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| psychoanalysis and storytelling: Psychoanalysis as Therapy and Storytelling Antonino Ferro, 2012-07-26 Is psychoanalysis a type of literature? Can telling 'stories' help us to get at the truth? Psychoanalysis as Therapy and Storytelling examines psychoanalysis from two perspectives - as a cure for psychic suffering, and as a series of stories told between patient and analyst. Antonino Ferro uses numerous clinical examples to investigate how narration and interpretation are interconnected in the analytic session. He draws on and develops Bion's theories to present a novel perspective on subjects such as: psychoanalysis as a particular form of literature sexuality as a narrative genre or dialect in the analyst's consulting room delusion and hallucination acting out, the countertransference and the transgenerational field play: characters, narrations and interpretations. Psychoanalytic clinicians and theoreticians alike will find the innovative approach to the analytic session described here of great interest. Winner of the 2007 Sigourney Award. |
| psychoanalysis and storytelling: Psychoanalysis and Storytelling Peter Brooks, 1994 Psychoanalysis and Narrative is a clear and exemplary demonstration of the ways in which the vital connections between psychoanalysis and literature can be articulated without reductive simplification. Following Freud's assumption that sexuality and narrative form are analogous, Brooks proposes that literature constitutes a fundamental part of human existence. He supplements the terminology of narrative theory with the rich and suggestive language of psychoanalysis. |
| psychoanalysis and storytelling: Psychoanalysis and Storytelling Peter Brooks, 1994-01-31 Psychoanalysis and Narrative d is a clear and exemplary demonstration of the ways in which the vital connections between psychoanalysis and literature can be articulated without reductive simplification. Following Freud's assumption that sexuality and narrative form are analogous, Brooks proposes that literature constitutes a fundamental part of human existence. He supplements the terminology of narrative theory with the rich and suggestive language of psychoanalysis. |
| psychoanalysis and storytelling: Psychoanalysis and Literature Marilyn Charles, 2015-03-25 Psychoanalysis and Literature:The Stories We Live, Marilyn Charles pairs case vignettes with examples from literature to highlight the essential human struggles that play out in the consulting room. This pairing depathologizes those struggles and offers a conceptual framework that can help the clinician facilitate these journeys of discovery. Describing first how literature affords an opportunity for vicarious engagement with struggles endemic to the human condition, she then focuses on trauma, dreams, and ‘cultural collisions’ turning more explicitly to the developmental challenges of identity, relatedness, aging, and generativity. Psychoanalysis and Literature is accessible, relevant, and timely. |
| psychoanalysis and storytelling: Narrative and Psychotherapy John McLeod, 1997-11-14 `A densely packed book with interesting and valuable research gleaned from a wide variety of therapy approaches, Narrative and Psychotherapy furnishes the reader with a cogent historical appraisal of the way psychotherapy, culture and storytelling fit together.... A good reference book for counsellors and students.... The authors′ students, and clients, must be very happy that he has the interest and the capacity to tune in to others in such a fresh manner′ - Counselling, The Journal of the British Association for Counselling The core of psychotherapy can be seen as a process in which the client comes to tell, and then re-author, an individual life-story or personal narrative. The author of this book argues that all therapies are, therefore, narrative therapies, and that the counselling experience can be understood in terms of telling and retelling stories. If the story is not heard, then the therapist and the client are deprived of the most effective and mutually involving mode of discourse open to them. Taking a narrative approach also requires thinking about the nature of truth, the concept of the person, the relationship between therapist and client, and the knowledge base of psychotherapy. John McLeod examines the role and significance of stories in psychotherapy from within a broad-based cultural and theoretical framework. |
