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regal cinema waco: Motion Picture Almanac , 2002 |
regal cinema waco: International Motion Picture Almanac Terry Ramsaye, 1992 |
regal cinema waco: Motion Picture Herald , 1927 |
regal cinema waco: Box Office , 1953 |
regal cinema waco: Warped and Faded Lars Nielson, 2020-04 Oral history and essays about the weird and wild B-movies screened at Austin's Alamo Drafthouse cinemas, and how the series later grew into today's American Genre Film Archive. |
regal cinema waco: Deep Focus (Engaging Culture) Robert K. Johnston, Craig Detweiler, Kutter Callaway, 2019-03-19 Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies. |
regal cinema waco: Theatrical Worlds (Beta Version) Charles Mitchell, 2014 From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well. -- Open Textbook Library. |
regal cinema waco: Ladies of the Western Michael G. Fitzgerald, Boyd Magers, 2015-08-01 This work features interviews with 51 leading ladies who starred in B-westerns, A-westerns, and television westerns. Some were well-known and others were not, but they all have fascinating stories to tell and they talk candidly about their careers and the many difficulties that went along with their jobs. Back then, conditions were often severe, locations were often harsh, and pay was often minimal. The actresses were sometimes the only females on location and they had to provide their own wardrobe and do their own make-up, as well as discourage the advances of over-affectionate co-stars. Despite these difficulties, most of the women interviewed for this agree that they had fun. Claudia Barrett, Virginia Carroll, Francis Dee, Lisa Gaye, Marie Harmon, Kathleen Hughes, Linda Johnson, Ruta Lee, Colleen Miller, Gigi Perreau, Ann Rutherford, Ruth Terry, and June Vincent are among the 51 actresses interviewed. |
regal cinema waco: The Making of Star Wars: Return of the Jedi J. W. Rinzler, 2013-10-01 Just as Star Wars: Episode VI Return of the Jedi completed the most successful cinematic trilogy of its generation, perhaps of all time, this splendid thirtieth-anniversary tribute completes New York Times bestselling author J. W. Rinzler’s trio of fascinating behind-the-scenes books celebrating George Lucas’s classic films. Once again, the author’s unprecedented access to the formidable Lucasfilm Archives has yielded a mother lode of extremely informative, vastly entertaining, and often unexpected stories, anecdotes, recollections, and revelations straight from the closely guarded set of a big-screen blockbuster in the making. Brimming with previously unpublished photos, production artwork, script excerpts, exclusive intel, vintage on-set interviews, and present-day commentary, The Making of Star Wars: Return of the Jedi chronicles “how George Lucas and his crew of extroverted artists, misfits, and expert craftspeople roused themselves to great heights for a third time” to create the next unforgettable chapter in one of the most beloved sagas of all time. Get up close to the action and feel like a studio insider as • creator George Lucas, Oscar-nominated screenwriter Lawrence Kasdan, and director Richard Marquand huddle in a script conference to debate the destinies of iconic Star Wars characters, as well as plot twists and turns for the epic final showdown between the Rebel Alliance and the Empire • artists and craftspeople at the groundbreaking Industrial Light & Magic facility top their own revolutionary innovations—despite the infamous Black Friday—with boundary-pushing new analog visual effects • a crack team of sculptors, puppeteers, actors, and “monster-makers” bring Jabba the Hutt and his cohorts to startling, slobbering life from the inside out • a Who’s Who of heavyweight directors—from such films as Superman, Gremlins, Halloween, Dune, Scanners, and Time Bandits—are considered for the coveted job of bringing a new Star Wars adventure to the silver screen • actors and crew race to the finish line at Elstree Studios, in a fiery desert, and beneath the trees of a dense redwood forest—before money runs out—to answer the questions that audiences had waited three years to find out: Is Darth Vader really Luke’s father, who is the “other”—and who or what is the Emperor? Star Wars’ stars from both sides of the camera—including Mark Hamill, Harrison Ford, Carrie Fisher, Anthony Daniels, Peter Mayhew, David Prowse, Alec Guinness, director Richard Marquand, producer Howard Kazanjian, Ralph McQuarrie, Joe Johnston, Dennis Muren, Phil Tippett, and mastermind George Lucas—weigh in with candid insights on everything from technical challenges, character design, Ewoks, the Empire’s galactic city planet, and the ultimate challenge of bringing the phenomenal space fantasy to a dramatic close. The Making of Star Wars: Return of the Jedi gives a spectacular subject its just due, with more than five hundred images and many, many new interviews. Praise for The Making of Star Wars: Return of the Jedi “Just like Rinzler’s 2010 volume about Empire Strikes Back, The Making of Star Wars: The Return of the Jedi is an indispensible volume that will add tons of insight to your appreciation of George Lucas’ Original Trilogy. Rinzler has gone through masses of production documents at Lucasfilm and interviewed tons of people, and come up with a portrait of Lucas struggling to find a fitting ending to his ambitious, heroic saga.”—io9 |
