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| rousseau julie: Julie, Or, The New Heloise Jean-Jacques Rousseau, 1997 A novel in which Rousseau reconceptualized the relationship of the individual to the collective and articulated a new moral paradigm |
| rousseau julie: The Confessions and Correspondence, Including the Letters to Malesherbes Jean-Jacques Rousseau, 1995 A new English translation, the first to be based on the definitive French Pléiade edition. |
| rousseau julie: Romanticism and Civilization Mark Kremer, 2017-05-18 Romanticism and Civilization examines romantic alternatives to modern life in Rousseau’s foundational novel Julie. It argues that Julie is a response to the ills of modern civilization, and that Rousseau saw that the Enlightenment’s combination of science and of democracy degraded human life by making it bourgeois. The bourgeois is man uprooted by science and attached to nothing but himself. He lives a commercial life and his materialism and calculations penetrate all aspects of his existence. He is neither citizen, nor family man, nor lover in any serious sense: his life is meaningless. Rousseau’s romanticism in Julie is an attempt to find connectedness through the sentiments of private life and wholeness through love, marriage, and family. |
| rousseau julie: The Solution of the Fist John P. Moran, 2009-01-01 The first novel ever written about terrorism, Dostoevsky'sThe Demons is also the most instructive, for in it he addresses-better than any writer before or since-the two persistent riddles of terrorism: why are terrorists so new to our civilization, and how is it that they can kill others so easily in the name of a political idea? As a first-generation observer of terrorism, Dostoevsky came to the conclusion that this new political movement was the product ofmodern culture, politics, and psychology. He felt that modernity created a unique shame and humiliation that fueled terrorism. The demons that he brings to life in this novel are not fire-breathing monsters, but gracious, subtle, cosmopolitan, rational, and scientific. They are also murderers, rapists, arsonists, and terrorists. For Dostoevsky, these demons were ultimately the product of cosmopolitan Paris, for it was there that individuals first deified reason and thus abandoned the ancient sources of morality-the ancient Gods. By replacing the ancient with the modern gods of atheism, science, and liberalism, modern societies have abandoned any sort of moral constraint that helped to keep violence and tyranny in check. This created the new, modern, nihilistic world of terrorism. If modern shame and humiliation are truly at the heart of modern terrorism, twenty-first century readers can gain a clearer insight into terrorist motivations through understanding Dostoevsky's work.The Solution of the Fist: Dostoevsky and the Roots of Modern Terrorism aims to aid in this process through an in-depth analysis of his work and a careful explanation of the context in which nineteenth-century readers would understand it. |
| rousseau julie: Dreaming with Rousseau Julie Merberg, Suzanne Bober, 2007-08-23 Set against the backdrop of well-known works by the artist Henri Rousseau, rhyming text reveals a dream of the jungle and its inhabitants. |
| rousseau julie: Theories of Mimesis Arne Melberg, 1995-01-26 Mimesis, with its connecting concepts of imitation, simile, and similarity, has been cited since classical times in the exploration of the relationship between art and reality. In this major study Arne Melberg discusses the theory and history of mimesis through narratological analysis of texts by Plato, Cervantes, Rousseau, and Kierkegaard. Moving away from the relatively straightforward 'representation of reality' ideas in Erich Auerbach's Mimesis (1946), Melberg brings the concept of mimesis into the context of the literary theories of de Man and others. Theories of Mimesis is a strenuously argued account of language and time, charting the movement of mimesis from the Platonic philosophy of similarity to modern ideas of difference. |
| rousseau julie: Leadership and the Unmasking of Authenticity Brent Edwin Cusher, Mark A. Menaldo, 2018 Leadership and the Unmasking of Authenticity presents a philosophic treatment of the core concept of authentic leadership theory, with a view toward illuminating how authors in the history of philosophy have understood authenticity as an ideal for humanity. Such an approach requires a broader view of the historical origins of authenticity and the examination of related ideas such as self-knowledge and deception. The chapters of this book illuminate the conflict between the contemporary understanding of authenticity and traditional philosophy by revisiting the ideas of thinkers who express self-knowledge as a cornerstone of their philosophy. |