| psychoanalysis and storytelling: Family Secrets and the Psychoanalysis of Narrative Esther Rashkin, 2014-07-14 Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The haunted individual to whom the encrypted secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, authorship, and the formation and origins of narrative. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| psychoanalysis and storytelling: Psychoanalysis and Hidden Narrative in Film Trevor C. Pederson, 2018-10-25 Psychoanalysis and Hidden Narrative in Film proposes a way of constructing hidden psychological narratives of popular film and novels. Instead of offering interpretations of classic films, Trevor C. Pederson recognizes that the psychoanalytic tradition began with making sense of the seemingly inconsequential. Here he turns his attention to popular films like Joel Schumacher's The Lost Boys (1987). While masterworks like Psycho (1960) are not the object of interpretation, Hitchcock’s film is used as a skeleton key. The revelation that Norman Bates’ character had been his mother all along, suggests a framework of reading a film as having symptom characters who are excised to create a latent plot. The symptom character's behavior or inter-relations are then transcribed to an ego character. This is a shift in the tradition of literary doubling from hermeneutic intuition to a formal methodology that generates data for the unconscious. Pederson continues the project of unifying competing schools into a single model of mind and offers clinical examples from his own practice for all its terms. Psychodynamic techniques that emphasize the importance of working with the body, the id, and the ubiquity of repetition are introduced. A return to Freud’s structural theory, in which complexes are anchored in the stages of superego development, is used to carefully plot and explain the social nature of the superego and its relation to authority in society (secondary narcissism) and the otherworldly (primary narcissism). Discrete phases of superego development and their ties to both the social and the id revive the grand promises of classical psychoanalysis to link with every field in the humanities. Psychoanalysis and Hidden Narrative in Film will appeal to psychoanalysts and psychoanalytic psychotherapists as well as scholars of film studies and literature interested in using a psychoanalytic approach and ideas in their work. |
| psychoanalysis and storytelling: Partners in Thought Donnel B. Stern, 2010-04-02 Building on the innovative work of Unformulated Experience, Donnel B. Stern continues his exploration of the creation of meaning in clinical psychoanalysis with Partners in Thought. The chapters in this fascinating book are undergirded by the concept that the meanings which arise from unformulated experience are catalyzed by the states of relatedness in which the meanings emerge. In hermeneutic terms, what takes place in the consulting room is a particular kind of conversation, one in which patient and analyst serve as one another’s partner in thought, an emotionally responsive witness to the other’s experience. Enactment, which Stern theorizes as the interpersonalization of dissociation, interrupts this crucial kind of exchange, and the eventual breach of enactments frees analyst and patient to resume it. Later chapters compare his views to the ideas of others, considering mentalization theory and the work of the Boston Change Process Study Group. Approaching the link between dissociation and enactment via hermeneutics, metaphor, and narrative, among other perspectives, Stern weaves an experience-near theory of psychoanalytic relatedness that illuminates dilemmas clinicians find themselves in every day. Full of clinical illustrations showing how Stern works with dissociation and enactment, Partners in Thought is destined to take its place beside Unformulated Experience as a major contribution to the psychoanalytic literature. |
| psychoanalysis and storytelling: Story of Anna O. the woman who led Freud to psychoanalysis Lu Freeman, 1994 |
| psychoanalysis and storytelling: The Examined Life: How We Lose and Find Ourselves Stephen Grosz, 2014-05-12 An easy to understand overview of the process of psychoanalysis with illustrative examples. |
| psychoanalysis and storytelling: Emotion and Narrative Tilmann Habermas, 2019 The way we tell stories influences how others react to our emotions, and impacts how we cope with emotions ourselves. |
| psychoanalysis and storytelling: Seduced by Story Peter Brooks, 2022-10-18 In this spiritual sequel to his influential Reading for the Plot, Peter Brooks examines the dangerously alluring power of storytelling. “There’s nothing in the world more powerful than a good story. Nothing can stop it. Nothing can defeat it.” So begins the scholar and literary critic Peter Brooks’s reckoning with today’s flourishing cult of story. Forty years after publishing his seminal work Reading for the Plot, his important contribution to what came to be known as the “narrative turn” in contemporary criticism and philosophy, Brooks returns to question the unquestioning fashion in which story is now embraced as an excuse or explanation and the fact that every brand or politician comes equipped with one. In a discussion that ranges from The Girl on the Train to legal argument, Brooks reminds us that among the powers of narrative is the power to deceive. |
