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| queering the color line: Queering the Color Line Siobhan B. Somerville, 2000 The interconnected constructions of race and sexuality at the turn of the century. |
| queering the color line: Queering the Color Line Siobhan B. Somerville, 2012-10-01 Queering the Color Line transforms previous understandings of how homosexuality was invented as a category of identity in the United States beginning in the late nineteenth century. Analyzing a range of sources, including sexology texts, early cinema, and African American literature, Siobhan B. Somerville argues that the emerging understanding of homosexuality depended on the context of the black/white color line, the dominant system of racial distinction during this period. This book thus critiques and revises tendencies to treat race and sexuality as unrelated categories of analysis, showing instead that race has historically been central to the cultural production of homosexuality. At about the same time that the 1896 Supreme Court Plessy v. Ferguson decision hardened the racialized boundary between black and white, prominent trials were drawing the public's attention to emerging categories of sexual identity. Somerville argues that these concurrent developments were not merely parallel but in fact inextricably interrelated and that the discourses of racial and sexual deviance were used to reinforce each other's terms. She provides original readings of such texts as Havelock Ellis's late nineteenth-century work on sexual inversion, the 1914 film A Florida Enchantment, the novels of Pauline E. Hopkins, James Weldon Johnson's Autobiography of an Ex-Coloured Man, and Jean Toomer's fiction and autobiographical writings, including Cane. Through her analyses of these texts and her archival research, Somerville contributes to the growing body of scholarship that focuses on discovering the intersections of gender, race, and sexuality. Queering the Color Line will have broad appeal across disciplines including African American studies, gay and lesbian studies, literary criticism, cultural studies, cinema studies, and gender studies. |
| queering the color line: Jumping the Color Line Susie Trenka, 2021-02-02 From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in specialty acts and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance onscreen, the six chapters address a variety of films and performers, including many that have received little attention to date. Topics include Hollywood's first Black female star (Nina Mae McKinney), male tap dance class acts in Black-cast short films of the early 1930s, the film career of Black tap soloist Jeni LeGon, the role of dance in the Soundies jukebox shorts of the 1940s, cinematic images of the Lindy hop, and a series of teen films from the early 1940s that appealed primarily to young White fans of swing culture. With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers – images that were at least partly at odds with those typically found in major Hollywood productions. |
| queering the color line: Color-Line to Borderlands Johnnella E. Butler, 2001 This collection of lively and insightful essays traces the historical development of Ethnic Studies, its place in American universities and the curriculum, and new directions in contemporary scholarship. |
| queering the color line: Aberrations in Black Roderick A. Ferguson, 2004 The sociology of race relations in America typically describes an intersection of poverty, race, and economic discrimination. But what is missing from the picture--sexual difference--can be as instructive as what is present. In this ambitious work, Roderick A. Ferguson reveals how the discourses of sexuality are used to articulate theories of racial difference in the field of sociology. He shows how canonical sociology--Gunnar Myrdal, Ernest Burgess, Robert Park, Daniel Patrick Moynihan, and William Julius Wilson--has measured African Americans' unsuitability for a liberal capitalist order in terms of their adherence to the norms of a heterosexual and patriarchal nuclear family model. In short, to the extent that African Americans' culture and behavior deviated from those norms, they would not achieve economic and racial equality. Aberrations in Black tells the story of canonical sociology's regulation of sexual difference as part of its general regulation of African American culture. Ferguson places this story within other stories--the narrative of capital's emergence and development, the histories of Marxism and revolutionary nationalism, and the novels that depict the gendered and sexual idiosyncrasies of African American culture--works by Richard Wright, Ralph Ellison, James Baldwin, Audre Lorde, and Toni Morrison. In turn, this book tries to present another story--one in which people who presumably manifest the dys-functions of capitalism are reconsidered as indictments of the norms of state, capital, and social science. Ferguson includes the first-ever discussion of a new archival discovery--a never-published chapter of Invisible Man that deals with a gay character in a way thatcomplicates and illuminates Ellison's project. Unique in the way it situates critiques of race, gender, and sexuality within analyses of cultural, economic, and epistemological formations, Ferguson's work introduces a new mode of discourse--which Ferguson calls queer of color analysis--that helps to lay bare the mutual distortions of racial, economic, and sexual portrayals within sociology. A hard-hitting look at the regulation of sexual difference and its role in circumscribing African American culture. |
