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| richard brilliant portraiture: Portraiture Richard Brilliant, 1991 General and theoretical study devoted entirely to portraiture. Drawing on a broad range of images from Antiquity to the twentieth century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs ... Richard Brilliant investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society ... Brilliant presents a thematic and cogent analysis of the connections between the subject-matter of portraits and the beholders's response--the response he or she makes to the image itself and to the person it represents ... the power of this imaginative transaction between the subject, the artist and the beholder ... With 85 illustrations, 10 in full colour--Back cover. |
| richard brilliant portraiture: Portraiture Shearer West, 2004-04-08 This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way. |
| richard brilliant portraiture: Slave Portraiture in the Atlantic World Agnes Lugo-Ortiz, Angela Rosenthal, 2013-09-30 Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery. |
| richard brilliant portraiture: The Familial Gaze Marianne Hirsch, 1999 Contemporary artists, writers, and theorists challenge standard interpretations of family photographs. |
| richard brilliant portraiture: Portraits and Philosophy Hans Maes, 2019-11-20 Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts. |
| richard brilliant portraiture: Eye to Eye Richard Rand, Kathleen M. Morris, David Ekserdjian, Sterling and Francine Clark Art Institute, 2011 Eye to eye : European portraits 1450-1850 / David Ekserdjian -- Catalogue / Richard Rand and Kathleen M. Morris |
| richard brilliant portraiture: Portrayal and the Search for Identity Marcia Pointon, 2012-11-15 We are surrounded with portraits: from the cipher-like portrait of a president on a bank note to security pass photos; from images of politicians in the media to Facebook; from galleries exhibiting Titian or Leonardo to contemporary art deploying the self-image, as with Jeff Koons or Cindy Sherman. In antiquity portraiture was of major importance in the exercise of power. Today it remains not only a part of everyday life, but also a crucial way for artists to define themselves in relation to their environment and their contemporaries. In Portrayal and the Search for Identity, Marcia Pointon investigates how we view and understand portraiture as a genre and how portraits function as artworks within social and political networks. Likeness is never a straightforward matter, as we rarely have the subject of a portrait as a point of comparison. Featuring familiar canonical works and little-known portraits, Portrayal seeks to unsettle notions of portraiture as an art of convention, a reassuring reflection of social realities. Pointon invites readers to consider how identity is produced pictorially and where likeness is registered apart from in a face. In exploring these issues, she addresses wide-ranging problems such as the construction of masculinity in dress, representations of slaves, and self-portraiture in relation to mortality. |
| richard brilliant portraiture: Portraiture Joanna Woodall, 1997-03-15 Portraiture, the most popular genre of painting, occupies a central position in the history of Western art. Despite this, its status within academic art theory is uncertain. This volume provides an introduction to major issues in its history. |
| richard brilliant portraiture: Early Greek Portraiture Catherine M. Keesling, 2017-05-03 In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis. |
| richard brilliant portraiture: The Obama Portraits Taína Caragol, Dorothy Moss, Richard Powell, Kim Sajet, 2020-02-11 Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- Radical empathy : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony. |
| richard brilliant portraiture: The Royal Portrait Jennifer Anne Scott, 2010 Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of what constitutes a royal portrait? The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs. |
| richard brilliant portraiture: Sheltering Art Rochelle Ziskin, 2012 Explores the role of private art collections in the cultural, social, and political life of early eighteenth-century Paris. Examines how two principal groups of collectors, each associated with a different political faction, amassed different types of treasures and used them to establish social identities and compete for distinction--Provided by publisher. |
| richard brilliant portraiture: Sargent Richard Ormond, Trevor Fairbrother, Elaine Kilmurray, 2015-02-12 Many of the sitters in this collection were John Singer Sargents close friends. They are posed informally, sometimes in the act of painting or singing, and it is evident from the bold way they confront us that they are personalities of a creative stamp. Brilliant as these pictures are as works of art and penetrating studies of character, they are also records of relationships, allegiances, influences and aspirations. This volume, and the exhibition it accompanies, aims to explore these friendships in depth and draw out their significance in the story of Sargents life and the development of his art. The book is structured chronologically, with sections arranged according to the places Sargent worked and formed relationships during his cosmopolitan career: Paris, London, New York, Italy and the Alps. The cast of characters includes famous names, among them Gabriel Fauré and Auguste Rodin, Robert Louis Stevenson and Henry James. But the authors also make their point with images of Sargents familiars, such as the artists Jane and Wilfrid de Glehn who accompanied him on his sketching expeditions to the Continent, and the Italian painter Ambrogio Raffele, a recurrent model in his Alpine studies. In such paintings Sargent explored the making of art (his own included) and the relationship of the artist to the natural world. These are examples of an absorbing range of images and personalities, all distinguished in one way or another for their artistry, and all linked by friendship and a shared aesthetic to the central figure of Sargent himself. |
