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| pushkin bibliography: A Bibliography of Alexander Pushkin in English , 1999 A Bibliography of Anton Chekhov in English: Studies, Translations, Reviews and Notes is offered in three appropriate parts. Part One, Studies, comprises sections for book-length bio-literary studies and bio-literary articles; introductions; comparative studies; Russian and foreign memoirs; popular studies; general and individual studies of Chekhov's plays and short stories; studies of his non-fiction, letters, notes, and diaries; and special categories: film, language and stylistics, documents and documentation, translation studies, dissertations, bibliography, and collections. Part Two, Translations, is divided into general collections, drama collections, individual dramas, story collections, individual stories; non-fiction, letters, notes, and diaries; and film. Part Three, Critical Reviews, provides a comprehensive selection of the most significant reviews in major English-language newspapers and journals through the year 1993. It is not possible to provide a comprehensive selection of an estimated 350,000 reviews of Chekhov plays, 1994-2003, but an attempt has been made to provide a representative sampling of reviews in major newspapers and current periodicals. Citations throughout this Bibliography are full and unabbreviated, the intent being to provide access to each work in every appropriate category without complicating the search process with confusing cross-listings. Entries for collections are accompanied by listings of contents in the order given in tables of contents or alphabetically. Entries for collections provide a base for subsequent listings of individual major works for addition of subsequent editions, reprints, and re-publications. Translations of plays are categorized by their most commonly known English titles and cited within categories by the English title given for a particular translation. English titles of stories have not been rationalized in this way because the large number of Chekhov's stories would require division of the section on individual stories into virtually hundreds of sub-sections. Instead, stories are listed in alphabetical order by the various English titles given for a particular translation. |
| pushkin bibliography: Pushkin T.J. Binyon, 2007-12-18 In the course of his short, dramatic life, Aleksandr Pushkin gave Russia not only its greatest poetry–including the novel-in-verse Eugene Onegin–but a new literary language. He also gave it a figure of enduring romantic allure–fiery, restless, extravagant, a prodigal gambler and inveterate seducer of women. Having forged a dazzling, controversial career that cost him the enmity of one tsar and won him the patronage of another, he died at the age of thirty-eight, following a duel with a French officer who was paying unscrupulous attention to his wife. In his magnificent, prizewinning Pushkin, T. J. Binyon lifts the veil of the iconic poet’s myth to reveal the complexity and pathos of his life while brilliantly evoking Russia in all its nineteenth-century splendor. Combining exemplary scholarship with the pace and detail of a great novel, Pushkin elevates biography to a work of art. |
| pushkin bibliography: The American Bibliography of Slavic and East European Studies for 1994 Patt Leonard, Rebecca Routh, 1997-05-31 This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs. |
| pushkin bibliography: The Annotated Bakhtin Bibliography Carol Adlam, David G. Shepherd, 2000 This is the first in a new series entitled MHRA Bibliographies. The Annotated Bakhtin Bibliography draws its material from, and is intended as a companion to, the on-line Analytical Database of Work by and about the Bakhtin Circle: maintained by the Bakhtin Centre at the University of Sheffield, this is the most extensive electronic collection of bibliographical and analytical data relating to the Russian philosopher and cultural theorist Mikhail Bakhtin and the members of the Bakhtin Circle (principally Mariia Iudina, Matvei Kagan, Pavel Medvedev, Lev Pumpianskii, Ivan Sollertinskii and Valentin Voloshinov). The work of Bakhtin and the Bakhtin Circle has had enormous international impact across a range of disciplines, including literary and cultural theory, philosophy, history, anthropology, linguistics and psychology. The Annotated Bakhtin Bibliography will provide scholars and students of Bakhtin with easy access to detailed information on research undertaken throughout the world in these and other fields. The text of The Annotated Bakhtin Bibliography is in two parts. The first part comprises extensive bibliographical details of almost three hundred primary works (including information about translations and reprints). The second consists of almost one thousand entries containing analytical and annotated information about secondary literature dealing with Bakhtin and the Bakhtin Circle in over twenty languages, allowing the principal trends in the development of Bakhtin studies to be discerned and traced. Consultation of the bibliography is facilitated by comprehensive name, title and subject indexes. |