| psychoanalysis and storytelling: Freud's Free Clinics Elizabeth Ann Danto, 2005 Drawing on interviews with witnesses to the early psychoanalytic movement as well as new archival material, this chronicle seeks to rescue from obscurity the history of a movement usually regarded as an expensive form of treatment for the economically & intellectually advantaged. |
| psychoanalysis and storytelling: The Cambridge Companion to Literature and Psychoanalysis Vera J. Camden, 2021-12-16 The Cambridge Companion to Literature and Psychoanalysis explains the link between literature and psychoanalysis for students, critics and teachers. It offers a twenty-first century resource for defining and analyzing the psychoanalytic dimensions of human creativity in contemporary society. Essays provide critical perspectives on selected canonical authors, such as William Shakespeare, Jane Austen, Virginia Woolf, Toni Morrison, and James Baldwin It also offers analysis of contemporary literature of social, sexual and political turmoil, as well as newer forms such as film, graphic narrative, and autofiction. Divided into five sections, each offering the reader different subject areas to explore, this volume shows how psychoanalytic approaches to literature can provide valuable methods of interpretation. It will be a key resource for students, teachers and researchers in the field of literature and psychoanalysis as well as literary theory. |
| psychoanalysis and storytelling: Retelling A Life Roy Schafer, 1994-04-29 Here is the long-awaited new book by the influential, always provocative psychoanalyst, Roy Schafer. It focuses on a vacuum that has developed between psychoanalysis and critical thinkers in the social sciences and humanities. Schafer's goal is to weave psychoanalytic discourse into the tapestry of modern trends in intellectual history, notably linguistic and hermeneutic approaches to interpretation.The manner in which we ”narrate” our lives is the central theme of psychoanalytic discourse and a critical issue for all of us, Roy Schafer argues. Narrating, giving an account, presenting a version: these terms make up the core vocabulary of the narrative approach. From this perspective, Schafer offers a new understanding of such diverse issues as men's struggle against sentimentality; women and power; happiness and failure; and analysts' sublimated love for their patients.Whether he's redefining the self, reinterpreting Freud, or counteracting the stereotype of the aloof, authoritarian, and patriarchal analyst, Schafer's rich observations will inform and stimulate not only analysts but all those interested in psychoanalytic thought as an intellectual current of our times. |
| psychoanalysis and storytelling: Adolescence and Psychoanalysis Maja Perret-Catipovic, François Ladame, 1998 This book deals with specific aspects of psychic functioning and development in adolescence. It offers a conspectus of present-day psychoanalytic understanding of the process of adolescence and its vicissitudes. The book is helpful for those interested in the field of adolescent psychoanalysis. |
| psychoanalysis and storytelling: Enigmas of Identity Peter Brooks, 2013-10-13 From eminent critic Peter Brooks, an exploration of the modern preoccupation with identity We know that it matters crucially to be able to say who we are, why we are here, and where we are going, Peter Brooks writes in Enigmas of Identity. Many of us are also uncomfortably aware that we cannot provide a convincing account of our identity to others or even ourselves. Despite or because of that failure, we keep searching for identity, making it up, trying to authenticate it, and inventing excuses for our unpersuasive stories about it. This wide-ranging book draws on literature, law, and psychoanalysis to examine important aspects of the emergence of identity as a peculiarly modern preoccupation. In particular, the book addresses the social, legal, and personal anxieties provoked by the rise of individualism and selfhood in modern culture. Paying special attention to Rousseau, Freud, and Proust, Brooks also looks at the intersection of individual life stories with the law, and considers the creation of an introspective project that culminates in psychoanalysis. Elegant and provocative, Enigmas of Identity offers new insights into the questions and clues about who we think we are. |
| psychoanalysis and storytelling: Becoming Freud Adam Phillips, 2014-05-27 A long-time editor of the new Penguin Modern Classics translations of Sigmund Freud offers a fresh look at the father of psychoanalysis. |
