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| questions for the yellow wallpaper: The Yellow Wall-Paper Charlotte Perkins Gilman, 2024 She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis. |
| questions for the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2021-04-13 The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period |
| questions for the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2020-11-16 The Yellow Wallpaper is a short story by Charlotte Perkins Gilman, published 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working or writing, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period.[2][3][4]The narrator devotes many journal entries to describing the wallpaper in the room - its sickly color, its yellow smell, its bizarre and disturbing pattern like an interminable string of toadstools, budding and sprouting in endless convolutions, its missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.When her husband arrives home, the narrator refuses to unlock her door. When he returns with the key, he finds her creeping around the room, rubbing against the wallpaper, and exclaiming I've got out at last... in spite of you. He faints, but she continues to circle the room, creeping over his inert body each time she passes it, believing herself to have become the woman trapped behind the yellow wallpaper. |
| questions for the yellow wallpaper: Herland Charlotte Perkins Gilman, 2025-01-21 Herland author Charlotte Perkins Gilman’s captivating masterpiece takes readers to a hidden utopia where gender roles have been redefined, a secret society where women reign supreme. In this Feminist Utopian novel, Gilman’s compelling narrative is told from the perspective of Van Jennings, a sociology student who forms an expedition party. He travels with two friends, Terry and Jeff, to explore an area of uncharted land. These fearless adventurers travel to a land rumored to be home to a society consisting only of women. They enter a world beyond imagination, an isolated land untouched by the influence of men. Within this harmonious civilization, where community is essential to the all-female society, bonds of sisterhood unite its inhabitants. The society is built on cooperation, respect, and intellectual prowess. It is a land where education is paramount. War, greed, and inequality do not exist. Women bear children without men and every individual is valued for their unique contributions. The women maintain their individuality while working with others within the community to reach a consensus. The three explorers grapple with their ingrained beliefs and preconceived notions of their own male dominated society. In this poignant social critique of the early 20th century, readers are immersed in a vision of what society could be when limitations are not imposed on women. Gilman’s vivid storytelling stimulates the imagination and leaves an indelible mark on the reader’s mind. Her eloquence and insight captivating and will leave you with a renewed sense of hope and possibility. |
| questions for the yellow wallpaper: Queer Theories Donald E. Hall, 2017-03-07 This essential introductory guide explores and aggressively expands the provocative new field of sexual identity studies. It explains the history of sexual identity categories, such as 'gay' and 'lesbian', covers the reclamation of 'queer' as a term of radical self-identification, and details recent challenges to sexual identity studies posed by transgender and bisexual theories. Donald E. Hall offers concrete applications of the abstract theories he explores, with imaginative new readings of such works as 'The Yellow Wallpaper', Dr Jekyll and Mr Hyde, Orlando and The Color Purple. Throughout, Hall urges the reader to grapple with the changing nature of sexual identity in the twenty-first century and asks searching questions about how we might identify ourselves differently given new technologies and new possibilities for sexual experimentation. To students, theorists and activists alike, Queer Theories issues a challenge to continue to disrupt narrow, traditional notions of sexual 'normality' and to resist setting up new and confining categories of 'true' sexual identity. |
| questions for the yellow wallpaper: The Library at Mount Char Scott Hawkins, 2016-03-15 “Wholly original . . . the work of the newest major talent in fantasy.”—The Wall Street Journal “Freakishly compelling . . . through heart-thumping acts of violence and laugh-out-loud moments, this book practically dares you to keep reading.”