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| robert christgau a+: Going into the City Robert Christgau, 2015-02-24 One of our great essayists and journalists—the Dean of American Rock Critics, Robert Christgau—takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock ‘n’ roll before Elvis, settled east of Manhattan’s Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago ’68, and the first abortion speak-out. He’s caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin’s A Walker in the City, E. B. White’s Here Is New York, Joseph Mitchell’s Up in the Old Hotel, and Patti Smith’s Just Kids, it is a loving portrait of a lost New York. It’s an homage to the city of Christgau’s youth from Queens to the Lower East Side—a city that exists mostly in memory today. And it’s a love story about the Greenwich Village girl who roamed this realm of possibility with him. |
| robert christgau a+: Christgau's Consumer Guide: Albums of the '90s Robert Christgau, 2000-10-15 The Dean of American Rock Critics tackles the decade when music exploded. The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from subjects for further research to everything rocks but nothing ever dies. Christgau's Consumer Guide is essential reading and reference for any dedicated listener. |
| robert christgau a+: Listen Again Eric Weisbard, 2007-11 DIVCollection of essays on the history of pop music./div |
| robert christgau a+: Is It Still Good to Ya? Robert Christgau, 2018-10-04 Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman. |
| robert christgau a+: Any Old Way You Choose it Robert Christgau, 1974 |
| robert christgau a+: Please Kill Me Legs McNeil, André Malraux, Gillian McCain, 2006 Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. Please Kill Me reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos. |
| robert christgau a+: Molecular Farming of Plants and Animals for Human and Veterinary Medicine L. Erickson, W.-J. Yu, J. Brandle, R. Rymerson, 2013-04-18 Molecular farming has been hailed as the third wave of genetically-modified organisms produced through biotechnology for the bio-based economy of the future. Unlike products of the first wave, such as herbicide resistant crop plants, which were perceived to benefit only the farmers who used them and the agrochemical companies who developed them, products of molecular farming are designed specifically for the benefit of the consumer. Such products could be purified from food or non-food organisms for a range of applications in industry, as well as animal and human health. Alternatively, the products of this technology could be consumed more directly in some edible format, such as milk, eggs, fruits or vegetables. There is a rapidly-growing interest Qn the part of the public as well as in the medical community in the role food plays in health, especially in the immunophysiological impact of food over and above the role of basic nutrition. |
| robert christgau a+: Born to Run Bruce Springsteen, 2017-09-05 In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's half-time show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humour, and originality found in his songs. He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as The Big Bang: seeing Elvis Presley's debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candour, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song Born to Run reveals more than we previously realized. |
| robert christgau a+: The Sopranos Sessions Matt Zoller Seitz, Alan Sepinwall, David Chase, 2019-01-08 On January 10, 1999, a mobster walked into a psychiatrist’s office and changed TV history. Celebrating one of the greatest television series of all time, the New York Times bestseller The Sopranos Sessions is a must-have for any fan of the groundbreaking show. Renowned television critics Matt Zoller Seitz and Alan Sepinwall, who were among the first to write about The Sopranos for New Jersey’s Star-Ledger, reunite to produce this comprehensive collection. The book features detailed recaps, insightful conversations, and critical essays covering every episode of the series. Dive deep into the artistry, themes, and legacy of The Sopranos with long-form interviews with series creator David Chase and highlights from the authors’ writings. Explore the show’s portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics. Whether you're a longtime fan or new to the series, The Sopranos Sessions offers a rich, engaging exploration of the show that paved the way for the very best of modern prestige television. “This amazing book by Alan Sepinwall and Matt Zoller Seitz has bigger twists than anything I could ever come up with.” —Sam Esmail, creator of Mr. Robot |