| psychoanalysis and storytelling: Hysterical Rebecca Coffey, 2014-05-13 Imagine growing up smart, ambitious, and queer in a home where your father Sigmund Freud thinks that women should aspire to be wives and calls lesbianism a gateway to mental illness. He also says that lesbianism is always caused by the father, and is usually curable by psychoanalysis. Then he analyzes you. Ultimately Anna Freud loved Dorothy Tiffany Burlingham (heir to the Tiffany fortune) for 54 years. They raised a family together and became psychoanalysts in their own right, specializing in work with children. But first Anna had to navigate childhood, adolescence, and early adulthood in a famous family where her kind of romantic longings were considered dangerous. What was it like to grow up the lesbian daughter of “the great Sigmund Freud”? Aside from Anna’s sexuality and from her father’s intrusive psychoanalysis of her, what were the Freud family's most closely closeted skeletons? What is it about the birth of psychoanalysis that even today's psychoanalysts would prefer to keep secret? How did Anna defy her father so thoroughly while continuing to love him and learn from him? Weaving a grand tale out of a pile of crazy facts, Hysterical: Anna Freud's Story lets the pioneering child psychologist freely examine the forces that shaped her life. |
| psychoanalysis and storytelling: Psychoanalysis: A Very Short Introduction Daniel Pick, 2015-07-23 Since its inception, psychoanalysis has been hailed as a revolutionary theory of how the mind works, whilst some of its ideas such as the Oedipus complex have become part of everyday conversation. In Psychoanalysis: A Very Short Introduction, Daniel Pick offers a lucid, lively, and wide-ranging survey of psychoanalysis. This book offers the reader a flavour of what it might be like to enter treatment, and suggests the possible surprises that can await both analyst and patient, as well as the potential benefits. Yet whilst Freud's writings have shaped the way many of us understand dreams, desires, and destructiveness, as well as anxieties, blunders, and guilt, numerous critics have warned of the dangerous methods and time-bound assumptions of psychoanalysis, doubted the efficacy of its drawn-out methods, and dismissed its core claims as pseudo-science. Looking at modern ideas of the self, exploring the nature of unconscious aspects of relationships, and considering how psychoanalysis has evolved, Pick ponders the particular challenges now facing the analytic profession, and shows why psychoanalysis remains an important resource for investigating the mind, its creative functioning and many afflictions. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| psychoanalysis and storytelling: Narrative Psychology Theodore R. Sarbin, 1986-05-15 This book features essays by the major supporters of the narrative metaphor. They approach the subject from philosophical, religious, anthropological, and historical perspectives as well as from the psychological point of view. Psychologists, psychiatrists, and literary theorists will find the book provocative and a convenient reference source to the narrative approach. |
| psychoanalysis and storytelling: A Shining Affliction Annie G. Rogers, 1996-08-01 Soars into sublime meditation...what makes this book so extraordinary is her willingness to reveal exactly what goes on in the sometimes mysterious encounter between therapist and patient.—The Los Angeles Times. A moving account of a true-life double healing through psychotherapy. In this brave, iconoclastic, and utterly unique book, psychotherapist Annie Rogers chronicles her remarkable bond with Ben, a severely disturbed five-ear-old. Orphaned, fostered, neglected, and forgotten in a household fire, Ben finally begins to respond to Annie in their intricate and revealing platy therapy. But as Ben begins to explore the trauma of his past, Annie finds herself being drawn downward into her own mental anguish. Catastrophically failed by her own therapist, she is hospitalized with a breakdown that renders her unable to speak. Then she and her gifted new analyst must uncover where her story of childhood terror overlaps with Ben's, and learn how she can complete her work with the child by creating a new story from the old—one that ultimately heals them both. |