| richard brilliant portraiture: Bluestockings Displayed Elizabeth Eger, 2013-11-21 The first academic and interdisciplinary volume exploring bluestocking portraiture, performance and patronage in eighteenth-century Britain, opening vistas for future scholarship. |
| richard brilliant portraiture: The Moment of Self-Portraiture in German Renaissance Art Joseph Leo Koerner, 1993 So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality. |
| richard brilliant portraiture: The Mirror and the Palette Jennifer Higgie, 2021-10-05 A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. |
| richard brilliant portraiture: Anti-Portraiture Fiona Johnstone, Kirstie Imber, 2020-11-26 The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries. |
| richard brilliant portraiture: Nora Heysen: A Portrait Anne-Louise Willoughby, 2019-04-01 Hahndorf artist Nora Heysen was the first woman to win the Archibald Prize, and Australia's first female painter to be appointed as an official war artist. A portraitist and a flower painter, Nora Heysen's life was defined by an all-consuming drive to draw and paint. In 1989, aged 78, Nora re-emerged on the Australian art scene when the nation's major art institutions restored her position after years of artistic obscurity. Extensively researched, and containing artworks and photographs from the painter's life, this is the first biography of the artist, and it has been enthusiastically embraced by the Heysen family. This authorized biography coincides with a major retrospective of the works of Nora and her father, landscape painter Hans Heysen, to be held at the National Gallery of Victoria in March 2019. |
| richard brilliant portraiture: What Becomes a Legend Most Philip Gefter, 2023-05-03 Wise and ebullient. - Dwight Garner, The New York Times Now in paperback, the first definitive biography of Richard Avedon, a monumental photographer of the twentieth century, from award-winning photography critic Philip Gefter. In his acclaimed portraits, Richard Avedon captured the iconic figures of the twentieth century in his starkly bold, intimately minimal, and forensic visual style. Concurrently, his work for Harper's Bazaar and Vogue transformed the ideals of women's fashion, femininity, and culture to become the defining look of an era. Yet despite his driving ambition to gain respect in the art world, during his lifetime he was condescendingly dismissed as a celebrity photographer. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time. |
| richard brilliant portraiture: Alice Neel: People Come First Kelly Baum, Randall Griffey, Meredith A. Brown, Julia Bryan-Wilson, Susanna V. Temkin, 2021-03-15 For me, people come first, Alice Neel (1900–1984) declared in 1950. I have tried to assert the dignity and eternal importance of the human being. This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century. |
| richard brilliant portraiture: Lee Miller Richard Calvocoressi, 2005-01-31 One of the 20th century's most significant photographers, Lee Miller illuminated one of its darkest periods as well as celebrating its creative geniuses. This volume includes many unpublished celebrity portraits, also pictures of war workers, and victims and perpetrators of Nazi oppression. Originally published: 2002. |
| richard brilliant portraiture: Hanging the Head Marcia Pointon, 1993 This handsomely illustrated book discusses portraiture as a cultural and political phenomenon in eighteenth-century England. Marcia Pointon offers detailed historical analyses of portraits by Gainsborough, Reynolds, Hogarth, and others, showing how portraiture of the period provided mechanisms for constructing and accessing a national past and for controlling a present that appeared increasingly unruly.A lively and inventive book, offering an unusual perspective on familiar works. The illustrations are magnificent and Pointon provides fascinating information. -- David Nokes, The SpectatorImpressive ... comprises a fascinating historical analysis and methodological sophistication which maps new ground in the study of portraiture and provides an excellent model for future generations of researchers. -- Shearer West, Times Literary SupplementOriginal and perceptive.... The measure of the importance of this thought-provoking volume is its fresh approach, choosing revealing areas of enquiry to probe eighteenth-century attitudes of mind. -- John Hayes, Art Newspaper |
| richard brilliant portraiture: Portraiture Shearer West, 2004-04-08 This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context. Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way. |
| richard brilliant portraiture: Painting the Visual Impression Richard Whitney, 2014-11-15 This book is a summary of the fundamental ideas of representational painting that artists use to help them paint in a realistic manner. These concepts have been passed down from artist to student for generations. The author lists them in order of importance to help the working painter logically solve problems. He has added an Index of Ideas to help the artist commit them to memory. The first two sections of the book contain principles of composition and drawing. The main section deals with the impressionistic approach to painting nature in a broad manner with simplicity of detail. The author has included a section on helpful advice to students and an extensive reading list for further research. He also discusses how the artist can train his visual memory. Anyone with an interest in art can read this book and greatly increase their appreciation of classical painting. |