—Atlanta Magazine A missing God. A library with the secrets to the universe. A woman too busy to notice her heart slipping away. Carolyn's not so different from the other people around her. She likes guacamole and cigarettes and steak. She knows how to use a phone. Clothes are a bit tricky, but everyone says nice things about her outfit with the Christmas sweater over the gold bicycle shorts. After all, she was a normal American herself once. That was a long time ago, of course. Before her parents died. Before she and the others were taken in by the man they called Father. In the years since then, Carolyn hasn't had a chance to get out much. Instead, she and her adopted siblings have been raised according to Father's ancient customs. They've studied the books in his Library and learned some of the secrets of his power. And sometimes, they've wondered if their cruel tutor might secretly be God. Now, Father is missing—perhaps even dead—and the Library that holds his secrets stands unguarded. And with it, control over all of creation. As Carolyn gathers the tools she needs for the battle to come, fierce competitors for this prize align against her, all of them with powers that far exceed her own. But Carolyn has accounted for this. And Carolyn has a plan. The only trouble is that in the war to make a new God, she's forgotten to protect the things that make her human. Populated by an unforgettable cast of characters and propelled by a plot that will shock you again and again, The Library at Mount Char is at once horrifying and hilarious, mind-blowingly alien and heartbreakingly human, sweepingly visionary and nail-bitingly thrilling—and signals the arrival of a major new voice in fantasy. Praise for The Library at Mount Char An engrossing fantasy world full of supernatural beings and gruesome consequences.—Boston Globe Vivid . . . the dialogue sings . . . you'll spend equal time shuddering and chortling.—Dallas Morning News |
| questions for the yellow wallpaper: The Captive Imagination Catherine Golden, 1992-01 A century of critical discussion about Charlotte Perkins Gilman's classic, The Yellow Wallpaper, is combined with excerpts from Gilman's autobiography and interpretations of the story's imagery, plot, and psychological significance |
| questions for the yellow wallpaper: The Yellow Wallpaper & Herland Charlotte Perkins Gilman, 2022-03-31 HarperCollins is proud to present its incredible range of best-loved, essential classics. |
| questions for the yellow wallpaper: Women and Economics Illustrated Charlotte Perkins Gilman, 2020-02-07 Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, [1] and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.[2]The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves.[3] It was near the end of this tumultuous decade that Gilman's very popular book emerged |
| questions for the yellow wallpaper: Herland, The Yellow Wall-paper, and Selected Writings Charlotte Perkins Gilman, 1999 Charlotte Perkins Gilman (1860-1935) penned this sardonic remark in her autobiography, encapsulating a lifetime of frustration with the gender-based double standard that prevailed in turn-of-the-century America. With her slyly humorous novel, Herland (1915), she created a fictional utopia where not only is face powder obsolete, but an all-female population has created a peaceful, progressive, environmentally-conscious country from which men have been absent for two thousand years. Gilman was enormously prolific, publishing five hundred poems, two hundred short stories, hundreds of essays, eight novels, and seven years' worth of her monthly magazine, The Forerunner. She emerged as one of the key figures in the women's movement of her day, advocating equality of the sexes, the right of women to work, and socialized child care, among other issues. Today Gilman is perhaps best known for the chilling depiction of a woman's mental breakdown in her unforgettable short story, The Yellow Wall-Paper. This Penguin Twentieth-Century Classics edition includes both this landmark work and Herland, together with a selection of Gilman's major short stories and her poems. |
| questions for the yellow wallpaper: Women's Encounters with the Mental Health Establishment Elayne Clift, 2014-01-27 Explore women’s first-person experiences with the mental health establishment!This unique contemporary anthology of women’s experiential writing shares women’s realities, perceptions, and experiences (positive and negative) within the therapeutic environment. These artistic expressions of personal experience will help women understand their own encounters in a new light. They are also instructive and enlightening for any practitioner working with women in a mental health setting. Charlotte Perkins Gilman’s famous short story (included here), The Yellow Wallpaper, which inspired this title, has come to represent the struggle of contemporary women to be understood by the therapeutic milieu from whom they seek psychological support and psychiatric treatment. An icon of feminist writing, the 1892 story symbolizes affirmation and validation for the female experience regarding mental health and therapy. This anthology, in the spirit of Gilman’s work, gives voice to today’s women so that their own encounters with the mental health establishment can be validating and affirming to others. It will also enlighten those in the helping professions as they extend their services to women in a time of growing need and shrinking resources.In addition to The Yellow Wallpaper and a foreword and afterword by noted psychiatric professionals, Women’s Encouters with the Mental Health Establishment: Escaping the Yellow Wallpaper also contains works by authors including: Sylvia Plath Kate Millett Anne Sexton Lauren Slater Martha Manning Elayne Clift and many more!Through prose and poetry, the contributors to this volume offer a creative, artistic, and highly readable contribution to the literatures of women’s studies and psychology!Visit the author’s website at http://www.sover.net/~eclift. |
