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quentin tarantino the film geek files: Quentin Tarantino Paul A. Woods, 2005 Transcending his reputation as a maker of violent movies, Quentin Tarantino is recognised by his fans and admirers as a spokesman for the obsessions of a media-literate generation. Movies, TV shows, comic strips and old Top Ten records all merge to form the Tarantino popculture aesthetic. In charting his career, Quentin Tarantino: The Film Geek Files provides a colourful guide to the brash, image-saturated world that spawned the premier filmmaker of his generation. |
quentin tarantino the film geek files: Quentin Tarantino Dan Jolin, 2024-10-10 Quentin Tarantino is one of the most iconic and best loved movie directors of the last two decades. Whether he's shooting up the Deep South, slicing through the Japanese underworld, blasting Nazi-occupied France or taking a flamethrower to '60s Los Angeles, Tarantino is a director who combines a radical vision with a sense of history: making movies precisely the way he wants, to celebrate the movies he loves. Featuring insights into his inspirations - from martial-arts epics to Spaghetti Westerns - and dishing up fascinating details from his productions, this is an indispensable guide to Tarantino's thrilling and sometimes controversial body of work. It takes in his searing debut Reservoir Dogs, the era-defining Pulp Fiction and the genre-subverting Django Unchained, among other modern classics, right up to his nostalgic masterpiece Once Upon A Time in Hollywood. Above all, this is a celebration of a filmmaker who has arguably made a bigger impact on modern pop culture than any other. |
quentin tarantino the film geek files: Quentin Tarantino's Inglourious Basterds Robert von Dassanowsky, 2012-06-28 A wide-ranging study of Tarantino's controversial 2009 film, written by a luminous line-up of international scholars. |
quentin tarantino the film geek files: Quentin Tarantino FAQ Dale Sherman, 2015-02 QUENTIN TARANTINO FAQ: EVERYTHING LEFT TO KNOW ABOUT THE ORIGINAL RESERVOIR DOG |
quentin tarantino the film geek files: Hollywood's Italian American Filmmakers Jonathan J. Cavallero, 2011-05-01 Hollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American imagined community, others have ignored or even denied their background. Jonathan J. Cavallero examines the films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford Coppola, and Quentin Tarantino with a focus on what the films reveal about each director's view on Italian American identities. Whereas Capra's films highlight similarities between immigrant characters and WASP Americans, Scorsese accepts his ethnic heritage but also sees it as confining. Similarly, many of Coppola's films provide a nostalgic treatment of Italian American identity, but with little criticism of the culture's more negative aspects. And while Savoca's movies reveal her artful ability to recognize how ethnic, gender, and class identities overlap, Tarantino's films exhibit a playfully postmodern engagement with Italian American ethnicity. Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola, and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural institution that works to assimilate, has also served as a forum where assimilation was resisted. |
quentin tarantino the film geek files: Remade in Hollywood Kenneth Chan, 2009-07-01 This book describes how notions of Chinese identity, culture, and popular film genres have been reinvented and repackaged by major U.S. studios, spurring a surge in Chinese visibility in Hollywood. |
quentin tarantino the film geek files: Indie, Inc. Alisa Perren, 2012-05-15 During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products. |
quentin tarantino the film geek files: Fifty Contemporary Filmmakers Yvonne Tasker, 2002 From Luc Besson to Quentin Tarantino, Fifty Contemporary Film-makers offers an up-to-date guide to the individuals who are shaping modern cinema. |
quentin tarantino the film geek files: The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema J. Sager, 2013-09-20 Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects. |
quentin tarantino the film geek files: Quentin Tarantino D. K. Holm, 2004 Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Not just a director, but a rabid film buff as well, Tarantino is at the vanguard of a new breed of movie directors so steeped in the lore of films and other media that it is difficult to separate personal expression from their copious allusions to films from the past. This Pocket Essential covers in detail not only Tarantino's directorial successes, but also the films he has written and appeared in. Also taken into consideration are Tarantino's writings, TV appearances, and his future projects. |