| psychoanalysis and storytelling: Aural History Gila Ashtor, 2020 Aural History is an anti-memoir memoir of encountering devastating grief that uses experimental storytelling to recreate the winding, fractured path of loss and transformation. Written by a thirty-something psychotherapist and queer theorist, Aural History is structured as a sequence of three sections that each use different narrative styles to represent a distinctive stage in the protagonist's evolving relationship to trauma. Aural History explores how a cascade of self-dissolving losses crisscrosses a girl's coming of age. Through lyric prose, the first section follows a precocious tomboy whose fierce attachment to her father forces her, when he dies and she is twelve years old, to run the family bakery business, raise a delinquent younger brother, and take care of a destructive, volatile mother. In part two, scenes narrated in the third person illustrate a high-achieving high school student who is articulate and in control except for bouts of sudden and inchoate attractions, the first of which is to her severe and coaxing English teacher. The third story tells of her relation with a riveting, world-famous professor, interspersed with a tragic-comic series of dialogues between the protagonist and a cast of diverse psychotherapists as she, now twenty-five years old and living in New York City, undertakes an odyssey to understand why true self-knowledge remains elusive and her real feelings, choked and incomplete. In what Phillip Lopate calls an amazing document, Aural History pushes the narrative conventions of memoir to capture a story the genre of memoir usually struggles to tell: that you can lose yourself, and have no way to know it. Gila Ashtor is a critical theorist, writer and psychoanalyst based in New York City. She graduated with an MA in Literature and Philosophy from the University of Chicago and a PhD in Literature from Tufts University in 2016. Her research specializations include queer theory, psychoanalysis, trauma, affect studies and pedagogy. Her academic writing focuses on the relationship between queer theory and psychoanalysis and is the subject of her forthcoming book, Homo Psyche: Queer Theory and Metapsychology. Her clinical writing is primarily oriented to post-Freudian technique and theory and specifically explores the metapsychology of Jean Laplanche in the context of affect and sexuality studies. She is an Editor of Studies in Gender and Sexuality and is completing her MFA in Nonfiction at Columbia University. Currently, she is a psychoanalyst at the Institute for Psychoanalytic Training & Research (IPTAR) in New York City, where she treats adults and children. |
| psychoanalysis and storytelling: A People's History of Psychoanalysis Daniel José Gaztambide, 2019 As inequality widens in all sectors of contemporary society, we must ask: is psychoanalysis too white and well-to-do to be relevant to social, economic, and racial justice struggles? Are its ideas and practices too alien for people of color? Can it help us understand why systems of oppression are so stable and how oppression becomes internalized? In A People's History of Psychoanalysis: From Freud to Liberation Psychology, Daniel Jos Gaztambide reviews the oft-forgotten history of social justice in psychoanalysis. Starting with the work of Sigmund Freud and the first generation of left-leaning psychoanalysts, Gaztambide traces a series of interrelated psychoanalytic ideas and social justice movements that culminated in the work of Frantz Fanon, Paulo Freire, and Ignacio Mart n-Bar . Through this intellectual genealogy, Gaztambide presents a psychoanalytically informed theory of race, class, and internalized oppression that resulted from the intertwined efforts of psychoanalysts and racial justice advocates over the course of generations and gave rise to liberation psychology. This book is recommended for students and scholars engaged in political activism, critical pedagogy, and clinical work. |
| psychoanalysis and storytelling: Narrative Truth and Historical Truth Donald P. Spence, 2007 |
| psychoanalysis and storytelling: Contemporary Psychoanalytic Field Theory S. Montana Katz, 2016-07-28 Contemporary Psychoanalytic Field Theory articulates the theory, heuristic principles, and clinical techniques of psychoanalytic field theory. S. Montana Katz describes the historical, philosophical and clinical contexts for the development of field theory in South America, North America and Europe. Field theory is a family of related bi-personal psychoanalytic perspectives falling into three principal models, which developed relatively independently. One of the principal models is based upon the work of Madeleine and Willy Baranger. The second, constructed by Katz, draws upon what is held in common by the implicit field theories in the United States of the interpersonal, intersubjective, relational and motivational systems’ psychoanalytic perspectives. The third is based upon the work of Antonino Ferro. For each, Katz elucidates its conception of mind, unconscious processes, the specific field concept employed, therapeutic goals, and clinical