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| poswiatowska poems: The Sound of Modern Polish Poetry Aleksandra Kremer, 2021-12-07 An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czes_aw Mi_osz, Wis_awa Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Bia_oszewski, Anna Swir, and Tadeusz R_ewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. KremerÕs is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experimentsÑfrom poetic Òsound postcards,Ó to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self. |
| poswiatowska poems: Indeed I love-- Halina Poświatowska, 2005 |
| poswiatowska poems: Diaspora David John Constantine, Helen Constantine, 2005-02 |
| poswiatowska poems: The Witness of Poetry Czesław Miłosz, 1983 A Nobel laureate reflects upon poetry's testimony to the events of our tumultuous time. |
| poswiatowska poems: The Columbia Guide to the Literatures of Eastern Europe Since 1945 Harold B. Segel, 2003 The Iron Curtain concealed from western eyes a vital group of national and regional writers. Marked by not only geographical proximity but also by the shared experience of communism and its collapse, the countries of Eastern Europe--Poland, Hungary, Albania, Romania, Bulgaria, and the former states of Yugoslavia, Czechoslovakia, and East Germany--share literatures that reveal many common themes when examined together. Compiled by a leading scholar, the guide includes an overview of literary trends in historical context; a listing of some 700 authors by country; and an A-to-Z section of articles on the most influential writers. |
| poswiatowska poems: Modern Poetry in Translation , 1975 |
| poswiatowska poems: Miracle Fair: Selected Poems of Wislawa Szymborska Wislawa Szymborska, 2002-11-17 Miracle Fair is Szymborska at her very best.—Harvard Book Review Winner of the Heldt Prize for Translation. A new translation of the Nobel Prize-winning Polish poet, with an introduction by Czeslaw Milosz. This long-awaited volume samples the full range of Wislawa Szymborska's major themes: the ironies of love, the wonders of nature's beauty, and the illusory character of art. Szymborska's voice emerges as that of a gentle subversive, self-deprecating in its wit, yet graced with a gift for coaxing the extraordinary out of the ordinary. |
| poswiatowska poems: Indeed I Love-- Halina Poświatowska, 1998 |
| poswiatowska poems: Lituanus , 2004 |
| poswiatowska poems: Poems, New and Collected, 1957-1997 Wisława Szymborska, 2000 Provides one hundred poems including the author's View with a Grain of Sand, and sixty-four newly-translated selections. |
| poswiatowska poems: Soviet Literature , 1978 |
| poswiatowska poems: Women and Gender in Central and Eastern Europe, Russia, and Eurasia Mary Zirin, Irina Livezeanu, Christine D. Worobec, June Pachuta Farris, 2015-03-26 This is the first comprehensive, multidisciplinary, and multilingual bibliography on Women and Gender in East Central Europe and the Balkans (Vol. 1) and The Lands of the Former Soviet Union (Vol. 2) over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes. |
| poswiatowska poems: The Sarmatian Review , 1996 |
| poswiatowska poems: Ariadne's Thread , 1988 |
| poswiatowska poems: Calyx International Anthology Barbara Baldwin, Margarita Donnelly, 1997 A useful point of departure for those interested in locating women writers of other countries...--New England Review |
| poswiatowska poems: Who's Who in Contemporary Women's Writing Jane Eldridge Miller, 2019-07-23 Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating. |
| poswiatowska poems: International Poetry Review , 1990 |
| poswiatowska poems: After Chopin Maja Trochimczyk, 2000 |
| poswiatowska poems: Modern Spoken Persian in Contemporary Iranian Novels Katarzyna Wąsala, 2024-10-07 One of the characteristic features of the linguistic situation of contemporary Iran is the coexistence of two standards of Modern Persian: the written and the spoken. While literature is generally composed in the written variety, the typically “spoken” forms are also to be found in the literary text. Modern spoken Persian in Contemporary Iranian Novels is a study of these. A scrutinous analysis of five carefully selected novels with methods drawing mostly from the register analysis seeks answers to questions such as: what features are characteristic to the spoken variety of language, how are they woven into the literary language, does the relationship between spoken and written registers change over time and how can this process affect the future development of Persian language? |
| poswiatowska poems: A History of Central European Women's Writing C. Hawkesworth, 2001-04-10 A History of Central European Women's Writing offers a unique survey of literature from the Czech Republic, Poland, Hungary, Croatia, Slovakia and Slovenia. It introduces a little known area of European literature from a unique point of view, illustrating the development of women's writing in the region from the middle ages to the present day. If offers a broad historical survey, placing individual writers in their social and political context and showing how processes shaping their lives are reflected in their works. |