| robert christgau a+: The Year Before the Flood Ned Sublette, 2009-09-01 With a style the Los Angeles Times calls as vivid and fast-moving as the music he loves, Ned Sublette's powerful new book drives the reader through the potholed, sinking streets of the United States's least-typical city. In this eagerly awaited follow-up to The World That Made New Orleans, Sublette's award-winning history of the Crescent City's colonial years, he traces an arc of his own experience, from the white supremacy of segregated 1950s Louisiana through the funky year of 2004–2005--the last year New Orleans was whole. By turns irreverent, joyous, darkly comic, passionate, and polemical, The Year Before the Flood juxtaposes the city's crowded calendar of parties, festivals, and parades with the murderousness of its poverty and its legacy of racism. Along the way, Sublette opens up windows of American history that illuminate the present: the trajectory of Mardi Gras from pre–Civil War days, the falsification of Southern history in movies, the city's importance to early rock and roll, the complicated story of its housing projects, the uniqueness of its hip-hop scene, and the celebratory magnificence of the participatory parades known as second lines. With a grand, unforgettable cast of musicians and barkeeps, scholars and thugs, vibrating with the sheer excitement of New Orleans, The Year Before the Flood is an affirmation of the power of the city's culture and a heartbreaking tale of loss that definitively establishes Ned Sublette as a great American writer for the 21st century. |
| robert christgau a+: The Rock History Reader Theo Cateforis, 2012-11-27 The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock ‘n’ roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines. |
| robert christgau a+: Why Sinatra Matters Pete Hamill, 2015-10-20 In honor of Sinatra's 100th birthday, Pete Hamill's classic tribute returns with a new introduction by the author. In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra--examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them. With a new look and a new introduction by Hamill, this is a rich and touching portrait that lingers like a beautiful song. |
| robert christgau a+: Moondance , 2004-06 Van Morrison's hit arranged for the young player sounds hipper than ever! The swing groove sounds cool as the melody goes through the sections of the band -- sometimes unison, sometimes in harmony, it sticks with you. The solo section is written for all the wind players so you can pick anyone/everyone to play the written or ad lib solo. Easy to rehearse, this is a sure-fire winner that will be well received by the band and audience. (3: 35) |
| robert christgau a+: Where Did Our Love Go? Nelson George, 2003 This is the story of Tamla Mowtown Records, the Detroit hit factory that set the world dancing in the '60s. It presents the stories behind the rise of such all-time great acts as Smokey Robinson, The Supremes, Stevie Wonder, Marvin Gaye, The Four Tops, The Temptations and the Jackson 5. |
| robert christgau a+: Another Green World Eno, 2004 |
| robert christgau a+: Io Anthology Richard Grossinger, Lindy Hough, 2015 Io Anthology celebrates the fiftieth anniversary of this formative journal and commemorates its role in clearing a path for decades of innovative publishing. Bringing together in one volume the quirky blend of artistic and scholarly writing that pushed the boundaries of what the literary mag encompassed, this book is a greatest hits collection of the major pieces published from 1965 to 1978. It features very early work from Stephen King, Allen Ginsberg, Michel Foucault, and many others, with forewords by writer and filmmaker Miranda July and scientist Robin Grossinger. In its twelve years of publishing, Io forged an inclusive path through the tsunami of the 1960s rebellion in art, literature, and the life of the spirit with writing that embraced science and science fiction, parapsychology, poetry from Pound to Charles Olson to the New American Poets, homeopathy, hermetics, alchemy and the occult, astrology, Tibetan Buddhism, and Sufism. Spotlighting the continuity of purpose and content between North Atlantic Books, which grew out of the magazine, this volume chronicles the voices and spirit that continue to enliven the publishing vision that persists to this day. |