| pushkin bibliography: Prisoner of Russia ЮÑий ÐÑÑжников, As the central figure in Russian literature, Alexander Pushkin (17991837) has been claimed by nearly every political faction, right and left, in Russian cultural politics over the past two centuries, culminating in his official canonization under the Soviet regime. In Prisoner of Russia, Yuri Druzhnikov analyzes the distortions and misrepresentations of Pushkin's cultural appropriation by focusing on Pushkin's attempts at emigration and his attitudes toward Russia and Western Europe. Druzhnikov's semi-biographical narrative concentrates on Pushkin's attempts to leave Russia after his graduation from the Lyceum, through his period of exile, until his early death in a duel in 1837. The matter of emigration from Russia was a politically charged issue well before 1917; witness the hostile reception of all of Turgenev's novels from Fathers and Sons on. The emigr artist's cultural context is often used to assess his authenticity and stature as seen in the Western examples of Henry James, T.S. Eliot, or James Joyce. Druzhnikov sharply criticizes the omnipresent and reductive tendency in Russia (and the West) to define Russian cultural figures in terms of absolute essences and ideologies and to ignore the ambivalences that in fact help to define a writer's singularity. In the larger view, he argues, it is these that explain the variety and complexity of Russian culture. Druzhnikov's multidisciplinary approach combines literary and political history, with critical commentary arranged in chronological sequence. His interpretive apparatus ranges widely through nineteenth- and twentieth-century history, and provides the necessary intellectual context for nonspecialist readers. He also avoids the massive accumulation of trivial detail characteristic of so much Pushkinology. This accessible, valuable exercise in cultural history will be of interest to Slavic scholars and students, cultural historians, and general readers interested in Russian literature and culture. Yuri Druzhnikov is professor of Russian literature at the University of California, Davis. As a Moscow dissident, he was blacklisted in Russia for fifteen years. He continues to serve as vice president of the International PEN club, for writers in exile. |
| pushkin bibliography: Waiting for Pushkin Alessandra Tosi, 2006-01-01 Waiting for Pushkin provides the only modern history of Russian fiction in the early nineteenth century to appear in over thirty years. Prose fiction has a more prominent position in the literature of Russia than in that of any other great country. Although nineteenth-century fiction in particular occupies a privileged place in Russian and world literature alike, the early stages of this development have so far been overlooked. By combining a broad historical survey with close textual analysis the book provides a unique overview of a key phase in Russian literary history. Drawing on a wide range of sources, including rare editions and literary journals, Alessandra Tosi reconstructs the literary activities occurring at the time, introduces neglected but fascinating narratives, many of which have never been studied before and demonstrates the long-term influence of this body of works on the ensuing “golden age” of the Russian novel. Waiting for Pushkin provides an indispensable source for scholars and students of nineteenth-century Russian fiction. The volume is also relevant to those interested in women’s writing, comparative studies and Russian literature in general. |
| pushkin bibliography: The Familiar Letter as a Literary Genre in the Age of Pushkin William Mills Todd, 1999 This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master writers in Pushkin's time. It is written in an accessible style with translations, an annotated list of the Arzamasians, and an extensive index and a bibliography. |
| pushkin bibliography: Pushkin on Literature Aleksandr Sergeevich Pushkin, 1986 Pushkin on Literature approaches Pushkin's literary accomplishment from a unique perspective: it focuses on Pushkin the critic, and on his fascination with the literary world that surrounded him. This is the only English-language edition of the complete set of Pushkin's critical writing, both on his own work and on the wide range of European literature -- Byron, Shakespeare, Voltaire, Milton -- which he read and studied, and Which so profoundly influenced his own writing. These extracts from Pushkin's letters, articles, and working notes provide a complete chronological record of the artist's literary evolution, and provide a fascinating glimpse into the poet's intellectual passions. |
| pushkin bibliography: Eugene Onegin Aleksandr Pushkin, 2018-07-31 When Vladimir Nabokov's translation of Pushkin’s masterpiece Eugene Onegin was first published in 1964, it ignited a storm of controversy that famously resulted in the demise of Nabokov’s friendship with critic Edmund Wilson. While Wilson derided it as a disappointment in the New York Review of Books, other critics hailed the translation and accompanying commentary as Nabokov’s highest achievement. Nabokov himself strove to render a literal translation that captured the exact contextual meaning of the original, arguing that, only this is true translation. Nabokov’s Eugene Onegin remains the most famous and frequently cited English-language version of the most celebrated poem in Russian literature, a translation that reflects a lifelong admiration of Pushkin on the part of one of the twentieth century’s most brilliant writers. Now with a new foreword by Nabokov biographer Brian Boyd, this edition brings a classic work of enduring literary interest to a new generation of readers. |
