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| puritan humor: The Wordy Shipmates Sarah Vowell, 2009-10-06 In this New York Times bestseller, the author of Lafayette in the Somewhat United States brings the [Puritan] era wickedly to life (Washington Post). To this day, America views itself as a Puritan nation, but Sarah Vowell investigates what that means-and what it should mean. What she discovers is something far different from what their uptight shoebuckles- and-corn reputation might suggest-a highly literate, deeply principled, and surprisingly feisty people, whose story is filled with pamphlet feuds, witty courtroom dramas, and bloody vengeance. Vowell takes us from the modern-day reenactment of an Indian massacre to the Mohegan Sun casino, from old-timey Puritan poetry, where righteousness is rhymed with wilderness, to a Mayflower-themed waterslide. Throughout, The Wordy Shipmates is rich in historical fact, humorous insight, and social commentary by one of America's most celebrated voices. |
| puritan humor: Calvinist Humor in American Literature Michael Dunne, 2007-12 Though the phrase Calvinist humor may seem to be an oxymoron, Michael Dunne, in highly original and unfailingly interesting readings of major American fiction writers, uncovers and traces two recurrent strands of Calvinist humor descending from Puritan times far into the twentieth century. Calvinist doctrine views mankind as fallen, apt to engage in any number of imperfect behaviors. Calvinist humor, Dunne explains, consists in the perception of this imperfection. When we perceive that only others are imperfect, we participate in the form of Calvinist humor preferred by William Bradford and Nathanael West. When we perceive that others are imperfect, as we all are, we participate in the form preferred by Mark Twain and William Faulkner, for example. Either by noting their characters' inferiority or by observing ways in which we are all far from perfect, Dunne observes, American writers have found much to laugh about and many occasions for Calvinist humor. The two strains of Calvinist humor are alike in making the faults of others more important than their virtues. They differ in terms of what we might think of as the writer/perceiver's disposition: his or her willingness to recognize the same faults in him- or herself. In addition to Bradford, West, Twain and Faulkner, Dunne discovers Calvinist humor in the works of Flannery O'Connor, Herman Melville, Nathaniel Hawthorne, Ernest Hemingway, and many others. For these authors, the world -- and thus their fiction -- is populated with flawed creatures. Even after belief in orthodox Calvinism diminished in the twentieth century, Dunne discovers, American writers continued to mine these veins, irrespective of the authors' religious affiliations -- or lack of them. Dunne notes that even when these writers fail to accept the Calvinist view wholeheartedly, they still have a tendency to see some version of Calvinism as more attractive than an optimistic, idealistic view of life. With an eye for the telling detail and a wry humor of his own, Dunne clearly demonstrates that the fundamental Calvinist assumption -- that human beings are fallen from some putatively better state -- has had a surprising, lingering presence in American literature. |
| puritan humor: Humor and Revelation in American Literature Pascal Covici, 1997 Both the Genteel Tradition and Calvinistic Puritanism exhibited a sense of possessing inside information about the workings of the universe and the intentions of the Almighty. In Humor and Revelation in American Literature, Pascal Covici, Jr., traces this perspective from its early presence to the humorous tradition in America that has been related to the Old Southwest, showing how American Puritan thought was instrumental in the formative stages of American humor. Covici argues that much of American literature works as humor does, surprising readers into sudden enlightenment. The humor from which Mark Twain derived his early models had the same sort of arrogance as American Puritan thought, especially in regard to social and political truths. Twain transcended the roots of that humor, which run from works of nineteenth-century Americans back to British forms of the eighteenth century. In doing so, he helped shape American literature. In addition to reexamining Twain's art, Humor and Revelation in American Literature considers some of the writers long regarded as among the usual suspects in any consideration of cultural hegemony, including Emerson, Thoreau, Hawthorne, and Melville. Covici explores not so much the hypocrisy as the ambivalence repeatedly displayed in American literature. He demonstrates that even though our writers have always had a strong desire to avoid the influences of the past, their independence from its cultural, theological, and psychological effects has been much slower in coming than previously thought. Original and well-written, Humor and Revelation in American Literature will be welcomed by all scholars and critics of American literature, especially those interested in Puritanism, major nineteenth-century writers, Southwestern humor, and Mark Twain. |
