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| roger keverne: Roger Keverne (Gallery) Roger Keverne (Gallery), 19?? |
| roger keverne: Roger Keverne and Michael Gillingham Gallery Roger Keverne and Michael Gillingham Gallery, |
| roger keverne: Roger Keverne Ltd , 2021 |
| roger keverne: Rogues and Scholars James Stourton, 2025-02-04 A colorful and fast-moving account of how postwar London became the global center of the art market—a story of Impressionist masterpieces, dodgy dealers, and ground-breaking financial transactions. On October 15, 1958, Sotheby's of Bond Street staged an event sale” of seven Impressionist paintings belonging to Erwin Goldschmidt: three Manets, two Cézannes, one Van Gogh, and a Renoir. Kirk Douglas, Anthony Quinn, and Somerset Maugham were there as celebrity guests. The seven lots went for £781,000—at the time the highest price for a single sale. The event established London as the world center of the art market and Sotheby's as an international auction house. It began a shift in power from the dealers to the auctioneers and paved the way for Impressionist paintings to dominate the market for the next forty years. Sotheby's had pulled off a massive coup by capturing the Impressionist market from Paris and New York—and now began its inexorable rise, opening offices all over the world. A huge expansion of the market followed, accompanied by rocketing prices, colorful scandals, and legal dramas. London transformed itself from a fusty place of old master painting sales to a revitalized center of contemporary art, crowned by the opening of Tate Modern in 2000. The Tate Modern successfully united new (and mostly foreign) money in London with the art world, offering its patrons a ready-made sophisticated social milieu alongside dealers in contemporary art. In a vibrant and briskly-paced style, James Stourton tells the story of the London art market from the immediate postwar period to the turn of the millennium. While Sotheby's is the lynchpin of this story, Stourton populates his narrative with a glorious rogue's gallery of eccentric scholars, clever amateurs, brilliant emigrés, and stylish grandees with a flair for the deal. |
| roger keverne: Ash Glazes Phil Rogers, 2003-02-12 Ash Glazes has been designed as an introduction and practical handbook to this glazing technique, covering the history of ash glazes and the practicalities of collecting and testing wood ashes and transforming them into glazes. It will provide inspiration for working potters and delight all those interested in contemporary ceramics. |
| roger keverne: Roger Keverne: 50 Years in the Trade Sotheby's Hong Kong, Ltd, 2016 |
| roger keverne: Golden Kingdoms Joanne Pillsbury, Timothy Potts, Kim N. Richter, 2017-09-26 This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America. |
| roger keverne: Nomadic Art of the Eastern Eurasian Steppes Emma C. Bunker, James C. Y. Watt, Zhixin Sun, 2002 This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C. |
| roger keverne: Sensuous Surfaces Jonathan Hay, 2010-06-25 With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China. Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras. |
| roger keverne: Chinese Antiquities Ms Audrey Wang, 2012-07-01 Chinese Antiquities: An Introduction to the Art Market provides an essential guide to the growing market for Chinese antiquities, encompassing all sectors of the market, from Classical Chinese paintings and calligraphy to ceramics, jade, bronze and ritual sculpture. Aimed at current and aspiring collectors, investors and galleries interested in Chinese antiquities, the book sets out to demystify the process of buying and selling in the Asian context, highlighting Asia-specific issues that market-players might encounter and making this category of art more accessible to newcomers to the market. |
