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| politically correct waltzing matilda lyrics: Waltzing Matilda Dennis O'Keeffe, 2012-04-01 Australians know Waltzing Matilda, written by our most popular poet Banjo Paterson, as our most loved song and unofficial national anthem. What Australians don't know is that their song is embroiled in a web of secrecy, violence and a triangular love affair. Written at a pivotal time in Australia's history, Waltzing Matilda is as important to Australian culture as events like the Eureka Stockade and the story of Ned Kelly. In the middle of remote Queensland, shearing sheds were being burnt to the ground by striking union shearers, amid violent gun battles and sheep being burnt to death. A swagman mysteriously died beside a remote billabong, possibly shot by the squatter or one of the three policemen. Then a secret deal was done by unionists to conceal the truth of the swagman's death. Banjo Paterson becomes entangled in a love affair that destroys the lives of two women. This is the story of Waltzing Matilda. Although various authors and historians have written about Waltzing Matilda, mostly they have been influenced by their own political leanings. Generally, the left side of politics claim the song is a political allegory and the conservatives claim Waltzing Matilda is nothing but a 'meaningless little ditty'. All of them have neglected to consider in general that Banjo Paterson, like a lot of successful men, was a womaniser. One hundred and fifteen years after the writing of Waltzing Matilda, Australians continue to be fascinated with the song and sing it proudly wherever they meet to celebrate. Given the facts outlined in this story, they will be further captivated and embrace the song for decades to come. |
| politically correct waltzing matilda lyrics: Social Work and the Law Chris Maylea, 2019-12-04 This exciting new textbook introduces students to the key aspects of the law and legal frameworks essential for social work practice in Australia. Simple and easy to read, it communicates the complex legal concepts in practice in ways students can easily understand. With a focus on human rights and ethical conduct, it's both concept based, examining the ways of thinking and understanding law and social work interactions, and topic based, exploring the different specific areas of law which social workers are most likely to come into contact with. This is essential reading for any student taking a unit in Social Work Law. Specific to Australia, it accounts for Australian jurisdictions, and can be easily integrated into the classroom context, with case studies, questions for discussion and links to further resources, including interactive resources and a website to support further learning and provide updates to changes in the law between editions. |
| politically correct waltzing matilda lyrics: Waltzing Matilda Andrew Barton Paterson, 2019-12 This famous ballad of the outback wanderer who drowned himself rather than lose his freedom needs no introduction. There is no swagman as legendary as the tragic hero of this tale, and there is no Australian song as well-known throughout the world. Here the famous ballad is given new depth and perspective. Talented illustrator Freya Blackwood has explored the intriguing background behind the writing of this song, and has shown us not just the lively story of a proud outback larrikin, but also a glimpse into the clashes and struggles that were so formative of Australian history. |
| politically correct waltzing matilda lyrics: The Last Continent Terry Pratchett, 2009-10-13 If you are unfamiliar with Pratchett’s unique blend of philosophical badinage interspersed with slapstick, you are on the threshold of a mind-expanding opportunity.” —Financial Times Chaos ensues when Discworld’s deliciously hapless wizard Rincewind goes walking about in the Down Under in this wonderfully witty satire from legendary internationally bestselling author Sir Terry Pratchett. There’s big trouble at the Unseen University, Ankh-Morpork’s prestigious and only institute of higher learning. A professor is missing—and the one person who can find him is not only the most bumbling magician the school ever produced, he’s currently stranded in Fourecks, Discworld’s last (and unfinished) continent. The down-under is hot (so hot) and it’s dry (so dry)—though it’s rumored there was once this thing called The Wet, but no one believes that. Practically everything here that’s not poisonous is venomous. Discworld’s most inept wizard and his companion, Luggage, are eager to get home—but first Rincewind has to survive a pushy mystical kangaroo trickster named Scrappy and a mob of Fourecks hooligans determined to hang him. All his problems would be solved if he could just make it rain . . . for (maybe) the first time ever. And if the time-traveling professors from UU working on rescuing him can get to the right millennium . . . The Discworld books can be read in any order, but The Last Continent is the sixth book in the Wizards collection (and the 22nd Discworld book). The other books in the Wizards collection include: The Color of Magic The Light Fantastic Sourcery Eric Interesting Times Unseen Academicals |
| politically correct waltzing matilda lyrics: LIFE , 1946-11-25 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
