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| richard neutra and the search for modern architecture: Richard Neutra and the Search for Modern Architecture Thomas S. Hines, Richard Joseph Neutra, 1994-01-01 An important contribution to the understanding of 'modernist' culture in the United States and a perceptive analysis of the achievement of a major American architect, with a European background and an international reputation.--William Jordy, Brown University This study, part biography and part architectural analysis, is a modern masterpiece of architectural history. The prose is lucid and sometimes elegant--very much like the work of Richard Neutra which it so brilliantly examines.--Peter Gay, Yale University An important contribution to the understanding of 'modernist' culture in the United States and a perceptive analysis of the achievement of a major American architect, with a European background and an international reputation.--William Jordy, Brown University |
| richard neutra and the search for modern architecture: Architecture of Richard Neutra Arthur Drexler, Thomas S. Hines, 1990-06-01 |
| richard neutra and the search for modern architecture: The Details of Modern Architecture Edward R. Ford, 1990 Covering the period 1890 - 1932 this book focuses on various recognised masters explaining the detailing and construction techniques used in their buildings. |
| richard neutra and the search for modern architecture: Life and Shape Richard Joseph Neutra, 2009 Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: The unexamined life is not worth living. In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography Life and Shape, first published in 1962, which now, after years of being out of print, has again happily come back to life. As opposed to Survival Through Design (1954), his superb collection of densely philosophical essays, Neutra took a different tack in Life and Shape, following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright. As in the autobiographies of Sullivan and Wright, Life and Shape concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuv Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). Life and Shape also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it. Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to include everything but rather to present an honest recounting of his memory of his life. In writing my own Richard Neutra and the Search for Modern Architecture [Oxford University Press, 1982; Rizzoli Press, 2006], I relied on Life and Shape when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back. - Thomas S. Hines, UCLA Professor Emeritus of History and Architecture |
| richard neutra and the search for modern architecture: Modern Architecture and Climate Daniel A. Barber, 2023-04-11 How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design. |
| richard neutra and the search for modern architecture: Richard Neutra and the search for modern architecture T.S. Hines, 1982 |
| richard neutra and the search for modern architecture: Form Follows Libido Sylvia Lavin, 2007-09-28 How modern architecture came to embrace the urges and fears of the affective unconscious. Eight million Americans a year cool their heels in psychiatric waiting rooms. Design can help lower this nervous overhead.—Richard Neutra, 1954 Sylvia Lavin's Form Follows Libido argues that by the 1950s, some architects felt an urge to steer the cool abstraction of high modernism away from a neutral formalism toward the production of more erotic, affective environments. Lavin turns to the architecture of Richard Neutra (1892-1970) to explore the genesis of these new mood-inducing environments. In a series of engaging essays weaving through the designs and writings of this Vienna-born, California-based architect, Lavin discovers in Neutra a sustained and poignant psychoanalytic reflection set in the context of a burgeoning psychoanalytic culture in America. Lavin shows that Neutra's redirection of modernism constituted not a lyrical regression to sentimentality but a deliberate advance of architectural theory and technique to engage the unconscious mind, fueled by the ideas of psychoanalysis that were being rapidly disseminated at the time. In Neutra's responses to a vivid range of issues, from psychoanalysis proper to the popular psychology of tele-evangelical prayer, Lavin uncovers a radical reconstitution of the architectural discipline. Arguing persuasively that the received historical views of both psychoanalysis and architecture have led to a suppression of their compelling coincidences and unorthodoxies, Lavin sets out to unleash midcentury architecture's hidden libido. Neither Neutra nor psychoanalysis emerges unscathed from her investigation of how architecture came to be saturated by the intrigues of affect, often against its will. If Reyner Banham sought to put architecture on the couch, then Lavin, through Neutra, leaps beyond Banham's ameliorative aim to lure contemporary architecture into the lush and dangerous liaisons of environmental design. |