| queering the color line: Strange Affinities Grace Kyungwon Hong, Roderick A. Ferguson, 2011-08-24 Collection of essays that use queer studies and feminism as a lens for examining the relationships between racialized communities. |
| queering the color line: Making Things Perfectly Queer Alexander Doty, 1993 |
| queering the color line: Contending Forces Pauline Elizabeth Hopkins, 1988 Hopkins tells her share of horror stories: a white man who would free his slaves is summarily shot, his wife bound to a post and whipped; black field hands serve sadistic bosses; even two generations later, black women are ravished and black men lynched, usually for a supposed rape. Hopkins's discussionof lynching and rape is one of the sanest, most fascinating in literature. |
| queering the color line: Relocations Karen Tongson, 2011-08-01 What queer lives, loves and possibilities teem within suburbia’s little boxes? Moving beyond the imbedded urban/rural binary, Relocations offers the first major queer cultural study of sexuality, race and representation in the suburbs. Focusing on the region humorists have referred to as “Lesser Los Angeles”—a global prototype for sprawl—Karen Tongson weaves through suburbia’s “nowhere”spaces to survey our spatial imaginaries: the aesthetic, creative and popular materials of the new suburbia. Across southern California’s freeways, beneath its overpasses and just beyond its winding cloverleaf interchanges, Tongson explores the improvisational archives of queer suburban sociability, from multimedia artist Lynne Chan’s JJ Chinois projects and the amusement park night-clubs of 1980s Orange County to the imperial legacies of the region known as the Inland Empire. By taking a hard look at the cosmopolitanism historically considered de rigeur for queer subjects, while engaging with the so-called “New Suburbanism” that has captivated the national imaginary in everything from lifestyle trends to electoral politics, Relocations radically revises our sense of where to see and feel queer of color sociability, politics and desire. |
| queering the color line: Queer Phenomenology Sara Ahmed, 2006-12-04 Cultural theorist Sara Ahmed demonstrates how queer studies can put phenomenology to productive use by analyzing what it means for bodies to be oriented in space and time. |
| queering the color line: The Cambridge Companion to Queer Studies Siobhan B. Somerville, 2020-06-11 This Companion provides a guide to queer literary and cultural studies, introducing critical debates in the field and an overview of queer approaches to various genres. |
| queering the color line: No Straight Lines Justin Hall, 2012 Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene, with an aesthetic forged from underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades. No Straight Line: Four Decades of Queer Comics celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all. |
| queering the color line: The Heart of Whiteness Julian B Carter, 2007-06-08 DIVA study of the racialized construction of heterosexual normality based on the analysis of medical pamphlets, marriage manuals, and sex-instructional literature./div |
| queering the color line: European Others Fatima El-Tayeb, Considers the complications of race, religion, sexuality, and gender in Europeanizing from below |
| queering the color line: Queer Heartache Kit Yan, 2016-03-30 Queer Heartache is a full length poetry collection adapted from Kit Yan's award-winning one-person slam poetry theater show with the same name. Kit's poetry explores his identity as transgender, queer, Asian American from Hawaii, while asking what queer hearts and families are made of and interrogating the forces that are constantly working to break them apart. Queer Heartache is a testament to the resilience of queer love in all its forms--between cis and trans siblings, lovers, pride parade attendees, and many more--in the face of heartbreaking barriers everywhere from the dating pool to the medical establishment. If you've ever had your heart broken, wondered how your pets self-identify, or wanted to tell someone your gender is none of their business, this book is for you. So wrap yourself in a rainbow and enjoy the ride. |
| queering the color line: Nepantla Christopher Soto, 2018 The first major literary anthology for queer poets of color in the United States In 2014, Christopher Soto and Lambda Literary Foundation founded the online journal Nepantla, with the mission to nurture, celebrate, and preserve diversity within the queer poetry community, including contributions as diverse in style and form, as the experiences of QPOC in the United States. Now, Nepantla will appear for the first time in print as a survey of poetry by queer poets of color throughout U.S. history, including literary legends such as Audre Lorde, James Baldwin, June Jordan, Ai, and Pat Parker alongside contemporaries such as Natalie Diaz, Ocean Vuong, Danez Smith, Joshua Jennifer Espinoza, Robin Coste Lewis, Joy Harjo, Richard Blanco, Erika L. Sánchez, Jericho Brown, Carl Phillips, Tommy Pico, Eduardo C. Corral, Chen Chen, and more! |
| queering the color line: Horrible Prettiness Robert Clyde Allen, 1991 A critical history of American burlesque traces its social, demographic, and cultural changes |