| puritan humor: America's Humor Walter Blair, Hamlin Lewis Hill, 1980 Studies every type of American humor and relates each backward to its origins in the Old World and forward to the material of comedians such as Lenny Bruce and Erma Bombeck. |
| puritan humor: Humour and Social Protest Marjolein 't Hart, Dennis Bos, 2007 The seventeen essays in this book examine the power of humour in framing social and political protest. |
| puritan humor: The Heavenly Contract David Zaret, 1985-04 The idea of a heavenly contract, uniting God and humanity in a bargain of salvation, emerged as the keystone of Puritan theology in early modern England. Yet this concept, with its connotations of exchange and reciprocity, runs counter to other tenets of Calvinism, such as predestination, that were also central to Puritan thought. With bold analytic intelligence, David Zaret explores this puzzling conflict between covenant theology and pure Calvinism. In the process he demonstrates that popular beliefs and activities had tremendous influence on Puritan religion. |
| puritan humor: The Puritan in England and New England Ezra Hoyt Byington, 1896 |
| puritan humor: Unitarian Review and Religious Magazine Charles Lowe, Henry Wilder Foote, John Hopkins Morison, Henry H. Barber, James De Normandie, Joseph Henry Allen, 1880 |
| puritan humor: Unitarian Review and Religious Magazine , 1880 |
| puritan humor: The Unitarian Review and Religious Magazine Charles Lowe, Henry Wilder Foote, John Hopkins Morison, Henry H. Barber, James De Normandie, 1880 |
| puritan humor: There is No Humor in Heaven Dwayne E. Eutsey, 2025-05-02 More than a century after his death in 1910, Mark Twain remains a lightning rod for controversy. Especially in matters of race, class, and gender, the volatile views this iconic American author expressed in classics like Adventures of Huckleberry Finn continue to provoke heated debate among antagonistic culture-war factions. However, when citing his withering attacks on religion, believers and atheists alike are often united in concluding that Twain was either a mocking skeptic or a hostile atheist. In There is No Humor in Heaven, Dwayne Eutsey challenges the persistent view of Twain as a hostile critic of religion by placing him within the prevailing liberal religious ethos of his time. From Hannibal to the western frontier and from Hartford to the wider world, Eutsey contends Twain’s vocation as a humorist was rooted in his frustrated youthful ambition to become a preacher of the Gospel. Throughout his life, his friendships with several influential liberal ministers, each of them espousing various forms of the era’s diverse progressive theology, informed not only Twain’s evolving religious worldview but his lecture performances and literary output. There is No Humor in Heaven traces unconventional theological influences on Twain ranging from African-American spirituality, Freemasonry, and frontier Unitarianism to devout Liberal Christianity, radical Free Religion, and esoteric Hinduism. Drawing from Twain’s writings, documents, personal notes, and more, There is No Humor in Heaven offers readers a radical re-examination of the spiritually creative vitality of a controversial literary giant. |
| puritan humor: Journey of Promise Charles W. Allen, 2014-05-24 What did Thomas Jefferson believe about the divine purpose of the United States of America? What compelling role did the Puritans play in setting the stage for the American Revolution? What profound affect did Native Americans have on the forming of our constitution? All of these questions and much more are answered in this fascinating work. Little known information is contained within these pages about the beginnings of our country through the founding of the Massachusetts Bay Company in Sempringham, England. Journey of Promise covers the highlights of events that led to Puritan England and New England, and ultimately the founding of the United States of America. Included are several short biographies of key Puritans including Henry Dunster, first President of Harvard University, Anne Bradstreet, first American poet and elect lady, and John Elliott, apostle to the Native Americans. Charles also sheds light on four of our founding fathers, John Adams, Thomas Jefferson, George Washington and Benjamin Franklin and their religious beliefs and influences on our nation. If you want to learn detailed knowledge about the people who founded and believed in this nation that is not taught in schools and is not widely published, this book is a valuable addition to your personal library. |