regal cinema waco: Rivista tecnica di cinematografia , 1958 |
regal cinema waco: Hollywood's West Peter C. Rollins, John E. O'Connor, 2005-11-11 American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the frontier thesis influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations. |
regal cinema waco: Report of the Librarian of Congress Library of Congress, 1900 |
regal cinema waco: The Religion and Film Reader Jolyon P. Mitchell, S. Brent Plate, 2007 Film is now widely studied in theology and religious studies departments. This volume explores key topics including, early responses to film, directors, films and audiences, cultural and social contexts, biblical connections, theological approaches and religious studies perspectives, amongst others. |
regal cinema waco: Showmen's Motion Picture Trade Review , 1954 |
regal cinema waco: LIFE , 1938-01-10 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
regal cinema waco: Handbook of Megachurches Stephen J. Hunt, 2019-11-26 The megachurch is an exceptional recent religious trend, certainly within Christian spheres. Spreading from the USA, megachurches now reached reach different global contexts. The edited volume Handbook of Megachurches offers a comprehensive account of the subject from various academic perspectives. |
regal cinema waco: First Timers and Old Timers Kenneth L. Untiedt, 2012 The Texas Folklore Society has been alive and kicking for over one hundred years now, and I don't really think there's any mystery as to what keeps the organization going strong. The secret to our longevity is simply the constant replenishment of our body of contributors. We are especially fortunate in recent years to have had papers given at our annual meetings by new members--young members, many of whom are college or even high school students. These presentations are oftentimes given during sessions right alongside some of our oldest members. We've also had long-time members who've been around for years but had never yet given papers; thankfully, they finally took the opportunity to present their research, fulfilling the mission of the TFS: to collect, preserve, and present the lore of Texas and the Southwest. You'll find in this book some of the best articles from those presentations. The first fruits of our youngest or newest members include Acayla Haile on the folklore of plants. Familiar and well-respected names like J. Rhett Rushing and Kenneth W. Davis discuss folklore about monsters and the classic 'widow's revenge' tale. These works--and the people who produced them--represent the secret behind the history of the Texas Folklore Society, as well as its future.--Kenneth L. Untiedt |
regal cinema waco: To-day's Cinema News and Property Gazette , 1957 |
regal cinema waco: Film, Lacan and the Subject of Religion Steve Nolan, 2009-09-23 In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented ‘other' which joins them into a narrative where they become participants in an ideological ‘reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed Screen theory - that attempts to understand how cinematic representation shapes spectator identity. Using translations and commentary on Lacan not originally available to Screen theorists, Nolan returns to Lacan's contribution to psychoanalytic film theory and offers a sustained application to religious practice, examining several ‘priest films' and real-life case study to expose the way liturgical representation shapes religious identity. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice. |
regal cinema waco: The ... Theatre Catalog , 1957 |
regal cinema waco: The Rodeo and Hollywood Jim Ryan, 2024-10-17 At rodeos in the 1940s, Gene Autry sang and jumped his horse, Champion, through a flaming hoop. In 1960s rodeo arenas, Lorne Greene and Dan Blocker acted out a skit from their hit television show Bonanza. In the same era familiar rodeo personalities like Hoot Gibson and Slim Pickens could be seen in movies or television shows. This book profiles performers who crossed over between film studio and rodeo arena when Hollywood and the rodeo circuit were closely linked. The first part traces the careers of rodeo participants who also contributed to film or television. The next two sections describe rodeo appearances of Western screen stars who entertained at rodeos. Some appeared solo and others with a television co-star or two. A fourth section summarizes rodeo-related films. Appendices introduce golden age rodeo personalities and outline rodeos known for presenting Western stars. |