| richard neutra and the search for modern architecture: Palm Springs Tim Street-Porter, 2018-02-06 Paying homage to the seminal mid-century modern architecture of Palm Springs, this luxurious book showcases historic jet-set homes designed by legendary talents such as Richard Neutra, Albert Frey, and Paul Williams, as well as private residences by today’s leading tastemakers. Since Gary Cooper built one of the first modernist houses in Palm Springs in the 1930s, this desert oasis has entranced Hollywood. A mecca for the international jet set that lured Frank Sinatra, Walter Annenberg, and others, Palm Springs came into its own architecturally as a haven for visionary modernists such as Richard Neutra, who were practicing the International Style in Los Angeles. The architectural legacy remains unsurpassed for its originality and influence, and recently many of the city’s modernist residential treasures have been restored. In original new photography, Palm Springs captures the allure of this famed modernist destination. The book profiles outstanding examples such as the Annenberg Estate, the Ford House, and the Kaufmann House, shown in their splendor, as well as today’s restorations by top interior designers such as Martyn Lawrence Bullard and fashion designer Trina Turk. A resource section provides modernist furnishing stores and other points of interest. |
| richard neutra and the search for modern architecture: Richard Neutra and the Search for Modern Architecture Thomas S. Hines, 1982 Studie over het werk van de Amerikaanse architect (1892-1970), waarin tevens de ontwikkeling van de moderne architectuur tot uiting komt. |
| richard neutra and the search for modern architecture: Richard Neutra, 1892-1970 Barbara Mac Lamprecht, 2009 Born and raised in Vienna, Richard Neutra (1872 1970) came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra ability to incorporate technology, aesthetics, science, and nature into his designs him recognition as one of Modernist architecture greatest talents. |
| richard neutra and the search for modern architecture: Richard Neutra's Miller House Stephen Leet, 2004-04 In 1937, the architect and his sophisticated client produced a masterwork of forward-thinking and artful architecture. |
| richard neutra and the search for modern architecture: Sex and Buildings Richard J. Williams, 2013-07-15 Massive modern skyscrapers, obelisks, towers—all are structures that, thanks to their phallic shape, are often associated with sex. But other buildings are more subtly connected, as they provide the frameworks for our sexual lives and act as reminders of our sexual memories. This relationship between sex and buildings mattered more than ever in the United States and Europe during the turbulent twentieth century, when a culture of unprecedented sexual frankness and tolerance emerged and came to dominate many aspects of public life. Part architectural history, part cultural history, and part travelogue, Sex and Buildings explores how progressive sexual attitudes manifest themselves in architecture, asking what progressive sexuality might look like architecturally and exploring the successes and failures of buildings' attempts to reflect it. In search of structures that reflect the sexual mores of their inhabitants, Richard J. Williams visits modernist buildings in Southern California, the Westin Bonaventure Hotel, the Playboy Mansion in Chicago, the Seagram in New York, communes from the 1960s, and more. A fascinating and often funny look at a period of extraordinary social change coupled with aesthetic invention, Sex and Buildings will change the way we look at the buildings around us. |
| richard neutra and the search for modern architecture: Building with Nature Richard Joseph Neutra, 1971 Shows how architect Richard Neutra tried to provide through his architecture a link with the natural world and an environment to enrich the lives of its users. |
| richard neutra and the search for modern architecture: Richard Neutra. - New York: Braziller 1960. 31 S., 43 Bl. Abb., S. 118-128. 4° Esther McCoy, 1960 Over eighty pages of reproductions including photographs, plans and drawings. |
| richard neutra and the search for modern architecture: Classic Modern Homes of the Thirties James Ford, Katherine Morrow Ford, 1989-01-01 Over 300 illustrations - including sharply detailed photographs, line drawings of floor and site plans, elevations and cross-sections - depict interiors and exteriors of 62 houses exemplifying the purpose, spirit and techniques of modern architecture. A clearly written, explanatory text discusses the use of materials, family and location analysis, site costs and other factors involved in the design and construction of these homes. |
| richard neutra and the search for modern architecture: Emergence of a Modern Dwelling Suzanna Barucco, Suzanne Singletary, Andrew Hart, Alison Eberhardt, 2022-02-14 In the East Falls neighbourhood of Philadelphia, just beyond the northern boundary of the Thomas Jefferson University's East Falls campus, stands the Hassrick House (1958-61), designed by celebrated architect Richard Neutra, an icon of mid-century modern style. Often described as an East Coast interpretation of California Modernism, the Hassrick House is one of only three buildings designed by Neutra within the city limits.0Thomas Jefferson University's relationship with the house began in the summer of 2015 when Andrew Hart, assistant professor of Architecture in the College of Architecture & the Built Environment initiated a series of summer courses to study the house. The first multidisciplinary group of students engaged in architectural survey, drawing, and photography. Subsequent summer courses refined the architectural drawings, following the Historic American Buildings Survey (HABS) and Historic American Landscape