| rousseau julie: Rousseau and the Problem of Human Relations John M. Warner, 2016-03-14 In this volume, John Warner grapples with one of Jean-Jacques Rousseau’s chief preoccupations: the problem of self-interest implicit in all social relationships. Not only did Rousseau never solve this problem, Warner argues, but he also believed it was fundamentally unsolvable—that social relationships could never restore wholeness to a self-interested human being. This engaging study is founded on two basic but important questions: what do we want out of human relationships, and are we able to achieve what we are after? Warner traces his answers through the contours of Rousseau’s thought on three distinct types of relationships—sexual love, friendship, and civil or political association—as well as alternate interpretations of Rousseau, such as that of the neo-Kantian Rawlsian school. The result is an insightful exploration of the way Rousseau inspires readers to imbue social relations with purpose and meaning, only to show the impossibility of reaching wholeness through such relationships. While Rousseau may raise our hopes only to dash them, Rousseau and the Problem of Human Relations demonstrates that his ambitious failure offers unexpected insight into the human condition and into the limits of Rousseau’s critical act. |
| rousseau julie: Byron Jonathan David Gross, 2001 Byron: The Erotic Liberal explores the relationship between Byron's erotic life and his political commitments, placing his poetry in the context of the work of other aristocratic liberals such as Madame de Stael. |
| rousseau julie: La Nouvelle Heloise Jean-Jacques Rousseau, 1968 |
| rousseau julie: Divining Nature Tili Boon Cuillé, 2020-12-15 The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuillé questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason. Exploring the affinities between the natural sciences and the fine arts, Cuillé examines the representation of natural phenomena—whether harmonious or discordant—in natural history, painting, opera, and the novel from Buffon and Rameau to Ossian and Staël. She demonstrates that philosophical, artistic, and emotional responses to the spectacle of nature in eighteenth-century France included wonder, enthusiasm, melancholy, and the sentiment of divinity. These passions of the soul, traditionally associated with religion and considered antithetical to enlightenment, were linked to the faculties of reason, imagination, and memory that structured Diderot's Encyclopédie and to contemporary theorizations of the sublime. As Cuillé reveals, the marvelous was not eradicated but instead preserved through the establishment and reform of major French cultural institutions dedicated to science, art, religion, and folklore that were designed to inform, enchant, and persuade. This book has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor. |
| rousseau julie: Jean Jacques Rousseau Jean-Jacques Rousseau, 1964 |
| rousseau julie: Jean-Jacques Rousseau Leopold Damrosch, 2005 Reconstructs the life of the French literary genius whose writing changed opinions and fueled fierce debate on both sides of the Atlantic during the period of the American and French revolutions. |
| rousseau julie: Rousseau's Theodicy of Self-Love Frederick Neuhouser, 2010-07-01 This book is the first comprehensive study of Rousseau's rich and complex theory of the type of self-love (amour propre ) that, for him, marks the central difference between humans and the beasts. Amour propre is the passion that drives human individuals to seek the esteem, approval, admiration, or love--the recognition --of their fellow beings. Neuhouser reconstructs Rousseau's understanding of what the drive for recognition is, why it is so problematic, and how its presence opens up far-reaching developmental possibilities for creatures that possess it. One of Rousseau's central theses is that amour propre in its corrupted, manifestations--pride or vanity--is the principal source of an array of evils so widespread that they can easily appear to be necessary features of the human condition: enslavement, conflict, vice, misery, and self-estrangement. Yet Rousseau also argues that solving these problems depends not on suppressing or overcoming the drive for recognition but on cultivating it so that it contributes positively to the achievement of freedom, peace, virtue, happiness, and unalienated selfhood. Indeed, Rousseau goes so far as to claim that, despite its many dangers, the need for recognition is a condition of nearly everything that makes human life valuable and that elevates it above mere animal existence: rationality, morality, freedom--subjectivity itself--would be impossible for humans if it were not for amour propre and the relations to others it impels us to establish. |
| rousseau julie: The World of the Salons Antoine Lilti, 2015 The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed. |
| rousseau julie: Rousseau's Republican Romance Elizabeth Rose Wingrove, 2000-02-22 In Rousseau's Republican Romance, Elizabeth Wingrove combines political theory and narrative analysis to argue that Rousseau's stories of sex and sexuality offer important insights into the paradoxes of democratic consent. She suggests that despite Rousseau's own protestations, man and citizen are not rival or contradictory ideals. Instead, they are deeply interdependent. Her provocative reconfiguration of republicanism introduces the concept of consensual nonconsensuality--a condition in which one wills the circumstances of one's own domination. This apparently paradoxical possibility appears at the center of Rousseau's republican polity and his romantic dyad: in both instances, the expression and satisfaction of desire entail a twin experience of domination and submission. Drawing on a wide variety of Rousseau's political and literary writings, Wingrove shows how consensual nonconsensuality organizes his representations of desire and identity. She demonstrates the inseparability of republicanism and accounts of heterosexuality in an analysis that emphasizes the sentimental and somatic aspects of citizenship. In Rousseau's texts, a politics of consent coincides with a performative politics of desire and of emotion. Wingrove concludes that understanding his strategies of democratic governance requires attending to his strategies of symbolization. Further, she suggests that any understanding of political practice requires attending to bodily practices. |