quentin tarantino the film geek files: A Companion to American Indie Film Geoff King, 2016-10-19 A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field |
quentin tarantino the film geek files: Roll Over Adorno Robert Miklitsch, 2012-02-01 What happens when Theodor Adorno, the champion of high, classical artists such as Beethoven, comes into contact with the music of Chuck Berry, the de facto king of rock 'n' roll? In a series of readings and meditations, Robert Miklitsch investigates the postmodern nexus between elite and popular culture as it occurs in the audiovisual fields of film, music, and television—ranging from Gershwin to gangsta rap, Tarantino to Tongues Untied, Tony Soprano to Buffy the Vampire Slayer, Miklitsch argues that the aim of critical theory in the new century will be to describe and explain these commodities in ever greater phenomenological detail without losing touch with those evaluative criteria that have historically sustained both Kulturkritik and classical aesthetics. |
quentin tarantino the film geek files: Epic Visions Helen Lovatt, Caroline Vout, 2013-08-15 A wide-ranging, interdisciplinary collection exploring different ways of visualising Greek and Roman epic in both ancient and modern culture. |
quentin tarantino the film geek files: The Hundred Greatest American Films Andrew J. Rausch, 2002 |
quentin tarantino the film geek files: Italian/American Filmmakers in American Motion Pictures Jonathan J. Cavallero, 2007 |
quentin tarantino the film geek files: East Asian Cinemas Leon Hunt, Leung Wing-Fai, 2010-10-18 Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'. |
quentin tarantino the film geek files: Guía para ver y analizar : Pulp Fiction. Quentin Tarantino (1994) Paco Gisbert, 2002 Pocas películas de la década de los 90 han causado tanta expectación entre la crítica y el público como Pulp Fiction. Desde que, en 1992, Quentin Tarantino realizara su ópera prima, Reservoir Dogs, la figura del director americano fue agrandándose como paradigma de un tipo de cine moderno que, tomando el cine de género como referente, ofrecía una nueva lectura de los mecanismos narrativos hasta fundir en la pantalla todas las influencias que su generación había recibido por vía televisiva. Más de siete años después de su estreno, Pulp Fiction sigue siendo una película de culto para el público. La tarantinomanía invadió los corazones de medio mundo a partir de un filme complejo y brillante en el que todos sus personajes y todas sus historias transitan, sin que el espectador se dé cuenta, dando vueltas a un círculo temporal que se abre y se cierra en uno de los símbolos del way of life norteamericano: la mesa de una cafetería. El objetivo de la Colección Guías para Ver y Analizar Cine es ofrecer una serie de análisis cinematográficos que resulte útil para amantes del cine en general y al conjunto de la comunidad educativa, en la posible adaptación de estos textos al trabajo en el aula. Cada análisis sigue una estructura general, común a todos los textos de la Colección, que incluye las siguientes partes: - Presentación de la ficha técnico-artística del film - Introducción de carácter general permite subrayar aquellos aspectos fundamentales que pueden servirnos de ayuda en el visionado crítico de la película. - Breve resumen argumental del film - Análisis de la estructura del film, cuyo valor es meramente operativo para facilitar el análisis textual de la película. - Examen de los recursos expresivos y narrativos del film. Cuya función es provocar una reflexión sobre los recursos, técnicas y aspectos más importantes de la película, a modo de recapitulación general del análisis textual. - Análisis de las principales claves interpretativas de la película. Nos permite reexaminar los estudios monográficos más relevantes sobre la película, e introducir reflexiones propias que pueden contribuir a comprender mejor la riqueza del film estudiado. - Examen del equipo de producción y del equipo artístico participantes en la película. Esta serie de datos generales son incorporados cuando se considera que pueden ayudar a comprender y a explicar la riqueza textual del film. - La bibliografía seleccionada cierra el estudio monográfico de cada película. Queremos destacar que la producción de estos estudios es fruto de la reflexión y el debate en grupo del equipo formado por: los directores de la colección, el consejo asesor y los autores. Es, precisamente, esta metodología de trabajo, junto con la utilización de un lenguaje claro y didáctico, lo que consigue que el resultado final este indicado tanto para su utilización en todos los niveles educativos como para amantes del cine en general. |
