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| reading at a table pablo picasso: Pablo Picasso: The Impossible Collection Diana Widmaier Picasso, 2019-10-01 Pablo Picasso redefined artwork throughout his extraordinary career, becoming indisputably one of the most influential artists of the twentieth century. In this evocative volume, the artist’s granddaughter, Diana Widmaier Picasso, curates the 100 quintessential, unique works that define the evolution of this illustrious artist, creating a stunning compendium of pieces that simply could never all be acquired by a single collector. Casual art lovers know his Cubist work and the Guernica, but Picasso: The Impossible Collection manages to go deeper, revealing and revisiting some less ubiquitous yet equally powerful paintings, prints, sculptures and photographs from Picasso’s astonishing oeuvre. |
| reading at a table pablo picasso: Picasso and Apollinaire Peter Read, 2008-04-02 Monografie over de vriendschap en creatieve interactie tussen de Spaans/Franse kunstenaar (1881-1973) en de Franse dichter (1880-1918). |
| reading at a table pablo picasso: Picasso in the Metropolitan Museum of Art Metropolitan Museum of Art (New York, N.Y.), Pablo Picasso, Magdalena Dabrowski, Christel Hollevoet, 2010 This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career. |
| reading at a table pablo picasso: Draw With Pablo Picasso Ana Salvador, 2008-03-03 When I was young I could draw like Raphael, but it has taken me my whole life to learn to draw like a child. Now you can learn from the master himself. Step by step, line by line we show you how to recreate some of Picasso's most famous motifs. Through copying and then improvising for yourself, this book will help you to see and appreciate Picasso's drawings and inspire you to try out many more of your own. |
| reading at a table pablo picasso: Investigations Leonie Bennett, 2005 Examines the life and work of Spanish artist Pablo Picasso. |
| reading at a table pablo picasso: Picasso's Demoiselles Suzanne Preston Blier, 2019-12-13 In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work. |
| reading at a table pablo picasso: Through the Eyes of Picasso Yves Le Fur, 2017-10-03 Through works of art, photographs, and writings, this volume explores Picasso’s fascination with tribal art and the influences he repeatedly drew upon for his own oeuvre. “African art? I don’t know it.” With this provocative tone, Picasso tried to deny his relationship with art from outside of Europe. However, through hundreds of archival documents and photographs, this volume illustrates how tribal art from Africa, Oceania, the Americas, and Asia was a recurring source of inspiration for the artist. Side-by-side comparisons illustrate the links between Picasso’s oeuvre and diverse tribal arts. In both, we find the same themes—nudity, sexuality, impulses, death, and more—along with parallel artistic expressions of those themes—such as disfiguration or destruction of the body. The volume is completed with a chronology of the relevant works and photographs of the artist in his studio. |
| reading at a table pablo picasso: Who Was Pablo Picasso? True Kelley, Who HQ, 2009-10-29 Over a long, turbulent life, Picasso continually discovered new ways of seeing the world and translating it into art. A restless genius, he went through a blue period, a rose period, and a Cubist phase. He made collages, sculptures out of everyday objects, and beautiful ceramic plates. True Kelley's engaging biography is a wonderful introduction to modern art. |
| reading at a table pablo picasso: Just Behave, Pablo Picasso! Jonah Winter, 2012 Just Behave, Pablo Picasso! is a celebration of a modern master and an inspiration to anyone who's ever felt judged. For every young artist who's drawn something other kids think is ugly, this story of rebellion and creativity is sure to inspire. Full color. |
| reading at a table pablo picasso: Picasso and Truth T. J. Clark, 2013-05-26 Picasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale Guitar and Mandolin on a Table (1924), The Three Dancers (1925), and The Painter and His Model (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, Picasso and Truth rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars. |
| reading at a table pablo picasso: Cooking for Picasso Camille Aubray, 2016 The French Riviera, spring 1936. It's off-season in the lovely seaside village of Juan-les-Pins, where seventeen-year-old Ondine cooks with her mother in the kitchen of their family-owned Cafe Paradis. A mysterious new patron who's slipped out of Paris and is traveling under a different name has made an unusual request--to have his lunch served to him at the nearby villa he's secretly rented ... Pablo Picasso is at a momentous crossroads in his personal and professional life--and for him, art and women are always entwined ... New York, present day. Caeline, a Hollywood makeup artist who's come home for the holidays, learns from her mother Julie that Grandmother Ondine once cooked for Picasso-- |
| reading at a table pablo picasso: Picasso and Photography Pablo Picasso, 1999 |
| reading at a table pablo picasso: The Complete Paintings of Picasso Pablo Picasso, Paolo Lecaldano, 1987 Contains the complete paintings of Picasso's Blue and Rose period. |