| queering the color line: Queering the Interior Andrew Gorman-Murray, Matt Cook, 2020-06-11 Queering the Interior problematizes the familiar space of ‘home’. It deploys a queer lens to view domestic interiors and conventions and uncovers some of the complexities of homemaking for queer people.Each of the book’s six sections focuses on a different room or space inside the home. The journey starts with entryways, and continues through kitchens, living spaces, bedrooms, bathrooms, and finally, closets and studies. In each case up to three specialists bring their disciplinary expertise and queer perspectives to bear. The result is a fascinating collection of essays by scholars from literary studies, geography, sociology, anthropology, history and art history. The contributors use historical and sociological case studies; spatial, art and literary analyses; interviews; and experimental visual approaches to deliver fresh, detailed and grounded perspectives on the home and its queer dimensions. A highly creative approach to the analysis of domestic spaces, Queering the Interior makes an important contribution to the fields of gender studies, social and cultural history, cultural studies, design, architecture, anthropology, sociology, and cultural geography. |
| queering the color line: Queer Dance Clare Croft, 2017 Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change. |
| queering the color line: Comparative American Identities Hortense J. Spillers, 1991 Maps out the different cultural identities that have emerged in the New World and also deals with related questions and problems that have arisen. |
| queering the color line: Queer People of Color in Higher Education Joshua Moon Johnson, Gabriel Javier, 2017-07-01 Queer People of Color in Higher Education (QPOC) is a comprehensive work discussing the lived experiences of queer people of color on college campuses. This book will create conversations and provide resources to best support students, faculty, and staff of color who are people of color and identify as LGBTQ. The edited volume covers emerging issues that are affecting higher education around the country. Leading researchers and practitioners have remarkable writing that concisely summarizes current literature while also adding new ways to address issues of injustice related to racism, sexism, homophobia, heterosexism, and transphobia. QPOC in Higher Education insightfully combines research with practical implications on services, systems, campus climate and ways to hostility, violence, and unrest on campuses. This book rises out of places of turmoil and pain and brings attention to broken systems on higher education. QPOC in Higher Education is a must?read for anyone who wants to transform their society, campus, or community into places that fully value the complex and beautiful intersections that our diverse communities come from. This book takes diversity to a deeper level and speaks from a social justice philosophy of looking big pictures at our systems and cultures instead of simply at our oppressed groups as the problems. |
| queering the color line: The Pink Line Mark Gevisser, 2020-07-28 One of TIME's 100 Must-Read Books of 2020. Longlisted for the 2021 Rathbones Folio Prize. [Mark] Gevisser is clear-eyed and wise enough to have a sharp sense of how tough the struggle has been, and how hard it will be now for those who have not succeeded in finding shelter from prejudice. --Colm Tóibín, The Guardian A groundbreaking look at how the issues of sexuality and gender identity divide and unite the world today More than seven years in the making, Mark Gevisser’s The Pink Line: Journeys Across the World’s Queer Frontiers is an exploration of how the conversation around sexual orientation and gender identity has come to divide—and describe—the world in an entirely new way over the first two decades of the twenty-first century. No social movement has brought change so quickly and with such dramatically mixed results. While same-sex marriage and gender transition are celebrated in some parts of the world, laws are being strengthened to criminalize homosexuality and gender nonconformity in others. As new globalized queer identities are adopted by people across the world—thanks to the digital revolution—fresh culture wars have emerged. A new Pink Line, Gevisser argues, has been drawn across the globe, and he takes readers to its frontiers. Between sensitive and sometimes startling profiles of the queer folk he’s encountered along the Pink Line, Gevisser offers sharp analytical chapters exploring identity politics, religion, gender ideology, capitalism, human rights, moral panics, geopolitics, and what he calls “the new transgender culture wars.” His subjects include a Ugandan refugee in flight to Canada, a trans woman fighting for custody of her child in Moscow, a lesbian couple campaigning for marriage equality in Mexico, genderqueer high schoolers coming of age in Michigan, a gay Israeli-Palestinian couple searching for common ground, and a community of kothis—“women’s hearts in men’s bodies”—who run a temple in an Indian fishing village. What results is a moving and multifaceted picture of the world today, and the queer people defining it. Eye-opening, heartfelt, expertly researched, and compellingly narrated, The Pink Line is a monumental—and urgent—journey of unprecedented scope into twenty-first-century identity, seen through the border posts along the world’s new LGBTQ+ frontiers. |
| queering the color line: The Queer Art of Failure Jack Halberstam, 2011-09-19 The Queer Art of Failure is about finding alternatives—to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that claims to break new ground but cleaves to conventional archives. Jack Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. Halberstam pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido. |
