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| problems of dostoevsky's poetics mikhail bakhtin: Problems of Dostoevsky's Poetics Mikhail Bakhtin, 2013-11-30 This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle. |
| problems of dostoevsky's poetics mikhail bakhtin: Problems of Dostoevsky's Poetics Mikhail Mikhaĭlovich Bakhtin, 1984 This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature |
| problems of dostoevsky's poetics mikhail bakhtin: Problems of Dostoevsky's Poetics [by] Mikhail Bakhtin Mikhail Mikhailovich Bakhtin, 1973 |
| problems of dostoevsky's poetics mikhail bakhtin: Mikhail Bakhtin Gary Saul Morson, Caryl Emerson, 1990 Books about thinkers require a kind of unity that their thought may not possess. This cautionary statement is especially applicable to Mikhail Bakhtin, whose intellectual development displays a diversity of insights that cannot be easily integrated or accurately described in terms of a single overriding concern. Indeed, in a career spanning some sixty years, he experienced both dramatic and gradual changes in his thinking, returned to abandoned insights that he then developed in unexpected ways, and worked through new ideas only loosely related to his earlier concerns Small wonder, then, that Bakhtin should have speculated on the relations among received notions of biography, unity, innovation, and the creative process. Unity--with respect not only to individuals but also to art, culture, and the world generally--is usually understood as conformity to an underlying structure or an overarching scheme. Bakhtin believed that this idea of unity contradicts the possibility of true creativity. For if everything conforms to a preexisting pattern, then genuine development is reduced to mere discovery, to a mere uncovering of something that, in a strong sense, is already there. And yet Bakhtin accepted that some concept of unity was essential. Without it, the world ceases to make sense and creativity again disappears, this time replaced by the purely aleatory. There would again be no possibility of anything meaningfully new. The grim truth of these two extremes was expressed well by Borges: an inescapable labyrinth could consist of an infinite number of turns or of no turns at all. Bakhtin attempted to rethink the concept of unity in order to allow for the possibility of genuine creativity. The goal, in his words, was a nonmonologic unity, in which real change (or surprisingness) is an essential component of the creative process. As it happens, such change was characteristic of Bakhtin's own thought, which seems to have developed by continually diverging from his initial intentions. Although it would not necessarily follow that the development of Bakhtin's thought corresponded to his ideas about unity and creativity, we believe that in this case his ideas on nonmonologic unity are useful in understanding his own thought--as well as that of other thinkers whose careers are comparably varied and productive. |
| problems of dostoevsky's poetics mikhail bakhtin: Mikhail Bakhtin Mikhail Bakhtin, 2019-08-09 This annotated book is a first English translation of 12-hours of interviews of Victor Duvakin with Mikhail Bakhtin recorded in 1973. From Freud to Kant, from the French Symbolists to the German Romantics, Bakhtin shares his knowledge and appreciation of various Western European authors and thinkers. As a result, Mikhail Bakhtin: The Duvakin Interviews, 1973, invites us to reconsider the importance of Western art and thought to Bakhtin himself, and Russian culture in general. |
| problems of dostoevsky's poetics mikhail bakhtin: The Classic Short Story, 1870-1925 Florence Goyet, 2014-01-13 The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre. |
| problems of dostoevsky's poetics mikhail bakhtin: Mikhail Bakhtin Michael F. Bernard-Donals, 1995-02-24 The language theory of Mikhail Bakhtin does not fall neatly under any single rubric - 'dialogism,' 'marxism,' 'prosaics,' 'authorship' - because the philosophic foundation of his writing rests ambivalently between phenomenology and Marxism. The theoretical tension of these positions creates philosophical impasses in Bakhtin's work, which have been neglected or ignored partly because these impasses are themselves mirrored by the problems of antifoundationalist and materialist tendencies in literary scholarship. In Mikhail Bakhtin: Between Phenomenology and Marxism Michael Bernard-Donals examines various incarnations of phenomenological and materialist theory - including the work of Jauss, Fish, Rorty, Althusser, and Pecheux - and places them beside Bakhtin's work, providing a contextualised study of Bakhtin, a critique of the problems of contemporary critics, and an original contribution to literary theory. |
