, that brings biblical scholarship within the grasp of the non-specialist. These sad stories about women in the Old Testament prompt much refelction on contemporary misuse of the Bible, and therefore have considerable relevance today. |
| reading biblical narrative: Wom(b)an: A Cultural-Narrative Reading of the Hebrew Bible Barrenness Narratives Janice P. De-Whyte, 2018-06-12 In Wom(b)an: A Cultural-Narrative Reading of the Hebrew Bible Barrenness Narratives Janice Pearl Ewurama De-Whyte offers a reading of the Hebrew Bible barrenness narratives. The original word “wom(b)an” visually underscores the centrality of a productive womb to female identity in the ANE and Hebrew contexts. Conversely, barrenness was the ultimate tragedy and shame of a woman. Utilizing Akan cultural custom as a lens through which to read the Hebrew barrenness tradition, De-Whyte uncovers another kind of barrenness within these narratives. Her term “social barrenness” depicts the various situations of childlessness that are generally unrecognized in western cultures due to the western biomedical definitions of infertility. Whether biological or social, barrenness was perceived to be the greatest threat to a woman’s identity and security as well as the continuity of the lineage. Wom(b)an examines these narratives in light of the cultural meanings of barrenness within traditional cultures, ancient and present. |
| reading biblical narrative: Thinking in Circles Mary Douglas, 2007-01-01 Immanuel Kant's views on politics, peace, and history have lost none of their relevance since their publication more than two centuries ago. This volume contains a comprehensive collection of Kant's writings on international relations theory and political philosophy, superbly translated and accompanied by stimulating essays. Pauline Kleingeld provides a lucid introduction to the main themes of the volume, and three essays by distinguished contributors follow: Jeremy Waldron on Kant's theory of the state; Michael W. Doyle on the implications of Kant's political theory for his theory of international relations; and Allen W. Wood on Kant's philosophical approach to history and its current relevance. |
| reading biblical narrative: A Basic Guide to Interpreting the Bible Robert H. Stein, 2011-06-01 In this accessible guide to interpreting the Bible, senior New Testament scholar Robert Stein helps readers identify various biblical genres, understand the meaning of biblical texts, and apply that meaning to contemporary life. This edition has been completely revised throughout to reflect Stein's current thinking and changes to the discipline over the past decade. Students of the Bible will find the book effective in group settings. Praise for the first edition Stein's work is both a fine introduction to the task of biblical hermeneutics for the novice and an innovative refresher for the veteran teacher or pastor.--Faith & Mission |
| reading biblical narrative: An Introduction to the New Testament DAVID A DESILVA, 2020-05-21 Professor deSilva's outstanding textbook sets a new standard for the genre. The usual topics of New Testament introduction are integrated with instruction in interpretative strategies and application to ministry formation. The attractive layout includes numerous maps, photographs and text-boxes. |
| reading biblical narrative: Reading the Historical Books Patricia Dutcher-Walls, 2014-03-18 Biblical history can be some of the most difficult material for beginning students to grasp. The conventions of contemporary history writing are quite different from those of ancient Israelite writers. Here a master teacher offers basic orientation to the genre and conventions of the Old Testament historical books, helping students become careful and attentive readers. Written in an accessible style with many ancient and contemporary examples, this book introduces students to some of the phenomena they will encounter in the historical books and provides strategies for understanding their significance. The goal is to make further reading and study of Scripture more informed and sensitive. Sidebars, discussion questions, and further reading suggestions are included. |
| reading biblical narrative: The Art of Biblical Poetry Robert Alter, 2011-09-06 Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry. |
| reading biblical narrative: Narrative in the Hebrew Bible David M. Gunn, Danna Nolan Fewell, 1993 After almost two centuries of historical criticism, biblical scholarship has recently taken major shifts in direction, most notably toward literary study of the Bible. Much germinal criticism has taken as its primary focus narrative texts of the Hebrew Bible (the Old Testament). This study provides a lucid guide to the interpretive possibilities of this movement. Attempting to be both theoretical and practical, it combines discussion of methods and the business of reading in general with numerous illustrations through readings of particular texts. Gunn and Fewell discuss how literary criticism is related to other dominant ways of reading the text over the last two thousand years. In addition, they address characters, including the narrator and God; plot, modifying recent theory to accommodate the peculiar complexity of biblical narratives; and the play of language through repetition, ambiguity, multivalence, metaphor, and intertextuality. Finally, the authors discuss readers and responsibility, exploring the ideological dimension of narrative interpretation. An extensive bibliography completes the book, arranged by subject and biblical text. |
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