| questions for the yellow wallpaper: Women Uniting to Defeat Patriarchy. A Feminist and Gender Critical Reading of "The Yellow Wallpaper" Sophia Daffner, 2018 Academic Paper from the year 2018 in the subject American Studies - Miscellaneous, grade: 1,3, University of Frankfurt (Main), course: Introduction to Literature, language: English, abstract: The question that characterizes the beginning of Charlotte Perkins Gilman's short story The Yellow Wallpaper (1892) is one that many women in the nineteenth and twentieth century will likely have posed to themselves. What is one to do? Gilman's narrator asks repeatedly, when, as a woman in the late nineteenth century, one has no choice but to assume the role of the helpless wife and mother under the oppression of male authority. The Yellow Wallpaper challenges this stereotypical image of womanhood as well as the unequal relationships between women and men that come along with a male dominated society and its ideology of masculine rationality vs. feminine irrationality (Rodriguez Salas 2012). As a result of being diagnosed with, what was then called, nervous prostration - generally regarded as hysteria - and prescribed the rest cure (Gilman 1935), Gilman also explores and brings to light the problematic views on and treatment of mental health in the nineteenth and twentieth century. At the time, hysteria was primarily associated with passivity, the result of leading a softer life and having an overactive imagination - all stereotypically feminine behaviours - and was thus diagnosed primarily in women (Kahane 1995: 10). In her autobiography Gilman talks about how she was not allowed to write, paint or have more than two hours' intellectual life a day and how she was supposed to live as domestic a life as possible (Gilman 1935), all of which are elements that are closely reflected in the protagonist's diagnosis in The Yellow Wallpaper. |
| questions for the yellow wallpaper: Proofs from THE BOOK Martin Aigner, Günter M. Ziegler, 2013-04-17 The (mathematical) heroes of this book are perfect proofs: brilliant ideas, clever connections and wonderful observations that bring new insight and surprising perspectives on basic and challenging problems from Number Theory, Geometry, Analysis, Combinatorics, and Graph Theory. Thirty beautiful examples are presented here. They are candidates for The Book in which God records the perfect proofs - according to the late Paul Erdös, who himself suggested many of the topics in this collection. The result is a book which will be fun for everybody with an interest in mathematics, requiring only a very modest (undergraduate) mathematical background. For this revised and expanded second edition several chapters have been revised and expanded, and three new chapters have been added. |
| questions for the yellow wallpaper: Desiree's Baby Kate Chopin, 2017-04 Desiree's Baby BY Kate Chopin is about the daughter of Monsieur and Madame Valmond�, who are wealthy French Creoles in antebellum Louisiana. Abandoned as a baby, Desiree was found by Monsieur Valmond� lying in the shadow of a stone pillar near the Valmond� gateway. She is courted by the son of another wealthy, well-known and respected French Creole family, Armand. They marry and have a child. People who see the baby have the sense it is different. Eventually they realize that the baby's skin is the same color as a quadroon (one-quarter African)-the baby has African ancestry. At the time of the story, this would have been considered a problem for a person believed to be white. |
| questions for the yellow wallpaper: The Yellow Wallpaper By: Charlotte Perkins (a Horror Short Stories) Annotated Edition Charlotte Perkins Gilman, 2021-06-14 How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedContain Author Biography and overview.The Yellow Wallpaper is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health.The story is written in the first person as a series of journal entries. The narrator is a woman whose husband -- a physician -- has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal entries from him so that she can recuperate from what he has diagnosed as a temporary nervous depression -- a slight hysterical tendency; a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house.The story illustrates the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the room's wallpaper. |
| questions for the yellow wallpaper: Invisible Man Ralph Ellison, 1990 |
| questions for the yellow wallpaper: The Yellow Wallpaper and Other Stories Charlotte Perkins Gilman, Logan Thomas, 2011 The first volume to contain both gothic stories 'The Unwatched Door' and 'Clifford's Tower' since their first publication in 1894. Two great pieces of literature lost until now. Both stories were re-discovered by the filmmakers of The Yellow Wallpaper feature film. This Official Motion Picture book includes an excerpt from the screenplay, as well as integrated film images throughout. The Gothic Collection comprises most of Charlotte Perkins Gilmans' gothic work, with a few cross-over selections. |