| politically correct waltzing matilda lyrics: To See the Wizard Laurie Ousley, 2021-02-19 To See the Wizard: Politics and the Literature of Childhood takes its central premise, as the title indicates, from L. Frank Baum’s The Wonderful Wizard of Oz. Upon their return to The Emerald City after killing the Wicked Witch of the West, the task the Wizard assigned them, Dorothy, the Tin Woodman, Scarecrow, and Lion learn that the wizard is a “humbug,” merely a man from Nebraska manipulating them and the citizens of both the Emerald City and of Oz from behind a screen. Yet they all continue to believe in the powers they know he does not have, still insisting he grant their wishes. The image of the man behind the screen—and the reader’s continued pursuit of the Wizard—is a powerful one that has at its core an issue central to the study of children’s literature: the relationship between the adult writer and the child reader. As Jack Zipes, Perry Nodelman, Daniel Hade, Jacqueline Rose, and many others point out, before the literature for children and young adults actually reaches these intended readers, it has been mediated by many and diverse cultural, social, political, psychological, and economic forces. These forces occasionally work purposefully in an attempt to consciously socialize or empower, training the reader into a particular identity or way of viewing the world, by one who considers him or herself an advocate for children. Obviously, these “wizards” acting in literature can be the writers themselves, but they can also be the publishers, corporations, school boards, teachers, librarians, literary critics, and parents, and these advocates can be conservative, progressive, or any gradation in between. It is the purpose of this volume to interrogate the politics and the political powers at work in literature for children and young adults. Childhood is an important site of political debate, and children often the victims or beneficiaries of adult uses of power; one would be hard-pressed to find a category of literature more contested than that written for children and adolescents. Peter Hunt writes in his introduction to Understanding Children’s Literature, that children’s books “are overtly important educationally and commercially—with consequences across the culture, from language to politics: most adults, and almost certainly the vast majority in positions of power and influence, read children’s books as children, and it is inconceivable that the ideologies permeating those books had no influence on their development.” If there were a question about the central position literature for children and young adults has in political contests, one needs to look no further than the myriad struggles surrounding censorship. Mark I. West observes, for instance, “Throughout the history of children’s literature, the people who have tried to censor children’s books, for all their ideological differences, share a rather romantic view about the power of books. They believe, or at least they profess to believe, that books are such a major influence in the formation of children’s values and attitudes that adults need to monitor every word that children read.” Because childhood and young-adulthood are the sites of political debate for issues ranging from civil rights and racism to the construction and definition of the family, indoctrinating children into or subverting national and religious ideologies, the literature of childhood bears consciously political analysis, asking how socialization works, how children and young adults learn of social, cultural and political expectations, as well as how literature can propose means of fighting those structures. To See the Wizard: Politics and the Literature of Childhood intends to offer analysis of the political content and context of literature written for and about children and young adults. The essays included in To See the Wizard analyze nineteenth and twentieth century literature from America, Britain, Australia, the Caribbean, and Sri Lanka that is for and about children and adolescents. The essays address issues of racial and national identity and representation, poverty and class mobility, gender, sexuality and power, and the uses of literature in the healing of trauma and the construction of an authentic self. |
| politically correct waltzing matilda lyrics: Mates! Stephen Outram, 2017-11-17 At the height of Australia s 1970s recession, two young men leave home seeking fame and fortune. They travel through Queensland s outback looking for work and arrive in Mount Isa, near broke. The city takes them in and so begins the adventure of creating their lives in the remote, rough and tumble environment of one of Australia s biggest mining communities. Set in among the hot, dry and arid landscape of Queensland s Gulf Country, the two newcomers discover both the delights and difficulties of living far inland from their coastal origins. A variety of jobs take them to places that few people would have ever experienced, from prospecting deep in the bush to dark, damp mines located thousands of metres underground. Mates is a great story infused with warm Australian characteristics and humour. The region s great mining history, Aboriginal people and extraordinary bushland have all been thoroughly researched and richly described by author Stephen Outram. |