| queering the color line: Pre-Post-Racial America Sandhya Rani Jha, 2015-03-17 Those people. Their issues. The day's news and the ways we treat each other, overtly or subliminally, prove we are not yet living in post-racial America. It's hard to talk about race in America without everyone very quickly becoming defensive and shutting down. What makes talking race even harder is that so few of us actually know each other in the fullness of our stories. A recent Reuters poll found 40% of White people have no friends of other races, and 25% of people of color only have friends of the same race. Sandhya Rani Jha addresses the hot topic in a way that is grounded in real people's stories and that offers solid biblical grounding for thinking about race relations in America, reminding us that God calls us to build Beloved Community. Discussion questions at the end of each chapter provide starting points for reading groups. |
| queering the color line: Queering the Museum Nikki Sullivan, Craig Middleton, 2019-11-01 Queering the Museum develops a queer analysis of the ways in which museums construct themselves, their core business, and their publics through the, often unconscious, use of inherited ways of knowing and doing. Providing a critique of both the practices and conventions associated with the modern public museum, and the ontological assumptions that inform them, the authors consider recent discourse around inclusion in museums and explore the ways this has been taken up in practice. Highlighting the limits of particular approaches to inclusion, and the failure to move away from a traditional museological paradigm, the book outlines an alternative critical museological approach that the authors refer to as ‘queer’. Providing readers with the critical tools necessary for a profound rethinking of museum practice, the book also responds to and problematises the growing call for social inclusion. Queering the Museum will appeal to academics, students, and museum and arts sector practitioners with an interest in critical theory or queer practice. It will be of particular interest to those working in the fields of museum studies, sociology, archaeology, anthropology, cultural studies, media, social policy, politics, philosophy, and history. |
| queering the color line: Naturally Tan Tan France, 2019-06-04 A USA Today Hottest Book of the Summer for 2019! A Best Nonfiction Book for 2019 in Woman's Day! One of Hello Giggles's Most Anticipated Books of 2019 to Add to Your Reading List! “Just when I thought I knew everything about Tan, he hits me with this. His story is so heartwarming, and wickedly funny.” —Antoni Porowski In this heartfelt, funny, and touching memoir, one of the stars of Netflix’s Emmy Award-winning smash-hit Queer Eye reveals how an Englishman raised in a traditionally religious home became a fashion icon—and the first openly gay, South Asian man on television—simply by being Naturally Tan. In this heartfelt, funny, touching memoir, Tan France tells his origin story for the first time. With his trademark wit, humor, and radical compassion, Tan reveals what it was like to grow up gay in a traditional South Asian family, as one of the few people of color in South Yorkshire, England. He illuminates his winding journey of coming of age, finding his voice (and style!), and marrying the love of his life—a Mormon cowboy from Salt Lake City. From one of the stars of Netflix’s runaway hit show Queer Eye, Naturally Tan is so much more than fashion dos and don’ts—though of course Tan can’t resist steering everyone away from bootcut jeans! Full of candid observations about U.S. and U.K. cultural differences, what he sees when you slide into his DMs, celebrity encounters, and the behind-the-scenes realities of “reality TV,” Naturally Tan gives us Tan’s unique perspective on the happiness to be found in being yourself. In Tan's own words, “The book is meant to spread joy, personal acceptance, and most of all understanding. Each of us is living our own private journey, and the more we know about each other, the healthier and happier the world will be.” |
| queering the color line: The Abolition of White Democracy Joel Olson, 2004 Racial discrimination embodies inequality, exclusion, and injustice and as such has no place in a democratic society. And yet racial matters pervade nearly every aspect of American life, influencing where we live, what schools we attend, the friends we make, the votes we cast, the opportunities we enjoy, and even the television shows we watch. Joel Olson contends that, given the history of slavery and segregation in the United States, American citizenship is a form of racial privilege in which whites are equal to each other but superior to everyone else. In Olson's analysis we see how the tension in this equation produces a passive form of democracy that discourages extensive participation in politics because it treats citizenship as an identity to possess rather than as a source of empowerment. Olson traces this tension and its disenfranchising effects from the colonial era to our own, demonstrating how, after the civil rights movement, whiteness has become less a form of standing and more a norm that cements while advantages in the ordinary operations of modern society. To break this pattern, Olson suggests an abolitionist-democratic political theory that makes the fight against racial discrimination a prerequisite for expanding democratic participation. |