| questions for the yellow wallpaper: Charlotte Perkins Gilman's The Yellow Wall-paper Charlotte Perkins Gilman, 2004 This sourcebook combines extracts from contemporary documents and critical reviews, providing an introduction, a publishing and critical history, a chronology of key events, a guide to further reading and original pictures. |
| questions for the yellow wallpaper: Recovering from Biblical Manhood and Womanhood: How the Church Needs to Rediscover Her Purpose Aimee Byrd, 2020-05-05 This book dismantles every mistruth that you've heard about the role of women in the Bible, her place in the church, and the patriarchal lie of so-called “biblical manhood and womanhood.” In its place, Aimee Byrd details a truly biblical vision of women as equal partners in Christ's church and kingdom. The church is the school of Christ, commissioned to discipleship. The responsibility of every believer—men and women together—is being active and equal participants in and witnesses to the faith. And yet many women are trying to figure out what their place is in the church, fighting to have their voices heard and filled with questions: Do men and women benefit equally from God's word? Are we equally responsible in sharpening one another in the faith and passing it down to the next generation? Do we really need men's Bibles and women's Bibles, or can the one Holy Bible guide us all? The answers lie neither with radical feminists, who claim that the Bible is hopelessly patriarchal, nor with the defenders of “biblical manhood,” whose understanding of Scripture is captive to the culture they claim to distance themselves from. Recovering from Biblical Manhood and Womanhood presents a more biblical account of gender, marriage, and ministry. It explores the feminine voice in Scripture as synergistic with the dominant male voice. It fortifies churches in a biblical understanding of brotherhood and sisterhood in God's household and the necessity of learning from one another in studying God's word. Until both men and women grow in their understanding of their relationship to Scripture, there will continue to be tension between the sexes in the church. Church leaders can be engaged in thoughtful critique of the biblical manhood and womanhood movement, the effects it has on their congregation, and the homage it ironically pays to the culture of individualism that works against church, family, and a Christ-like vision of community. |
| questions for the yellow wallpaper: The Living of Charlotte Perkins Gilman Charlotte Perkins Gilman, 2014-04-15 This early work by Charlotte Perkins Gilman was originally published in 1935. It is the autobiography of the American sociologist, novelist and poet who is best remembered for her semi-autobiographical short story 'The Yellow Wallpaper'. |
| questions for the yellow wallpaper: Charlotte Perkins Gilman's the Yellow Wall-paper and the History of Its Publication and Reception Julie Bates Dock, 2010-11-01 |
| questions for the yellow wallpaper: The Murderer Next Door Rafael Yglesias, 2010-11-16 To protect the child she loves, Molly Gray must cooperate with a killer in this critically acclaimed novel from a master of contemporary American fiction Molly Gray never trusted Ben Fleiss, her best friend Wendy’s abusive husband. When Wendy’s broken body is found in a dumpster, Molly is devastated—and knows exactly who the killer is. But as viscerally as Molly hates Ben, she loves Ben and Wendy’s seven-year-old child, Naomi. While awaiting trial, Ben retains custody of his daughter, and Molly soon realizes the only way to keep Naomi safe is to stay as close to Ben as possible—even if it means consoling and flattering the man who murdered her friend. Yglesias’s most suspenseful work, The Murderer Next Door is rich with startling twists and revelations hinged to uncanny psychological insight. This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection. |
| questions for the yellow wallpaper: Faces in the Water Janet Frame, 1961 |
| questions for the yellow wallpaper: Fahrenheit 451 Ray Bradbury, 2012-01-10 Originally published: New York: Ballantine Books, 1953. |
| questions for the yellow wallpaper: Arguing About Literature: A Guide and Reader John Schilb, John Clifford, 2016-12-09 More and more, first- year writing courses foreground skills of critical analysis and argumentation. In response, Arguing about Literature first hones students’ analytical skills through instruction in close critical reading of texts; then, it shows them how to turn their reading into well-supported and rhetorically effective argumentative writing. From the authors of the groundbreaking and widely adopted Making Literature Matter, Arguing about Literature economically combines two books in one: a concise guide to reading literature and writing arguments, and a compact thematic anthology of stories, poems, plays, arguments, and other kinds of texts for inquiry, analysis and research. The second edition includes even more instruction in the key skills of argumentation, critical reading, and research, while linking literature more directly to the newsworthy current issues of today. |
