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pygmalion movie 1999: Ovid's Myth of Pygmalion on Screen Paula James, 2011-10-06 > |
pygmalion movie 1999: Rethinking the Hollywood Teen Movie Frances Smith, 2018-06-30 An analysis of novelistic explorations of modernism in mathematics and its cultural interrelations. |
pygmalion movie 1999: Unlikely Couples Thomas E. Wartenberg, 1999-07-29 Examines the way popular films about mismatched couples explore, expose, and often criticize societal attitudes, boundaries, and prejudices. |
pygmalion movie 1999: The Critic Richard Brinsley Sheridan, 1908 |
pygmalion movie 1999: The Making of My Fair Lady Keith Garebian, 1998 The common lament was Broadway will never be the same! when My Fair Lady finally ended its stellar run the night of Sunday, September 30, 1962. Millions of people had seen the show over six years and had helped break box-office records, even though Rex Harrison, Julie Andrews, Stanley Holloway, and Robert Coote did not stay with the cast throughout the six-year run. MyFair Lady used the substance and wit of George Bernard Shaw to add a new dimension to the Broadway libretto. |
pygmalion movie 1999: Ovid on Screen Martin M. Winkler, 2020-01-30 The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media. |
pygmalion movie 1999: Difference Elizabeth Weed, Naomi Schor, Ellen Rooney, 2006 This special issue of differences celebrates the work of the contemporary feminist literary critic and theorist Barbara Johnson, whose work has been revolutionary in foregrounding concepts of difference. Johnson's is a unique method of literary reading in which literature becomes, in her words, a mode of cultural work, the work of giving-to-read those impossible contradictions that cannot yet be spoken. The contributors to this issue recognize that one of Johnson's primary gifts to literary studies is her ability to teach theoretical insights, not in a pedagogically prescriptive or didactic way, but through her exquisitely close readings of texts that illustrate the force of theory and language in practice. The first half of the issue comprises essays in which scholars influenced by Johnson offer close readings of texts ranging from Sandra Cisneros's Carmelo to Edith Wharton's Roman Fever to George Bernard Shaw's Pygmalion. Each of the remaining essays is marked by the intimate voice of its author offering a reflective tribute to Johnson's thought and teaching. Contributors. Lauren Berlant, Rachel Bowlby, Bill Brown, Mary Wilson Carpenter, Pamela Caughie, Lee Edelman, Jane Gallop, Bill Johnson González, Deborah Jenson, Lili Porten, Avital Ronell, Mary Helen Washington |
pygmalion movie 1999: The Last September Elizabeth Bowen, 1929 |
pygmalion movie 1999: Not to be Missed Kenneth Turan, 2014-06-03 The images and memories that matter most are those that are unshakeable, unforgettable. Kenneth Turan’s fifty-four favorite films embrace a century of the world’s most satisfying romances and funniest comedies, the most heart-stopping dramas and chilling thrillers. Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes. Not to be Missed blends cultural criticism, historical anecdote, and inside-Hollywood controversy. Turan’s selection of favorites ranges across all genres. From All About Eve to Seven Samurai to Sherlock Jr., these are all timeless films—classic and contemporary, familiar and obscure, with big budgets and small—each underscoring the truth of director Ingmar Bergman’s observation that “no form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.” |
pygmalion movie 1999: The Voice in Cinema Michel Chion, 1999 Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma. |
pygmalion movie 1999: Pub Quiz Eric Saunders, 2021-10-15 Over 4000 questions, together with a 'how to run a pub quiz' introduction, provide you with everything to host the best quiz night ever! The questions cover a wide range of subjects to test the general knowledge of the most seasoned quiz fans. |
pygmalion movie 1999: Movie Houses of Greater Newark Philip M. Read, 2013 For decades, Newark and its environs have been lit up by the bright neon lights of grand movie palaces and theaters. In the early 20th century, stages that were originally built for vaudeville acts were turned over to silver screens and the flickering images from motion-picture projectors. This new technology ushered Hollywood movies to the East Coast and made cinema accessible for locals to enjoy. Movie houses and palaces provided moviegoers a new type of viewing experience. With ornate interiors and rich architecture, these institutions offered their patrons a beautiful setting to watch classic films. Over time, these establishments evolved and began hosting burlesque shows and rock concerts. Today, many of these downtown landmarks have been demolished, replaced, or adaptively renovated into the modern multiplexes of today. Images of the Paramount and the Mosque Theater help Movie Houses of Greater Newark tell the story of an era when going to the movies was an event. |
pygmalion movie 1999: Man and Superman Bernard Shaw, 2022-06-13 Man and Superman is a four-act drama written by George Bernard Shaw in 1903. It was written in response to a call for Shaw to write a play based on the Don Juan theme and became one of the greatest works in his heritage. |