| reading at a table pablo picasso: Picasso Carmen Giménez, David Breslin, Clare Elliott, 2016 The first comprehensive study of Picasso's mastery of line drawing and its centrality to his artistic process This beautiful new study provides an insightful reevaluation of the role of line in the work of Pablo Picasso (1881-1973). Picasso pursued drawing assiduously throughout his career, ranging across media such as pen and pencil, charcoal, and papier collé. This book brings together eighty extraordinary drawings spanning the most important phases of Picasso's career. Contributors discuss the artist's intensive exploration of line in relation to three-dimensional form, both in the context of the European artistic tradition and in analyses of selected works. Drawing emerges as central to the artist's process--a creative process that reveals another facet of Picasso's genius for making art out of the simplest of means. The first in-depth exploration of the artist's line drawings, Picasso The Line conveys how essential these powerful works are within the artist's oeuvre. As Picasso himself stated: line drawings are the only ones that cannot be imitated. Distributed for The Menil Collection Exhibition Schedule: The Menil Collection (09/16/16-01/08/17) |
| reading at a table pablo picasso: Cézanne to Picasso Rebecca A. Rabinow, Douglas W. Druick, Maryline Assante di Panzillo, Metropolitan Museum of Art (New York, N.Y.), Art Institute of Chicago, Musée d'Orsay, 2006 |
| reading at a table pablo picasso: A Day with Picasso Billy Kluver, 1999-02-18 In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central portfolio of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time. |
| reading at a table pablo picasso: The Artist, His Model, Her Image, His Gaze Karen L. Kleinfelder, 1993-04-15 Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an old-age style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living old master, and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted masterpiece; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist. |
| reading at a table pablo picasso: Picasso and Minou P. I. Maltbie, 2009-04-09 The artist Pablo Picasso's cat Minou influences him to discontinue his Blue Period style of painting to begin creating works that will sell more quickly, in a story that includes brief notes on Picasso's life and work. |
| reading at a table pablo picasso: 100 Pablo Picassos , 2015-04-20 Did you know that Pablo Picasso created over 50,000 works of art in his lifetime? Or that he also wrote poetry? Did you know that his simple drawing of a dove became an international symbol of peace? Pablo Picasso is one of the most celebrated artists in the world, and this vibrant book shows his life in a remarkably original way. By featuring 100 illustrations of Pablo Picassos throughout the pages, young readers will explore the artist's life from his childhood to his major contributions to modern art, from his love for pets to his endless curiosity about life. The book also invites readers to count the Picassos all the way to 100, adding an educational element while discovering the life and work of the great Pablo Picasso. Guided Reading Level: N3 |
| reading at a table pablo picasso: Birds & Other Animals with Pablo Picasso Pablo Picasso, 2017-04-24 A groundbreaking study of animals as captured in rarely seen sketches by legendary artist Pablo Picasso The masterful drawings of Pablo Picasso are used to teach animal recognition in this artful, read-aloud board book. Birds & Other Animals takes children through Picasso's series of single-line animal drawings, beginning and ending with various kinds of birds. The cleverly whimsical charm of Picasso's sketches keeps readers engaged, while the accompanying text enriches the experience with conversational commentary. Readers will not only broaden their visual definitions of which animals are which, but also grow familiar with fine art in this relevant and relatable third title in the 'First Concepts with Fine Artists' series. Includes a read-aloud 'about the artist'. |
| reading at a table pablo picasso: Picasso and the Chess Player Larry Witham, 2013-01-08 The dramatic story of art in the twentieth century |
| reading at a table pablo picasso: Chinese Art: The Impossible Collection Adrian Cheng, John Dodelande, 2021-05-01 While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell. |
| reading at a table pablo picasso: A Picasso Portfolio Deborah Wye, 2010 Published on the occasion of the exhibition Picasso: Themes and Variations held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010. |