| roger keverne: Yaa Baa, Production, Traffic, and Consumption of Methamphetamine in Mainland Southeast Asia Pierre-Arnaud Chouvy, Joël Meissonier, 2004 The abuse of methamphetamine in Southeast Asia has become a major problem over the past decade. Thailand has been particularly hard hit: methamphetamine now impacts all sectors of Thai society. In the early 1990s, methamphetamine manufactures moved their laboratories across the border to Burma, and large-scale production began. The new cheaper product, yaa baa, or 'madness medicine', flooded the local market and spread quickly to the surrounding countries. Yaa baa from laboratories in Burma has been found also in the United States and Europe.--BOOK JACKET. |
| roger keverne: East Asian Lacquer Metropolitan Museum of Art (New York, N.Y.), James C. Y. Watt, Barbara Brennan Ford, 1991 The Irving Collection represents a wide range of styles and techniques from the 13th through the twentieth centuries. |
| roger keverne: Arts of Asia , 2008 |
| roger keverne: Fine and Rare Chinese Works of Art and Ceramics London. Roger Keverne, 2008 |
| roger keverne: Sunnylands David Gilson De Long, 2010 Sunnylands, the Annenberg estate in Rancho Mirage, California, is one of America's great estates. This richly illustrated book chronicles its extensive history, and individual essays by distinguished specialists document each major collection and the home's significance as an example of California midcentury modernist architecture. |
| roger keverne: Country Life Illustrated , 2009 |
| roger keverne: China and the West Elisa Ambrosio, Francine Giese, Alina Martimyanova, Hans Bjarne Thomsen, 2022-11-21 With contributions from outstanding specialists in glass art and East Asian art history, this edited volume opens a cross-cultural dialogue on the hitherto little-studied medium of Chinese reverse glass painting. The first major survey of this form of East Asian art, the volume traces its long history, its local and global diffusion, and its artistic and technical characteristics. Manufactured for export to Europe and for local consumption within China, the fragile artworks studied in this volume constitute a paramount part of Chinese visual culture and attest to the intensive cultural and artistic exchange between China and the West. With contributions by Thierry Audric, Kee Il Choi Jr., Patrick Conner, Karina H. Corrigan, Elisabeth Eibner, Patricia F. Ferguson, Lihong Liu, William H. Ma, Alina Martimyanova, Christopher L. Maxwell, Rupprecht Mayer, Jessica Lee Patterson, Michaela Pejčochová, Jérôme Samuel, Hans Bjarne Thomsen, Jan van Campen, Rosalien van der Poel |
| roger keverne: 外文期刊漢學論評彙目 , 1985 |
| roger keverne: Luxurious Networks Yulian Wu, 2017-01-04 From precious jade articles to monumental stone arches, Huizhou salt merchants in Jiangnan lived surrounded by objects in eighteenth-century China. How and why did these businessmen devote themselves to these items? What can we learn about eighteenth-century China by examining the relationship between merchants and objects? Luxurious Networks examines Huizhou salt merchants in the material world of High Qing China to reveal a dynamic interaction between people and objects. The Qianlong emperor purposely used objects to expand his influence in economic and cultural fields. Thanks to their broad networks, outstanding managerial skills, and abundant financial resources, these salt merchants were ideal agents for selecting and producing objects for imperial use. In contrast to the typical caricature of merchants as mimics of the literati, these wealthy businessmen became respected individuals who played a crucial role in the political, economic, social, and cultural world of eighteenth-century China. Their life experiences illustrate the dynamic relationship between the Manchu and Han, central and local, and humans and objects in Chinese history. |
| roger keverne: The Index Library , 1929 For list of publications see covers, pt. 28/30, April/June, 1890, p. x; pt. 82, December 1900, p. iii-iv. |
| roger keverne: The Connoisseur , 1991-07 |