| politically correct waltzing matilda lyrics: Lest Mark Dapin, 2024-07-03 From Simpson’s donkey and the Emu War to Vietnam and Ben Roberts-Smith, Australian military history is full of events that didn’t happen the way most people think they did. In his inimitable style, award-winning author Mark Dapin sets the record straight. Australia has many stories and statues ‘lest we forget’ our military past. But from Simpson’s donkey to Ben Roberts-Smith, our history is full of events that didn’t happen the way most people think they did. The first Anzac Day, for example, was far from being a solemn march – it was a celebration where people dressed as cavemen and dinosaurs, among other things. And is it true that British officers callously dispatched Australian soldiers to their deaths in the Dardanelles, as we’ve been told? Did we really hate the soldiers returning from Vietnam? Were the white-feather women of the First World War fact or fiction? In his inimitable style, award-winning author and historian Mark Dapin sets the record straight, showing that the reality was often completely different from the myth – and that in celebrating the wrong people we often overlook the real heroes. ‘With Lest, Mark Dapin transforms his trademark humour into serious history … It forces us to look again at stories we think we all know – or should know – and reframe them with intellectual rectitude and rigour … Lest offers new perspectives on the past from one of Australia’s most interesting and provocative thinkers.’ Clare Wright |
| politically correct waltzing matilda lyrics: A Global Standard for Reporting Conflict Jake Lynch, 2013-09-05 A Global Standard for Reporting Conflict constructs an argument from first principles to identify what constitutes good journalism. It explores and synthesises key concepts from political and communication theory to delineate the role of journalism in public spheres. And it shows how these concepts relate to ideas from peace research, in the form of Peace Journalism. Thinkers whose contributions are examined along the way include Michel Foucault, Johan Galtung, John Paul Lederach, Edward Herman and Noam Chomsky, Manuel Castells and Jurgen Habermas. The book argues for a critical realist approach, considering critiques of ‘correspondence’ theories of representation to propose an innovative conceptualisation of journalistic epistemology in which ‘social truths’ can be identified as the basis for the journalistic remit of factual reporting. If the world cannot be accessed as it is, then it can be assembled as agreed – so long as consensus on important meanings is kept under constant review. These propositions are tested by extensive fieldwork in four countries: Australia, the Philippines, South Africa and Mexico. |
| politically correct waltzing matilda lyrics: Oceans Andrew Dwyer, 2010-03-30 One of the most satisfying culinary pursuits is to catch, prepare and eat absolutely fresh seafood. The recipes and stories in this book are a celebration of Australia, our maritime history, our oceans and the wonderful seafood they provide. |
| politically correct waltzing matilda lyrics: The Unknown Nation James Curran, Stuart Ward, 2010 The Unknown Nation is an illuminating history of Australia's putative 'search' for national identity. James Curran and Stuart Ward document how the receding ties of empire and Britishness posed an unprecedented dilemma as Australians lost their traditional ways of defining themselves as a people. With the sudden disappearance in the 1960s and 1970s of the familiar coordinates of the British world, Australians were cast into the realm of the unknown. The task of remodelling the national image touched every aspect of Australian life where identifiably British ideas, habits and symbols--from foreign relations to the national anthem--had grown obsolete. But how to celebrate Australia's past achievements and present aspirations became a source of public controversy as community leaders struggled to find the appropriate language and rhetoric to invoke a new era. |
| politically correct waltzing matilda lyrics: Who's who in Twentieth-century World Poetry Mark Willhardt, Alan Michael Parker, 2002 Global in perspective, this comprehensive volume provides biographical information on the greatest poets of the 20th century and critical accounts of their work. It features 900 entries by 75 international contributors. |
| politically correct waltzing matilda lyrics: Being All Equal Judith Kapferer, 2020-08-18 Is there such a thing as an Australian national identity? Or is Australia just a melting pot of different peoples and cultures without a common culture? - What is distinctive and what is universal about everyday life in Australia? In a post-colonial age of globalizing economies, the political quest for national 'identity' is increasingly urgent. This topical book traces the ways in which the Australian state and its people struggle to represent the social and cultural practices of everyday life in an attempt to draw meaning from diverse understandings of pasts, presents and futures. Class, gender and ethnicity are shown to underpin this popular debate, fuelled by shifting interpretations of egalitarianism and individualism. The author -- a prominent Australian sociologist -- investigates how a nation's identity is created through its folk heroes and folk festivals, civic and domestic architecture, education, politics and art. Ned Kelly, Parliament House, the Melbourne Cup and the Adelaide Grand Prix are all interrogated for the light they shed on Australian ideologies and institutions.This book will be fascinating reading for those who seek a deeper understanding of how a national identity can be moulded and redefined. |