Survey (HALS) standards. Yet another student cohort undertook documentary research to uncover the history of the house and its occupants. Then owners George Acosta and John Hauser were supportive collaborators with students in this process. Neutra's architecture and his relationship with the Hassricks - particularly Barbara who emerged as the primary client voice while the house was being designed - captured the hearts, minds, and imaginations of everyone who engaged with the house.0This publication chronicles the students' findings that shed light on Neutra's design process, his collaboration with his clients, as well as the unsung role of Thaddeus Longstreth as Neutra's proxy negotiator throughout the design and construction stages. During its approximately 63-year lifespan, the Hassrick House tells a saga of design, dwelling, neglect, restoration, and reinvention today as a laboratory for learning. In many respects, the history of the Hassrick House tells an important story of the modernist movement in the US, both regionally and nationally. |
| richard neutra and the search for modern architecture: Mid-Century Modern Architecture Travel Guide: West Coast USA Sam Lubell, 2016-10-24 A must-have guide to one of the most fertile regions for the development of Mid-Century Modern architecture This handbook - the first ever to focus on the architectural wonders of the West Coast of the USA - provides visitors with an expertly curated list of 250 must-see destinations. Discover the most celebrated Modernist buildings, as well as hidden gems and virtually unknown examples - from the iconic Case Study houses to the glamour of Palm Springs' spectacular Modern desert structures. Much more than a travel guide, this book is a compelling record of one of the USA's most important architectural movements at a time when Mid-Century style has never been more popular. First-hand descriptions and colour photography transport readers into an era of unparalleled style, glamour, and optimism. |
| richard neutra and the search for modern architecture: Case Study Houses Elizabeth A. T. Smith, 2016-01-15 With 36 prototype designs, the Case Study House program created paradigms for modern living that would extend their influence far beyond their Los Angeles heartland. This essential introduction features 150 photographs and plans to explore each of these model residences and their architects, including Richard Neutra, Charles and Ray Eames, and... |
| richard neutra and the search for modern architecture: Tremaine Houses Volker M. Welter, 2019-11-19 This volume analyzes the extraordinary patronage of modern architecture that the Tremaine family sustained for nearly four decades in the mid-twentieth century. From the late 1930s to the early 1970s, two brothers, Burton G. Tremaine and Warren D. Tremaine, and their respective wives, Emily Hall Tremaine and Katharine Williams Tremaine, commissioned approximately thirty architecture and design projects. Richard Neutra and Oscar Niemeyer designed the best-known Tremaine houses; Philip Johnson and Frank Lloyd Wright also created designs and buildings for the family that achieved iconic status in the modern movement. Focusing on the Tremaines’ houses and other projects, such as a visitor center at the meteor crater in Arizona, this volume explores the Tremaines’ architectural patronage in terms of the family’s motivations and values, exposing patterns in what may appear as an eclectic collection of modern architecture. Architectural historian Volker M. Welter argues that the Tremaines’ patronage was not driven by any single factor; rather, it stemmed from a network of motives comprising the clients’ practical requirements, their private and public lives, and their ideas about architecture and art. |
| richard neutra and the search for modern architecture: The Creative Architect Pierluigi Serraino, 2016-06-14 The story behind a little-known episode in the annals of modern architecture and psychology—a 1950s creativity study of the top architects of the day, including Eero Saarinen, I.M. Pei, Philip Johnson, Louis Kahn, Richard Neutra, George Nelson, and dozens more—is now published for the first time. The story of midcentury architecture in America is dominated by outsized figures who were universally acknowledged as creative geniuses. Yet virtually unheard of is this intensive 1958–59 study, conducted at the Institute of Personality Assessment and Research at the University of California, Berkeley, that scrutinized these famous architects in an effort to map their minds. Deploying an array of tests reflecting current psychological theories, the investigation sought to answer questions that still apply to creative practice today: What makes a person creative? What are the biographical conditions and personality traits necessary to actualize that potential? The study’s findings have been gathered through numerous original sources, including questionnaires, aptitude tests, and interview transcripts, revealing how these great architects evaluated their own creativity and that of their peers. In The Creative Architect, Pierluigi Serraino charts the development, implementation, and findings of this historic study, producing the first look at a fascinating and forgotten moment in architecture, psychology, and American history. |