| puritan humor: Puritanism and the Pursuit of Happiness S. Bryn Roberts, 2015 Reveals a much neglected strand of puritan theology which emphasised the importance of inner happiness and personal piety. |
| puritan humor: Humorists vs. Religion Iain Ellis, 2018-08-16 Critical humorists and religion are steeped in a long-standing cultural antagonism. This book recounts the dramatic skirmishes between religion--its dogma and edicts, political manifestations, and the nature of faith--and the satire, parody, jokes and hyperbole of popular wits. The writings of Twain, Vonnegut, Mencken and Hitchens are included, along with the films of Monty Python, the cartoons of Charlie Hebdo, the animated television series The Simpsons and South Park, the comedy of George Carlin and Bill Maher, the music of Randy Newman and Pussy Riot, the performance monologue of Julia Sweeney and the magic of Penn Jillette. |
| puritan humor: The Rosary Magazine , 1908 |
| puritan humor: The New Englander , 1880 |
| puritan humor: Lightbulb Moments in Human History (Book II) Scott Edwin Williams, 2024-03-29 'Lightbulb Moments in Human History is flavored with scintillating wit and dark humor, and served to the open-minded by an intelligent observer, who manages to evoke empathy and hope for the human spirit.' Dr. Micki Pistorius, author of Catch Me a Killer Lightbulb Moments in Human History: From Peasants to Periwigs continues the humorous and informative series exploring the big ideas that have shaped humanity. Packed with laughs and fascinating insights, it documents the progression from the boozy peasants of the Middle Ages to the bewigged boffins of the Scientific Revolution. Along the way, you'll find answers to burning questions such as: Why did a mob of peasants follow a 'divinely inspired' goose to the Crusades? Was Captain Cook really devoured by cannibals, or was it just a terrible misunderstanding? What the hell is a periwig, and why did the best-dressed seventeenth-century men insist on wearing them? Lightbulb Moments in Human History: From Peasants to Periwigs by Scott Edwin Williams is not the history you were taught in school. It demonstrates that, despite all evidence to the contrary, our world is actually getting better. So grab a mug of mead, slap on your finest periwig, and dive into the rich history of human ingenuity. |
| puritan humor: The New England Historical and Genealogical Register , 1922 Beginning in 1924, Proceedings are incorporated into the Apr. number. |
| puritan humor: Made-in-Canada Humour Beverly J. Rasporich, 2015-09-15 Made-in-Canada-Humour is an interdisciplinary survey and analysis of Canadian humour and humorists in the nineteenth and twentieth centuries. The book focuses on a variety of genres. It includes celebrated Canadian writers and poets with ironic and satiric perspectives; oral storytellers of tall tales in the country and the city; newspaper print humorists; representative national and regional cartoonists; and comedians of stage, radio and television. The humour gives voice to Canadian values and experiences, and consequently, techniques and styles of humour particular to the country. While a persistent comic theme has been joking at the expense of the United States, both countries have influenced one another’s humour. Canada’s unique humorous tradition also reflects its emergence from a colonial country to a postcolonial and postmodern nation with contemporary humour that addresses gender and racial issues. |
| puritan humor: The Resurrection of the Puritan James Robert Vitelli, 1955 |
| puritan humor: Conceived in Liberty Murray Newton Rothbard, 2011 |
| puritan humor: Beneath the American Renaissance David S. Reynolds, 2011-06-01 The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it. |
| puritan humor: Design in Puritan American Literature William J. Scheick, 2014-07-15 Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both concealed authorial pride and latent deific design. These ambiguous occasions served Puritan writers as places where the threat of divine wrath and the promise of divine mercy intersected in unresolved tension. By the nineteenth century the heritage of this Christlike mingling of temporal connotation and eternal denotation had mutated. A peculiar late eighteenth-century narrative by Nathan Fiske and a short story by Edward Bellamy both suggest that the binary nature of language exploited by their Puritan ancestors was still a vital authorial concern; but neither of these writers affirms the presence of an eternal denotative signification hidden within the conflicting historical contexts of their apparently allegorical language. For them, appreciation of the mystery of a divine revelation possibly concealed in words yielded to puzzlement over language itself, specifically over the inadequacy of language to signify more than its own instability of design. This book is a tightly focused study of an important aspect of Puritan American writers' use of language by one of the leading scholars in the field of early American literature. |