| pushkin bibliography: A Critical Bibliography of Adam Smith Hiroshi Mizuta, 2016-07-01 This critical bibliography of Adam Smith takes as its starting point the Kress Library of Business and Economics’ 1939 catalogue of its Vanderblue Collection of Smithiana. Since the bicentenary of The Wealth of Nations in 1976, the rate of international publication markedly accelerated, significantly extending the scope of this bibliography beyond 1939. Its scope has been further enlarged via the inclusion of essays on the diffusion process while the inclusion of all works in the chronological main bibliography gives an overview of the scope of this process. The notes appended to the entries provide a running commentary to the gathering pace of publication and the entries are organised chronologically with systematic annotation throughout. |
| pushkin bibliography: Russian Literary Politics and the Pushkin Celebration of 1880 Marcus C. Levitt, 1989 In an event acknowledged to be a watershed in modern Russian cultural history, the elite of Russian intellectual life gathered in Moscow in 1880 to celebrate the dedication of a monument to the poet Alexander Pushkin, who had died nearly half a century earlier. Private and government forces joined to celebrate a literary figure, in a country in which monuments were usually dedicated to military or political heroes. In this richly detailed narrative history of the Pushkin Celebration and the developments that led up to it, Marcus C. Levitt explores the unique role of literature in nineteenth-century Russian intellectual life and puts Russian literary criticism, and Pushkin's posthumous reputation, into fresh perspective. Drawing on Soviet archival materials not readily available in the West, Levitt describes the preparations for the monument and the unfolding of the celebration. His sustained discussions of Turgenev's role and of Dostoevsky's famous Pushkin Speech shed new light on what was for both a culminating moment in their careers. In Levitt's view, the Pushkin Celebration represented the articulation of liberal, post-Emancipation hopes for an independent Russian intelligentsia and culture. His analysis of the problems faced by Russian liberalism illuminates the failure of concerted efforts to secure freedom of speech in nineteenth-century Russia. |
| pushkin bibliography: Archives in Russia: A Directory and Bibliographic Guide to Holdings in Moscow and St.Petersburg Patricia Kennedy Grimsted, Patricia Kennedy Grimstead, 2016-04-01 This is a comprehensive directory and bibliographic guide to Russian archives and manuscript repositories in the capital cities of Moscow and St. Petersburg. It is an essential resource for any researcher interested in Russian sources for topics in diplomatic, military, and church history; art; dance; film; literature; science; ethnolography; and geography. The first part lists general bibliographies of relevant reference literature, directories, bibliographic works, and specialized subject-related sources. In the following sections of the directory, archival listings are grouped in institutional categories. Coverage includes federal, ministerial, agency, presidential, local, university, Academy of Sciences, organizational, library, and museum holdings. Individual entries include the name of the repository (in Russian and English), basic information on location, staffing, institutional history, holdings, access, and finding aids. More comprehensive and up-to-date than the 1997 Russian Version, this edition includes Web-site information, dozens of additional repositories, several hundred more bibliographical entries, coverage of reorganization issues, four indexes, and a glossary. |
| pushkin bibliography: Pushkin's Lyric Intelligence Andrew Kahn, 2012-05-31 Pushkin's lyric intelligence is his capacity to transform philosophical and aesthetic ideas into poetry that questions the creative process. This first major study of his lyrics reveals the links between Pushkin's conceptual vocabulary and his intellectual life, and between his writing and the influences of French and English authors and movements. |
| pushkin bibliography: Pushkin's Historical Imagination Svetlana Evdokimova, 1999-01-01 This book explores the historical insights of Alexander Pushkin (1799-1837), Russia’s most celebrated poet and arguably its greatest thinker. Svetlana Evdokimova examines for the first time the full range of Pushkin’s fictional and nonfictional writings on the subject of history—writings that have strongly influenced Russians’ views of themselves and their past. Through new readings of his drama, Boris Godunov; such narrative poems as Poltava, The Bronze Horseman, and Count Nulin; prose fiction, including The Captain’s Daughter and Blackamoor of Peter the Great; lyrical poems; and a variety of nonfictional texts, the author presents Pushkin not only as a progenitor of Russian national mythology but also as an original historical and political thinker. Evdokimova considers Pushkin within the context of Romantic historiography and addresses the tension between Pushkin the historian and Pushkin the fiction writer . She also discusses Pushkin’s ideas on the complex relations between chance and necessity in historical processes, on the particular significance of great individuals in Russian history, and on historical truth. |