| richard neutra and the search for modern architecture: Midnight Modern Tom Blachford, 2017-02-14 Midnight Modern brings into focus a view of Palm Springs and its internationally renowned modernist houses never before shown, shot entirely by the light of the full moon. Created over the course of three years by Australian photographer Tom Blachford, the surreal images function as portals in time, with the homes, cars, and beautiful scenery appearing almost exactly as it all did 60 years ago. The crisp moonlight adds a new dimension to the famous mecca of desert modernism and shows a contrasting side of a town famous for its sunshine, cocktails, and hedonism. Working closely with the Palm Springs community, Blachford gained remarkable access to some of the most coveted architectural jewels in the area, including the Kaufmann Desert House, Edris House, Frey House II, Frank Sinatra Twin Palms Estate, and dozens of restored Alexander tract homes in the valley. Blachford's work builds on the famous documentary and lifestyle approaches of Julius Shulman and Slim Aarons, but injects a signature mystery. His cinematic aesthetic acts as a stage for an untold narrative, inviting the viewer to script their own drama going on behind the walls of these historic homes. This original, lush work is a rich contribution to the record for those midcentury architecture and design lovers fascinated by Palm Springs. |
| richard neutra and the search for modern architecture: Richard Neutra Richard Neutra, 2019-03-28 At the first mention of his name, one can easily picture them: light-flooded bungalows that are lavishly composed into nature and that characterize the architectural style of the American West Coast surrounding Los Angeles. But it is sometime overlooked that the career of Richard Neutra (1892-1970) began in Berlin-Zehlendorf. And yet these houses in Zehlendorf represent a fascinating phase in Neutra's work. With their complex color schemes and extravagant interior design, they reveal themselves to be more than just an experimental and radically innovative design. Indeed, these lesser-known aspects already hint at elements that will be taken up again in future projects. The present publication finally provides for a rightful appreciation of Neutra's early works and, alongside historical sources, it collects countless new and unpublished documents about the houses and their first residents. |
| richard neutra and the search for modern architecture: Transformations in Modern Architecture Arthur Drexler, 1979 |
| richard neutra and the search for modern architecture: Survival Through Design , 1954 |
| richard neutra and the search for modern architecture: Women and the Making of the Modern House Alice T. Friedman, 2006-01-01 Investigates how women patrons of architecture were essential catalysts for innovation in domestic architectural design. This book explores the challenges that unconventional attitudes and ways of life presented to architectural thinking, and to the architects themselves. |
| richard neutra and the search for modern architecture: Modern Architecture Otto Wagner, 1988 In 1896, Otto Wagner's Modern Architecture shocked the European architectural community with its impassioned plea for an end to eclecticism and for a modern style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the Modern Movement. Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century |
| richard neutra and the search for modern architecture: Julius Shulman , 2008-02-12 Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard Neutra’s Kaufmann House and Albert Frey’s Raymond Loewy House, to Paul R. Williams’ house for Lucille Ball and Desi Arnaz, Frank Sinatra’s house, John Lautner’s house for Bob Hope, as well as other famous landmarks. The book features more than sixty buildings by fifteen of the most notable mid-twentieth-century architects. With new photography and images culled from his personal collection as well as the Getty Center, this book includes many images never before seen. |
| richard neutra and the search for modern architecture: Architecture in the Twentieth Century Peter Go ssel, Gabriele Leuthäuser, 2001 After several pages of prologue summing up 18th century highlights--especially the rise in importance of geometry--some forty pages cover 1784-1916, focusing on the heavily fenestrated high-rises of the Chicago School and the iron and glass pavilions of Europe. The chapter spanning 1892-1925 concentrates on the many disputes over the trajectory of modernism: Nieuwe Kunst, Stile Liberty, Jugendstil, and Art Nouveau, all arguing the direction that the boom of prisons, hospitals, schools, town halls, and other institutional buildings would take. Three more time divisions follow and a concise compendium of architect biographies ends the volume. Along with an array of great pictures (par for Taschen), Gossel and Leuthauser--both active in the private sector--add a strong prose style attentive to debates among architects and the socioeconomic stage on which architects act. Annotation copyrighted by Book News, Inc., Portland, OR |