| robert christgau a+: Rumba on the River Gary Stewart, 2020-05-05 There had always been music along the banks of the Congo River-lutes and drums, the myriad instruments handed down from ancestors. But when Joseph Kabasele and his African Jazz went chop for chop with O.K. Jazz and Bantous de la Capitale, music in Africa would never be the same. A sultry rumba washed in relentless waves across new nations springing up below the Sahara. The Western press would dub the sound soukous or rumba rock; most of Africa called in Congo music. Born in Kinshasa and Brazzaville at the end of World War II, Congon music matured as Africans fought to consolidate their hard-won independence. In addition to great musicians-Franco, Essous, Abeti, Tabu Ley, and youth bands like Zaiko Langa Langa-the cast of characters includes the conniving King Leopold II, the martyred Patrice Lumumba, corrupt dictator Mobutu Sese Seko, military strongman Denis Sassou Nguesso, heavyweight boxing champs George Foreman and Muhammad Ali, along with a Belgian baron and a clutch of enterprising Greek expatriates who pioneered the Congolese recording industry. Rumba on the River presents a snapshot of an era when the currents of tradition and modernization collided along the banks of the Congo. It is the story of twin capitals engulfed in political struggle and the vibrant new music that flowered amidst the ferment. For more information on the book, visit its other online home at rumbaontheriver.com-an impressive resource. |
| robert christgau a+: Alicia Keys, Ashanti, Beyoncé, Destiny's Child, Jennifer Lopez & Mya Stacy-Deanne, Kelly Kenyatta, Natasha Lowery, 2005 The divas profiled in this compilation have one thing in common: they are all young, powerful African-American women who have made their mark in the recording industry. Divas of the New Millennium is an intimate look into the lives of these women who have become today's most influential female musicians by following the music within their hearts. |
| robert christgau a+: Psychotic Reactions and Carburetor Dung Lester Bangs, 2013-09-04 Vintage presents the paperback edition of the wild and brilliant writings of Lester Bangs--the most outrageous and popular rock critic of the 1970s--edited and with an introduction by the reigning dean of rack critics, Greil Marcus. |
| robert christgau a+: Drink, Play, F@#k Andrew Gottlieb, 2009-02-14 One man’s spiritual journey to rediscover how much he hates spiritual journeys. “A dizzyingly fun parody” (Publishers Weekly). In Drink, Play, F@#k, Bob Sullivan, a jilted husband, sets off to explore the world, experience a meaningful connection with the divine, and rediscover his passion. His travels lead him from his home in New York City to a drinking bender across Ireland, through the glitz and glamour that is Las Vegas, and to the hedonistic pleasure palaces of Thailand. After a lifetime of playing it safe, Sullivan finally follows his heart and lives out everyone’s deepest fantasies. For who among us hasn’t dreamed of standing stark naked, head upturned, and mouth agape beneath a cascading torrent of Guinness Stout? What could be more exhilarating than losing every penny you have because Charlie Weis went for a meaningless last-second field goal? And what sensate creature could ever doubt that the greatest pleasure known to man can be found in a leaky bamboo shack filled with glassy-eyed, bruised Asian hookers? Bob Sullivan has a lot to teach us about life. Let’s just pray we have the wisdom to put aside our preconceptions and listen. Because what Sullivan finds isn’t at all what he expected. “Two years after invading every bookshelf across the world, something positive has come out of Elizabeth Gilbert’s mind-numbingly self-absorbed memoir: Andrew Gottlieb’s fictional response.” —Monica Weymouth, Metro |