techniques. Similarities and differences of the models are illustrated. In the book, a fabricated analytic process is offered in which an analysand, Zoe, is engaged in three analyses. Each analyst works with the techniques of one of the three field theories. Katz conveys the diverging thought processes and technical choices of each analyst and the potentially different therapeutic outcomes of the application of each model. In the final chapters, Katz moves beyond the specific field theories to articulate a concept of a general field which underlies the three field concepts. She explores how to use this generalized field to find a form of common ground amongst the field theories, conjecturing that this generalized concept has application beyond field theory to a greater range of psychoanalytic perspectives. Contemporary Psychoanalytic Field Theory provides a clear and comprehensive guide that will appeal to psychoanalysts, psychoanalytic psychotherapists, mental health professionals and clinicians, as well as philosophers, psychologists, sociologists and anthropologists. |
| psychoanalysis and storytelling: Psychoanalysis Janet Malcolm, 2011-06-08 From the author of In the Freud Archives and The Journalist and the Murderer comes an intensive look at the practice of psychoanalysis through interviews with “Aaron Green,” a Freudian analyst in New York City. Malcolm is accessible and lucid in describing the history of psychoanalysis and its development in the United States. It provides rare insight into the contradictory world of psychoanalytic training and treatment and a foundation for our understanding of psychiatry and mental health. Janet Malcom has managed somehow to peer into the reticent, reclusive world of psychoanalysis and to report to us, with remarkable fidelity, what she has seen. When I began reading I thought condescendingly, 'She will get the facts right, and everything else wrong.' She does get the facts right, but far more pressive, she has been able to capture and convey the claustral atmosphere of the profession. Her book is journalism become art. —Joseph Andelson, The New York Times Book Review |
| psychoanalysis and storytelling: Secrets of the Soul Eli Zaretsky, 2005-08-09 The fledgling science of psychoanalysis permanently altered the nineteenth-century worldview with its remarkable new insights into human behavior and motivation. It quickly became a benchmark for modernity in the twentieth century--though its durability in the twenty-first may now be in doubt. More than a hundred years after the publication of Freud’s The Interpretation of Dreams, we’re no longer in thrall, says cultural historian Eli Zaretsky, to the “romance” of psychotherapy and the authority of the analyst. Only now do we have enough perspective to assess the successes and shortcomings of psychoanalysis, from its late-Victorian Era beginnings to today’s age of psychopharmacology. In Secrets of the Soul, Zaretsky charts the divergent schools in the psychoanalytic community and how they evolved–sometimes under pressure–from sexism to feminism, from homophobia to acceptance of diversity, from social control to personal emancipation. From Freud to Zoloft, Zaretsky tells the story of what may be the most intimate science of all. |
| psychoanalysis and storytelling: Storytelling in Psychotherapy with Children Richard A. Gardner, 1993 This text provides a full statement of Dr Gardner's use of story-telling ranging from the free fantasies provided by the child when utilising the mutual story-telling technique, to the bibliotherapeutic stories provided by the therapist. |
| psychoanalysis and storytelling: Hard Knocks Janice Haaken, 2010-06-10 This book draws on interviews carried out over a period of eight years, as well as novels, films, and domestic violence literature, to explain the role of storytelling in the history of the battered women’s movement. The author shows how cultural contexts shape how stories about domestic abuse get told, and offers critical tools for bringing psychology into discussions of group dynamics in the domestic violence field. The book enlists psychoanalytic-feminist theory to analyse storytelling practices and to re-visit four areas of tension in the movement where signs of battle fatigue have been most acute. These areas include the conflicts that emerge between the battered women’s movement and the state, the complex relationship between domestic violence and other social problems, and the question of whether woman battering is a special case that differs from other forms of social violence. The volume also looks at the tensions between groups of women within the movement, and how to address differences based on race, class or other dimensions of power. Finally, the book explores the contentious issue of how to acknowledge forms of female aggression while still preserving a gender analysis of intimate partner violence. In attending to narrative dynamics in the history of domestic violence work, Hard Knocks presents a radical re-reading of the contribution of psychology to feminist interventions and activism. The book is ideal reading for scholars, activists, advocates and policy planners involved in domestic violence, and is suitable for students of psychology, social work, sociology and criminology. |