| rousseau julie: Revisionist and Feminist Narratives on Empire, Slavery and the Haitian Revolution Sharon Worley, 2024-07-14 This study examines how authors responded to the Haitian Revolution with revisionist narratives that seek to support empire or rebellion, while focusing on the ethical ramifications of colonialism and slavery in the Americas. Narrative texts include Leonora Sansay’s Secret History, or the Horrors of Santo Domingo, Germaine de Stael’s Mirza, Fanny Burney’s The Wanderer, Jane Austen’s Mansfield Park and Sanditon, Harriet Martineau’s The Hour and the Man, and Elizabeth Barrett Browning’s poems, A Curse for a Nation and The Runaway Slave at Pilgrim’s Point. Additional authors include Lucien Bonaparte, Chateaubriand, Raynal, Edmund Burke and Rousseau. Each author’s narrative is examined within the context of the cultural and political factors that influenced the author, as well as their personal ties to the abolitionist movement or to the institution of slavery. |
| rousseau julie: The Hamburg Dramaturgy by G.E. Lessing Natalya Baldyga, 2018-10-26 While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations – the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767–69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism. The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate. |
| rousseau julie: Richardson and the Philosophes James Fowler, 2017-07-05 In mid-eighteenth-century Europe, a taste for sentiment accompanied the 'rise of the novel', and the success of Samuel Richardson (1689-1761) played a vital role in this. James Fowler's new study is the first to compare the response of the most famous philosophes to the Richardson phenomenon. Voltaire, who claims to despise the novel, writes four 'Richardsonian' fictions; Diderot's fascination with the English author is expressed in La Religieuse, Rousseau's in Julie - the century's bestseller. Yet the philosophes' response remains ambivalent. On the one hand they admire Richardson's ability to make the reader weep. On the other, they champion a range of Enlightenment beliefs which he, an enthusiast of Milton, vehemently opposed. In death as in life, the English author exacerbates the philosophes' rivalry. The eulogy which Diderot writes in 1761 implicitly asks: who can write a new Clarissa? But also: whose social, philosophical or political ideas will triumph as a result? |
| rousseau julie: Petrarch and the Literary Culture of Nineteenth-century France Jennifer Rushworth, 2017 A consideration of Petrarch's influence on, and appearance in, French texts - and in particular, his appropriation by the Avignonese. Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels aswell as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its roots in the later part of the previous century, with formative contributions from Voltaire, Rousseau, and, in particular, the abbé de Sade. To these literary catalysts must be added the unification of Avignon with France at the Revolution, as well as anniversary commemorations of Petrarch's birth and death celebrated in Avignon and Fontaine-de-Vaucluse across the period (1804-1874-1904). Situated at the crossroads of reception history, medievalism, and translation studies, this investigation uncovers tensions between the competing construction of a national, French Petrarch and a local, Avignonese or Provençal poet. Taking Petrarch as its litmus test, this book also asks probing questions about the bases of nationality, identity, and belonging. Jennifer Rushworth is a Junior Research Fellowat St John's College, Oxford. |
| rousseau julie: The Summits of Modern Man Peter H. Hansen, 2013-05-14 Mountaineering has served as a metaphor for civilization triumphant. A fascinating study of the first ascents of the major Alpine peaks and Mt. Everest, The Summits of Modern Man reveals the significance of our encounters with the world’s most forbidding heights and how difficult it is to imagine nature in terms other than conquest and domination. |
| rousseau julie: Theory and Practice in the Eighteenth Century Alexander Dick, 2015-10-06 Brings together scholars who use literary interpretation and discourse analysis to read 18th-century British philosophy in its historical context. This work analyses how the philosophers of the Enlightenment viewed their writing; and, how their institutional positions as teachers and writers influenced their understanding of human consciousness. |