| politically correct waltzing matilda lyrics: Who's Who in Twentieth Century World Poetry Alan Parker, Mark Willhardt, 2005-12-05 Publicity Title Foreword by Andrew Motion, Poet Laureate 900 entries by 75 international contributors, all experts in their field Covers both canonical and lesser known, contemporary poets Very broad range of coverage, taking in poets from all over the world The only book of its kind to look at non-English language poets in such detail |
| politically correct waltzing matilda lyrics: Rusting Relics Phillip Massaad , 2020 Rusting Relics is an exploration of over 80 shipwrecks and shipwreck sites along Australia's epic coastline, it covers a range of wrecks beginning with the tragedy of the Batavia in 1629 through to the dramatic grounding of he Pasha Bulker in 2007. The lives of each ship and their passengers and crew are brought vividly to life, many met a dramatic end while others quietly slipped away into the pages of history. Each wreck is illustrated with contemporary photos and illustrations, many published for the first time and complemented by the author's own photographs showing the current condition of each wreck and site. In addition to a detailed bibliography for further reading, the location of each wreck described in this book are marked on a series of specially commissioned maps to inspire the reader to go and explore Australia's shipwreck heritage. About Author: A student of history, Phillip has always been interested in the past and especially shipwrecks. Over the last decade and armed with several cameras, he has striven to photograph the disappearing maritime heritage of shipwrecks on Australian shores, these photographs have formed the genesis for this book. |
| politically correct waltzing matilda lyrics: The Romance of the Swag Henry Lawson, 1907 |
| politically correct waltzing matilda lyrics: Identifying Australia in Postmodern Times Livio A. C. Dobrez, 1994 Covers the debate about the Australian Identity in the light of postmodernist discourse; pluralistic perspectives cover writers from wide range of disciplines. |
| politically correct waltzing matilda lyrics: Billboard , 1982-09-18 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| politically correct waltzing matilda lyrics: Australia Roff Martin Smith, 1999 Full-color photographs depict all sides of Australia: its urban and rural landscapes, its wildlife, its sealife, its sixty-thousand-year-old Aboriginal culture, and the rest of its society. |
| politically correct waltzing matilda lyrics: Punch , 1977 |
| politically correct waltzing matilda lyrics: Parliamentary Debates (Hansard). Australia. Parliament. Senate, 1977 |
| politically correct waltzing matilda lyrics: Parliamentary Debates, Senate, Weekly Hansard Australia. Parliament. Senate, 1977 |
| politically correct waltzing matilda lyrics: Parliamentary Debates (Hansard). Australia. Parliament. House of Representatives, 1977 |
| politically correct waltzing matilda lyrics: The History of Late Modern Englishes Keith Johnson, 2021-05-26 The History of Late Modern Englishes provides an accessible and student-friendly introduction to the history of the English language from the beginning of the eighteenth century up until the present day. Taking an activity-based approach, this text ensures that students learn by engaging with the fascinating evolution of this language rather than by simply reading about it. The History of Late Modern Englishes: • Covers the development of Englishes around the world, not only in the British Isles, but also in the United States, Canada, India, Singapore, Australia, New Zealand, and Melanesia, as well as in other countries around the world where English is used as a lingua franca; • Accommodates the needs of both native and non-native speakers of English, with helpful features such as a glossary of key terms and questions to guide the reader through the book; • Includes activity sections and discussion points to help students engage with the text; • Is accompanied by e-resources which include further activities and additional coverage of points of interest in the book. Written by an experienced teacher and author, this book is an essential course textbook for any module on the history of English and the perfect accompaniment to the author’s own The History of Early English. |
| politically correct waltzing matilda lyrics: Southward Journey Halliday Sutherland, 1947 |
| politically correct waltzing matilda lyrics: Mulga Bill's Bicycle Andrew Barton Paterson, 1993-09-15 Celebrating 40 years in print this is a new edition of the classic children's poem by Australia's favourite poet, A.B. 'Banjo' Paterson. Mulga Bill's Bicycle was written by Banjo Paterson in 1896. It was written at a time when cycling was a relatively new and popular social activity. Cycles were ridden everywhere, including in the outback by shearers and other workers who needed to travel cheaply. Mulga Bill's Bicycle tells the hilarious story of Mulga Bill, who thinks he's much better at cycling than he turns out to be. A resounding crash sends him back to his original mode of transport - his trusty horse. Kilmeny and Deborah Niland's delightful illustrations catch the mood and humour of Paterson's verse with great spirit, and this book has become an enduring classic. |
| politically correct waltzing matilda lyrics: The Bulletin , 2005 |