pygmalion movie 1999: Loving Psychoanalysis Susan S. Levine, 2008-12-12 Loving Psychoanalysis is written by an analyst who loves doing psychoanalysis, and who believes that psychoanalysis is a fundamentally loving endeavor. Levine argues that the proper working attitude of the analyst is not one of neutrality, in the sense of the blank screen, but one of loving. This love should be expressed through the deepest empathy of which the analyst is capable, through the disciplined use of the arts and crafts of attention and interpretation, through thoughtful abstinence, through considered anonymity, and through the inevitable self-revelations and necessary self-disclosures that each particular patient requires. The chapters explore overlapping interdisciplinary themes, each chapter addressing elements of both theory and technique. How do the analyst's and patient's wishes to create and to be (re)created affect the treatment? What is the role of courage in the clinical endeavor for both analyst and patient? Why do analysts love doing psychoanalysis and why can psychoanalysis be thought of as aesthetic? What is the 'self' of the analyst in self-revelation and self-disclosure, and how can we think about this technical issue in a fresh way? Levine addresses these and many other relevant questions in Loving Psychoanalysis. |
pygmalion movie 1999: The Nexus Jon H. Widener M.D., 2017-06-28 The Nexus, so-named because of the operational intersection or Nexus of faith and culture, is an alphabetized manual of cultural artifacts of significance to Christians. In The Nexus, Jon Widener observes how Christianity has lost many battles over the years and how the evangelical community has been fraught with endemic anti-intellectualism. He sees an evangelical insularity taking the form of retreat and retrenchment from the comings and goings of the larger society. Dr. Widener proposes that modern Christian believers correct these deficits by exercising the exhortation of I Pet 3:15 (KJV) to always be prepared to give an answer to every man that asketh you a reason of the hope that is in you. Believers should educate themselves on culturally relevant issues where there are questions of Christian morality. This is the burden and purpose of the book. Accordingly, the standard for inclusion is straight-forward. If the topic is culturally encountered and has moral implications, then it meets the threshold standard for inclusion in the work. |
pygmalion movie 1999: Encyclopedia of African American Actresses in Film and Television Bob McCann, 2022-09-23 The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture. |
pygmalion movie 1999: The Screenplay as Literature Douglas Garrett Winston, 1973 |
pygmalion movie 1999: Faith in Film Christopher Deacy, 2017-03-02 How plausible is it to examine the medium of film through a Christian lens? Are there any grounds for supposing that, in 'going to the movies', one is participating in a religious activity? Faith in Film identifies and explores these key questions. From the unprecedented and innovative perspective of Christian theology, this book investigates how cinema audiences wrestle with religious beliefs and values. Through a reading of films as diverse as Groundhog Day, Billy Liar, Fight Club, Nobody's Fool and The Passion of the Christ, Deacy reveals that the movies raise vital questions about the spiritual landscape and normative values of western society today. |
pygmalion movie 1999: The New York Times Guide to the Best 1,000 Movies Ever Made Peter M. Nichols, 2004-02-21 From the film critics of The New York Times come these uncut, original reviews of the most popular and influential movies ever made -- from the Talkies to blockbuster megahits like Chicago and The Wizard of Oz; from timeless classics like Casablanca and Notorious, to beloved foreign films by Truffaut and Kurosawa, Fellini and Almodovar. The reviews, eloquent, incisive, and intuitive, reflect Hollywood history at its best -- must-have reading for movie lovers or Students. In addition, this essential volume includes: * Full cast and production credits for every movie * The ''10 Best lists for every year from 1931 to the present * An index of films by genre, and an index of foreign films by country of origin. This edition is thoroughly updated to include all the important movies of the past several years, as well as a new introduction by A Times film critic, A. O. Scott. |
pygmalion movie 1999: The Classical Outlook , 2005 |
pygmalion movie 1999: Canadian Cinema Since the 1980s David L. Pike, 2012-12-06 Award-winning author David L. Pike offers a unique focus on the crucial quarter-century in Canadian filmmaking when the industry became a viable force on the international stage. Pike provides a lively, personal, and accessible history of the most influential filmmakers and movements of both Anglo-Canadian and Quebecois cinema, from popular movies to art film and everything in between. Along with in-depth studies of key directors, including David Cronenberg, Patricia Rozema and Denys Arcand, Jean-Claude Lauzon, Robert Lepage, Léa Pool, Atom Egoyan, and Guy Maddin, Canadian Cinema since the 1980s reflects on major themes and genres and explores the regional and cultural diversity of the period. Pike positions Canadian filmmaking at the frontlines of a profound cinematic transformation in the age of global media and presents fresh perspectives on both its local and international contexts. Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts. |