| reading at a table pablo picasso: A Face for Picasso Ariel Henley, 2021-11-02 A Schneider Family Book Award Honor Book for Teens Raw and unflinching . . . A must-read! --Marieke Nijkamp, #1 New York Times-bestselling author of This Is Where It Ends [It] cuts to the heart of our bogus ideas of beauty. –Scott Westerfeld, #1 New York Times-bestselling author of Uglies I am ugly. There's a mathematical equation to prove it. At only eight months old, identical twin sisters Ariel and Zan were diagnosed with Crouzon syndrome -- a rare condition where the bones in the head fuse prematurely. They were the first twins known to survive it. Growing up, Ariel and her sister endured numerous appearance-altering procedures. Surgeons would break the bones in their heads and faces to make room for their growing organs. While the physical aspect of their condition was painful, it was nothing compared to the emotional toll of navigating life with a facial disfigurement. Ariel explores beauty and identity in her young-adult memoir about resilience, sisterhood, and the strength it takes to put your life, and yourself, back together time and time again. |
| reading at a table pablo picasso: Picasso Kenneth Brummel, Susan Behrends Frank, 2021 New insights into Picasso's Blue Period, through innovative technology that reveals hidden compositions, motifs and alterations, plus hitherto unknown information on the artist's materials and process This lavishly illustrated volume reexamines Pablo Picasso's famous Blue Period (1901-04) in paintings, works on paper and sculpture. Relying on new information gleaned from technical studies performed on The Blue Room (Le Tub) (1901), Crouching Beggarwoman (La Miséreuse accroupie) (1902) and The Soup (La Soupe) (1903), this multidisciplinary volume combines art history and advanced conservation science in order to show how the young Picasso fashioned a distinct style and a pronounced artistic identity as he adapted the artistic lessons of fin-de-siècle Paris to the social and political climate of an economically struggling Barcelona. Essays, a chronology and a summary of conservation findings contextualize Picasso's experimental approach to painting during the Blue Period. A major contribution to the burgeoning field of technical art history, Picasso: Painting the Blue Period advances new scholarship on one of the most critical episodes in 20th-century modernism. |
| reading at a table pablo picasso: Picasso's Trousers Nicholas Allan, 2012 Whenever Picasso does something different, people say, \No! No! No! Picasso!\ But Picasso doesn't listen. Instead, he says . . . \Yes!\. He paints all-blue pictures, all-pink pictures, plus pictures from the front and side all at the same time! He makes art out of bike bits and he can draw pictures in less than 60 seconds! Soon he becomes the greatest painter in the world. But he still wants to be different . . . |
| reading at a table pablo picasso: Picasso on Art Pablo Picasso, Dore Ashton, 1977 |
| reading at a table pablo picasso: "Starving" to Successful J. Jason Horejs, 2009 Provides insight into the art business from the perspective of a gallery owner. |
| reading at a table pablo picasso: Picasso Loves Shapes Judiee Lee, 2017-07-04 Follow along with famous artist Pablo Picasso on a tour through the shapes! Along the way, you'll learn about Picasso's life, his art, and his passions. Packed to the brim with adorable illustrations and fun activities, Picasso Loves Shapes is perfect for any budding artist! |
| reading at a table pablo picasso: My Cup of Art Katerina Karolik, 2022-11 This little pop-up book by artist Katerina Karolik is about a seemingly ordinary object--the tea or coffee cup. Seen through an artist's eyes, however, everyday items can take on new and unexpected forms. If you are curious about what a cup by Pablo Picasso, Vincent van Gogh, Piet Mondrian or Kazimir Malevich might look like, read on! You are sure to enjoy this playful and imaginative book about an item found on every kitchen table that still has the power to surprise. |
| reading at a table pablo picasso: Silent Selling Kate Ternus, 2017 |
| reading at a table pablo picasso: Getting to Know the World's Greatest Artists Volume 2 Mike Venezia, 1. Getting To Know Leonardo Da Vinci 2. Getting To Know Rembrandt 3. Getting To Know Vincent Van Gogh 4. Getting To Know Claude Monet Running Time: 01:26:58 SKU PV000124. |
| reading at a table pablo picasso: Seen Art? Jon Scieszka, 2005 It all started when I told my friend Art I would meet him on the corner of Fifth and Fifty-Third. I didn't see him. So I asked a lady walking up the avenue, 'Have you seen Art?' 'MoMA?' asked the lady. 'Just down Fifty-Third Street here.' When this address turns out to be the Museum of Modern Art in New York City, confusion and hilarity ensue. As the narrator continues looking for Art inside MoMA, he views the best pieces of modern art. |
| reading at a table pablo picasso: Painters in Paris, 1895-1950 William Slattery Lieberman, 2000 Representing the development of painting in France from 1895 to 1950, the works in this catalogue are by the well-known artists from the School of Paris. |
| reading at a table pablo picasso: Picasso Ingres Christopher Riopelle, Susan L. Siegfried, Emily Talbot, 2022-05-24 An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. |