| questions for the yellow wallpaper: An Occurrence at Owl Creek Bridge Ambrose Bierce, 2018-08-20 Classic Books Library presents this brand new edition of the short story, “An Occurrence at Owl Creek Bridge” (1890) by Ambrose Bierce. In this text Bierce creatively uses both structure and content to explore the concept of time, from present to past, and reflecting its transitional and illusive qualities. The story is one of Bierce’s most popular and acclaimed works, alongside “The Devil’s Dictionary” (1911). Bierce (1842-c. 1914) was an American writer, journalist and Civil War veteran associated with the realism literary movement. His writing is noted for its cynical, brooding tones and structural precision. |
| questions for the yellow wallpaper: The Yellow Wallpaper by Charlotte Perkins Gilman Charlotte Perkins Gilman, 2017-05-15 The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. The story is written in the first person as a series of journal entries. The narrator is a woman whose husband - a physician - has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal entries from him so that she can recuperate from what he has diagnosed as a temporary nervous depression - a slight hysterical tendency; a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house. The story illustrates the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the room's wallpaper. |
| questions for the yellow wallpaper: Behind the Yellow Wallpaper Farah Ahamed, Henri Bensussen, Amy Bridges, Leah Chaffins, R. Crawford, Judith Day, Gabriela Denise Frank, Laura Hartenberger, Sheila Lamb, Tracie Orsi, Vivian Papp, Colleen Quinn, Heidi Andrea Restrepo Rhodes, P.J. Schaefer, Nikki Vogel, 2014-06-09 “The Yellow Wallpaper” by Charlotte Perkins Gilman is a feminist classic, a haunting critique of the isolation treatment for female hysteria wrapped up in a superb psychological horror story. Over a century later women are still battling gender bias in the treatment of mental illness. Here are 15 stories of very different women who have in common the fact that they are fighting for control of their worlds and of their minds. Traci Orsi's Waiting for Jordan finds Julia hallucinating at home when her husband is shipped off to Iraq. Leah Chaffin's Last Caress delves into the sad and savage story of a rare female serial killer while in An Obedient Girl Amy Bridges relates her experience as an average girl who has a singular experience with a lobotomized woman. Age, religion, motherhood, sex and work life are all explored in these gripping stories of women who remain Behind the Yellow Wallpaper, battling valiantly and sometimes viciously to break free by any means necessary. Each story is paired with original photographic art by Loreal Prystaj. Prystaj’s dark, gripping art evoke the same despair, fear, anger, hopelessness, heartache, and fight for survival that make up these extraordinary New Tales of Madness. |
| questions for the yellow wallpaper: The Story of an Hour Kate Chopin, 2000 Kate Chopin. Also includes Regret. In these selections, two women examine their lives, one looking forward to the future, the other regretting the past. 34 pages. Tale Blazers. |
| questions for the yellow wallpaper: The Yellow Wallpaper (Illustrated) Charlotte Perkins Gilman, 2014-08-14 The Yellow Wallpaper is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal from him, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house. The story depicts the effect of confinement on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper - the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell. In the end, she imagines there are women creeping around behind the patterns of the wallpaper and comes to believe she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up. For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way. A woman gradually suffers a mental breakdown as a result of confinement and denial of her creative energies by her husband. |
| questions for the yellow wallpaper: Mom, I Want to Hear Your Story Jeffrey Mason, 2025-11-04 The Official Hear Your Story(R) Collection Mom, I Want to Hear Your Story is your key to discovering everything from your mother's childhood memories to the profound turning points in her life. Each intentional section gives your mom a place to share her life with you while creating a lasting legacy. The revised and expanded edition of this beloved journal features: More elegant design: The expanded interior provides more space for writing and makes this a beautiful addition to every bookshelf. Over 40 pages of new content! With 300 carefully curated questions, your mom will enjoy this walk down memory lane, prompting her to remember things she may not have thought about for years. Created with love: The Hear Your Story(R) team is made up of parents, grandparents, and grandchildren. We draw upon the rich tapestry of our collective experiences and perspectives to infuse each of our journals with the care and love it deserves. Hear Your Story(R) was founded by Jeffrey Mason as a heartfelt response to losing his father to Alzheimer's. Our journals are a commitment to safeguarding family legacies and a testament to the belief that every life is a story worth telling and preserving. Featured on Oprah.com, The PioneerWoman.com, USA Today, and Today.com, this journal is the gift that your mom will love and you will cherish. |