| robert christgau a+: Lightfoot Nicholas Jennings, 2017-09-26 NATIONAL BESTSELLER A 2023 ROLLING STONE RECOMMENDED BOOK Shortlisted for the 2017 Legislative Assembly of Ontario Speaker's Book Award Nominated for the 2018 Heritage Toronto Award - Historical Writing: Book “The preeminent account of the late singer's life.” —Rolling Stone The definitive, full-access story of the life and songs of Canada's legendary troubadour Gordon Lightfoot’s name is synonymous with timeless songs about trains and shipwrecks, rivers and highways, lovers and loneliness. His music defined the folk-pop sound of the 1960s and ‘70s, topped charts and sold millions. He is unquestionably Canada’s greatest songwriter, and an international star who has performed on the world’s biggest stages. While Lightfoot’s songs are well known, the man behind them is elusive. He’s never allowed his life to be chronicled in a book—until now. Biographer Nick Jennings has had unprecedented access to the notoriously reticent musician. Lightfoot takes us deep inside the artist’s world, from his idyllic childhood in Orillia, the wild sixties, and his canoe trips into Canada’s North to his heady times atop the music world. Jennings explores the toll that success took on his personal life—including his troubled relationships, his battle with alcohol and his near-death experiences—and the extraordinary drive and tenacity that pulled him through it all. Rich in voices from fellow musicians, close friends, Lightfoot’s family and the singer’s own reminiscences, the biography tells the stories behind some of his best-known love songs, including “Beautiful” and “Song for a Winter’s Night,” as well as the infidelity and divorce that resulted in classics like “Sundown” and “If You Could Read My Mind.” Kris Kristofferson has called Lightfoot’s songs “some of the most beautiful and lasting music of our time.” Lightfoot is an unforgettable portrait of a treasured singer-songwriter, an artist whose work has been covered by everyone from Joni Mitchell, Barbra Streisand and Nico to Bob Dylan, Elvis Presley and Gord Downie. Revealing and insightful, Lightfoot is both an inspiring story of redemption and an exhilarating read. |
| robert christgau a+: Elvis Costello Dai Griffiths, 2008-07-02 Here to stay, and recognized by Burt Bacharach as a great survivor, Elvis Costello has produced a large and significant body of work. This is the first book on Costello that avoids chronological presentation in favor of a thematic approach focused on music and words over the nearly 30 years that separate Radio Sweetheart and Country Darkness. In addition to engaging with the songs Costello has performed as a rock musician, the book features informed discussions of more recent albums, such as Painted from Memory, North, and Il Sogno. Also considered are the essays Costello has written to support CD reissues of his recordings, a substantial body of writing that approaches a critical autobiography. The book demonstrates that on all fronts—music, words, voice, instrumental resources—Costello's work broadens and deepens, as he sets himself the task of expanding the range of expressive material available. |
| robert christgau a+: Route 19 Revisited Marcus Gray, 2010-09-10 Twenty-eight years after its original release, The Clash’s London Calling was inducted into the Grammy Hall of Fame as a “recording of lasting qualitative or historical significance.” It topped polls on both sides of the Atlantic for the best album of the seventies (and eighties) and in publications as wide-ranging as Rolling Stone, VIBE, Pitchfork, and NME, and it regularly hits the top ten on greatest-albums-of-all-time-lists. Even its cover—the instantly recognizable image of Paul Simonon smashing his bass guitar—has attained iconic status, inspiring countless imitations and even being voted the best rock ’n’ roll photograph ever by Q magazine. Now the breakthrough album from the foremost band of the punk era gets the close critical eye it deserves. Marcus Gray examines London Calling from every vantage imaginable, from the recording sessions and the state of the world it was recorded in to the album’s long afterlife, bringing new levels of understanding to one of punk rock’s greatest achievements. Leaving no detail unexplored, he provides a song-by-song breakdown covering when each was written and where, what inspired each song, and what in turn each song inspired, making this book a must-read for Clash fans. |