| pushkin bibliography: Nineteenth Century Russian Literature John Lister Illingworth Fennell, 1976-01-01 |
| pushkin bibliography: Encyclopedia of the Essay Tracy Chevalier, 2012-10-12 This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies |
| pushkin bibliography: Pushkin’s Rhyming J. Thomas Shaw, 2011-02-10 The culmination of four decades of work by J. Thomas Shaw, this fully searchable e-book carefully analyzes, both chronologically and by genre, Alexander Pushkin’s use of rhyme to show how meaning shifts in tandem with formal changes. Comparing Pushkin’s poetry with that of Konstantin Nikolaevich Batiushkov (1787–1855) and Evgeny Abramovich Baratynsky (1800–1844), Shaw considers, among other topics, what is exact and inexact in “exact” rhyme, how the grammatical characteristics of rhymewords affect the reader’s percepetion of the poem and its rhyme, and how the repetition of a rhyming word can also change meaning. Each of the five chapters analyzes in detail a distinct aspect of rhyme and provides rich resources for future scholars in the accompanying tables of data. The extensive back matter in the book includes a glossary, abbreviations list, bibliography, and indexes of poems cited, names, and rhyme types and analyses. |
| pushkin bibliography: Eugene Onegin Pyotr Ilyich Tchaikovskyw, 2018-01-01 This tender, lyrical and passionate story of unrequited love holds a special place in Russian hearts. Tatyana's letter scene and the Polonaise are two much loved glories of the score; each act is tightly constructed around an antithesis of public and private scenes, and the dances are integral to the drama. The essence of both opera and poem is yearning, whether the artist's quest for his muse, or the lover for the beloved. Both poet and composer are true, in different ways, to this theme. The essays included in this guide explore the subtle and unexpected relationship between the words and music in Tchaikovsky's intimate 'Lyrical Scenes after Pushkin'.Contents: Pushkin into Tchaikovsky: Caustic Novel, Sentimental Opera, Caryl Emerson; Tchaikovsky's 'Eugene Onegin', Roland John Wiley; An Appreciation of 'Eugene Onegin', Natalia Challis; Eugene Onegin: Libretto by Konstantin Shilovsky and Pyotr Tchaikovsky; Eugene Onegin: English translation by David Lloyd-Jones |
| pushkin bibliography: Historical Dictionary of Romanticism in Literature Paul Varner, 2014-11-18 The Historical Dictionary of Romanticism in Literature takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. |
| pushkin bibliography: Reference Guide to Russian Literature Neil Cornwell, 2013-12-02 First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public. |
| pushkin bibliography: Alexander Pushkin's Little Tragedies Svetlana Evdokimova, 2003 Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays--The Covetous Knight, Mozart and Salieri, The Stone Guest, and A Feast in Time of Plague. |
| pushkin bibliography: Writers and Society During the Rise of Russian Realism Joe Andrew, 1980-06-18 |
| pushkin bibliography: A Commentary to Pushkin’s Lyric Poetry, 1826–1836 Michael Wachtel, 2012-01-25 Alexander Pushkin’s lyric poetry—much of it known to Russians by heart—is the cornerstone of the Russian literary tradition, yet until now there has been no detailed commentary of it in any language. Michael Wachtel’s book, designed for those who can read Russian comfortably but not natively, provides the historical, biographical, and cultural context needed to appreciate the work of Russia’s greatest poet. Each entry begins with a concise summary highlighting the key information about the poem’s origin, subtexts, and poetic form (meter, stanzaic structure, and rhyme scheme). In line-by-line fashion, Wachtel then elucidates aspects most likely to challenge non-native readers: archaic language, colloquialisms, and unusual diction or syntax. Where relevant, he addresses political, religious, and folkloric issues. Pushkin’s verse has attracted generations of brilliant interpreters. The purpose of this commentary is not to offer a new interpretation, but to give sufficient linguistic and cultural contextualization to make informed interpretation possible. |
| pushkin bibliography: Russian Literature--overview and Bibliography Gene V. Palmer, 2002 The great names of Russian literature read like a who's who of great names in the world literature: Dostoyevsky, Tolstoy, Pushkin, Chekhov, Bunin, Pasternak, Solzhenitsyn. But there are only a handful of the legions of extraordinary writers that formed the basis of Russian literature. Russian literature is a rich tapestry reflecting life in a complex world of political turmoil, religious fervour, climate extremes and conditions for daily life which would stupefy the average European or American. This book presents an overview of Russian literature as well as a comprehensive bibliography, including English language sources, accessed by subject, author and titles indexes. |