| richard brilliant portraiture: The Political Portrait Luciano Cheles, Alessandro Giacone, 2020 The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume spans the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history-- |
| richard brilliant portraiture: Observations Truman Capote, 1959 |
| richard brilliant portraiture: Portraiture in Early India Vincent Lefèvre, 2011-07-12 This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue. |
| richard brilliant portraiture: Man with a Blue Scarf Martin Gayford, 2019-09-10 “An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” ?ARTnews Lucian Freud (1922–2011), widely regarded as the greatest figurative painter of his time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From Man with a Blue Scarf emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation in restaurants, taxis, and his studio. It takes one into the company of the painter who was a friend and contemporary of Pablo Picasso, Alberto Giacometti, and Francis Bacon, as well as writers such as George Orwell and W. H. Auden. Now for the first time as a compact paperback, this book is illustrated with works by Lucian Freud, telling photographs of Freud in his studio, and images by great artists of the past, such as Vincent van Gogh and Titian, who are discussed by Freud and Gayford. Full of wry observations, the book reveals how it feels to pose for a remarkable artist and become a work of art. |
| richard brilliant portraiture: Odd Nerdrum Odd Nerdrum, Allis Helleland, 2011 For a painter who took his earliest bearings from Rembrandt, and who has defiantly espoused the values of old master painting, the self-portrait is a natural enough genre to pursue. For Odd Nerdrum, the attractions of self-portraiture run much deeper, however. Nerdum has frequently alluded to the conflicted preoccupation with origins and personal identity that his paintings express, and traces this preoccupation to his discovery that his father was not the father he had known growing up, but a previous lover of his mother's. Also abandoned by his mother at an early age, he recollects of his early years: I was a beggar in a world ruled by others. The person I found in the mirror was myself, I saw myself reflected in my own eyes, not those of others. Nerdrum's difficult childhood and the isolation he has endured as a painter have greatly intensified the relevance of the self-portrait, a genre at which he has excelled, and for which he has become particularly well known. This volume collects Nerdum's self-portraits for the first time, with more than 100 color reproductions. |
| richard brilliant portraiture: Nicholas Hilliard Elizabeth Goldring, 2019 This illustrated biography follows Nicholas Hilliard's long and remarkable life (c. 1547-1619) from the West Country to the heart of the Elizabethan and Jacobean courts. It showcases new archival research and stunning images, many reproduced in color for the first time. Hilliard's portraits--some no larger than a watch-face--have decisively shaped perceptions of the appearances and personalities of many key figures in one of the most exciting, if volatile, periods in British history. His sitters included Elizabeth I, James I, and Mary, Queen of Scots; explorers Sir Francis Drake and Sir Walter Raleigh; and members of the emerging middle class from which he himself hailed. Hilliard counted the Medici, the Valois, the Habsburgs, and the Bourbons among his Continental European patrons and admirers. Published to mark the 400th anniversary of Hilliard's death, this is the definitive biography of one of Britain's most notable artists. Published in association with the Paul Mellon Centre for Studies in British Art |
| richard brilliant portraiture: The Frame in Classical Art Verity Platt, Michael Squire, 2020-10-29 The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within. |
| richard brilliant portraiture: Portrait of an Unknown Woman Daniel Silva, 2022-07-21 In a spellbinding new masterpiece by #1 New York Times–bestselling author Daniel Silva, Gabriel Allon undertakes a high-stakes search for the greatest art forger who ever lived Legendary spy and art restorer Gabriel Allon has at long last severed ties with Israeli intelligence and settled quietly in Venice, the only place he has ever truly known peace. His beautiful wife, Chiara, has taken over day-to-day management of the Tiepolo Restoration Company, and their two young children are clandestinely enrolled in a neighborhood scuola elementare. For his part, Gabriel spends his days wandering the streets and canals of the watery city, parting company with the demons of his tragic, violent past. But when the eccentric London art dealer Julian Isherwood asks Gabriel to investigate the circumstances surrounding the rediscovery and lucrative sale of a centuries-old painting, he is drawn into a deadly game of cat and mouse where nothing is as it seems. Gabriel soon discovers that the work in question, a portrait of an unidentified woman attributed to Sir Anthony van Dyck, is almost certainly a fiendishly clever fake. To find the mysterious figure who painted it—and uncover a multibillion-dollar fraud at the pinnacle of the art world—Gabriel conceives one of the most elaborate deceptions of his career. If it is to succeed, he must become the very mirror image of the man he seeks: the greatest art forger the world has ever known. |
| richard brilliant portraiture: Portrait of an Unknown Woman Vanora Bennett, 2007 The year is 1527. Hans Holbein is at the beginning of his career when he travels to England under the patronage of Sir Thomas More. As a guest in the splendid More household, he begins to paint their family portrait. The Holbein family portraits frame this story with its background of love, family, and political turmoil. |