| queering the color line: Wretch Like Me , 2015-10-31 |
| queering the color line: Song of a Captive Bird Jasmin Darznik, 2018 A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied society's expectations to find her voice and her destiny. Remember the flight, for the bird is mortal. All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds ways to rebel, gossiping with her sister among the fragrant roses of her mother's walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. During the summer of 1950, Forugh's passion for poetry takes flight, and tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh's poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules, at enormous cost. But the power of her writing only grows stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad's verse, letters, films, and interviews, and including original translations of her poems, this haunting novel uses the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran, and who continues to inspire generations of women around the world.--Amazon. |
| queering the color line: Queering Colonial Natal T. J. Tallie, 2019 How were indigenous social practices deemed queer and aberrant by colonial forces? In Queering Colonial Natal, T.J. Tallie travels to colonial Natalestablished by the British in 1843, today South Africa's KwaZulu-Natal provinceto show how settler regimes queered indigenous practices. Defining them as threats to the normative order they sought to impose, they did so by delimiting Zulu polygamy; restricting alcohol access, clothing, and even friendship; and assigning only Europeans to government schools. Using queer and critical indigenous theory, this book critically assesses Natal (where settlers were to remain a minority) in the context of the global settler colonial project in the nineteenth century to yield a new and engaging synthesis. Tallie explores the settler colonial history of Natal's white settlers and how they sought to establish laws and rules for both whites and Africans based on European mores of sexuality and gender. At the same time, colonial archives reveal that many African and Indian people challenged such civilizational claims. Ultimately Tallie argues that the violent collisions between Africans, Indians, and Europeans in Natal shaped the conceptions of race and gender that bolstered each group's claim to authority. |
| queering the color line: Poor Queer Studies Matt Brim, 2020-03-06 In Poor Queer Studies Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy. |
| queering the color line: The Left Hand of Darkness Ursula K. Le Guin, 1987-03-15 50TH ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction. |
| queering the color line: Color, Sex, and Poetry Gloria T. Hull, Akasha Gloria Hull, 1987-06-22 Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates the linkages among the three writers and how each one in turn interacted with other leading black women fiction writers such as Nella Larson and Jessie Fanset. She also examines the significance of these three women poets as literary ancestors to Gwendolyn Brooks, Mari Evans, Nikki Giovanni, Audre Lourde, and Sonia Sanchez. ISBN 0-253-34974-5: $29.95; ISBN 0-253-20430-5 (pbk.): $10.95. |
| queering the color line: Gender, Sexuality and Identities of the Borderlands Suzanne Clisby, 2020-05-26 Drawing on border thinking, postcolonial and transnational feminisms, and queer theory, Gender, Sexuality and Identities of the Borderlands brings an intersectional feminist and queer lens to understandings of borderlands, liminality, and lives lived at the margins of socio-cultural and sexual normativities. Bringing together new and contemporary interdisciplinary research from across diverse global contexts, this collection explores the lived experiences of what Gloria Anzaldúa might have called ‘threshold people’, people who live among and in-between different worlds. While it is often challenging, difficult, and even dangerous, inhabiting marginal spaces, living at the borders of socio-cultural, religious, sexual, ethnic, or gendered norms can create possibilities for developing unique ways of seeing and understanding the worlds within which we live. This collection casts a spotlight on the margins, those ‘queer spaces’ in literary, cinematic, and cultural borderlands; postcolonial and transnational feminist perspectives on movement and migration; and critical analyses of liminal lives within and between socio-cultural borders. Each chapter within this unique book brings a critical insight into diverse global human experiences in the 21st Century. |
| queering the color line: Beautiful Bottom, Beautiful Shame Kathryn Bond Stockton, 2006-07-19 DIVThe relationship between black queer subjects and debasement as portrayed within popular culture texts and films./div |
| queering the color line: Wayward Lives, Beautiful Experiments Saidiya V. Hartman, 2019 Traces a time of radical transformation of black life in early twentieth-century America, revealing how a large number of black women forged relationships, families, and jobs that were more empowered and typically indifferent to moral dictates. |