| reading at a table pablo picasso: Van Gogh for Kids Margaret E. Hyde, 2003-10-31 Vincent van Gogh (1853-90), considered the greatest Dutch painter after Rembrandt, inspired the Expressionist school of painting. Given the number of his paintings that are now well-known masterpieces, it is staggering to think that his painting career lasted only ten years. His fame is enhanced by his many haunting self-portraits and his suicide at age thirty-seven. Van Gogh for Kids contains ten of his most familiar images, including The Starry Night, Bedroom at Arles, and Vase with Fourteen Sunflowers, in a toddler-friendly board-book format. About the Editor Margaret E. Hyde was inspired to create the Great Art for Kids books when she could not find age-appropriate art books for her own little girl. As an alternative to having her expensive coffee-table books drooled on, Mrs. Hyde designed these durable board books to introduce young children to the great painters. A native of Memphis, Mrs. Hyde now lives in Santa Monica with her family. Other titles in the Great Art for Kids Series are Cassatt for Kids, Impressionists for Kids, Matisse for Kids, Picasso for Kids, and Renoir for Kids ($8.95 each), all available from Pelican. |
| reading at a table pablo picasso: Picasso Sculpture Ann Temkin, Anne Umland, 2015 Catalog of an exhibition held at The Museum of Modern Art, New York, September 14, 2015-February 7, 2016. |
| reading at a table pablo picasso: Picasso & Lump David Douglas Duncan, Pablo Picasso, 2006 Chronicles the heartwarming story of the relationship between renowned artist Pablo Picasso and his pet dachshund, Lump, a mutual love affair that developed when the dog, originally belonging to veteran photojournalist David Douglas Duncan, decided to take up permanent residence with Picasso and was immortalized in a series of remarkable paintings. 20,000 first printing. |
| reading at a table pablo picasso: Writing Passion: A Catullus Reader 1st Edition Ronnie Ancona, |
| reading at a table pablo picasso: Visual Knowing Donovan R. Walling, 2005-04-13 Through lesson planning ideas, key words, resources, and visual thinking questions, this innovative resource demonstrates how visual arts can be used to teach across all subject areas. |
Pablo Picasso | Reading at a Table | The Metropolitan Museum of Art
In this painting of his lover Marie-Thérèse Walter reading a book, Picasso returns to a favored subject: a woman seated alone. The darkened room and glow from the lamp …
Two Girls Reading - Wikipedia
Two Girls Reading (French: Deux Enfants Lisant) is a 1934 painting by Pablo Picasso. Since 1994, it has been at the University of Michigan Museum of Art. [1] In 2002, …
Reading, 1932 by Picasso
A new-found vigour bursts as color onto the canvas as Picasso plays with Matisse's dynamic polarisation of red and green and the inclusion of patterning. The …
Reading at a Table | English 2850 JMWE Spring 2016: Great Works of ...
The painting I chose was “Reading at a Table” by Pablo Picasso. This artist was born in Malaga, Spain in 1881. Picasso is known to be one of the best artists of the 20th century, …
Picasso Depicts His Lover Reading at a Table - History of Information
An oil painting Pablo Picasso created in 1934 entitled Reading at a Table, preserved in the Metropolitan Museum of Art, depicted Picasso's 25 year-old lover, Marie-Thérèse …
Pablo Picasso | Reading at a Table | The Metropolitan Museum of Art
In this painting of his lover Marie-Thérèse Walter reading a book, Picasso returns to a favored subject: a woman seated alone. The darkened room and glow from the lamp give her an …
Two Girls Reading - Wikipedia
Two Girls Reading (French: Deux Enfants Lisant) is a 1934 painting by Pablo Picasso. Since 1994, it has been at the University of Michigan Museum of Art. [1] In 2002, UMMA included it in …
Reading, 1932 by Picasso
A new-found vigour bursts as color onto the canvas as Picasso plays with Matisse's dynamic polarisation of red and green and the inclusion of patterning. The significantly heart-shape …
Reading at a Table | English 2850 JMWE Spring 2016: Great …
The painting I chose was “Reading at a Table” by Pablo Picasso. This artist was born in Malaga, Spain in 1881. Picasso is known to be one of the best artists of the 20th century, as well as the …
Picasso Depicts His Lover Reading at a Table - History of …
An oil painting Pablo Picasso created in 1934 entitled Reading at a Table, preserved in the Metropolitan Museum of Art, depicted Picasso's 25 year-old lover, Marie-Thérèse Walter, …
Picasso - Reading at a Table 1934 in high definition Neoclassicist ...
In this painting of his lover Marie-Thérèse Walter reading a book, Picasso returns to a favored subject: a woman seated alone. The darkened room and glow from the lamp give her an …
Woman reading (1935) by Pablo Picasso – Artchive
The artwork presents a stylized depiction of a figure engaged in reading. Composed of bold colors and fragmented geometric shapes, it is emblematic of the surrealist and cubist tendencies that …
Pablo Picasso - Reading at a Table, 1934 - Arthur
Nov 8, 2014 · Pablo Picasso (1881-1973) was an artist from Spain. See more of their work on Arthur.io.
Pablo Picasso (1881–1973) - The Metropolitan Museum of Art
Oct 1, 2004 · Reading at a Table (1996.403.1) from 1934 uses these expressive qualities of bold colors and gentle curves to portray Marie-Thérèse seated at an oversized table, emphasizing …
Pablo Picasso — Reading, 1932
It is a portrait of Picasso's wife, Jacqueline. There are two variants of this lithograph... one with black background and one with light gray background. The colors of the images are the same, …