pygmalion movie 1999: The Film Appreciation Book Jim Piper, 2014-11-18 This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
pygmalion movie 1999: Writing the Comedy Movie Marc Blake, 2015-12-17 A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners-- |
pygmalion movie 1999: The World's Wife Carol Ann Duffy, 2001-04-09 Mrs Midas, Queen Kong, Mrs Lazarus, the Kray sisters, and a huge cast of others startle with their wit, imagination, lyrical intuition and incisiveness. |
pygmalion movie 1999: Disney Voice Actors Thomas S. Hischak, 2011-10-06 This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters. |
pygmalion movie 1999: English as a Global Language David Crystal, 2012-03-29 Written in a detailed and fascinating manner, this book is ideal for general readers interested in the English language. |
pygmalion movie 1999: Hollywood Goes Shopping David Desser, Garth Jowett, 2000 Aggressive product placement and retail tie-ins are as much a part of moviemaking today as high-concept scripts and computer-generated special effects, but this phenomenon is hardly recent. Since the silent era, Hollywood studios have proved remarkably adept at advertising both their own products and a bewildering variety of consumer commodities, successfully promoting the idea of consumption itself. Hollywood Goes Shopping brings together leading film studies scholars to explore the complex and sometimes contradictory relationship between American cinema and consumer culture, providing an innovative reading of both film history and the evolution of consumerism in the twentieth century. |
pygmalion movie 1999: Literature in the Language Classroom Joanne Collie, Stephen Slater, 1987-12-17 A variety of imaginative techniques for integrating literature work with language learning. |
pygmalion movie 1999: The Film Experience Timothy Corrigan, Patricia White, 2012-01-03 A comprehensive introduction to film that recognizes students as movie fans and helps them understand the art form's full scope. The authors situate their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we watch film, from economics and exhibition to marketing and the star system. -- Blackwells. |
pygmalion movie 1999: Feminist Film Theory and Pretty Woman Mari Ruti, 2016-10-20 An overview of feminist film theory and how it explicates Pretty Woman. |
pygmalion movie 1999: Hard Core Linda Williams, 1999-04-27 On hard core pornographic cinema. |
pygmalion movie 1999: Social Psychology Thomas E. Heinzen, Thomas Heinzen, Wind Goodfriend, 2017-11-30 Weaving stories from personal experiences with compelling examples from everyday life, Social Psychology introduces the field as an evolving, science-driven conversation, prompting students to become active participants in the social psychology dialogue. |
pygmalion movie 1999: Gramophone, Film, Typewriter Friedrich A. Kittler, 1999 On history of communication |
pygmalion movie 1999: As If! Jen Chaney, 2015-07-07 Will we ever get tired of Clueless? Ugh, as if! Acclaimed pop culture journalist Jen Chaney celebrates the twentieth anniversary of the classic film’s release in the first book of its kind, weaving together original interviews with writer and director Amy Heckerling; key cast members, including Alicia Silverstone (Cher), Paul Rudd (Josh), Stacey Dash (Dionne), Donald Faison (Murray), Elisa Donovan (Amber), Wallace Shawn (Mr. Hall), Twink Caplan (Ms. Geist and associate producer); and other crucial Clueless players like costume designer Mona May, casting director Marcia Ross, director of photography Bill Pope, former Paramount chairwoman Sherry Lansing, and many more. Cast and crew also pay heartfelt tribute to the late Brittany Murphy, who lit up the screen as Cher’s protégée, Tai. Chaney explores the influence of Jane Austen’s Emma as the unlikely framework for Heckerling’s script, the rigorous casting process (including the future stars who didn’t make the cut), the functional yet fashion-forward wardrobe, the unique slang that drew from the past and coined new phrases for the future, the sun-drenched soundtrack that set the tone, and—above all—the massive amount of work, creativity, and craft that went into making Clueless look so effortlessly bright and glossy. As If! illuminates why plaid skirts and knee socks will never go out of style, and why Clueless remains one of the most beloved comedies of all time. |
pygmalion movie 1999: Notes from a Small Island Bill Bryson, 2015-06-02 Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey. |