regal cinema waco: Media Today Joseph Turow, 2011-09-22 Media Today gives your students the media literacy skills they need to think critically about the role of media in their lives. This book uses a media systems approach to look closely at the production, distribution, and exhibition of media, from Hollywood films to Facebook, to discover cultural, political, and economic forces that shape media now. Completely revised and updated, this 4th edition connects the latest trends, debates, and technologies to the history of media, highlighting the impact and meaning of today's changes to the media landscape, especially how traditional industry boundaries have blurred with digital convergence. Students and instructors will find a full range of supporting materials including interactive quizzes and online video resources at www.routledge.com/textbooks/mediatoday4e. |
regal cinema waco: Nazism and Neo-nazism in Film and Media Charles Jason Peter Lee, Jason Lee, 2018 This timely book takes an original transnational approach to the theme of Nazism and neo-Nazism in film, media, and popular culture, with examples drawn from mainland Europe, the UK, North and Latin America, Asia, and beyond. This approach fits with the established dominance of global multimedia formats, and will be useful for students, scholars, and researchers in all forms of film and media. Along with the essential need to examine current trends in Nazism and neo-Nazism in contemporary media globally, what makes this book even more necessary is that it engages with debates that go to the very heart of our understanding of knowledge: history, memory, meaning, and truth. |
regal cinema waco: Company News & Notes , 1991 |
regal cinema waco: The Billboard , 1940 |
regal cinema waco: "Guardian" Year Martin Woollacott, 2004-11 The pick of the keenest, most lively and most controversial journalism and photography from the Guardian in 2004. This book pulls together the sharpest writing from the Guardian in 2004. From eyewitness accounts to political commentary, literary criticism to sports reporting, diary stories to obituaries, award-winning photography and the cartoons of Austin and Steve Bell, The Guardian Year provides a lasting record to a year and its most significant events. With contributions from some of the Guardian's best writers, including Nancy Banks-Smith, Michael Billington, Jonathan Freedland, Suzanne Goldenberg, Simon Hoggart, Polly Toynbee and Gary Younge. |
regal cinema waco: Monsters of Film, Fiction, and Fable Lisa Wenger Bro, Mary Ann Gareis, Crystal O'Leary-Davidson, 2018-07-27 Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse. |
regal cinema waco: Cinema Treasures Ross Melnick, Andreas Fuchs, 2004 More than 100 years after the first movie delighted audiences, movie theaters remain the last great community centers and one of the few amusements any family can afford. While countless books have been devoted to films and their stars, none have attempted a truly definitive history of those magical venues that have transported moviegoers since the beginning of the last century. In this stunningly illustrated book, film industry insiders Ross Melnick and Andreas Fuchs take readers from the nickelodeon to the megaplex and show how changes in moviemaking and political, social, and technological forces (e.g., war, depression, the baby boom, the VCR) have influenced the way we see movies.Archival photographs from archives like the Academy of Motion Picture Arts and Sciences and movie theater ephemera (postcards, period ads, matchbooks, and even a barf bag) sourced from private collections complement Melnick's informative and engaging history. Also included throughout the book are Fuchs' profiles detailing 25 classic movie theaters that have been restored and renovated and which continue to operate today. Each of these two-page spreads is illustrated with marvelous modern photographs, many taken by top architectural photographers. The result is a fabulous look at one way in which Americans continue to come together as a nation. A timeline throughout places the developments described in a broader historical context.We've had a number of beautiful books about the great movie palaces, and even some individual volumes that pay tribute to surviving theaters around the country. This is the first book I can recall that focuses on the survivors, from coast