| rousseau julie: Fleetwood William Godwin, 2000-12-20 Fleetwood is a pivotal novel of early English Romanticism and a powerful critique of the Romantic emotionalism being spread across Europe in Rousseau’s name. Godwin’s “new man of feeling” chronicles the impact of his “natural” education in the wilds of Wales, and his behavior allows Godwin to draw attention to an array of contemporary social issues. Godwin attacks the inhumanity of the early factory system, and indicts British society for its patriarchal inequities. His portrayal of Fleetwood’s obsessive and devastating jealousy contributed significantly to the development of psychological realism in English fiction. As essential historical background, the editors provide reviews, and excerpts from Rousseau’s writing and from Godwin’s other works. |
| rousseau julie: Utopia Stéphanie Roza, 2025-07-01 Until the Age of Enlightenment, utopia was a popular literary genre, but without concrete political effects. However, in the decades leading up to 1789, its status gradually changed from an entertaining thought experiment to a socialist project. Imagining the ideal city took on the task of articulating revolutionary transformation of society towards equality and social justice. In Utopia, Stphanie Roza explores the nascent ideal of a community of property and labour, not yet called communism, and the thinkers who engaged with it in the lead-up to the French Revolution. These philosophers included tienne-Gabriel Morelly, a fierce critic of private property and the mysterious author of the Code de la Nature; the Abb de Mably, a radical republican and interlocutor of Rousseau; and Gracchus Babeuf, who, from the 1780s onwards, defended the natural right to subsistence and dreamed of a more fraternal world. Together, they laid the foundations for modern socialist movements. In the crucible of the French Revolution, 'real equality' became the goal of a handful of conspirators gathered around Babeuf, who had meanwhile become the 'tribune of the people'. The Conspiracy of Equals was considered by Marx to be 'the first active communist party': the hopes and questions that ran through the group prefigured those of the militants of later periods, including today. |
| rousseau julie: Moved by Love Mary D. Sheriff, 2004-01-15 No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with an erotomania their art could not quench. Even so, Sheriff demonstrates that the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for women - and creative women took full advantage of them.--BOOK JACKET. |
| rousseau julie: The Novel, Volume 2 Franco Moretti, 2022-04-12 Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth and breadth--as a great cultural, social, and human phenomenon that stretches from the ancient Greeks to today, where modernity itself is unimaginable without the genre. By viewing the novel as much more than an aesthetic form, this landmark collection demonstrates how the genre has transformed human emotions and behavior, and the very perception of reality. Historical, statistical, and formal analyses show the novel as a complex literary system, in which new forms proliferate in every period and place. Volume 2: Forms and Themes, views the novel primarily from the inside, examining its many formal arrangements and recurrent thematic manifestations, and looking at the plurality of the genre and its lineages. These books will be essential reading for all students and scholars of literature. |
| rousseau julie: English and British Fiction, 1750-1820 Peter Garside, Karen Elisabeth O'Brien, 2015 This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket. |
| rousseau julie: The King's Crown Basil Guy, 2005 Basil Guy is Professor Emeritus of French, University of California, Berkeley. A decorated World War II veteran, he is the author of several books and editions, including an outstanding translation of Charles-Joseph de Ligne Coup d'oeil sur Beloeil (University of California Press, 1986). His work reflects a wide variety of academic interests, ranging from Voltaire and Rousseau to art history and the literature of gardens, to European perceptions of China in the 18th century. He has directed and participated in directing numerous theses and dissertations in French, history, and art history at the University of California, Berkeley. He has forged enduring academic and intellectual friendships across both the Atlantic and the Pacific oceans. His former students teach at universities across the United States. |
| rousseau julie: Travel Narratives in Translation, 1750-1830 Alison Martin, Susan Pickford, 2013-05-07 This book examines how non-fictional travel accounts were rewritten, reshaped, and reoriented in translation between 1750 and 1850, a period that saw a sudden surge in the genre's popularity. It explores how these translations played a vital role in the transmission and circulation of knowledge about foreign peoples, lands, and customs in the Enlightenment and Romantic periods. The collection makes an important contribution to travel writing studies by looking beyond metaphors of mobility and cultural transfer to focus specifically on what happens to travelogues in translation. Chapters range from discussing essential differences between the original and translated text to relations between authors and translators, from intra-European narratives of Grand Tour travel to scientific voyages round the world, and from established male travellers and translators to their historically less visible female counterparts. Drawing on European travel writing in English, French, German, Spanish, and Portuguese, the book charts how travelogues were selected for translation; how they were reworked to acquire new aesthetic, political, or gendered identities; and how they sometimes acquired a radically different character and content to meet the needs and expectations of an emergent international readership. The contributors address aesthetic, political, and gendered aspects of travel writing in translation, drawing productively on other disciplines and research areas that encompass aesthetics, the history of science, literary geography, and the history of the book. |