| richard neutra and the search for modern architecture: Richard Neutra: Furniture Barbara Mac Lamprecht, 2015 With his houses flooded with light, Austria-American architect Richard J. Neutra (1892-1970) shaped the scene of Californian Modernism. From there he rose to be one of the most influential names in the history of modern architecture. However, in contrast to his peers - such as Aalto, Breuer, Jacobsen and Prouvé - Neutra's furniture designs have long been undiscovered.Author Barbara Lamprecht fills this gap by studying the extensive but little known furniture range that had faded into obscurity until Dion Neutra, Neutra's son and architectural partner, started work on the designs with German manufacturer VS, whose ties to Modernism date back to the Deutscher Werkbund. Referring to the original sketches and patent drawings, the author focused on the details of the designs to show the furniture's role in creating the balanced environments that Neutra intended for his clients. Each element: furniture, lighting, building, Nature, and landscape all worked together as a Gesamtwerk (a complete expression) to create a sensorium, or a soul anchorage, as Neutra called those environments best suited to human well-being. |
| richard neutra and the search for modern architecture: Cuban Modernism Victor Deupi, Jean-Francois Lejeune, 2021-02-08 For several decades, 20th century architecture thrived in Cuba and a wealth of buildings was realized prior to the revolution 1959 and in its wake. The designs comprise luxurious nightclubs and stylish hotels, sports facilities, elegant private homes and apartment complexes. Drawing on the vernacular, their architects defined a way to be modern and Cuban at the same time - creating an architecture oscillating between tradition and avantgarde. Audacious concrete shells, curving ramps, elegant brises-soleils and a fluidity of interior and exterior spaces are characteristic of an airy, often colorful architecture well-suited to life in the tropics. New photographs and drawings were specially prepared for this publication. A biographical survey portraits the 40 most important Cuban architects of the era. |
| richard neutra and the search for modern architecture: California Design, 1930¿1965 Living In a Modern Way Wendy Kaplan, 2011 The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way. California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic. |
| richard neutra and the search for modern architecture: The American Lawn Georges Teyssot, 1999 The site of political demonstrations, sporting events, and barbecues, and the object of loving, if not obsessive, care and attention, the lawn is also symbolically tied to our notions of community and civic responsibility, serving in the process as one of the foundations of democracy. |
| richard neutra and the search for modern architecture: Modern Architecture and Interiors Adam Stech, 2020-08-11 This atlas of more than one thousand Modernist architectural masterpieces uncovers hidden gems while offering new perspectives on old favorites. In 2006, architecture and design curator Adam Stech embarked on a photographic project to document the best Modernist architecture around the globe. More than thirty countries and more than a decade later, the fruits of that monumental project are gathered in this impressive collection covering nearly a century of architectural history. Driven by a passion for rediscovering forgotten or lesser known architectural treasures of Modernism, Stech took thousands of diverse photographs of exteriors and interiors. This survey features often overlooked details and hidden projects that Stech helps bring to light. His brief commentary on each featured building reveals insights into his vast collection of images that includes treasures of Italian Modernism, American mid-century classics, South American Art Deco, Belgian organic architecture, French Brutalism, forgotten Australian modern houses, and much more. This expansive and inspiring book is the definitive guide to architecture in the 20th century in all its different forms and tendencies from its strict rationalist to flamboyant decorative styles. |
| richard neutra and the search for modern architecture: Architecture and Design at the Museum of Modern Art Thomas S. Hines, 2019-01-22 A comprehensive and fascinating look at the history of the Museum of Modern Art’s Architecture and Design Department under the leadership of the influential curator Arthur Drexler. Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986—the longest curatorship in the museum’s history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA’s founding director, Alfred Barr, and the department’s first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler’s tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects—from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden—Drexler’s boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department’s public and educational programs projected a culture of popular accessibility, offsetting MoMA’s reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines’s firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyzes how MoMA became a touchstone for the practice and study of midcentury architecture. |