| pushkin bibliography: Pushkin's "Poltava" Virginia Marie Burns, 2005 In Pushkin's Poltava Virginia M. Burns provides a detailed, literary-structuralist analysis of Aleksandr Pushkin's narrative poem. By examining prior critical approaches to, and interpretations of, her subject, Burns challenges many traditionally accepted views of the poem - such as categorical condemnation of the rebellion of the Ukraine against the Russia of Peter the Great. In turn, and through studies of characterization and narrative and poetic techniques. Burns provides a new interpretation of the Poltava in which the poem's meaning may be derived primarily from the unique and unifying organization of its structure. --Book Jacket. |
| pushkin bibliography: Literary Biographies in The Lives of Remarkable People Series in Russia Ludmilla A. Trigos, Carol Ueland, 2022-03-14 This book examines the Russian biography series, The Lives of Remarkable People, and its role in Russian culture. The contributors examine the interplay of research and imagination in biographical narratives, the changing perceptions of what constitutes literary greatness, and the subversive possibilities of biography during eras of censorship. |
| pushkin bibliography: Pushkin's Monument and Allusion Sidney Eric Dement, 2019-09-02 Pushkin's Monument and Allusion is the first aesthetic analysis of Russia's most famous monument to its greatest poet, Alexander Pushkin. |
| pushkin bibliography: Diplomacy and Murder in Tehran Laurence Kelly, 2006-08-25 In this first biography of Griboyedov in English, Laurence Kelly paints a vivid picture of his remarkable literary and diplomatic gifts which were nevertheless overshadowed by ill-fortune and tragedy. When the Tehran mob broke into the Russian embassy and murdered all the diplomats there, the death toll included one of the most brilliant and promising stars in the early 19th century Russian literary firmament. Alexander Griboyedov's masterpiece Woe from Wit had been praised by Pushkin as making 'an indelible impression'. It also had the distinction of being immediately banned by the Russian censors. The play's alternative title was The Misfortune of Being Clever and perhaps Griboyedov's tragedy was that he was not clever enough to withstand the malign forces which shadowed and dogged his career. As a writer he narrowly escaped the ferocity of the Tsar's government on suspicion of complicity in the 1825 Decembrist plot by liberal aristocrats to overthrow the Tsarist state. After his brush with the wrath of the Tsar, Griboyedov was dispatched to Georgia and Iran, charged with furthering Russia's expansionist agenda in the Caucasus and beyond. As one of the earliest Russian players in the Great Game, he was a leading actor in defining the Tsar's relations with the Persians and the British in the region. But Griboyedov viewed his mission to Tehran as Russian Minister Plenipotentiary with the greatest foreboding. In the end his diplomatic skills were no match for the zealous mobs unleashed by the mullahs incensed by trivial incidents which they portrayed as a slur on Iran's self-esteem and the honour of Islam. This book makes an invaluable contribution to the diplomatic history of Russia, the Caucasus and Iran, while at the same time shedding much new light on the life and works of a writer who was among 19th century Russia's most respected and prominent literary figures. |
| pushkin bibliography: Pushkin: A Comparative Commentary John Bayley, 1971-06-02 In this first critical assessment in English of Pushkin's writing, the author examines his achievement in relation to Russian literature and the European tradition. |
| pushkin bibliography: Pushkin Ernest Joseph Simmons, 1937 |
| pushkin bibliography: A CRITICAL BIOGRAPHY OF MU DAN (ZHA LIANGZHENG) Wang Hongyin, 2022-08-09 Zha Liangzheng (1918-1977), better known by his pen name Mu Dan, was a Chinese poet-laureate and remarkable translator. Via mutual attesting of poems and history, and with a multitude of letters, reminiscent documents and poems, A Critical Biography of Mu Dan (Zha Liangzheng): A Poet and a Translator genuinely represents the life of Mu Dan, known as a member of Jiuye School, against macroscopic academic view and broad historical backgrounds. The school of poetry marks the maturity of Chinese modernist literature and indicates the peak of the development of new poetry in China. The book reviews the glorious achievements of Mu Dan’s new poetry writings, confirms his contributions to Chinese translations of Russian poems and British romanticism poems as well as modernist poems. Moreover, the author spares no efforts to delineate numerous noticeable colonies of Chinese poets and historical figures such as Mao Zedong, Zhou Enlai, Yu Youren, and Sun Liren. In the monograph, the diachronic and synchronic descriptions are both elaborate and unambiguous; and the historical narratives are both sincere and magnificent. Together with abundant and subtle emotional expressions, A Critical Biography of Mu Dan (Zha Liangzheng): A Poet and a Translator is an artistic and academic biographic monograph. |