to coast, and puts them into historical context. Sumptuously produced in an oversized format, on heavy coated paper stock, this beautiful book offers a lively history of movie theaters in America , an impressive array of photos and memorabilia, and a heartening survey of the landmarks in our midst, from the majestic Fox Tucson Theatre in Tucson, Arizona to the charming jewel-box that is the Avon in Stamford, Connecticut. I don't know why, but I never tire of gazing at black & white photos of marquees from the past; they evoke the era of moviemaking (and moviegoing) I care about the most, and this book is packed with them. Cinema Treasures is indeed a treasure, and a perfect gift item for the holiday season. - Leonard MaltinHumble or grandiose, stand-alone or strung together, movie theaters are places where dreams are born. Once upon a time, they were treated with the respect they deserve. In their heyday, historian Ross Melnick and exhibitor Andreas Fuchs write in Cinema Treasures, openings of new motion-picture pleasure palaces that would have dazzled Kubla Khan 'received enormous attention in newspapers around the country. On top of the publicity they generated, their debuts were treated like the gala openings of new operas or exhibits, with critics weighing in on everything from the interior and exterior design to the orchestra.' Handsomely produced and extensively illustrated, Cinema Treasures is detailed without being dull and thoroughly at home with this often neglected subject matter. Its title would have you believe it is a celebration of the golden age of movie theaters. But this book is something completely different: an examination of the history of movie exhibition, which the authors accurately call 'a vastly under-researched topic.' - Los Angeles Times |
regal cinema waco: Shooting Stars of the Small Screen Douglas Brode, 2010-01-01 Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions. |
regal cinema waco: Plunkett's Entertainment & Media Industry Almanac Jack W. Plunkett, 2009-01-22 Offers profiles on many of firms in film, radio, television, cable, media, and publishing of various types including books, magazines and newspapers. This book contains many contacts for business and industry leaders, industry associations, Internet sites and other resources. It provides profiles of nearly 400 of top entertainment and media firms. |
regal cinema waco: Downtown Newport News William A. Fox, 2010 Newport News has the oldest English place name of any city in the New World, and through vivid images, maps and reminiscences, an illustrated history tells the story of the city's once popular and thriving downtown commercial, social and entertainment area, which met its end from flight to the suburbs after World War II. Original. |
regal cinema waco: Swing Shift Sherrie Tucker, 2000 The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz. |
regal cinema waco: Remembering Omaha Jeffrey Spencer, 2010 From its beginnings as a frontier military post on the Missouri River, through its years as a transportation and meatpacking center, to its present role as a home to Fortune 500 companies, Omaha has always been a city of opportunity, growth, and change. With a selection of fine historic images from his best-selling book Historic Photos of Omaha, Jeffrey Spencer provides a valuable and revealing historical retrospective on the growth and development of Omaha. Remembering Omaha captures this journey through still photography selected from the finest archives. From the muddy streets of a cattle town to the bustling thoroughfares of a modern metropolis, these images tell a story of transportation and commerce, of churches and schools, of wars and disasters. With more than a hundred historic photographs reproduced in vivid black-and-white, Remembering Omaha captures the momentous events and everyday life of two centuries of Americans building a unique and vibrant city. |
regal cinema waco: Divine Horror Cynthia J. Miller, A. Bowdoin Van Riper, 2017-05-15 From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order. Churches provide sanctuary, clergy cast out evil, religious icons become weapons, holy ground becomes battleground--but all of these may be turned from their original purpose. This collection of new essays explores fifty years of genre horror in which manifestations of the sacred or profane play a material role. The contributors explore portrayals of the war between good and evil and their archetypes in such classics as The Omen (1976), The Exorcist (1973) and Dracula Has Risen from the Grave (1968), as well as in popular franchises like Hellraiser and Hellboy and cult films such as God Told Me To (1976), Thirst (2009) and Frailty (2001). |