| politically correct waltzing matilda lyrics: Making Aboriginal Men and Music in Central Australia Åse Ottosson, 2015-11-19 This detailed ethnographic study explores the intercultural crafting of contemporary forms of Aboriginal manhood in the world of country, rock and reggae music making in Central Australia. Focusing on four different musical contexts – an Aboriginal recording studio, remote Aboriginal settlements, small non-indigenous towns, and tours beyond the musicians' homeland – the author challenges existing scholarly, political and popular understandings of Australian Aboriginal music, men, and related indigenous matters in terms of radical social, cultural and racial difference. Based on extensive anthropological field research among Aboriginal rock, country and reggae musicians in small towns and remote desert settlements in Central Australia, the book investigates how Aboriginal musicians experience and articulate various aspects of their male and indigenous sense of selves as they make music and engage with indigenous and non-indigenous people, practices, places, and sets of values. Making Aboriginal Men and Music is a highly original, intimate study which advances our understanding of contemporary indigenous and male identity formation within Aboriginal Australian society. Providing new analytical insights for scholars and students in fields such as social and cultural anthropology, cultural studies, popular music, and gender studies, this engaging text makes a significant contribution to the study of indigenous identity formation in remote Australia and beyond. |
| politically correct waltzing matilda lyrics: APAIS, Australian Public Affairs Information Service , 1974 Vol. for 1963 includes section Current Australian serials; a subject list. |
| politically correct waltzing matilda lyrics: Congressional Record United States. Congress, 1980 The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873) |
| politically correct waltzing matilda lyrics: School Library Journal , 2004 |
| politically correct waltzing matilda lyrics: The Literature of Australia Nicholas Jose, 2009 Unprecedented in the breadth of what it offers from both the ancient and the recent literature of my country.--Thomas Keneally, from the foreword |
| politically correct waltzing matilda lyrics: Time , 1990 |
| politically correct waltzing matilda lyrics: The Penguin International Dictionary of Contemporary Biography Edward Vernoff, Rima Shore, 2001 This essential reference contains more than 6,050 lively biographies of notable men and women - living and dead - who have made significant contributions to modern lives. This rich storehouse of knowledge encompasses every important category of human endeavor, including politics, literature, religion, philosophy, the arts and sciences, business, feminism, journalism, sports, cinema, and other aspects of popular culture. --Book Jacket. |
| politically correct waltzing matilda lyrics: Advance Australia Fair Peter Dodds McCormick, 1994 Presents Australia's national anthem and illustrates it with paintings from some of Australia's finest artists including Fred McCubbin, Margaret Preston and Tom Roberts. Each painting depicts an aspect of the Australian landscape and culture and reflects the artist's view of the country. |
| politically correct waltzing matilda lyrics: Who Wrote the Ballads? John Streeter Manifold, 1964 |
| politically correct waltzing matilda lyrics: LIFE , 1946-11-25 LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use. |
| politically correct waltzing matilda lyrics: Hey True Blue John Williamson, 2014-07-23 The long-awaited life story of John Williamson: an Australian icon, a much-loved legend of the music industry and man of the land. The joy after all is in the journey, or being what you really wanna be . . . The son of a wheat farmer, John Williamson grew up with an appreciation of the land and all things Australian. His career was kickstarted with a self-proclaimed silly song – 'Old Man Emu' – winning TV's New Faces in 1970, but it was a decade of hard slog before he forged his unique place in our musical history. From his love of the bush ('Mallee Boy') and his outrage at environmental destruction ('Rip Rip Woodchip'), to his pride in the Australian character and spirit ('True Blue'), Williamson has been chronicling the subjects and issues that are close to his heart for more than forty years. He has become the voice of Australia, performing his unofficial anthems at all the major events. In his distinctive Aussie style, John Williamson tells it like it is. He takes us behind the scenes on the road and at home, revealing the tough times, the great times, what drives him and what matters. His passion – for preserving our national character and landscape, and to remain true to himself – is as strong now as it has ever been. This is a journey into the heart and soul of Australia. |
| politically correct waltzing matilda lyrics: Edinburgh Companion to the First World War and the Arts Ann-Marie Einhaus, 2017-05-24 A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present |
| politically correct waltzing matilda lyrics: Every Good Boy Does Fine Marcus B. Weaver-Hightower, 2006 |
POLITICALLY | English meaning - Cambridge Dictionary
His mother was very politically active. It is a politically and religiously diverse country. The country's younger population are more politically aware than in the past. This is a fragile region, politically …
POLITICAL Definition & Meaning - Merriam-Webster
The meaning of POLITICAL is of or relating to government, a government, or the conduct of government. How to use political in a sentence.