| rousseau julie: Citizen Subject Étienne Balibar, 2016-11-01 What can the universals of political philosophy offer to those who experience the living paradox of an inegalitarian construction of egalitarian citizenship? Citizen Subject is the summation of Étienne Balibar’s career-long project to think the necessary and necessarily antagonistic relation between the categories of citizen and subject. In this magnum opus, the question of modernity is framed anew with special attention to the self-enunciation of the subject (in Descartes, Locke, Rousseau, and Derrida), the constitution of the community as “we” (in Hegel, Marx, and Tolstoy), and the aporia of the judgment of self and others (in Foucualt, Freud, Kelsen, and Blanchot). After the “humanist controversy” that preoccupied twentieth-century philosophy, Citizen Subject proposes foundations for philosophical anthropology today, in terms of two contrary movements: the becoming-citizen of the subject and the becoming-subject of the citizen. The citizen-subject who is constituted in the claim to a “right to have rights” (Arendt) cannot exist without an underside that contests and defies it. He—or she, because Balibar is concerned throughout this volume with questions of sexual difference—figures not only the social relation but also the discontent or the uneasiness at the heart of this relation. The human can be instituted only if it betrays itself by upholding “anthropological differences” that impose normality and identity as conditions of belonging to the community. The violence of “civil” bourgeois universality, Balibar argues, is greater (and less legitimate, therefore less stable) than that of theological or cosmological universality. Right is thus founded on insubordination, and emancipation derives its force from otherness. Ultimately, Citizen Subject offers a revolutionary rewriting of the dialectic of universality and differences in the bourgeois epoch, revealing in the relationship between the common and the universal a political gap at the heart of the universal itself. |
| rousseau julie: Continental Philosophy in Feminist Perspective Herta Nagl-Docekal, Cornelia Klinger, 2010-11-01 We translate what American women write, they never translate our texts, wrote Helene Cixous almost two decades ago. Her complaint about the unavailability of French feminist writing in English has long since been rectified, but the situation for feminist writing by German-speaking philosophers remains today what it was then. This pioneering collection takes a giant step forward to overcoming this handicap, revealing the full richness and variety of feminist critique ongoing in this linguistic community. The essays offer fresh readings of thinkers from the Enlightenment to the present, including those often discussed by feminists everywhere--such as Freud, Habermas, Hegel, Kant, and Rousseau--as well as some less subjected to feminist critique such as Benjamin and Weininger. In their Introduction the editors provide the context for understanding both how these essays fit into the larger picture of developing feminist theory and what makes their contribution in some ways distinctive. |
| rousseau julie: Gender and Genre Stephanie M. Hilger, 2014-10-23 Gender and Genre explores the ways in which German women writers used literature, in the sense of belles lettres, to comment on the French Revolution and its aftermath. By doing so, these authors adapted major literary genres and questioned these genres’ representation of women in the eighteenth- and nineteenth-century literary sphere. |
| rousseau julie: History of A Six Weeks' Tour Mary Wollstonecraft Shelley, Percy Bysshe Shelley, 2025-03-28 'I never knew—I never imagined what mountains were before.' History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the best-known authors of the English Romantic period. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland. The first part of History describes the titular 'tour' made by the not-yet married Mary and Percy in July-September 1814, when mainland Europe was once again accessible to British travellers at the end of the Napoleonic wars. The long descriptive letters which make up the second part of History recall the so-called 'Frankenstein summer' of 1816, some of which the Shelleys spent with Byron on the shores of Lake Geneva. This part of History also provides significant biographical and historical context for Mary's novels Frankenstein (1818) and The Last Man (1826), key sections of which are set in the Alps, and for two of Percy's most canonical poems, 'Hymn to Intellectual Beauty' and 'Mont Blanc', the second of which was published for the first time in History. This edition includes an introduction, detailed notes, maps, and appendices, placing the book in its historical and cultural context and showcasing the Shelleys' collaborative writing process. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| rousseau julie: The Game of Justice Ruth Lane, 2012-02-01 The Game of Justice argues that justice is politics, that politics is something close to ordinary people and not located in an abstract and distant institution known as the State, and that the concept of the game provides a new way to appreciate the possibilities of creating justice. Justice, as a game, is played in a challenging environment that makes serious demands on the participants, in terms of self-knowledge and individual self-government, and also in terms of understanding social behavior. What the term game provides is a radical opening of all established institutions: the status quo is neither absolute nor inevitable, but is the result of past political controversy, a result created by the winners to express their victory. At the same time, the game of justice, like all games, is played over and over again, with winners and losers changing places over time. This serves as encouragement to past losers and provides a cautionary reminder to past winners. |
| rousseau julie: The Reveries of the Solitary Walker Jean Jacques Rousseau, 2022-11-22 This book is an autobiography written by a Genevan philosopher, Jean-Jacques Rousseau. The content of this book is divided into ten Walks or chapters. The book's subject matter is a mix of autobiographical anecdotes, descriptions of the scenery, particularly plants, that Rousseau saw on his walks around Paris, and explanations and extensions of assertions previously made by Rousseau in fields such as education and political philosophy. The work is characterized by tranquility and resignation in large parts, but it also refers to Rousseau's recognition of the negative effects of persecution towards the end of his life. |
| rousseau julie: Political Dialogue , 2021-09-20 |
| rousseau julie: Love Letters and the Romantic Novel during the Napoleonic Wars Sharon Worley, 2017-01-06 Love letters during the Napoleonic wars were largely framed by concepts of love which were promoted through novels and philosophy. The standard texts, so to speak, which were written by major authors who inherited this Enlightenment bearing, responded to the emerging concepts of love found in novels and philosophical essays. Love among this Napoleonic coterie is unique because it demonstrates the reciprocal relationship between the love letter and the romantic novel. Germaine de Staël, Juiette Récamier, Chateaubriand, Benjamin Constant, Lady Emma Hamilton, Napoleon Bonaparte and his brother, Lucien Bonaparte, were the authors and recipients of some of the most passionate love letters of this period. They were also avid readers of the newly emerging genre of the romantic novel, and many of them were also authors of such works where they projected their personal romances onto the characterization of their fictional heroes and heroines. In addition, these authors had lived through the recent French Revolution and the Terror. Imprisoned during the Revolution, or branded as emigrés upon their return to Paris, their mature adult lives were spent in the shadows of the Napoleonic wars in which they shifted political loyalties as the specter of Napoleon’s powers grew from First Consul to Emperor of Europe. The looming threat of war ignited the depths of their passions and inspired their intellectual analysis of love, happiness and suicide. Their evolving concept of love was a romantic, all-consuming passion which gripped the lovers in fatal embraces. This book’s analysis of their love letters and romantic novels reveals the emerging political landscape of the period through extended metaphors of love and patriotism. |
| rousseau julie: Love is a Sweet Chain James Martel, 2012-10-12 Notions of love intersect with ideas on personal liberty, obligation, individuality, self, and difference in this study. James Martel contends that theorists' inattention to the subject has impoverished our explorations of political discourse. |
| rousseau julie: Fiction and the Philosophy of Happiness Brian Michael Norton, 2012-09-28 This book examines the eighteenth-century novel in the context of emerging theories of happiness in early Enlightenment Europe. This important and richly interdisciplinary book offers both a new understanding of the cultural work the eighteenth-century novel performed, as well as an original interpretation of the Enlightenment’s ethical legacy. |
| rousseau julie: Sympathy, Sensibility and the Literature of Feeling in the Eighteenth Century I. Csengei, 2011-12-13 What makes it possible for self-interest, cruelty and violence to become part of the benevolent, compassionate ideology of eighteenth-century sensibility? This book explores forms of emotional response, including sympathy, tears, swoons and melancholia through a range of eighteenth-century literary, philosophical and scientific texts. |
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Rousseau's R cabinet was tested by an independent laboratory and proved to be the most durable on the market. The tests also showed the superiority of our drawers. This is why we …
Chariot MultiTek | Rousseau
Les qualités appréciables du chariot MultiTek émanent d'options exclusives à Rousseau : pare-chocs aux poteaux, roues de qualité supérieure, poignées confortables, tiroirs à l'avant ou sur …