| roger keverne: Science and Civilisation in China Joseph Needham, Rose Kerr, Nigel Wood, 2004 |
| roger keverne: Gems in the Early Modern World Michael Bycroft, Sven Dupré, 2018-11-27 This edited collection is an interdisciplinary study of gems in the early modern world. It examines the relations between the art, science, and technology of gems, and it does so against the backdrop of an expanding global trade in gems. The eleven chapters are organised into three parts. The first part sets the scene by describing how gems moved around the early modern world, how they were set in motion, and how they were pulled together in the course of their travels. The second part is about value. It asks why people valued gems, how they determined the value of a given gem, and how the value of a gem was connected to its perceived place of origin. The third part deals with the skills involved in cutting, polishing, and mounting gems, and how these skills were transmitted and articulated by artisans. The common themes of all these chapters are materials, knowledge and global trade. The contributors to this volume focus on the material properties of gems such as their weight and hardness, on the knowledge involved in exchanging them and valuing them, and on the cultural consequences of the expanding trade in gems in Eurasia and the Americas. |
| roger keverne: Country Life , 2006 |
| roger keverne: Gilded Age Ivan Franceschini, Nicholas Loubere, 2018-04-01 According to the Chinese zodiac, 2017 was the year of the 'fire rooster', an animal often associated with the mythical fenghuang, a magnificently beautiful bird whose appearance is believed to mark the beginning of a new era of peaceful flourishing. Considering the auspicious symbolism surrounding the fenghuang, it is fitting that on 18 October 2017, President Xi Jinping took to the stage of the Nineteenth Party Congress to proclaim the beginning of a 'new era' for Chinese socialism. However, in spite of such ecumenical proclamations, it became immediately evident that not all in China would be welcome to reap the rewards promised by the authorities. Migrant workers, for one, remain disposable. Lawyers, activists and even ordinary citizens who dare to express critical views also hardly find a place in Xi's brave new world. This Yearbook traces the stark new 'gilded age' inaugurated by the Chinese Communist Party. It does so through a collection of more than 40 original essays on labour, civil society and human rights in China and beyond, penned by leading scholars and practitioners from around the world. |
| roger keverne: Jade in Ancient Costa Rica Mark Miller Graham, 1998 Published in conjunction with its namesake Metropolitan Museum of Art exhibition (September 16, 1998-February 28, 1999), this finely illustrated catalogue providing context to pre-Columbian works of jade tempts one to see the originals from Costa Rica's Museo del Jade Marco Fidel Tristan Castro and elsewhere. Annotation copyrighted by Book News, Inc., Portland, OR |
| roger keverne: Spinach Green and Mutton-fat White Charles Q. Mason, 2006 |
| roger keverne: Guide to the Antique Shops of Britain Antique Collectors' Club, 2004 |
| roger keverne: National Art-Collections Fund Review National Art-Collections Fund (Great Britain), 2007 |
| roger keverne: Transactions of the Oriental Ceramic Society Oriental Ceramic Society, 2008 |
| roger keverne: 中國視覺藝術英文期刊論文索引 (一九八〇-一九八九) 李柏如, 1995 |
| roger keverne: The Yangtze River Collection , 1993 |
| roger keverne: Europe's Elite 1000 2001 Cadogan Publications, Sandra Lane, 2001-06 |