| pushkin bibliography: A Practical Guide to Electronic Resources in the Humanities Ana Dubnjakovic, Patrick Tomlin, 2010-09-25 From full-text article databases to digitized collections of primary source materials, newly emerging electronic resources have radically impacted how research in the humanities is conducted and discovered. This book, covering high-quality, up-to-date electronic resources for the humanities, is an easy–to-use annotated guide for the librarian, student, and scholar alike. It covers online databases, indexes, archives, and many other critical tools in key humanities disciplines including philosophy, religion, languages and literature, and performing and visual arts. Succinct overviews of key emerging trends in electronic resources accompany each chapter. - The only reference guide to electronic resources written specifically for the humanities - Addresses all major humanities disciplines in one convenient guide - Concise format ideal for students, librarians, and humanities researchers |
| pushkin bibliography: Taboo Pushkin Alyssa Dinega Gillespie, 2012-07-24 Since his death in 1837, Alexander Pushkin—often called the “father of Russian literature”—has become a timeless embodiment of Russian national identity, adopted for diverse ideological purposes and reinvented anew as a cultural icon in each historical era (tsarist, Soviet, and post-Soviet). His elevation to mythic status, however, has led to the celebration of some of his writings and the shunning of others. Throughout the history of Pushkin studies, certain topics, texts, and interpretations have remained officially off-limits in Russia—taboos as prevalent in today’s Russia as ever before. The essays in this bold and authoritative volume use new approaches, overlooked archival materials, and fresh interpretations to investigate aspects of Pushkin’s biography and artistic legacy that have previously been suppressed or neglected. Taken together, the contributors strive to create a more fully realized Pushkin and demonstrate how potent a challenge the unofficial, taboo, alternative Pushkin has proven to be across the centuries for the Russian literary and political establishments. |
| pushkin bibliography: The Cambridge Bibliography of English Literature Frederick Wilse Bateson, 1940 |
| pushkin bibliography: Scholars' Guide to Humanities and Social Sciences in the Soviet Union and the Baltic States Tigran Martirosyan, Silvia Maretti, S. Frederick Starr, 2019-11-21 In the years since the first edition of the Guide was published, the research institutions of the academies of sciences of the USSR and the republics have undergone several, sometimes radical, reorganizations and reaffiliations. This guide to academy institutions supplies names, addresses, and historical, research, and organizational profiles for each institution, with summary information on staffing, current projects, special facilities, and libraries. The end of the Cold War has brought with it many changes of attitude and policy in the political arena; however, nowhere has change been so emotionally charged as in the area of politically-based emigration. Refugee policy is the driving force behind many of today's headlines, influencing both foreign and domestic policy. In Desperate Crossings, authors Norman L. and Naomi Flink Zucker chronicle and analyze the phenomenon of mass escape that began with the Haitians, but exploded into the American consciousness in the spring of 1980 with the Mariel boatlift and the subsequent mass exodus from Central America, and was most recently manifested in the Haitian and Cuban exoduses of 1994. In a compelling and carefully documented narrative, they identify the troika of interests - foreign policy, domestic pressures, and costs - that have controlled and determined the American response to refugees since before the Second World War, continuing until today. Desperate Crossings concludes by proposing a comprehensive and politically palatable approach to future refugee flows, both in our hemisphere and for the world community-at-large - including Europe and Asia. The authors suggest how, by changing the course of its refugee policies and programs, the United States can better respond to both the needs of refugees and the demands of its citizens. |
| pushkin bibliography: Lev Shestov Andrea Oppo, 2021-03-02 This study spans the entire life and work of the Russian philosopher Lev Shestov (1866-1938). It offers keys to understanding his thought, while also tracing the historical itinerary of his work. Shestov’s thought is not only interesting in itself, as a “philosophy fighting against philosophy,” but also because it reveals an entire world of cultural connections in its extraordinarily keen exploration of other “souls.” The reader will find in Shestov some of the sharpest analyses of authors such as Shakespeare, Nietzsche, Tolstoi, Dostoevskii, Luther, Plotinus, Pascal, Kierkegaard and many others. This study will better determine the controversial and fascinating philosopher’s place in the history of Russian and Western thought. |