| poswiatowska poems: Poetry East , 1998 |
| poswiatowska poems: Poland , 1984 |
| poswiatowska poems: Poems Wisława Szymborska, 1989 |
| poswiatowska poems: Translation Perspectives: 1985-86 Marilyn Gaddis Rose, 1987 |
| poswiatowska poems: Catalog of Copyright Entries Library of Congress. Copyright Office, 1971 |
| poswiatowska poems: Przekładaniec, 2 (2010) vol 24 - English Version , |
| poswiatowska poems: The Berkeley Poetry Review , 1984 |
| poswiatowska poems: The Ghost of Shakespeare Anna Frajlich, 2020-11-24 This volume collects the critical prose of award-winning writer Anna Frajlich. The Ghost of Shakespeare takes its name from Frajlich’s essay on Nobel Prize laureate Wisława Szymborska, but informs her approach as a comparativist more generally as she considers the work of major Polish writers of the twentieth century, including Zbigniew Herbert, Czesław Miłosz, and Bruno Schulz. Frajlich’s study of the Roman theme in Russian Symbolism owes its origins to her stay in the Eternal City, the second stop on her exile from Poland in 1969. The book concludes with autobiographical essays that describe her parents’ dramatic flight from Poland at the outbreak of the war, her own exile from Poland in 1969, settling in New York City, and building her career as a scholar and leading poet of her generation. |
| poswiatowska poems: Directory of Poetry Publishers Len Fulton, 2006-09 |
| poswiatowska poems: The Last Believer in Words Richard Jones, 1998 |
| poswiatowska poems: Other Poetry , 1987 |
| poswiatowska poems: Poet's Market, 1991 Judson Jerome, 1990 What distinguishes this from other poetry market guides is the guiding hand of Judson Jerome, who knows poetry equally well from its aesthetic and its business ends. In addition to all the expected features, he adds a coding system for identifying the level and type of submission desired, a welcome time and ego saver. Annotation copyrighted by Book News, Inc., Portland, OR |
| poswiatowska poems: The Other Herbert Bożena Shallcross, 1998 |
| poswiatowska poems: Indiana Slavic Studies , 1998 |
| poswiatowska poems: The Directory of Poetry Publishers Len Fulton, 2005-09 |
| poswiatowska poems: The Polish Review , 1999 |
| poswiatowska poems: Wedding Readings Various, 1996-03-01 This rich collection of writings on the nature of love and commitment has long delighted brides and grooms of every denomination. Culled from both sacred and secular texts, and suitable for either traditional or informal wedding ceremonies, these selections might be included in Catholic, Protestant, Jewish, interfaith, and non-denominational exchanges of vows. Among the passages appropriate for readings by parents, friends, or the bride and groom are selections from Plato and Sappho, Rilke and Auden, Ecclesiastes and Euripedes, Shakespeare and Donne, pascal and Montaigne, Emily Dickinson and Anne Morrow Lindbergh. There are love songs from the Aztecs and Eskimos, Hindu and African wedding prayers, a Buddhist marriage homily, a Shaker hymn, and Irish blessing, excerpts from Coptic Orthodox and Greek Orthodox marriage services, and passages from the Old and New Testaments, some familiar, some surprising. With myriad choices, Wedding Readings will help you add a special, personal touch to your marriage ceremony. |
| poswiatowska poems: The American Bibliography of Slavic and East European Studies for 1994 Patt Leonard, Rebecca Routh, 1997-05-31 This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs. |
| poswiatowska poems: History of the Literary Cultures of East-Central Europe Marcel Cornis-Pope, John Neubauer, 2004-05-28 National literary histories based on internally homogeneous native traditions have significantly contributed to the construction of national identities, especially in multicultural East-Central Europe, the region between the German and Russian hegemonic cultural powers stretching from the Baltic states to the Balkans. History of the Literary Cultures of East-Central Europe, which covers the last two hundred years, reconceptualizes these literary traditions by de-emphasizing the national myths and by highlighting analogies and points of contact, as well as hybrid and marginal phenomena that traditional national histories have ignored or deliberately suppressed. The four volumes of the History configure the literatures from five angles: (1) key political events, (2) literary periods and genres, (3) cities and regions, (4) literary institutions, and (5) real and imaginary figures. The first volume, which includes the first two of these dimensions, is a collaborative effort of more than fifty contributors from Eastern and Western Europe, the US, and Canada.The four volumes of the History comprise the first volume in the new subseries on Literary Cultures. |
| poswiatowska poems: Calyx , 1980 |
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