| puritan humor: The Protestant Ethic and the Spirit of Authoritarianism Milan Zafirovski, 2007-08-17 This book explores the historical and contemporary relationships of Protestant Puritanism to political and social authoritarianism. It focuses on Puritanism’s original, subsequent and modern influences on and legacies in political democracy and civil society within historically Puritan Western societies. There is emphasis on Great Britain and particularly America, from the 17th to the 21st century. |
| puritan humor: Unsettled Toleration Brian Walsh, 2016-05-03 Unsettled Toleration: Religious Difference on the Shakespearean Stage historicizes and scrutinizes the unstable concept of toleration as it emerges in drama performed on the Elizabethan and Jacobean stages. Brian Walsh examines plays by Shakespeare and his contemporaries that represent intra-Christian conflict between mainstream believers and various minorities, analyzing the sometimes explicit, sometimes indirect, occasionally smooth, but more often halting and equivocal forms of dealing with difference that these plays imagine can result from such exchanges. Through innovative and in some cases unprecedented readings of a diverse collection of plays, from Chapman's An Humorous Day's Mirth, Middleton's The Puritan Widow, Shakespeare's Twelfth Night, Measure for Measure, and Pericles, and Rowley's When You See Me You Know Me, Walsh shows how the English stage in the first decade of the seventeenth century, as a social barometer, registered the basic condition of religious unsettlement of the post-Reformation era; and concurrently that the stage, as a social incubator, brooded over imagined scenarios of confessional conflict that could end variously in irresolution, accommodation, or even religious syncretism. It thus helped to create, sustain and enlarge an open-ended public conversation on the vicissitudes of getting along in a sectarian world. Attending to this conversation is vital to our present understanding of the state of religious toleration the early modern period, for it gives a fuller picture of the ways religious difference was experienced than the limited and inert pronouncements on the topic that officials of the church and state offered. |
| puritan humor: Illustrated Religious Texts in the North of Europe, 1500-1800 Feike Dietz, Adam Morton, Lien Roggen, 2016-12-05 In recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe. |
| puritan humor: The Concepts of Criticism L. Aschenbrenner, 2012-12-06 Tbis inquiry may be thought of as a sequel to The Concepts of Value and as an extension of the brief core-vocabulary of aesthetic concepts found in one of the appendices to it. In terms of sheer numbers, most of the value concepts of our language are to be found in the area of human relations and of the aesthetic. There are also other value vocabularies, shorter but equally important, for example, the cognitive and logical. These and other objects of pbilosopbical study (for example, the question of other minds) deserve the kind of empirical survey that has been made of moral and aesthetic notions, if only to test a priori approaches to them. In the present studyan even more determined empirical approach than that adopted for the first has been found necessary. Once the moral or human value vocabulary has been identified, sentential contexts for the use of the terms readily come to mind. In a study of the language of criticism, however, the vocabulary has first to be sought in the utterances of critics themselves and quoted in sufficient context to make their critical intentions clear. The outcome is that the present study is of great length, about half of it being quotations from critics. The rule adopted for arriving at tbis length go on collecting quotations as long as new types of appraisal came was to to light. |
| puritan humor: American Puritanism and the Defense of Mourning Mitchell Robert Breitwieser, 1990 Mary White Rowlandwon, a New England Congregationalist minister's wife, was held captive by the Algonquin Indians during King Philip's War in 1676. Several years after she was ransomed and living among the British again she wrote a narrative of the captivity chronicling her experience in grief, love, resentment, and ethnic trauma. Breitwieser argues that this narrative undercuts the Puritan values Rowlandson attempted to uphold. He reveals where and how Rowlandson breaks with Puritan conventions. He points out that in American Puritan religious practice, real experiences were seen as siogns or emblems of moral abstractions. American Puritanism and the Defense of Mourning will be essential reading for all who study early American literature and culture. |