| pushkin bibliography: With Shakespeare's Eyes Catherine O'Neil, 2003 With Shakespeare's Eyes is the first monograph to focus exclusively on the relationship between the Russian poet Alexander Pushkin and Shakespeare. Taking into account contemporary perceptions of Shakespeare in print and on the Russian stage, O'Neil examines all levels of poetic influence of Shakespeare on Pushkin. In addition to untangling the central presence of Shakespeare on Pushkin's historical tragedy 'Boris Godunov'. O'Neil examines Shakepeare's influence in many other works by Pushkin, an influence that ranges from the textual to the conceptual. The Shakespeare plays addressed most closely in this book are 'Othello', 'Measure for Measure', and 'Julius Ceasar', all of which interact in a dynamic way with Pushkin's creative development. This book will help English readers understand better what it means to say Pushkin is 'the Shakespeare of Russia.' Catherine O'Neil is Assistant Professor of Russian at the University of Denver. |
| pushkin bibliography: This Thing of Darkness Joan Neuberger, 2019-03-15 Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the twentieth century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power. |
| pushkin bibliography: Social Functions of Literature Paul Debreczeny, 1997 This study of the effect of literature on readers, both as individuals and as members of social groups, focuses on Russia's national poet, Alexander Pushkin, as a model for investigating the aesthetic and social functions of literature. The individual reader's response to the literary text is demonstrated in Part One through a broad range of memoirs, diaries, and correspondences in which Russian readers recorded their reactions to Pushkin. Among the reactions are testimonies that Pushkin's works helped readers form their personalities, provided cathartic relief in times of stress, and aided them in releasing their suppressed emotions. In his analysis, the author draws on various psychological approaches, from studies of perception through developmental psychology to psychoanalysis. Part Two exposes the extent to which individuals' aesthetic responses are conditioned by their social environment. Against the backdrop of Russian social history in the early nineteenth century, the author describes the dissemination of new aesthetic norms, notably the relations of the Russian literary elite to lowbrow and middlebrow groups. In this context, he analyzes a number of Pushkin imitations (with Pushkin's responses to them) and links Nikolai Gogol's development as a writer to the social groups surrounding Pushkin. Among the other topics discussed are the popularization of Pushkin on the stage and his inclusion in school textbooks and anthologies. The aura surrounding the personality of an author is the subject of Part Three, in which the author shows how Pushkin's death in a duel with a foreigner contributed to his emergence as a symbol of the Russian nation, and how deep-seated anxiety about national identity gave rise to the Pushkin myth and to the canonization of the poet as martyr. The author also describes how the combined effect of the widespread reading of Pushkin's work and his legend as martyr allowed him to remain Russia's main mythic figure despite the Soviet Union's attempts to supplant him with Lenin. Throughout the book, theoretical arguments are buttressed by close readings of Pushkin's works, especially The Prisoner of the Caucasus, Eugene Onegin, Poltava, Egyptian Nights, and several lyric poems. |
| pushkin bibliography: Greetings, Pushkin! Jonathan Brooks Platt, 2016-09-02 In 1937, the Soviet Union mounted a national celebration commemorating the centenary of poet Alexander Pushkin's death. Though already a beloved national literary figure, the scale and feverish pitch of the Pushkin festival was unprecedented. Greetings, Pushkin! presents the first in-depth study of this historic event and follows its manifestations in art, literature, popular culture, education, and politics, while also examining its philosophical underpinnings. Jonathan Brooks Platt looks deeply into the motivations behind the Soviet glorification of a long-dead poet—seemingly at odds with the October revolution's radical break with the past. He views the Pushkin celebration as a conjunction of two opposing approaches to time and modernity: monumentalism and eschatology. Monumentalism—in pointing to specific moments and individuals as the origin point for cultural narratives, and eschatology—which glorifies ruptures in the chain of art or thought, and the destruction of canons. In the midst of the Great Purge, the Pushkin jubilee was a critical element in the drive toward a nationalist discourse that attempted to unify and subsume the disparate elements of the Soviet Union, supporting the move to socialism in one country. |
Alexander Pushkin - Wikipedia
Alexander Sergeyevich Pushkin [a] [b] (6 June [O.S. 26 May] 1799 – 10 February [O.S. 29 January] 1837) was a Russian poet, playwright, and novelist of the Romantic era. [3] He is …
Aleksandr Pushkin | Biography, Works, & Legacy | Britannica
Jun 2, 2025 · Aleksandr Pushkin, Russian poet, novelist, dramatist, and short-story writer who has often been considered his country’s greatest poet and the founder of modern Russian …
Pushkin Industries: Podcast & Audiobook Production Company
Pushkin Industries is dedicated to producing audio in any format that challenges listeners, encourages their curiosity, and inspires joy.