| richard brilliant portraiture: Cinema India Rachel Dwyer, Divia Patel, 2002 As the largest producer of films in the world, Indian cinema is both a major industry and a distinctive art form that permeates daily life in that country and shapes emerging global cultures elsewhere. While much has been written on the history of Indian cinema, its iconography and aesthetics have yet to be analyzed as reflections of national and cultural identities. In this important new work, Rachel Dwyer and Divia Patel focus on the development of Bombay-based commercial cinema since 1913, exploring the symbolic role of settings and costumes in staging the nation and the function of makeup and hairstyles in defining notions of beauty, sexuality, and consumption. The authors also examine how factors such as ethnicity, modernization, and Westernization impact reception of film along caste, region, language, and religious lines. The economic influence of advertising in actually determining film content and the dissemination of its imagery are also discussed. Film studies scholars recently have begun to investigate advertising in the film industry and this book makes an important contribution to this emerging subfield in its engagement with Indian cinema and the impact of advertising on the culture at large. |
| richard brilliant portraiture: Face Time Phillip Prodger, 2021-12-07 An esteemed curator’s introduction to the history and themes of photographic portraiture that masterfully combines some of the most famous portraits ever made with rarely seen treasures and curiosities. Photographic portraiture has always served a number of functions: from practical identification to storytelling and the intimate personal portrait. With a fresh approach, Face Time explores the many modes of portraiture—from fine art photography to fashion, and from anthropology to cinema—as well as the ways we encounter and interpret a portrait, from the news-hour mugshot to the glossy fashion photograph. Organized into eight thematic chapters, curator and photography historian Phillip Prodger captures more than 150 years of photographic portraiture, including nineteenth-century pioneers Hippolyte Bayard and William Henry Fox Talbot, modernist icons Lee Miller and Aleksander Rodchenko, as well as contemporary groundbreakers Newsha Tavakolian, Rineke Dijkstra, and Zanele Muholi. Prodger takes readers through the key questions of photography and dives into complex explorations of identity, representation, and purpose. Intelligently selected, this introduction to the history of the photographic portrait is comprehensive and groundbreaking in scope. Featuring portraits of great figures such as Queen Elizabeth II, Barack Obama, Marilyn Monroe, Audrey Hepburn, and Yuri Gagarin, Prodger aligns some of the best-known portraits ever made alongside rarely seen gems to tell the story of one of photography’s most popular engagements: us. |
| richard brilliant portraiture: Beyond the Face Lauren Lessing, Nina Roth-Wells, Terri Sabatos, Jennifer Van Horn, Ross Barrett, Allison M. Stagg, Kate Clarke Lemay, 2018 Explores new approaches to portraying identity and the human face and figure, through works from the Smithsonian National Portrait Gallery's collections and other institutions. |
| richard brilliant portraiture: Animal Kingdom Randal Ford, 2018-09-25 These arresting studio portraits capture the beauty, power, and even humor of 150 furry and feathered species - a delight for any animal or bird lover. Acclaimed photographer Randal Ford celebrates our fascination with and love of animals through his engaging portraits of the animal kingdom. A young male lion cub seems to sport a rebellious mohawk; a chimpanzee adopts a pensive pose; a curious duckling cocks his head at the camera lens and flaps his wings. The featured animals cover a wide range, from birds such as the African crane, cockatoos, flamingos, and roosters, to big cats such as tigers, cheetahs, and leopards, to Arabian horses, bulls, and Longhorn sheep, among many others. Bird and animal lovers will be drawn to the powerful and emotionally engaging images that seem to reveal the individual character of the other animals that share the Earth with us. Elegantly designed and packaged, this book will be the perfect gift and addition to the home of any lover of animals or fine photography. |
| richard brilliant portraiture: Becoming Artists Carina Rech, 2021 |
| richard brilliant portraiture: Diane Arbus Arthur Lubow, 2016-08-01 Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus's work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow's biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event. |
| richard brilliant portraiture: A Century of Artists Books Riva Castleman, 1997-09 Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso. |
Richard - Wikipedia
Richard Theodore Otcasek (1944–2019), known as Ric Ocasek, frontman for the Cars; Richard Patrick (born 1968), lead singer and guitarist of Filter; Richard Wayne Penniman (1932–2020), …
Meaning, origin and history of the name Richard
Dec 1, 2024 · It was borne by three kings of England including the 12th-century Richard I the Lionheart, one of the leaders of the Third Crusade. During the late Middle Ages this name was …
Richard I | Biography, Achievements, Crusade, Facts, & Death
Richard I, duke of Aquitaine (from 1168) and of Poitiers (from 1172) and king of England, duke of Normandy, and count of Anjou (1189–99). His knightly manner and his prowess in the Third …
How Dick Came to be Short for Richard - Today I Found Out
Apr 28, 2012 · How Dick became a nickname for Richard is known and is one of those “knee bone connected to the thigh bone” type progressions, somewhat similar to how the word …
Richard Name Meaning, Origin, History, And Popularity
Aug 26, 2024 · Richard is a popular male name with Germanic roots and royal connections. Read on to learn more about it.