quentin tarantino the film geek files: Pulp Fiction Jason Bailey, 2013-11-11 When Pulp Fiction was released in theaters in 1994, it was immediately hailed as a masterpiece. The New York Times called it a triumphant, cleverly disorienting journey, and thirty-one-year-old Quentin Tarantino, with just three feature films to his name, became a sensation: the next great American director. More than twenty years later, those who proclaimed Pulp Fiction an instant classic have been proven irrefutably right. In Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece, film expert Jason Bailey explores why Pulp Fiction is such a brilliant and influential film. He discusses how the movie was revolutionary in its use of dialogue (You can get a steak here, daddy-o, Correct-amundo), time structure, and cinematography--and how it completely transformed the industry and artistry of independent cinema. He examines Tarantino's influences, illuminates the film's pop culture references, and describes its phenomenal legacy. Unforgettable characters like Jules Winnfield (Samuel L. Jackson), Vincent Vega (John Travolta), Butch Coolidge (Bruce Willis), and Mia Wallace (Uma Thurman) are scrutinized from all-new angles, and memorable scenes--Christopher Walken's gold watch monologue, Vince's explanation of French cuisine--are analyzed and celebrated. Much like the contents of Marcellus Wallace's briefcase, Pulp Fiction is mysterious and spectacular. Illustrated throughout with original art inspired by the film, with sidebars and special features on everything from casting close calls to deleted scenes, this is the most comprehensive, in-depth book on Pulp Fiction ever published. |
quentin tarantino the film geek files: Previews , 1999 |
quentin tarantino the film geek files: Movie Greats Philip Gillett, 2008-10-15 'Movie Greats' questions how cinema is ranked & uncovers a history of critical conflict, with different aesthetic positions battling for dominance. Each chapter opens with a brief summary of the film's plot & goes on to discuss the historical context, the key individuals who made the film, & initial & subsequent popular & critical responses. |
quentin tarantino the film geek files: Historical Dictionary of Crime Films Geoff Mayer, 2012 The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. |
quentin tarantino the film geek files: Historical Dictionary of Film Noir Andrew Spicer, 2010-03-19 The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon. |
quentin tarantino the film geek files: Fifty Contemporary Film Directors Yvonne Tasker, 2010-10-04 Fifty Contemporary Film Directors examines the work of some of today’s most popular and influential cinematic figures. It provides an accessible overview of each director’s contribution to cinema, incorporating a discussion of their career, major works and impact. Revised throughout and with twelve new entries, this second edition is an up-to-date introduction to some of the most prominent film makers of the present day. The directors, from differing backgrounds and working across a range of genres, include: Martin Scorsese Steven Spielberg Sofia Coppola Julie Dash Shane Meadow Michael Moore Peter Jackson Guillermo Del Toro Tim Burton Jackie Chan Ang Lee Pedro Almodóvar. With further reading and a filmography accompanying each entry, this comprehensive guide is indispensable to all those studying contemporary film and will appeal to anyone interested in the key individuals behind modern cinema’s greatest achievements. |
quentin tarantino the film geek files: Quentin Tarantino Alberto Morsiani, 2006-05-18 Une monographie détaillée sur Quentin Tarantino. |
quentin tarantino the film geek files: European Film Noir Andrew Spicer, 2019-01-04 European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers. |
quentin tarantino the film geek files: Peter Jackson Paul A. Woods, 2005 Peter Jackson made history with the Lord of the Rings, presenting Tolkien s story onscreen while becoming the first person to direct three films simultaneously. This book anthologises Jackson s career, including the creation of this literary epic. Drawing together the best reviews, essays, and features on Jackson s films plus interviews with Jackson himself, it provides a thorough analysis. It covers all Jackson s projects, including his breakthrough feature Bad Taste, and the powerful mockumentary Forgotten Silver. Completed by in-depth material on each Lord of the Ringsfilm plus the huge remake King Kong, it provides an insight into this internationally renowned director. Ultrascreen film series. |