| psychoanalysis and storytelling: The Making of a Psychoanalyst Claudia Luiz, 2017-09-05 In this unique and uplifting work, Dr. Claudia Luiz reveals why psychoanalysis is more relevant than ever, perhaps the only discipline currently suitable to help solve the mystery of our emotional challenges. In gripping stories about people struggling with depression, anxiety, sexual dysfunction, attention deficit disorder (ADD) and more, Luiz brings us right into each treatment where we discover how psychoanalysts today prepare their patient’s mind for self-discovery. Following each story, absorbing commentaries acquaint the reader with the theories of the mind that currently guide treatment, and the innovative clinical techniques that are revolutionizing the field, including how Luiz learned to integrate her own emotions as therapeutic instruments for diagnosis and cure. The Making of a Psychoanalyst is an ideal book for psychoanalysts and psychotherapists in practice and in training, mental health professionals working in social care, and students interested in the evolution of an undying discipline that embodies personal narrative. Anyone interested in knowing how two human beings interact with each other to effect profound change will want to read this book. |
| psychoanalysis and storytelling: Freud's Wizard Brenda Maddox, 2009-04-27 The saturation of the English-speaking world with psychoanalytic concepts was due largely to one brilliant analyst, Ernest Jones. As Freud's disciple, colleague, and biographer-and the man who rescued Freud from the Nazis-he led the international psychoanalytic movement, shifting its vortex from Vienna to London and spreading its influence to Toronto, New York, and Boston. While negotiating the ferocious politics of the movement, Jones also managed an imposing series of liaisons, including an heiress and her maid, analysands, and a “Druid Bride.” Unlike Freud, he never had to wonder, “What do women want?” |
| psychoanalysis and storytelling: Stories from the Bog Patrick B. Kavanaugh, 2012-01-01 This collection of short stories and essays call into question the medical-scientific narrative, its understandings of psychoanalysis and madness, and the identity, purpose and ethics that flow from and sustain its narrative. These stories are gathered from meetings with people on in-patient units and in private practice. Emphasis is placed on the centrality of the Freudian unconscious in the process of listening, understanding and responding in the analytic discourse. Collectively, they reintroduce the identity of the analytic practitioner as the shaman of contemporary times, a mind-poet who sees the world through a magical –as opposed to a scientific- visionary experience. |
| psychoanalysis and storytelling: The Book of Franza and Requiem for Fanny Goldmann Ingeborg Bachmann, 2010-08-31 These two fragments of novels, Ingeborg Bachmann's only untranslated works of fiction, were intended to follow the widely acclaimed Malina in a cycle to be entitled Todesarten, or Ways of Dying. Although Bachmann died before completing them, The Book of Franza and Requiem for Fanny Goldmann stand on their own, continuing Bachmann's tradition of using language to confront the disease plaguing human relationships. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted upon the living from outside and from within, through history, politics, religion, family, gender relations, and the self.Bachmann's allegiance to the twin muses of memory and history, as well as her perception of fascism as not being limited to the context of the war but also existing within the intimate relations of everyday life between husbands and wives, brothers and sisters, psychiatrists and patients' are supremely evident in The Book of Franza. Here, Bachmann follows a woman who escapes from a sanitorium and, after years of silence, sends her brother a cryptic telegram. Rightly suspecting that she has fled her sadistic husband -- a renowned Austrian psychiatrist whose intimate relations have merged with his studies of concentration camps -- her brother finds her in their childhood home. Together they travel to Egypt, where Franza slowly begins to regain her bearings. But Franza's desire to cleanse herself by journeying into the heart of the desert's