| robert christgau a+: For Keeps Pauline Kael, 1996 We at Penguin Putnam mourn the death of Pauline Kael, a singularly unique voice in American letters. She will be sorely missed.In her decades-long career, Pauline Kael established herself as the most renowned and respected movie reviewer in the field. The breadth of her knowledge of film history and technique, her insight into the arts of acting and directing, and her unfailing wit and candor endeared her to movie lovers everywhere.For Keeps offers the best of Kael's reviews and other writings on movies from the collections that have marked her matchless career, starting with I Lost it at the Movies (1965), through Kiss Kiss Bang Bang, Deeper into Movies (a National Book Award winner), The Citizen Kane Book (Raising Kane, the full text on the making of the movie, is included here), and all the others in a glorious run concluding with Movie Love in 1991. Once Kael retired from regular reviewing, her reputation only increased, and for the inimitable real thing, readers must turn to this volume to sample her perspicacity, fluency, and style. More than 275 reviews are arranged chronologically -in effect, a history of 30 years of movies. This ultimate compendium from America's most eloquent, passionate, and provocative critic is a boon to serious moviegoers and an indispensible companion to film in the age of technological and pop culture overload. |
| robert christgau a+: The Band , |
| robert christgau a+: Lightning Striking Lenny Kaye, 2022-01-11 “We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –Patti Smith An insider’s take on the evolution and enduring legacy of the music that rocked the twentieth century Memphis 1954. New Orleans 1957. Philadelphia 1959. Liverpool 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991. Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters, and visionaries; how each generation came to be; how it was discovered by the world. Whether describing Elvis Presley’s Memphis, the Beatles’ Liverpool, Patti Smith’s New York, or Kurt Cobain’s Seattle, Lightning Striking reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who’s on stage, along with the movers and shakers, the hustlers and hangers-on--and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye’s acclaimed knowledge and experience as a working musician, Lightning Striking is an ear-opening insight into our shared musical and cultural history, a magic carpet ride of rock and roll’s most influential movements and moments. |
| robert christgau a+: Japrocksampler Julian Cope, 2007 In the 1960s rock ‘n’ roll music began crossing the Atlantic Ocean—with The Beatles and The Who leading the British Invasion of the United States—and the Pacific Ocean, as American and European rock slowly began to take hold in Japan. This insightful study from visionary rock musician Julian Cope explores what really happened when Western music met Eastern shores. The clash between traditional Japanese values and the wild renegades of 1960s and 1970s rock ‘n’ roll is examined, and the seminal artists in Japanese post-World War II culture are all covered. From itinerate art-house poets to violent refusenik bands with penchants for plane hijacking, this is the story of the Japanese youths and musicians who simultaneously revolutionized a musical genre and the culture of a nation. Julian Cope is a rock musician and music reviewer. His previous books includeKrautrocksampler,TheMegalithic European, andThe Modern Antiquarian. |
| robert christgau a+: Spin Alternative Record Guide Eric Weisbard, Craig Marks, 1995 America's premiere alternative music magazine presents a book of outrageously opinionated reviews of the essential albums of punk, new wave, indie rock, grunge, and rap. Its abundantly illustrated, full-color pages provide in-depth and informative record reviews on the widest possible scale of alternative music. National ads/media. |
| robert christgau a+: Yeah Yeah Yeah Bob Stanley, 2014-11-06 This encyclopedic history of pop music begins with Bill Haley & the Comet's 1954 hit, 2Rock Around the Clock3 and continues up through Beyoncé's first huge hit in 2003, 2Crazy in Love,3 touching on all the groups and genres in between. |
| robert christgau a+: Bright Lights, Dark Shadows: The Real Story of ABBA Carl Magnus Palm, 2009-10-28 Revel in the bright lights of ABBA’s show-stopping musical career, and hear the whispers from the shadows that lurked behind. Bright Lights Dark Shadows: The Real Story of Abba is the first true, full-scale biography ever written about the band. With lucid prose and an inquisitive eye, author, Carl Palm, covers all aspects of the band’s lives and careers. The period before the group formed; their global domination throughout the 1970s; their marriages and divorces; their business empire and; their eventual, inevitable split. |
| robert christgau a+: Theater of the Mind Neil Verma, 2012-06-29 For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience. |
| robert christgau a+: The Blue Note Label Michael Cuscuna, Michel Ruppli, 2001-03-30 Provides a complete discography of all recordings made or issued on the Blue Note label from 1939 through 1999. |