| puritan humor: The American People Alfred Maurice Low, 1909 |
| puritan humor: The Province of Piety Michael J. Colacurcio, 1995 In this celebrated analysis of Nathaniel Hawthorne, Michael J. Colacurcio presents a view of the author as America's first significant intellectual historian. Colacurcio shows that Hawthorne's fiction responds to a wide range of sermons, pamphlets, and religious tracts and debates--a variety of moral discourses at large in the world of provincial New England. Informed by comprehensive historical research, the author shows that Hawthorne was steeped in New England historiography, particularly the sermon literature of the seventeenth century. But, as Colacurcio shows, Hawthorne did not merely borrow from the historical texts he deliberately studied; rather, he is best understood as having written history. In The Province of Piety, originally published in 1984 (Harvard University Press), Hawthorne is seen as a moral historian working with fictional narratives--a writer brilliantly involved in examining the moral and political effects of Puritanism in America and recreating the emotional and cultural contexts in which earlier Americans had lived. |
| puritan humor: Suspicious Moderate Anne Ashley Davenport, 2017-05-15 The historiography of English Catholicism has grown enormously in the last generation, led by scholars such as Peter Lake, Michael Questier, Stefania Tutino, and others. In Suspicious Moderate, Anne Ashley Davenport makes a significant contribution to that literature by presenting a long overdue intellectual biography of the influential English Catholic theologian Francis à Sancta Clara (1598–1680). Born into a Protestant family in Coventry at the end of the sixteenth century, Sancta Clara joined the Franciscan order in 1617. He played key roles in reviving the English Franciscan province and in the efforts that were sponsored by Charles I to reunite the Church of England with Rome. In his voluminous Latin writings, he defended moderate Anglican doctrines, championed the separation of church and state, and called for state protection of freedom of conscience. Suspicious Moderate offers the first detailed analysis of Sancta Clara's works. In addition to his notorious Deus, natura, gratia (1634), Sancta Clara wrote a comprehensive defense of episcopacy (1640), a monumental treatise on ecumenical councils (1649), and a treatise on natural philosophy and miracles (1662). By carefully examining the context of Sancta Clara's ideas, Davenport argues that he aimed at educating English Roman Catholics into a depoliticized and capacious Catholicism suited to personal moral reasoning in a pluralistic world. In the course of her research, Davenport also discovered that Philip Scot, the author of the earliest English discussions of Hobbes (a treatise published in 1650), was none other than Sancta Clara. Davenport demonstrates how Sancta Clara joined the effort to fight Hobbes's Erastianism by carefully reflecting on Hobbes's pioneering ideas and by attempting to find common ground with him, no matter how slight. |
| puritan humor: Humor, Empathy, and Community in Twentieth-Century American Poetry Rachel Trousdale, 2021-12-16 Humor, Empathy, and Community in Twentieth-Century American Poetry explores how American poets of the last hundred years have used laughter to create communities of readers and writers. For poets slightly outside of the literary or social mainstream, humor encourages mutual understanding and empathic insight among artist, audience, and subject. As a result, laughter helps poets reframe and reject literary, political, and discursive hierarchies--whether to overturn those hierarchies, or to place themselves at the top. While theorists like Freud and Bergson argue that laughter patrols and maintains the boundary between in-group and out-group, this volume shows how laughter helps us cross or re-draw those boundaries. Poets who practice such constructive humor promote a more democratic approach to laughter. Humor reveals their beliefs about their audiences and their attitudes toward the Romantic notion that poets are exceptional figures. When poets use humor to promote empathy, they suggest that poetry's ethical function is tied to its structure: empathy, humor, and poetry identify shared patterns among apparently disparate objects. This book explores a broad range of serious approaches to laughter: the inclusive, community-building humor of W. H. Auden and Marianne Moore; the self-aggrandizing humor of Ezra Pound; the self-critical humor of T. S. Eliot; Sterling Brown's antihierarchical comedy; Elizabeth Bishop's attempts to balance mockery with sympathy; and the comic epistemologies of Lucille Clifton, Stephanie Burt, Cathy Park Hong, and other contemporary poets. It charts a developing poetics of laughter in the twentieth and twenty-first centuries, showing how humor can be deployed to embrace, to exclude, and to transform. |