| roger keverne: Mounted Oriental Porcelain in the J. Paul Getty Museum Gillian Wilson, Sir Francis Watson, 2000-03-16 The Getty Museum’s large and exceptional collection of oriental porcelain embellished with Parisian gilt bronze or silver is comprehensively illustrated in this revised catalogue. The European practice of mounting exotic objects such as oriental porcelain dates from the Middle Ages and found its height of expression during the seventeenth and eighteenth centuries, when Chinese and Japanese porcelains reached the West in considerable quantities. To meet the growing taste for such objects in fashionable Parisian society, marchands-merciers—guild members who combined the functions of the modern interior decorator, antique dealer, and picture dealer—devised ingenious settings in silver and gilt bronze for oriental porcelains, adapting their exotic character to the French interiors of the period. With the publication of this catalogue, the beauty and rarity with which buyers of these pieces were so enamored is vividly brought to life. |
| roger keverne: Orient-express Magazine , 1996 |
| roger keverne: Art Collecting and Gifts to Museums Paul van der Grijp, 2024-12-06 Art Collecting and Gifts to Museums questions why private collectors donate their collection, or parts of it, to museums and examines what the implications of this gifting process might be. Presenting case studies from Europe, North America, East Asia, and the South Pacific, this book is concerned with both elite and popular collections and examines the act of donating art from the collector’s point of view. Demonstrating that art museums depend on donations from private collectors, Paul van der Grijp emphasizes that it is crucial to understand the psychological, sociological, economic, and educational motivations for gifting works of art to institutions. Taken together, the chapters argue that collectors donate to museums because the latter represent an imagined community, to whom those collectors would like to bestow a sacred gift. Private collectors are, Van der Grijp maintains, motivated to ensure the immortality of their collections and, ultimately, to preserve some memory of their own lives in the process. Art Collecting and Gifts to Museums will be of interest to researchers and students engaged in the study of museums, culture, art, anthropology, history, and sociology. |
| roger keverne: CANS藝術新聞 6月號/2022 293期+亞洲藝術新聞 6月號/2022 209期 華藝文化, 2022-05-31 我怎麼看這場佳士得香港夜拍 5月26日晚間，香港佳士得舉行「二十及二十一世紀藝術」夜場拍賣，我認為這是一場攸關全球現當代藝術市場未來發展的重要拍賣，尤其是對中國當代藝術而言。首先看一下數據。本場共拍出59件拍品，總成交14.07億港元，成交率95%；誕生了二件過億級拍品、26件千萬級拍品；41.4%拍品超過估價成交，44.8%的拍品在估價內成交。從數據看來，這是一場成績不錯的拍賣成績，尤其是高達95%成交率。 二件過億成交拍品都是廿世紀現代藝術。趙無極〈29.09.64.〉以2.78億港元成交；畢加索〈畫框中的男子半身像〉以1.7495億港元成交。可惜的是，原本預期可以過億的張大千潑彩〈山寺飛泉〉慘遭流標，這讓原本好不容易找不到核心的近現代書畫市場再度陷入泥沼。 本場廿世紀中國現代藝術有吳冠中、劉抗、陳文希、丁衍庸、趙無極、陳逸飛等6位藝術家作品入劄，除一件趙無極撤拍外，其他作品都在超過高估價成交。中國當代藝術家同樣有6位入劄，分別是曾梵志、劉野、劉煒、陳飛、李華、張恩利。相對於西方當代藝術家佔比增加，今次中國當代藝術家作品減少於往年，的確有被邊緣化的現象。 6件中國當代藝術家作品成交分別說明了什麼？ 本場備受關注的曾梵志〈協和醫院系列之三〉以4845萬港元成交，此拍品曾在2013年香港佳士得秋拍以1.13億港元成交，本場含傭金不到5千萬，賣方經過9年沈殿，還足足賠了6千多萬港元。劉野〈拿紅旗的海軍〉以3765萬港元成交；張恩利〈女人〉以1005萬港元成交；至於底價1000萬港元的劉煒〈革命家庭〉則流標了！ 原因為何？劉野為西方卓納畫廊David Zwirner代理、張恩利為霍夫肯畫廊 XavierHufkens 代理。相對於本場無西方畫廊代理的劉煒作品的流標，或許這就是答案。本場中國80後唯一藝術家陳飛〈憂傷的農夫〉以1,008,000港元成交，其代理畫廊是貝浩登畫廊Perrotin。本場反應出一個現實，「只有被西方畫廊代理的中國當代藝術家，才能在拍賣二級市場保證成交」。 一場與中國完全沒有關係的拍賣會 這樣說，有點偏勃。畢竟中國藏家多少有點參與，但比起往昔，本場參與的中國藏家真的少之又少，甚至連微信朋友圈那些過去關心拍賣的人都消蹤了！中國的缺席，絕對是這場中國當代藝術家作品拍賣不如預期的主要原因。如果中國對於疫情的封控還是如此嚴格，我更擔心的是中國經濟真的出現問題後，中國當代藝術市場下調將更為嚴峻。中國當代藝術市場可能就這樣被疫情封控，給玩完了！ 本場拍賣結果，還說明了三件事： 一、被西方藍籌畫廊代理的中國當代藝術家，才是拍賣二級市場成交的最佳保證。沒有被代理的藝術家，將難以入劄香港拍場。二、中國當代藝術家拍賣二級市場，如同中國骨董、近現代書畫，將逐漸移往中國內地拍賣。未來內地拍賣才是中國當代藝術市場的主戰場。三、香港的現當代藝術板塊將逐漸從中國、亞洲轉向西方，並納入西方藝術產業結構。未來西方現當代藝術作品將以正規軍進軍香港。 從本場拍賣成績來看，西方現當代藝術作品成交還是可圈可點的，畢竟西方藝術作品不會因為中國人不買而崩盤。西方藝術市場跟全世界有錢人的財富很有關係，有著全球範圍的參與支持，這就是為什麼全世界的有錢人都想投資西方藝術品，包括中國的有錢人。但中國藝術品卻只有中國人的參與，就連最國際化的當代藝術市場，也只有中國藏家願意購藏，很少聽說西方藏家跟進。這就是今次夜場所呈現的「當中國藏家無法跟進時，中國當代藝術市場便馬上陷入困境」。 一個國家財富越多，藝術品就越貴。藝術市場絕對是國家經濟實力的展現。今次受中美對抗、疫情封控影響的中國經濟下滑極為嚴重，其對中國藝術市場的衝擊將是巨大的，甚至已到危機的地步。因此，當晚我看到的不僅僅是畫作價格的下調，中國當代藝術市場甚至可能出現流動性的危機。如果中國經濟真的出現螺旋下降進而引發房地產崩盤，所謂「藝術品缺乏流動性」的問題更是無可避免⋯⋯且求售無門。 |