| robert christgau a+: The Rough Guide Book of Playlists Mark Ellingham, 2007 This second edition of the Rough Guide Book of Playlistscontains more than 500 lists of which 50 are new to this edition. The lists are recommendations of ten songs (sometimes a couple more, sometimes a couple less), covering artists (Rufus Wainwright to Thelonius Monk, Al Green to Manu Chao, Glenn Gould to Julie Andrews), genres (Bebop Classics to Reggae Toasters to Punk Originals to Hot Club jazz), songs (10 best Dylan covers; 8 classic versions of Summertime; 10 love songs that don't cloy), quirks and silliness (Songs about Chickens and Insects; Who let the frogs out?; Big Pizza Pie crooners; Take this Job and Shove it!). There's even a literary edge with playlists like '10 songs raved about in Murakami novels'. Each of the Playlists has a nugget about the song (why you want it on your iPod), and a listings of where it's from (remember CDs?). |
| robert christgau a+: Beastie Boys Book Michael Diamond, Adam Horovitz, 2020-05-12 THE #1 NEW YORK TIMES, GRAMMY-NOMINATED BESTSELLER A SUNDAY TIMES, GUARDIAN, OBSERVER, ROLLING STONE, AND ROUGH TRADE BOOK OF THE YEAR A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself-by band members AD-ROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more. THE INSPIRATION FOR THE 5-TIME EMMY NOMINATED, SPIKE JONZE-DIRECTED BEASTIE BOYS STORY 'One of the greatest music books ever published.' MAX PORTER Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. Here is their story, told for the first time in the words of the band. Adam AD-ROCK Horovitz and Michael Mike D Diamond offer revealing and very funny accounts of their transition from teenage punks to budding rappers; their early collaboration with Russell Simmons and Rick Rubin; the almost impossible-to-fathom overnight success of their debut studio album Licensed to Ill; that album's messy fallout; their break with Def Jam, move to Los Angeles, and rebirth as musicians and social activists, with the genre-defying masterpiece Paul's Boutique. For more than twenty years, this band has had a wide-ranging and lasting influence on popular culture. With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys' New York, mixtape playlists, pieces by guest contributors, and many more surprises. 'Memoir, graphic novel, cookbook, photo-journal, love letter, elegy: this vast, unwieldy, marvellous book, narrated, like the band's songs, scatter-gun style by the two surviving Beastie Boys, is as original, uncategorisable and attention-grabbing as their music.' SUNDAY TIMES (BOOK OF THE YEAR) 'Wide-ranging and unorthodox . . . [a] treat . . . insightful about the group's shifting music and are expert yarn-spinners, homing in on telling vignettes rather than doling out a straightforward history . . . shot through with yearning and melanchonly.' GUARDIAN (BOOK OF THE YEAR) 'Here is their story, told for the first time in the words of the ban With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir . . . Our clear winner for Book of the Year.' ROUGH TRADE (BOOK OF THE YEAR) 'The Beasties didn't play by the rules during their career, and this memoir by surviving members Michael Diamond and Adam Horovitz doesn't either . . . hiliarious, at times heartwarming.' ROLLING STONE (BOOK OF THE YEAR) |
| robert christgau a+: Grown Up All Wrong Robert Christgau, 1998-11-15 Two generations of American music lovers have grown up listening with Robert Christgau, attuned to his inimitable blend of judgment, acuity, passion, erudition, wit, and caveat emptor. His writings, collected here, constitute a virtual encyclopedia of popular music over the past fifty years. Whether honoring the originators of rock and roll, celebrating established artists, or spreading the word about newer ones, the book is pure enjoyment, a pleasure that takes its cues from the sounds it chronicles. A critical compendium of points of interest in American popular music and its far-flung diaspora, this book ranges from the 1950s singer-songwriter tradition through hip-hop, alternative, and beyond. With unfailing style and grace, Christgau negotiates the straits of great music and thorny politics, as in the cases of Public Enemy, blackface artist Emmett Miller, KRS-One, the Beastie Boys, and Lynyrd Skynyrd. He illuminates legends from pop music and the beginnings of rock and roll—George Gershwin, Nat King Cole, B. B. King, Chuck Berry, and Elvis Presley—and looks at the subtle transition to just plain “rock” in the music of Janis Joplin, the Rolling Stones, Eric Clapton, Aretha Franklin, James Brown, and others. He praises the endless vitality of Al Green, George Clinton, and Neil Young. And from the Rolling Stones to Sonic Youth to Nirvana, from Bette Midler to Michael Jackson to DJ Shadow, he shows how money calls the tune in careers that aren’t necessarily compromised by their intercourse with commerce. Rock and punk and hip-hop, pop and world beat: this is the music of the second half of the twentieth century, skillfully framed in the work of a writer whose reach, insight, and perfect pitch make him one of the major cultural critics of our time. |