Richard - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Richard is a boy's name of German origin meaning "dominant ruler". Richard is the 232 ranked male name by popularity.
Richard Name Meaning: History, Gender & Pronunciation - Mom …
Feb 17, 2025 · Richard Gwyn: Also known as Richard White, illegally taught Catholic schoolchildren in Wales and was executed by Queen Elizabeth I for refusing to convert to …
What does Richard mean? - Definitions.net
Definition of Richard in the Definitions.net dictionary. Meaning of Richard. What does Richard mean? Information and translations of Richard in the most comprehensive dictionary …
Richard - Name Meaning, What does Richard mean? - Think Baby Names
What does Richard mean? R ichard as a boys' name is pronounced RICH-erd. It is of Old German origin, and the meaning of Richard is "powerful leader". Norman name commonly used for the …
Richard - Meaning of Richard, What does Richard mean? - BabyNamesPedia
Richard is used chiefly in the Czech, Dutch, English, French, and German languages, and its origin is Germanic and English. From Germanic roots, its meaning is powerful ruler . A two …
Richard - Wikipedia
Richard Theodore Otcasek (1944–2019), known as Ric Ocasek, frontman for the Cars; Richard Patrick (born 1968), lead singer and guitarist of Filter; Richard Wayne Penniman (1932–2020), …
Meaning, origin and history of the name Richard
Dec 1, 2024 · It was borne by three kings of England including the 12th-century Richard I the Lionheart, one of the leaders of the Third Crusade. During the late Middle Ages this name was …
Richard I | Biography, Achievements, Crusade, Facts, & Death
Richard I, duke of Aquitaine (from 1168) and of Poitiers (from 1172) and king of England, duke of Normandy, and count of Anjou (1189–99). His knightly manner and his prowess in the Third …
How Dick Came to be Short for Richard - Today I Found Out
Apr 28, 2012 · How Dick became a nickname for Richard is known and is one of those “knee bone connected to the thigh bone” type progressions, somewhat similar to how the word …
Richard Name Meaning, Origin, History, And Popularity
Aug 26, 2024 · Richard is a popular male name with Germanic roots and royal connections. Read on to learn more about it.
Richard - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Richard is a boy's name of German origin meaning "dominant ruler". Richard is the 232 ranked male name by popularity.
Richard Name Meaning: History, Gender & Pronunciation - Mom …
Feb 17, 2025 · Richard Gwyn: Also known as Richard White, illegally taught Catholic schoolchildren in Wales and was executed by Queen Elizabeth I for refusing to convert to …
What does Richard mean? - Definitions.net
Definition of Richard in the Definitions.net dictionary. Meaning of Richard. What does Richard mean? Information and translations of Richard in the most comprehensive dictionary …
Richard - Name Meaning, What does Richard mean? - Think Baby Names
What does Richard mean? R ichard as a boys' name is pronounced RICH-erd. It is of Old German origin, and the meaning of Richard is "powerful leader". Norman name commonly used for the …
Richard - Meaning of Richard, What does Richard mean? - BabyNamesPedia
Richard is used chiefly in the Czech, Dutch, English, French, and German languages, and its origin is Germanic and English. From Germanic roots, its meaning is powerful ruler . A two …