| questions for the yellow wallpaper: The Upstairs House Julia Fine, 2022-02-22 A Good Morning America Book of the Month Selection * A Popsugar Must-Read Book of the Month * A Buzzfeed Most Anticipated Book of the Year * A The Millions Most Anticipated Book of the Year Provocative.... [An] assured, beautifully written book. --Sarah Lyall, New York Times In this provocative meditation on new motherhood--Shirley Jackson meets The Awakening--a postpartum woman's psychological unraveling becomes intertwined with the ghostly appearance of children's book writer Margaret Wise Brown. There's a madwoman upstairs, and only Megan Weiler can see her. Ravaged and sore from giving birth to her first child, Megan is mostly raising her newborn alone while her husband travels for work. Physically exhausted and mentally drained, she's also wracked with guilt over her unfinished dissertation--a thesis on mid-century children's literature. Enter a new upstairs neighbor: the ghost of quixotic children's book writer Margaret Wise Brown--author of the beloved classic Goodnight Moon--whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle--and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger. Using Megan's postpartum haunting as a powerful metaphor for a woman's fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and barely restrained, careful musing on female desire, loneliness, and hereditary inheritances (Washington Post). |
| questions for the yellow wallpaper: The Yellow Wallpaper Nicki Snyder, 2022-08-05 Follow the narrator on her subsequent decent into madness is this story originally written by Charlotte Perkins Gilman. Both the original tale and a retelling by author, Nicki Snyder, are contained within this book. In 1892, the narrator, having just given birth, is taken to the countryside to rest and recuperate. Her husband, who is also her physician, prescribes her The Rest Cure method, designed to cure her nervous condition. The large house, fresh air, and sprawling gardens are meant to relax her mind and body. However, the treatment calls for isolation, bed rest, and boredom. This catalyst leads the narrator down a path where reality and fantasy merge together in a very unhealthy way. |
| questions for the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2020-01-11 The Yellow Wallpaper (original title: The Yellow Wall-paper. A Story) is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century. |
| questions for the yellow wallpaper: The Yellow Wallpaper and Other Writings Charlotte Perkins Gilman, 2006-06-27 Known primarily for her classic and haunting story The Yellow Wallpaper, Charlotte Perkins Gilman was an enormously influential American feminist and sociologist. Her early-twentieth-century writings continue to inspire writers and activists today. This collection includes selections from both her fiction and nonfiction work. In addition to the title story, there are seven short stories collected here that combine humor, anger, and startling vision to suggest how women's place in society should be changed to benefit all. The nonfiction selections are from Gilman's The Man-Made World: Our Androcentric Culture and her masterpiece, Women And Economics, which was translated into seven languages and established her international reputation as a theorist. Also included in a delightful excerpt from Gilman's utopian novel, Herland, an acidly funny tale about three American male explorers who stumble into an all-female society and begin their odyssey by insisting, This is a civilized country . . . there must be men. Gilman's analyses of economic and women's issues are as incisive and relevant today as they were upon their original publication. This volume is an unprecedented opportunity to rediscover a powerful American writer. |
| questions for the yellow wallpaper: The Yellow Wallpaper - Our Androcentric Culture Charlotte Perkins Gilman, 2021-06-24 It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures. John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do? |
| questions for the yellow wallpaper: In This Our World Charlotte Perkins Gilman, 2025-03-29 Charlotte Perkins Gilman, celebrated author of The Yellow Wallpaper, presents a powerful collection of poems in In this our world. This volume offers a compelling glimpse into the social and political landscape of 19th-century America through the lens of feminist ideals and utopian aspirations. Gilman's poetry serves as both social commentary and a call for reform, exploring themes of equality, justice, and the potential for a better society. Her insightful verses resonate with a timeless quality, prompting reflection on enduring societal challenges. This collection showcases Gilman's literary prowess beyond her famous short stories, solidifying her place as a significant voice in American literature. In this our world provides a unique and thought-provoking exploration of social issues through the art of poetry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| questions for the yellow wallpaper: Factfulness Hans Rosling, Anna Rosling Rönnlund, Ola Rosling, 2020-04-07 INSTANT NEW YORK TIMES BESTSELLER “One of the most important books I’ve ever read—an indispensable guide to thinking clearly about the