| robert christgau a+: Rock Albums Of The 70s Robert Christgau, 1990-08-22 Robert Christgau on James Brown: When he modulates to the bridge it's like the Spirit of God moving upon the face of the waters. After that he could describe his cars for three [LP] sides and get away with it. Christgau on Carly Simon: If a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn't rhyme 'yacht,' 'apricot,' and 'gavotte.' Christgau on Van Morrison: This is a man who gets stoned on a drink of water and urges us to turn our radios all the way into the mystic. Visionary hooks his specialty. Christgau on Lou Reed: Reed Sounds like he's imitating his worst enemy, himself. (Lou Reed on Robert Christgau: What a moron! Studying rock and roll. I can't believe it!) An indispensable book, Christgau's Rock Albums the '70s is the definitive guide to nearly 3,000 albums of the decade that brought us progressive rock, country rock, glam rock, funk, disco, punk, heavy metal, and new wave. |
| robert christgau a+: The Virgin Book of British Hit Singles: Volume 2 Dave McAleer, Occ, Andy Gregory, Matthew White, 2010 The second in this new series, The Virgin Book of Hit Singles is the most-up-to-date and comprehensive record of the music charts available today and a perfect, collectable complement to The Virgin Book of Hit Albums and The Virgin Book of Top 40 Charts. Now improved and fine-tuned, and drawn from the Official Charts Company Data since 1956, The Virgin Book of Hit Singles features the most comprehensive, easy to read, and accessible music chart data and information. It's all here--expanded artist biographies, side notes of interest, label and catalogue numbers, peak positions, number of weeks on chart, and weeks at number one. The Virgin Book of Hit Singles is essential reading, and reference, for any music lover. |
| robert christgau a+: The Penguin Guide to Blues Recordings Tony Russell, Chris Smith, 2006 From its roots in the American South to today's world stage, the journey of the blues has encompassed countless artists and recordings. But how can you find the best of them? The Penguin Guide to Blues Recordingsis a uniquely informative, insightful and easy-to-use guide through the jungles of the record shop and the online music store. It surveys the recorded work of more than a thousand blues artists, from towering figures of the past like Charley Patton, Bessie Smith and Robert Johnson to stars of the modern era such as B.B. King, Buddy Guy and Stevie Ray Vaughan, providing crisp, expert and witty reviews of almost six thousand CDs. Whether you're a blues aficionado or just starting a collection, this is required reading. |
| robert christgau a+: Teaching the Beatles Hugh Jenkins, Paul O. Jenkins, 2018 Teaching the Beatles is designed to provide ideas for instructors who teach the music of the Beatles. Experienced contributors describe varied approaches to effectively convey the group's characteristics and lasting importance. Some of these include: treating the Beatles' lyrics as poetry; their influence on the world of art, film, fashion and spirituality; the group's impact on post-war Britain; political aspects of the Fab Four; Lennon and McCartney's songwriting and musical innovations; the band's use of recording technology; business aspects of the Beatles' career; and insights into teaching the Beatles in an online format. |
| robert christgau a+: Focus On: 100 Most Popular Grammy Lifetime Achievement Award Winners Wikipedia contributors, |
Robert - Wikipedia
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The name Robert is an ancient Germanic given name, from Proto-Germanic *Hrōþi- "fame" and *berhta- "bright" (Hrōþiberhtaz). [1] . Compare Old Dutch Robrecht and Old High German …
Meaning, origin and history of the name Robert
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