quentin tarantino the film geek files: El efecto Tarantino Jordi Picatoste Verdejo, 2020-07-17 Una guía imprescindible para conocer el imaginario propio de uno de los directores fetiche de la cultura pop Cuando Quentin Tarantino presentó en 1992 su película Reservoir Dogs en el festival de Sundance fue saludada por la crítica como la mejor película independiente de todos los tiempos. Con sus posteriores trabajos ha sabido poner al alcance de los espectadores –digiriéndolas, transformándolas– una cantidad de películas que habían quedado relegadas en los sótanos de las productoras o en las cunetas de la memoria. Tarantino ha sido capaz de absorber influencias y subgéneros muy diversos (spaghetti western, giallo, macaroni combat, poliziesco, fantaterror español, películas de artes marciales, rape and revenge, etc.) para crear después un producto nuevo muy atractivo para el espectador. Las películas de este cineasta son una auténtica fuente de guiños, referencias ocultas y apropiaciones que Jordi Picatoste ha sabido desentrañar para ofrecernos este sentido homenaje al cine de barrio y programa doble con el que crecieron varias generaciones. * Las películas de Tarantino: Reservoir dogs, Pulp Fiction, Malditos bastardos, Once Upon a Time in Hollywood, etc. * Los clásicos de Tarantino: Aquel maldito tren blindado, Coffy, Django, Lady Snowblood. * Actores y actrices fetiche: David Carradine, Pam Grier, Jennifer Jason Leigh, John Travolta, etc. * Los cameos: Edward Bunker, Sonny Chiba, Franco Nero, Rod Taylor, Don Stroud, etc. * La familia Tarantino: Zoë Bell, Samuel L. Jackson, Tim Roth, Uma Thurman, Harvey Keitel. * Las canciones: Down in Mexico, Across 110th Street, Rabbia e Tarantella, Misirlou, etc. * La huella de Tarantino: Amor a quemarropa, Killing Zoe, Abierto hasta el amanecer, Cómo conquistar Hollywood, Black Widow, etc. |
quentin tarantino the film geek files: Kill Bill D. K. Holm, 2004 Contains: scene-by-scene analysis of both Kill Bill movies, overview of Tarantino, profiles of major actors in both movies, profiles of films which influenced the story, critical reviews of the film from various sources. It is the first book on Tarantino's latest hit movies and a definite must-have for all Tarantino fans. |
quentin tarantino the film geek files: Weirdsville USA Paul A. Woods, 2000 In his wildly varied career, David Lynch has experienced cult adulation, mainstream success, virtual rejection by the film industry, and a renaissance in which he created a style that can only be called Weird Americana. Weirdsville U.S.A. charts Lynch s work from his experimental art school years and the midnight movie hit Eraserhead, the mainstream success of The Elephant Man and the commercial failure of Dune, the birth of Weird Americana with Blue Velvet and Twin Peaks and the neo-noir mystery Lost Highway, to the present day and the film The Straight Story and TV series Mulholland Drive. |
quentin tarantino the film geek files: Film Review , 2000 |
quentin tarantino the film geek files: BFI Film and Television Handbook 2002 Eddie Dyja, 2001-11-01 |
quentin tarantino the film geek files: Film Noir Andrew Spicer, 2018-10-08 Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers. |
quentin tarantino the film geek files: The Writers Directory , 2013 |
quentin tarantino the film geek files: Joel & Ethan Coen Paul A. Woods, 2003 Comprising an anthology of essays this volume considers the work of the Coen brothers. It features writing on all of their films including 'Intolerable Cruelty'. Previous ed.: 1999. |
quentin tarantino the film geek files: Tim Burton Paul A. Woods, 2007 Tim Burton, the cinematic genius behind many American gothic film classics, revises the imagery of horror movies, TV sci-fi and cartoons, and imbues juvenile fantasy with emotional depth. Tim Burton: A Child s Garden of Nightmares charts the filmmaker s path from malcontent animator at Walt Disney to directing feature films with a fantasy aesthetic. Tim Burton is the definitive guide to a cinematic career based on a love of pop-gothic imagery. Part of the Ultrascreen series. |
quentin tarantino the film geek files: "I Felt Funny about this Job Right Off" Maura Kathleen Grady, 2002 |