Alexander Pushkin | The Poetry Foundation
Russia’s most famous poet, Alexander Pushkin was born into one of Russia’s most famous noble families. His mother was the granddaughter of an Abyssinian prince, Hannibal, who had been …
Alexander Pushkin - Simple English Wikipedia, the free …
Aleksandr Pushkin by Vasily Tropinin. Alexander Sergeyevich Pushkin was born 6 June (26 May, Old Style) 1799, Moscow, and died 10 February 1837 (29 January, New Style), St Petersburg. …
Alexander Pushkin: Overview, Facts, and Works - Poem Analysis
Alexander Pushkin was a revolutionary 19th century Russian poet and novelist who toiled with exile and political tensions, while changing the face of Russian literature. Alexander Pushkin …
Biography - Alexander Pushkin
Pushkin was the first Russian writer who began to earn his living by literary work. He created not only lyric poems, but also fairy tales, historical prose and works in support of revolutionaries – …
Aleksandr Pushkin summary | Britannica
Aleksandr Pushkin, (born June 6, 1799, Moscow, Russia—died Feb. 10, 1837, St. Petersburg), Russian writer. Born into an aristocratic family, Pushkin began his literary career while still a …
Russian literature - Aleksandr Pushkin, Poetry, Novels | Britannica
Pushkin occupies a unique place in Russian literature. It is not just that Russians view him as their greatest poet; he is also virtually the symbol of Russian culture. His life, as well as his work, …
Pushkin's Biography
Aleksandr Sergeevich Pushkin was born in Moscow on May 26, 1799 (Old Style). In 1811 he was selected to be among the thirty students in the first class at the Lyceum in Tsarskoe Selo . He …
Alexander Pushkin - Wikipedia
Alexander Sergeyevich Pushkin [a] [b] (6 June [O.S. 26 May] 1799 – 10 February [O.S. 29 January] 1837) was a Russian poet, playwright, and novelist of the Romantic era. [3] He is …
Aleksandr Pushkin | Biography, Works, & Legacy | Britannica
Jun 2, 2025 · Aleksandr Pushkin, Russian poet, novelist, dramatist, and short-story writer who has often been considered his country’s greatest poet and the founder of modern Russian …
Pushkin Industries: Podcast & Audiobook Production Company
Pushkin Industries is dedicated to producing audio in any format that challenges listeners, encourages their curiosity, and inspires joy.
Alexander Pushkin | The Poetry Foundation
Russia’s most famous poet, Alexander Pushkin was born into one of Russia’s most famous noble families. His mother was the granddaughter of an Abyssinian prince, Hannibal, who had been …
Alexander Pushkin - Simple English Wikipedia, the free …
Aleksandr Pushkin by Vasily Tropinin. Alexander Sergeyevich Pushkin was born 6 June (26 May, Old Style) 1799, Moscow, and died 10 February 1837 (29 January, New Style), St Petersburg. …
Alexander Pushkin: Overview, Facts, and Works - Poem Analysis
Alexander Pushkin was a revolutionary 19th century Russian poet and novelist who toiled with exile and political tensions, while changing the face of Russian literature. Alexander Pushkin …
Biography - Alexander Pushkin
Pushkin was the first Russian writer who began to earn his living by literary work. He created not only lyric poems, but also fairy tales, historical prose and works in support of revolutionaries – …
Aleksandr Pushkin summary | Britannica
Aleksandr Pushkin, (born June 6, 1799, Moscow, Russia—died Feb. 10, 1837, St. Petersburg), Russian writer. Born into an aristocratic family, Pushkin began his literary career while still a …
Russian literature - Aleksandr Pushkin, Poetry, Novels | Britannica
Pushkin occupies a unique place in Russian literature. It is not just that Russians view him as their greatest poet; he is also virtually the symbol of Russian culture. His life, as well as his work, …
Pushkin's Biography
Aleksandr Sergeevich Pushkin was born in Moscow on May 26, 1799 (Old Style). In 1811 he was selected to be among the thirty students in the first class at the Lyceum in Tsarskoe Selo . He …