pygmalion movie 1999: The Encyclopedia of British Film Brian McFarlane, 2005 Fully updated edition of a comprehensive history of the British film industry from its inception to the present day, with minute listings of the producers, directors, actors and studios behind a century or so of great British cinema. An invaluable addition to the reference shelf of anyone with an interest in British cinema.Brian McFarlane is professor of film history at Monash University in Australia. |
pygmalion movie 1999: But Is It Art? Cynthia Freeland, 2002-02-07 In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. |
pygmalion movie 1999: Vapor Amanda Filipacchi, 2003-07-01 In a surrealist romance, Damon, a madcap scientist, illegally holds Anna Graham prisoner in a cloud-filled house to discipline her into becoming a great actress, thus granting what he perceives to be her greatest desire in repayment for saving his life. Reprint. |
pygmalion movie 1999: The Spinning Man George Harrar, 2004-01-26 Follows the story of family man Evan Birch, whose accused involvement in the disappearance of a high school cheerleader appears to be a case of mistaken identity until elusive clues and inconclusive behaviors suggest a darker side to his personality. |
pygmalion movie 1999: A Study Guide for Ernest Cline's "Ready Player One" Gale, Cengage, 2019-05-17 A Study Guide for Ernest Cline's Ready Player One, excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs. |
Pygmalion (play) - Wikipedia
Pygmalion is a play by Irish playwright George Bernard Shaw, named after the Greek mythological figure. It premiered at the Hofburg Theatre in Vienna on 16 October 1913 and was first presented …
Pygmalion | Summary, Characters, & Facts | Britannica
May 22, 2025 · Pygmalion, romance in five acts by George Bernard Shaw, produced in German in 1913 in Vienna. It was performed in England in 1914, with Mrs. Patrick Campbell as Eliza Doolittle. …
The Project Gutenberg eBook of Pygmalion, by George Bernard …
Mar 1, 2003 · I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject …
Pygmalion: Full Play Summary - SparkNotes
A short summary of George Bernard Shaw 's Pygmalion. This free synopsis covers all the crucial plot points of Pygmalion.
Pygmalion Study Guide | Literature Guide - LitCharts
The best study guide to Pygmalion on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.
A Summary and Analysis of George Bernard Shaw’s Pygmalion
Although it is often conflated in the popular imagination with the much-loved musical it inspired, George Bernard Shaw’s 1912 play Pygmalion is somewhat different from the romantic comedy …
Pygmalion - Greek Mythology
Pygmalion was a legendary figure of Cyprus, who worked as a sculptor. After seeing the daughters of Propoetus, the Propoetides, prostituting, Pygmalion decided that he was not interested in …
PYGMALION - Cyprian King & Sculptor of Greek Mythology
PYGMALION was a king of the island of Kypros (Cyprus) who fell in love with an ivory statue of the goddess Aphrodite. In answer to his prayers the statue was brought to life and afterwards …
Pygmalion | George Bernard Shaw | Lit2Go ETC
Pygmalion is a play by George Bernard Shaw. It tells the story of Henry Higgins, a professor of phonetics who makes a bet with his friend Colonel Pickering that he can successfully pass off a …
Pygmalion (mythology) - Wikipedia
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus . He is most familiar from Ovid 's narrative poem …
Pygmalion (play) - Wikipedia
Pygmalion is a play by Irish playwright George Bernard Shaw, named after the Greek mythological figure. It premiered at the Hofburg Theatre in Vienna on 16 October 1913 and …
Pygmalion | Summary, Characters, & Facts | Britannica
May 22, 2025 · Pygmalion, romance in five acts by George Bernard Shaw, produced in German in 1913 in Vienna. It was performed in England in 1914, with Mrs. Patrick Campbell as Eliza …
The Project Gutenberg eBook of Pygmalion, by George Bernard …
Mar 1, 2003 · I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and …
Pygmalion: Full Play Summary - SparkNotes
A short summary of George Bernard Shaw 's Pygmalion. This free synopsis covers all the crucial plot points of Pygmalion.
Pygmalion Study Guide | Literature Guide - LitCharts
The best study guide to Pygmalion on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.
A Summary and Analysis of George Bernard Shaw’s Pygmalion
Although it is often conflated in the popular imagination with the much-loved musical it inspired, George Bernard Shaw’s 1912 play Pygmalion is somewhat different from the romantic comedy …
Pygmalion - Greek Mythology
Pygmalion was a legendary figure of Cyprus, who worked as a sculptor. After seeing the daughters of Propoetus, the Propoetides, prostituting, Pygmalion decided that he was not …
PYGMALION - Cyprian King & Sculptor of Greek Mythology
PYGMALION was a king of the island of Kypros (Cyprus) who fell in love with an ivory statue of the goddess Aphrodite. In answer to his prayers the statue was brought to life and afterwards …
Pygmalion | George Bernard Shaw | Lit2Go ETC
Pygmalion is a play by George Bernard Shaw. It tells the story of Henry Higgins, a professor of phonetics who makes a bet with his friend Colonel Pickering that he can successfully pass off …
Pygmalion (mythology) - Wikipedia
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus . He is most familiar from Ovid 's narrative …