| richard neutra and the search for modern architecture: Between Concept and Identity Esteban Fernández-Cobián, 2014-10-02 The identity of places of worship is one of the most difficult problems faced by religious architecture at the start of this new millennium. Contemporary globalising experiences demand, peremptorily, a reflection, both conceptual and situational, on the origin of objects, people and institutions. Nevertheless, the chance of these migration flows annihilating already-existing religious identities is perceived as a problem. This problem is directly linked to the survival of architecture as a system carrying a material representation of the divine and constituting a self-reference system for the community of believers. Therefore, it is important to define the extent to which the new religious architecture has given room to an abstract type of formal experimentation which is disconnected from social reality. Does this architecture maintain its bridging, sacramental value, or, on the contrary, has it given way to the conceptualist trends still alive in the artistic world? Is metaphor a valid concept for the Christian religion? Is there an essential aspect linking this architecture to the centuries-old tradition of the Catholic Church? Different architectural, pedagogical, exhibition and formal initiatives have arisen in recent years and it is necessary to get to know them, with the purpose of understanding where contemporary religious architecture is heading in its eternal search for a permanent identity. |
| richard neutra and the search for modern architecture: Urgent Architecture Bridgette Meinhold, 2013-03-12 Disaster-proof, environmentally friendly housing solutions for a changing climate. How can we adequately provide housing when disaster strikes, whether that disaster is weather related, like hurricanes, floods, and droughts, happens in a matter of minutes from an earthquake or tsunami, through a slow process like rising sea levels, or is the result of civil disorder or poverty? There is an urgent need for safe, sustainable housing designs that are cheap to build, environmentally friendly, and hardy enough to withstand severe environmental conditions. Not only is there climate change to contend with, but there are millions of people, right now, who do not have safe or adequate housing. In Urgent Architecture Bridgette Meinhold showcases 40 successful emergency and long-term housing projects—from repurposed shipping containers to sandbag homes. She surveys successful structures as well as highlighting promising projects that are still being developed. Every one is quickly deployable, affordable, and sustainable. This book is an essential resource for those who are interested in green building, sustainable design, eco-friendly materials, affordable housing, material reuse, and humanitarian relief. |
| richard neutra and the search for modern architecture: Charles and Ray Eames Pat Kirkham, 1998 Charles and Ray Eames, perhaps the most famous design partnership of 20th-century America, did pioneering work in furniture, film, architecture, and exhibition design. Now Pat Kirkham interprets their work in depth, probing the lives behind the designs and the nature of the collaboration. 221 illustrations, 16 in color. |
| richard neutra and the search for modern architecture: The Architecture of Bart Prince Christopher Curtis Mead, 1999 The only book on the exuberant work of a uniquely original American architect Bart Prince, whose breathtaking buildings stand from Ohio to Hawaii, is recognized internationally for embodying the American tradition of individualism personified by Louis Sullivan, Frank Lloyd Wright, and Bruce Goff. |
| richard neutra and the search for modern architecture: Topographical Stories David Leatherbarrow, 2015-09-28 Landscape architecture and architecture are two fields that exist in close proximity to one another. Some have argued that the two are, in fact, one field. Others maintain that the disciplines are distinct. These designations are a subject of continual debate by theorists and practitioners alike. Here, David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions. This rigorous argument is supported by nearly 100 illustrations, as well as examples of topography from the sixteenth, eighteenth, and nineteenth centuries, through the heroic period of early modernism, to more recent offerings. A number of these studies revise existing accounts of decisive moments in the history of these disciplines, particularly the birth of the informal garden, the emergence of continuous space in the landscapes and architecture of the modern period, and the new significance of landform or earthwork in contemporary architecture. For readers not directly involved with either of these professions, this book shows how over the centuries our lives have been shaped and enriched by landscape and architecture. Topographical Stories provides a new paradigm for theorizing and practicing landscape and architecture. |
Richard - Wikipedia
Richard Theodore Otcasek (1944–2019), known as Ric Ocasek, frontman for the Cars; Richard Patrick (born 1968), lead singer and guitarist of Filter; Richard Wayne Penniman (1932–2020), …
Meaning, origin and history of the name Richard
Dec 1, 2024 · It was borne by three kings of England including the 12th-century Richard I the Lionheart, one of the leaders of the Third Crusade. During the late Middle Ages this name was …
Richard I | Biography, Achievements, Crusade, Facts, & Death
Richard I, duke of Aquitaine (from 1168) and of Poitiers (from 1172) and king of England, duke of Normandy, and count of Anjou (1189–99). His knightly manner and his prowess in the Third …
How Dick Came to be Short for Richard - Today I Found Out
Apr 28, 2012 · How Dick became a nickname for Richard is known and is one of those “knee bone connected to the thigh bone” type progressions, somewhat similar to how the word …
Richard Name Meaning, Origin, History, And Popularity
Aug 26, 2024 · Richard is a popular male name with Germanic roots and royal connections. Read on to learn more about it.