| roger keverne: Olmec Art at Dumbarton Oaks Karl A. Taube, Dumbarton Oaks, 2004 Olmec Art at Dumbarton Oaks presents the Olmec portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It illustrates all thirty-nine Olmec art objects in color plates and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, amplified only slightly since his death, is a remarkably significant collection. In addition to their aesthetic quality and artistic significance, the objects hold much information regarding the social worlds and religious and symbolic views of the people who made and used them before the arrival of Europeans in the New World. This volume is the second in a series of catalogues that will treat objects in the Bliss Pre-Columbian Collection. The majority of the Olmec objects in the collection are made of jade, the most precious material for the peoples of ancient Mesoamerica from early times through the sixteenth century. Various items such as masks, statuettes, jewelry, and replicas of weapons and tools were used for ceremonial purposes and served as offerings. Karl Taube brings his expertise on the lifeways and beliefs of ancient Mesoamerican peoples to his study of the Olmec objects in teh Bliss collection. His understanding of jade covers a broad range of knowledge from chemical compositions to geological sources to craft technology to the symbolic power of the green stone. Throughout the book the author emphasizes the role of jade as a powerful symbol of water, fertility, and particularly, of the maize plant which was the fundamental source of life and sustenance for the Olmec. The shiny green of the stone was analogous to the green growth of maize. This fundamental concept was elaborated in specific religious beliefs, many of which were continued and elaborated by later Mesoamerican peoples, such as the Maya. Karl Taube employs his substantial knowledge of Pre-Columbian cultures to explore and explicate Olmec symbolism in this catalogue. |
| roger keverne: Architectural Digest , 2007 |
| roger keverne: Dictionary of Herveys of All Classes, Callings, Counties, and Spellings, from 1040 to 1500 Sydenham Henry Augustus Hervey, 1924 A dictionary of the Hervey or Harvey family in England between the years 1040 to 1500. It is arranged by county and contains an index in volume 5. |
英语口语中表明「收到」时所说的「Roger that」中「roger」是怎 …
Oct 19, 2014 · 每个字母应该怎么读，是有具体规定的。 其中，有相当长一段时间（1943-1956）英美军事人员都用“roger”指代字母“r”。
在军事术语中，Roger和Copy有什么区别？ - 知乎
1、Roger 罗杰： 1999年的《星际大战：威胁潜伏》中，反派的战斗机器人相当的傻气，一直说着“Roger ！Roger！”，也就成了著名的文化基因。 “Roger”是“我收到你的讯息”的简写，其实原意 …
Remove Jolly Roger Virus – Restore .Locked Files
Dec 30, 2022 · Jolly Roger is the name of a new ransomware cryptovirus. This ransomware is a variant of the EDA2 open-source project. The virus places the extension .locked after …
.ROGER Virus File (Dharma Ransomware) – Removal (Update …
Dec 30, 2022 · The .ROGER files virus is a ransomware from the Crysis/Dharma family. It is extremely dangerous ransomware due to the fact that it encrypts personal files located on the …
電影里有roger that 和copy that兩者在什麼情況下用? - 知乎
copy指收到了对方说的话，roger不但是收到，而且有“理解并且会遵照执行”的意味。 具体来说，说话者和接收者如果是平级的，比如都是士兵，警员，那么这两个词一般是可以通用的。 如果 …
什么是分子胶，和PROTAC有什么区别？靶向蛋白降解剂的原理 …
Created by Roger B. Dodd 通过这一机制，细胞能够精确地调控蛋白质的稳定性和代谢。 这一发现的重要性不仅对于生物学的理解，还在药物研发和治疗疾病方面具有深远的影响。
英语口语中表明「收到」时所说的「Roger that」中「roger」是怎 …
Oct 19, 2014 · 每个字母应该怎么读，是有具体规定的。 其中，有相当长一段时间（1943-1956）英美军事人员都用“roger”指代字母“r”。
在军事术语中，Roger和Copy有什么区别？ - 知乎
1、Roger 罗杰： 1999年的《星际大战：威胁潜伏》中，反派的战斗机器人相当的傻气，一直说着“Roger ！Roger！”，也就成了著名的文化基因。 “Roger”是“我收到你的讯息”的简写，其实原意 …
Remove Jolly Roger Virus – Restore .Locked Files
Dec 30, 2022 · Jolly Roger is the name of a new ransomware cryptovirus. This ransomware is a variant of the EDA2 open-source project. The virus places the extension .locked after …
.ROGER Virus File (Dharma Ransomware) – Removal (Update …
Dec 30, 2022 · The .ROGER files virus is a ransomware from the Crysis/Dharma family. It is extremely dangerous ransomware due to the fact that it encrypts personal files located on the …
電影里有roger that 和copy that兩者在什麼情況下用? - 知乎
copy指收到了对方说的话，roger不但是收到，而且有“理解并且会遵照执行”的意味。 具体来说，说话者和接收者如果是平级的，比如都是士兵，警员，那么这两个词一般是可以通用的。 如果 …
什么是分子胶，和PROTAC有什么区别？靶向蛋白降解剂的原理 …
Created by Roger B. Dodd 通过这一机制，细胞能够精确地调控蛋白质的稳定性和代谢。 这一发现的重要性不仅对于生物学的理解，还在药物研发和治疗疾病方面具有深远的影响。