quentin tarantino the film geek files: Film – An International Bibliography Malte Hagener, Michael Töteberg, 2002-04-12 Diese kommentierte Bibliographie ist auch im internationalen Vergleich konkurrenzlos. Sie gibt Wissenschaftler/innen, Studierenden und Journalist/innen zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Vorgestellt werden Publikationen aus folgenden Rubriken: Nachschlagewerke, Filmgeschichte, Genres, Spezialthemen, Nationale Kinematographien, Theorie/Kritik, Politik/Wirtschaft/Recht und Fernsehen/Video/Multimedia. Neben aktuellen Titeln - darunter auch Lexika auf CD-Rom - wird auf historische Standardwerke verwiesen. Der Schwerpunkt liegt auf deutsch- und englischsprachigen Titeln, erfasst werden aber bei speziellen Themenbereichen auch Bücher in französischer, italienischer und anderen Sprachen. Den Rubriken vorangestellt ist ein kurzer Überblick, der den Forschungsstand knapp skizziert. Innerhalb der Rubriken ist die Anordnung chronologisch. Werke, die mehrere Sachgebiete behandeln, sind durch Querverweise leicht auffindbar. Bei Titeln, die in überarbeiteter oder erweiterter Form vorliegen bzw. deren deutsche Ausgabe von der Originalausgabe abweichen, wird die Editionsgeschichte kurz erläutert. Die durchgängig englischen Kommentare zu den Werken informieren über die Thematik und den methodischen Ansatz. Bei jedem Titel finden sich Angaben zu Umfang, Abbildungen, Filmographien, Bibliographien, Registern etc. - Ein internationales Beratergremium unterstützte die Autoren und gewährleistet die Zuverlässigkeit der Bibliographie. |
quentin tarantino the film geek files: On the Translation of Swearing into Spanish Betlem Soler Pardo, 2015-06-18 Audiovisual translation has attracted the attention of many researchers in the years since it became recognised as an academic discipline with an established theory of translation. For its part, cinema is one of today’s most powerful and influential media, and the vast number of US films translated for Spanish audiences merits particular academic attention. This book presents an analysis of the insults from seven films directed by the North American filmmaker Quentin Tarantino – Reservoir Dogs, Pulp Fiction, Four Rooms, Jackie Brown, Kill Bill (vols. I and II), Death Proof, and Inglourious Basterds – and how these insults have been translated from English into Spanish. One of the main reasons for building a corpus of this nature was to document the way Tarantino’s work is dubbed, and, using concrete examples, to describe the reality of translation and provide linguistic material with which to study dubbing, the most widespread translation modality in Spain. In an analysis of this nature, Tarantino’s films offer an interesting opportunity from a social perspective because of the exceptional number of insults they contain: 1526 insults have been recorded, classified and analysed in the preparation for this book. The magnitude of this figure is evidence of Tarantino’s constant use of swearwords, regardless of what his audiences might think, and whether or not they might sometimes prefer not to hear such a steady stream of foul language. Furthermore, his popularity has been achieved precisely because he refuses to allow distribution companies to alter his dialogues in any way, or modify the violence of his scenes, making Tarantino’s films of particular interest to the reader. |
quentin tarantino the film geek files: Ethics and Subjectivity in Literary and Cultural Studies William S. Haney, Nicholas Pagan, 2002 |
quentin tarantino the film geek files: The British National Bibliography Arthur James Wells, 2006 |
Quentin Tarantino - Wikipedia
Quentin Jerome Tarantino (/ ˌtærənˈtiːnoʊ /; born March 27, 1963) is an American filmmaker, actor, and author. His films are characterized by graphic violence, extended dialogue often …
Quentin Tarantino - IMDb
Quentin Tarantino. Writer: Reservoir Dogs. Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New …
Quentin Tarantino | Biography, Movies, & Facts | Britannica
May 14, 2025 · Quentin Tarantino is an American director and screenwriter whose films, notably Pulp Fiction (1994), Inglourious Basterds (2009), and Django Unchained (2012), are famous …
Quentin - Wikipedia
Quentin is a French masculine given name derived from the Latin first name Quintinus, a diminutive form of Quintus, which means "the fifth". [1] ^ Albert Dauzat, Noms et prénoms de …
Quentin Tarantino Films In Order - IMDb
List your movie, TV & celebrity picks. 1. Pulp Fiction. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and …
Quentin Tarantino filmography - Wikipedia
Quentin Tarantino is an American filmmaker, actor and author who has made ten films. [a] He first began his career in the 1980s by directing and writing Love Birds In Bondage [1] and writing, …
Surveillante tuée à Nogent : qui est Quentin G., le collégien ...