| queering the color line: Passing Nella Larsen, 2025-12-01 Passing is a profound exploration of racial identity, societal expectations, and the intricate dynamics of friendship and betrayal. Nella Larsen delves into the complexities of race and colorism in 1920s America, portraying a society where appearances are carefully curated, and personal identity is often sacrificed for social acceptance. Through the intertwined lives of Clare Kendry and Irene Redfield, the novel examines how race can be both a barrier and a means of survival, as well as how it influences personal choices and relationships. Since its publication, Passing has been acclaimed for its nuanced portrayal of identity and the tensions surrounding race and class. The novel's exploration of these themes has inspired academic discussions and adaptations in various forms, including films and theatrical productions. Its characters, particularly Clare and Irene, have become central to debates on identity, autonomy, and the pressures of societal norms. The novel remains relevant today due to its incisive critique of social constructs and its portrayal of the personal and collective struggles tied to race. By addressing issues of belonging, self-perception, and the cost of conformity, Passing continues to resonate as a powerful commentary on the human experience in the face of societal expectations. |
| queering the color line: Queer Eye Antoni Porowski, Tan France, Jonathan Van Ness, Bobby Berk, Karamo Brown, 2018-11-13 From the Fab Five--the beloved hosts of Netflix's viral hit Queer Eye--comes a book that is at once a behind-the-scenes exclusive, a practical guide to living and celebrating your best life, and a symbol of hope. Feeling your best is about far more than deciding what color to paint your accent wall or how to apply nightly moisturizer. It's also about creating a life that's well-rounded, filled with humor and understanding--and most importantly, that suits you. At a cultural moment when we are all craving people to admire, Queer Eye offers hope and acceptance. After you get to know the Fab Five, together they will guide you through five practical chapters that go beyond their designated areas of expertise (food & wine, fashion, grooming, home decor, and culture), touching on topics like wellness, entertaining, and defining your personal brand, and complete with bite-sized Hip Tips for your everyday quandaries. Above all else, Queer Eye aims to help you create a happy and healthy life, rooted in self-love and authenticity. |
| queering the color line: Photography on the Color Line Shawn Michelle Smith, 2004-06-07 Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed—including double consciousness, the color line, the Veil, and second sight—available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States. |
| queering the color line: Pleasure Activism Adrienne Maree Brown, 2019 No more self-denial. Politics should be a resounding, erotic yes, not another deadening no. |
Is there a tag to turn off caching in all browsers?
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Cache-Control header - HTTP | MDN - MDN Web Docs
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nocache - npm
Middleware to destroy caching. Latest version: 4.0.0, last published: 2 years ago. Start using nocache in your project by running `npm i nocache`. There are 529 other projects in the npm …
Cache directive "no-cache" | An explaination of the HTTP Cache …
Cache directive "no-cache" An explaination of the HTTP Cache-Control header The Cache-Control header is used to specify directives for caching mechanisms in both HTTP requests …
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The .nocache.js file contains JavaScript code that resolves the Deferred Binding configurations (such as browser detection, for instance) and then uses a lookup table generated by the GWT …
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minimize caching effects. Contribute to Feh/nocache development by creating an account on GitHub.
What does NOCACHE do? | Tek-Tips
Nov 16, 2003 · The NOCACHE option specifies that the blocks retrieved for the table are placed at the least recently used end of the LRU list in the buffer cache when a FULL table scan is …
CacheControlHeaderValue.NoCache Property …
Remarks This property represents the "no-cache" directive in a cache-control header field on an HTTP request or HTTP response. When the NoCache property is set to true present in a …
What is the difference between no-cache and no-store in Cache …
95 I don't find get the practical difference between Cache-Control:no-store and Cache-Control:no-cache. As far as I know, no-store means that no cache device is allowed to cache that …
YouTube Help - Google Help
Learn more about YouTube YouTube help videos Browse our video library for helpful tips, feature overviews, and step-by-step tutorials. YouTube Known Issues Get information on reported …
Download the YouTube app
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Ajuda do YouTube - Google Help
Central de Ajuda oficial do YouTube, onde você pode encontrar dicas e tutoriais sobre como usar o produto e outras respostas a perguntas frequentes.
Manage your recommendations & search results - Computer
Manage your recommendations & search results There are several ways to influence your YouTube recommendations, search results, and experience. You can remove specific videos …
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Sign in and out of YouTube - Computer - YouTube Help
Signing in to YouTube allows you to access features like subscriptions, playlists and purchases, and history. Note: You'll need a Google Account to sign in to YouTube.
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Pusat Bantuan YouTube resmi tempat Anda dapat menemukan kiat dan tutorial tentang cara menggunakan produk dan jawaban lain atas pertanyaan umum.