void ends in tragedy, as she becomes the victim of a horrible act of violence.Unlike Franza, who attempts to flee her past but fails, the heroine of Requiem for Fanny Goldmann makes no attempt to escape her history. Thisnovel tells of the demise of a Viennese actress who is manipulated by a younger, ambitious playwright to advance his career. Deception follows disloyalty; the final treachery comes when the playwright portrays her in a novel, which secures his fame and, in Fanny's eyes, robs her of her future. Caught in a perpetual stasis, Fanny suffers in total obscurity, as her present is stolen from her as well.Whether analyzing the place where the self begins and the power of history ends or the ways in which women are forced to be complicit in their mistreatment at the hands of men, Bachmann's critical approach to the human psyche is unparalleled. Mesmerizing and profound, The Book of Franza and Requiem for Fanny Goldmann constitute the final evidence that Ingeborg Bachmann is the most important female German-language writer of the postwar period. |
| psychoanalysis and storytelling: Doing Psychoanalysis in Tehran Gohar Homayounpour, 2012-08-31 A Western-trained psychoanalyst returns to her homeland and tells stories of displacement, nostalgia, love, and pain. Is psychoanalysis possible in the Islamic Republic of Iran? This is the question that Gohar Homayounpour poses to herself, and to us, at the beginning of this memoir of displacement, nostalgia, love, and pain. Twenty years after leaving her country, Homayounpour, an Iranian, Western-trained psychoanalyst, returns to Tehran to establish a psychoanalytic practice. When an American colleague exclaims, “I do not think that Iranians can free-associate!” Homayounpour responds that in her opinion Iranians do nothing but. Iranian culture, she says, revolves around stories. Why wouldn't Freud's methods work, given Iranians' need to talk? Thus begins a fascinating narrative of interlocking stories that resembles—more than a little—a psychoanalytic session. Homayounpour recounts the pleasure and pain of returning to her motherland, her passion for the work of Milan Kundera, her complex relationship with Kundera's Iranian translator (her father), and her own and other Iranians' anxieties of influence and disobedience. Woven throughout the narrative are glimpses of her sometimes frustrating, always candid, sessions with patients. Ms. N, a famous artist, dreams of abandonment and sits in the analyst's chair rather than on the analysand's couch; a young chador-clad woman expresses shame because she has lost her virginity; an eloquently suicidal young man cannot kill himself. As a psychoanalyst, Homayounpour knows that behind every story told is another story that remains untold. Doing Psychoanalysis in Tehran connects the stories, spoken and unspoken, that ordinary Iranians tell about their lives before their hour is up. |
| psychoanalysis and storytelling: Body Work Peter Brooks, 1993 The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the epistemophilic urge--the desire to know-guides fictional plots and our reading of them. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force. This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh. |
| psychoanalysis and storytelling: Freud and the Institution of Psychoanalytic Knowledge Sarah Winter, 1999 Combining approaches from literary studies and historical sociology, this book provides a groundbreaking cultural history of the strategies Freud employed in his writings and career to orchestrate public recognition of psychoanalysis and to shape its institutional identity. |
| psychoanalysis and storytelling: Storytelling, Narrative, and the Thematic Apperception Test Phebe Cramer, 2004-06-02 The Thematic Apperception Test (TAT) is a systematic approach to storytelling that offers insight into the unique psychological reality of each individual. This book integrates a variety of interpretive approaches to the TAT to illuminate the meaning of narratives and explore their clinical implications. Informed by psychodynamic theory and empirical research, the book addresses such topics as the ways narratives reveal different personality organizations; how stories change over the course of therapy; the influence of age, gender, and defense mechanisms on narratives; and the use of the TAT in clinical studies. A new preface to the paperback edition situates the book within the contemporary landscape of personality research. |
| psychoanalysis and storytelling: Story Harold Scheub, 1998-10-01 What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion. While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art. The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture. |
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