world.” – Bill Gates “Hans Rosling tells the story of ‘the secret silent miracle of human progress’ as only he can. But Factfulness does much more than that. It also explains why progress is so often secret and silent and teaches readers how to see it clearly.” —Melinda Gates Factfulness by Hans Rosling, an outstanding international public health expert, is a hopeful book about the potential for human progress when we work off facts rather than our inherent biases. - Former U.S. President Barack Obama Factfulness: The stress-reducing habit of only carrying opinions for which you have strong supporting facts. When asked simple questions about global trends—what percentage of the world’s population live in poverty; why the world’s population is increasing; how many girls finish school—we systematically get the answers wrong. So wrong that a chimpanzee choosing answers at random will consistently outguess teachers, journalists, Nobel laureates, and investment bankers. In Factfulness, Professor of International Health and global TED phenomenon Hans Rosling, together with his two long-time collaborators, Anna and Ola, offers a radical new explanation of why this happens. They reveal the ten instincts that distort our perspective—from our tendency to divide the world into two camps (usually some version of us and them) to the way we consume media (where fear rules) to how we perceive progress (believing that most things are getting worse). Our problem is that we don’t know what we don’t know, and even our guesses are informed by unconscious and predictable biases. It turns out that the world, for all its imperfections, is in a much better state than we might think. That doesn’t mean there aren’t real concerns. But when we worry about everything all the time instead of embracing a worldview based on facts, we can lose our ability to focus on the things that threaten us most. Inspiring and revelatory, filled with lively anecdotes and moving stories, Factfulness is an urgent and essential book that will change the way you see the world and empower you to respond to the crises and opportunities of the future. --- “This book is my last battle in my life-long mission to fight devastating ignorance...Previously I armed myself with huge data sets, eye-opening software, an energetic learning style and a Swedish bayonet for sword-swallowing. It wasn’t enough. But I hope this book will be.” Hans Rosling, February 2017. |
| questions for the yellow wallpaper: The Yellow Wallpaper and Other Stories Charlotte Perkins Gilman, 2022-05-16 In the Longsellers collection, you will find the most read and loved books of all time.Published in 1892, The Yellow Wallpaper, became a classic whenever we talk about feminist literature.The story, told in the format of a diary, tells the story of a woman confined to a room in a country house, under the pretext of treating a condition of depression and hysteria. Lonely and having her life closely controlled by her husband, she begins to obsess over the wallpaper in her room.Charlotte Perkins Gilman is regarded as pioneer in American feminism. Also known for the utopian feminist novel Herland and its sequel, With Her in Ourland.This book includes 10 short stories by the author, including The Yellow Wallpaper and an essay by the author about her creative process, called Why I Wrote The Yellow Wallpaper.We hope you'll love this book as much we do, and don't forget to check the rest of the collection for more beloved classics. |
| questions for the yellow wallpaper: A Bulk of Short Questions and Answers Series-4 Dr. Ramen Goswami, 2023-10-24 This book helps the undergraduate students of English hons in India to modify their insight and increase their intellectuality; only then my labour will prove fruitful. |
Questions.org - Can I be a Christian and still struggle with impure ...
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Will We Still be Married in Heaven? - Questions.org
Jesus made it clear that no one will be married in heaven: “At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven” (Matthew 22:30 NIV). …
Questions.org - Can I be a Christian and still struggle with impure ...
The answer you receive will depend on who you ask. Evangelical Christians living in the United States generally fall into two camps when it comes to biblical gender roles: …
How Should a Christian Respond to Hatred and Hostility?
Seeking to follow Christ will often lead to being wrongfully criticized and hated. Jesus said to His followers, “I have chosen you out of the world.
What Did Jesus Mean When He Gave Peter the “Keys of the Kingdom”?
After Jesus had declared that He would build His church on the truth of Peter’s noble confession, He went on to say, “I will give you the keys of the kingdom of heaven; …
Are Today’s Jews the Physical Descendants of Abraham ... - Ques…
Israel is the name God gave Jacob on the night he wrestled with the angel (Genesis 32:28). As a group, his sons along with the 12 tribes that descended from them inherited …
Why doesn’t God just forgive everyone? - Questions.org
This question leads to many other theological questions about the nature of hell, the problem of evil, and the salvation of people such as babies, the intellectually disabled, …