regal cinema waco: Introduction to Film Studies Jill Nelmes, 2012-03-12 Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide. Key features of the fifth edition are: updated coverage of a wide range of concepts, theories and issues in film studies in-depth discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema new case studies on films such as District 9, Grizzly Man, Amores Perros, Avatar, Made in Dagenham and many others marginal key terms, notes, cross-referencing suggestions for further reading, further viewing and a comprehensive glossary and bibliography a new, improved companion website including popular case studies and chapters from previous editions (including chapters on German Cinema and The French New Wave), links to supporting sites, clips, questions and useful resources. Individual chapters include: The Industrial Contexts of Film Production · Film and Technology · Getting to the Bigger · Picture Film Form and Narrative · Spectator, Audience and Response · Cinematic authorship and the film auteur · Stardom and Hollywood Cinema · Genre, Theory and Hollywood Cinema The Documentary Form · The Language of Animation · Gender and Film · Lesbian and Gay Cinema · Spectacle, Stereotypes and Films of the African Diaspora · British Cinema · Indian Cinema · Latin American Cinema · Soviet Montage Cinema of the 1920s Contributors: Linda Craig, Lalitha Gopalan, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward, Paul Watson, Paul Wells and William Wittington |
regal cinema waco: Motion Picture Exhibitor , 1954 Most issues include separately paged sections: Physical theatre, extra profits; Review; Servisection. |
regal cinema waco: Gospel Memories Jake Owensby, 2016-02-01 While there is truth in the idea that our past shapes our future, the gospel is all about the counter-intuitive promise that God is shaping us right now toward God's vision of who we will become. It is not our past that makes us into the image of God; God's redeeming love does that. In God, who we are not yet is shaping who we become. Appealing to anyone drawn to a deeper understanding of their own story and a richer sense of God’s transforming presence, this book will have special resonance for people at turning points in their lives. Career changes, loss of a loved one, graduation, illness, divorce, birth of a child, entering middle or later years: Life is filled with turning points at which we feel compelled to tell our story in a new and different way. Each chapter focuses on a gospel passage, leading to a reflection on a significant point in the author's life which uncovers deeper and more personal meaning in the biblical text. Questions conclude each chapter, engaging readers to look at their own lives—good and bad—and find God, experiencing the joy, surprise, and healing of God's future rewriting the past. |
regal cinema waco: Paying the Tab Philip J. Cook, 2011-06-27 What drug provides Americans with the greatest pleasure and the greatest pain? The answer, hands down, is alcohol. The pain comes not only from drunk driving and lost lives but also addiction, family strife, crime, violence, poor health, and squandered human potential. Young and old, drinkers and abstainers alike, all are affected. Every American is paying for alcohol abuse. Paying the Tab, the first comprehensive analysis of this complex policy issue, calls for broadening our approach to curbing destructive drinking. Over the last few decades, efforts to reduce the societal costs--curbing youth drinking and cracking down on drunk driving--have been somewhat effective, but woefully incomplete. In fact, American policymakers have ignored the influence of the supply side of the equation. Beer and liquor are far cheaper and more readily available today than in the 1950s and 1960s. Philip Cook's well-researched and engaging account chronicles the history of our attempts to legislate morality, the overlooked lessons from Prohibition, and the rise of Alcoholics Anonymous. He provides a thorough account of the scientific evidence that has accumulated over the last twenty-five years of economic and public-health research, which demonstrates that higher alcohol excise taxes and other supply restrictions are effective and underutilized policy tools that can cut abuse while preserving the pleasures of moderate consumption. Paying the Tab makes a powerful case for a policy course correction. Alcohol is too cheap, and it's costing all of us. |
regal cinema waco: Extended Play John Corbett, 1994 In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world's most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today. |
regal cinema waco: Compliance Status of Major Air Pollution Facilities United States. Environmental Protection Agency. Office of Enforcement, 1978 |
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