Politically - definition of politically by The Free Dictionary
Define politically. politically synonyms, politically pronunciation, politically translation, English dictionary definition of politically. adj. 1. Of, relating to, or dealing with the structure or affairs of …
Political Definition & Meaning | Britannica Dictionary
Politically, the country is divided. The students are very politically active.
politically adverb - Definition, pictures, pronunciation and usage ...
Definition of politically adverb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
What does politically mean? - Definitions.net
Politically refers to anything related to politics, the governance of a country, or public affairs. This involves matters related to government policies, political parties, political activities, or political …
POLITICALLY definition and meaning | Collins English Dictionary
POLITICALLY definition: of or relating to the state, government, the body politic , public administration ,... | Meaning, pronunciation, translations and examples
politically | meaning of politically in Longman Dictionary of ...
From Longman Dictionary of Contemporary English po‧lit‧ic‧ally /pəˈlɪtɪkli/ adverb in a political way Women were becoming more politically active. a politically sensitive issue [sentence adverb] …
Politically - Definition, Meaning & Synonyms | Vocabulary.com
adverb with regard to government “ politically organized units” adverb with regard to social relationships involving authority “ politically correct clothing”
politically - Wiktionary, the free dictionary
politically (comparative more politically, superlative most politically) In a political manner. Although politically he claims to be a Democrat, his actions are more Republican. Nevertheless …
POLITICALLY | English meaning - Cambridge Dictionary
His mother was very politically active. It is a politically and religiously diverse country. The country's younger population are more politically aware than in the past. This is a fragile …
POLITICAL Definition & Meaning - Merriam-Webster
The meaning of POLITICAL is of or relating to government, a government, or the conduct of government. How to use political in a sentence.
Politically - definition of politically by The Free Dictionary
Define politically. politically synonyms, politically pronunciation, politically translation, English dictionary definition of politically. adj. 1. Of, relating to, or dealing with the structure or affairs of …
Political Definition & Meaning | Britannica Dictionary
Politically, the country is divided. The students are very politically active.
politically adverb - Definition, pictures, pronunciation and usage ...
Definition of politically adverb in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
What does politically mean? - Definitions.net
Politically refers to anything related to politics, the governance of a country, or public affairs. This involves matters related to government policies, political parties, political activities, or political …
POLITICALLY definition and meaning | Collins English Dictionary
POLITICALLY definition: of or relating to the state, government, the body politic , public administration ,... | Meaning, pronunciation, translations and examples
politically | meaning of politically in Longman Dictionary of ...
From Longman Dictionary of Contemporary English po‧lit‧ic‧ally /pəˈlɪtɪkli/ adverb in a political way Women were becoming more politically active. a politically sensitive issue [sentence adverb] …
Politically - Definition, Meaning & Synonyms | Vocabulary.com
adverb with regard to government “ politically organized units” adverb with regard to social relationships involving authority “ politically correct clothing”
politically - Wiktionary, the free dictionary
politically (comparative more politically, superlative most politically) In a political manner. Although politically he claims to be a Democrat, his actions are more Republican. Nevertheless …