Richard - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Richard is a boy's name of German origin meaning "dominant ruler". Richard is the 232 ranked male name by popularity.
Richard Name Meaning: History, Gender & Pronunciation - Mom …
Feb 17, 2025 · Richard Gwyn: Also known as Richard White, illegally taught Catholic schoolchildren in Wales and was executed by Queen Elizabeth I for refusing to convert to …
What does Richard mean? - Definitions.net
Definition of Richard in the Definitions.net dictionary. Meaning of Richard. What does Richard mean? Information and translations of Richard in the most comprehensive dictionary …
Richard - Name Meaning, What does Richard mean? - Think Baby Names
What does Richard mean? R ichard as a boys' name is pronounced RICH-erd. It is of Old German origin, and the meaning of Richard is "powerful leader". Norman name commonly used for the …
Richard - Meaning of Richard, What does Richard mean? - BabyNamesPedia
Richard is used chiefly in the Czech, Dutch, English, French, and German languages, and its origin is Germanic and English. From Germanic roots, its meaning is powerful ruler . A two …
Richard - Wikipedia
Richard Theodore Otcasek (1944–2019), known as Ric Ocasek, frontman for the Cars; Richard Patrick (born 1968), lead singer and guitarist of Filter; Richard Wayne Penniman (1932–2020), …
Meaning, origin and history of the name Richard
Dec 1, 2024 · It was borne by three kings of England including the 12th-century Richard I the Lionheart, one of the leaders of the Third Crusade. During the late Middle Ages this name was …
Richard I | Biography, Achievements, Crusade, Facts, & Death
Richard I, duke of Aquitaine (from 1168) and of Poitiers (from 1172) and king of England, duke of Normandy, and count of Anjou (1189–99). His knightly manner and his prowess in the Third …
How Dick Came to be Short for Richard - Today I Found Out
Apr 28, 2012 · How Dick became a nickname for Richard is known and is one of those “knee bone connected to the thigh bone” type progressions, somewhat similar to how the word …
Richard Name Meaning, Origin, History, And Popularity
Aug 26, 2024 · Richard is a popular male name with Germanic roots and royal connections. Read on to learn more about it.
Richard - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · Richard is a boy's name of German origin meaning "dominant ruler". Richard is the 232 ranked male name by popularity.
Richard Name Meaning: History, Gender & Pronunciation - Mom …
Feb 17, 2025 · Richard Gwyn: Also known as Richard White, illegally taught Catholic schoolchildren in Wales and was executed by Queen Elizabeth I for refusing to convert to …
What does Richard mean? - Definitions.net
Definition of Richard in the Definitions.net dictionary. Meaning of Richard. What does Richard mean? Information and translations of Richard in the most comprehensive dictionary …
Richard - Name Meaning, What does Richard mean? - Think Baby Names
What does Richard mean? R ichard as a boys' name is pronounced RICH-erd. It is of Old German origin, and the meaning of Richard is "powerful leader". Norman name commonly used for the …
Richard - Meaning of Richard, What does Richard mean? - BabyNamesPedia
Richard is used chiefly in the Czech, Dutch, English, French, and German languages, and its origin is Germanic and English. From Germanic roots, its meaning is powerful ruler . A two …