6 days ago · Ce mardi 10 juin, Mélanie G., une surveillante d'éducation âgée de 31 ans, a été tuée à coups de couteau par un élève de 14 ans devant le collège Françoise Dolto à Nogent, …
Quentin Tarantino - Biography
Apr 2, 2014 · Best Known For: Known for his unpredictable, violent films, Quentin Tarantino first earned widespread fame for 'Pulp Fiction,' before going on to direct 'Inglourious Basterds' and...
Quentin Tarantino - The Movie Database (TMDB)
Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, producer, cinematographer and actor. In the early 1990s he was an independent filmmaker …
Quentin Tarantino - Filmmaker, Married, Children and Wife
Jan 14, 2025 · Quentin Tarantino, born on March 27, 1963, in Knoxville, Tennessee, is a celebrated American filmmaker known for his distinctive storytelling style and innovative use of …
Quentin Tarantino - Wikipedia
Quentin Jerome Tarantino (/ ˌtærənˈtiːnoʊ /; born March 27, 1963) is an American filmmaker, actor, and author. His films are characterized by graphic violence, extended dialogue often featuring …
Quentin Tarantino - IMDb
Quentin Tarantino. Writer: Reservoir Dogs. Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, …
Quentin Tarantino | Biography, Movies, & Facts | Britannica
May 14, 2025 · Quentin Tarantino is an American director and screenwriter whose films, notably Pulp Fiction (1994), Inglourious Basterds (2009), and Django Unchained (2012), are famous for …
Quentin - Wikipedia
Quentin is a French masculine given name derived from the Latin first name Quintinus, a diminutive form of Quintus, which means "the fifth". [1] ^ Albert Dauzat, Noms et prénoms de France, …
Quentin Tarantino Films In Order - IMDb
List your movie, TV & celebrity picks. 1. Pulp Fiction. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and …
Quentin Tarantino filmography - Wikipedia
Quentin Tarantino is an American filmmaker, actor and author who has made ten films. [a] He first began his career in the 1980s by directing and writing Love Birds In Bondage [1] and writing, …
Surveillante tuée à Nogent : qui est Quentin G., le collégien ...
6 days ago · Ce mardi 10 juin, Mélanie G., une surveillante d'éducation âgée de 31 ans, a été tuée à coups de couteau par un élève de 14 ans devant le collège Françoise Dolto à Nogent, en Haute …
Quentin Tarantino - Biography
Apr 2, 2014 · Best Known For: Known for his unpredictable, violent films, Quentin Tarantino first earned widespread fame for 'Pulp Fiction,' before going on to direct 'Inglourious Basterds' and...
Quentin Tarantino - The Movie Database (TMDB)
Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, producer, cinematographer and actor. In the early 1990s he was an independent filmmaker …
Quentin Tarantino - Filmmaker, Married, Children and Wife
Jan 14, 2025 · Quentin Tarantino, born on March 27, 1963, in Knoxville, Tennessee, is a celebrated American filmmaker known for his distinctive storytelling style and innovative use of dialogue. …