| puritan humor: The Eclectic Magazine of Foreign Literature, Science, and Art , 1897 |
| puritan humor: The Owl , 1901 |
| puritan humor: Laughter in the Middle Ages and Early Modern Times Albrecht Classen, 2010-09-22 Despite popular opinions of the ‘dark Middle Ages’ and a ‘gloomy early modern age,’ many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures. |
| puritan humor: God Mocks Terry Lindvall, 2015-11-13 Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends. |
| puritan humor: Summary of Noah Rothman's The Rise of the New Puritans Everest Media,, 2022-08-29T22:59:00Z Please note: This is a companion version & not the original book. Sample Book Insights: #1 The Poetry Foundation, a prestigious literary organization, was called out for not doing enough to uplift the Black community. They responded by saying they would resign their president and board chairman, and that they were committed to uplifting Black people. #2 The Republican Party engaged in sanctimonious judgmentalism and moral preening, and it was right-wing political culture that wanted to limit your access to the perverting influences of musical acts and comedy. #3 Progressives are committed to inclusivity and acceptance on one’s own terms. They are dedicated to the cause of environmental conservationism and the preservation of our ecological inheritance for future generations. #4 Many progressive Americans are devoted to the communitarian ideal, which entails putting the needs of the community before your own. They are zealous advocates for democratization, even at the risk of inviting the worst abuses of the Athenian mob. |
| puritan humor: Literary Forms Ali Alhaj, 2015-12-01 This book aims at instilling in students of literature a love of literature and involve them actively in the learning experience through a flexible approach, which allows for the building up of modular parts as well as meaningful and clearly defined activities. It is an introduction to the appreciation of literary text through the analysis of the main text of literary genres. |
| puritan humor: English Comedy Allan Rodway, 2023-04-28 English Comedy: Its Role and Nature from Chaucer to the Present Day offers an in-depth literary critique of English comedy, highlighting its evolution from the medieval period to modern times. The book is not a mere historical account but a critical exploration of the genre, aiming to deepen the appreciation for comic works that transcend their time. Unlike many comedies that are tied to contemporary issues and fade with their era, this study focuses on the works that stand the test of time, like Dryden's Absalom and Achitophel. The book addresses common misconceptions by distinguishing comedy from farce and other forms of entertainment. Its central thesis is that comedy, while often dismissed as a trivial form, serves important societal functions by critiquing and satirizing societal norms, offering both a reflection and a critique of its era. The study examines how comedy is shaped by and responds to social tensions, exploring its potential for both progressive and conservative social commentary. The structure of the book is divided into several parts, each serving a distinct purpose. Part I focuses on the theory of comedy, establishing a framework for the subsequent analysis. It distinguishes between the concepts of laughter and comedy, and defines key terms for understanding comic works. Part II applies these theoretical ideas to different literary periods, offering a comparative analysis of representative comic works. By doing so, it offers a critical evaluation that goes beyond historical context to explore the universal and enduring qualities of comedy. The book emphasizes the role of the comic writer, who, by depicting the absurdities of society, often reflects a larger societal critique. Through this, the author aims to provide readers with both a theoretical understanding and a personal appreciation of the masterpieces of English comedy, demonstrating how these works remain relevant despite their period-specific origins. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975. |
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