| problems of dostoevsky's poetics mikhail bakhtin: Art and Answerability M. M. Bakhtin, 2011-01-01 Mikhail Bakhtin (1895-1975) is one of the preeminent figures in twentieth-century philosophical thought. Art and Answerability contains three of his early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates, lectures, demonstrations, and manifesto writing of the period. Because they predate works that have already been translated, these essays—Art and Answerability, Author and Hero in Aesthetic Activity, and The Problem of Content, Material, and Form in Verbal Art—are essential to a comprehensive understanding of Bakhtin's later works. A superb introduction by Michael Holquist sets out the major themes and concerns of the three essays and identifies their place in the canon of Bakhtin's work and in intellectual history. The introduction, together with Vadim Liapunov's scholarly gloss, makes these essays accessible to students as well as scholars. |
| problems of dostoevsky's poetics mikhail bakhtin: The Dialogic Imagination M. M. Bakhtin, 2010-03-01 These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category novel in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, novelness, which he discusses in From the Prehistory of Novelistic Discourse. Two essays, Epic and Novel and Forms of Time and of the Chronotope in the Novel, deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented languages in battle with one another. |
| problems of dostoevsky's poetics mikhail bakhtin: Rabelais and His World Mikhail Mikhaĭlovich Bakhtin, 1984 This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation. |
| problems of dostoevsky's poetics mikhail bakhtin: Dostoevsky Rowan Williams, 2008-01-01 Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
| problems of dostoevsky's poetics mikhail bakhtin: The Polyphonic World of Cervantes and Dostoevsky Slav N. Gratchev, 2017-12-06 This book shows that Cervantes deliberately employed polyphonic structure in Don Quixote, a mode with more sophisticated expressive possibilities that monophonic narration could not offer. It suggests that Don Quixote can be treated as a semi-polyphonic hybrid novel that successfully amalgamates two narrative modes, monophonic and polyphonic. |
| problems of dostoevsky's poetics mikhail bakhtin: The Cambridge Introduction to Mikhail Bakhtin Ken Hirschkop, 2021-11-04 A concise, readable and up-to-date introduction to Bakhtin, which provides students with an accessible but sophisticated guide to his work. |
| problems of dostoevsky's poetics mikhail bakhtin: The Renewal of Generosity Arthur W. Frank, 2009-11-19 Contemporary health care often lacks generosity of spirit, even when treatment is most efficient. Too many patients are left unhappy with how they are treated, and too many medical professionals feel estranged from the calling that drew them to medicine. Arthur W. Frank tells the stories of ill people, doctors, and nurses who are restoring generosity to medicine—generosity toward others and to themselves. The Renewal of Generosity evokes medicine as the face-to-face encounter that comes before and after diagnostics, pharmaceuticals, and surgeries. Frank calls upon the Roman emperor Marcus Aurelius, philosopher Emmanuel Levinas, and literary critic Mikhail Bakhtin to reflect on stories of ill people, doctors, and nurses who transform demoralized medicine into caring relationships. He presents their stories as a source of consolation for both ill and professional alike and as an impetus to changing medical systems. Frank shows how generosity is being renewed through dialogue that is more than the exchange of information. Dialogue is an ethic and an ideal for people on both sides of the medical encounter who want to offer more to those they meet and who want their own lives enriched in the process. The Renewal of Generosity views illness and medical work with grace and compassion, making an invaluable contribution to expanding our vision of suffering and healing. |
| problems of dostoevsky's poetics mikhail bakhtin: Theories of Literary Realism Dario Villanueva, 1997-01-01 Explores the possibilities and limits of a concept of realism that seeks a point of equilibrium between the principle of autonomy of the literary work vis-a-vis reality and the relations that the work clearly establishes with this reality. Argues that by concentrating on the study of the literary work as a verbal construction, the traditional of formalism and New Criticism has neglected the mimetic aspect of the literary problematic, dissociating literature from life. Annotation copyright by Book News, Inc., Portland, OR |
| problems of dostoevsky's poetics mikhail bakhtin: A Plot of Her Own Sona Stephan Hoisington, 1995 A Plot of Her Own presents compelling new readings of major texts in the Russian literary canon, all of which are readily available in translation. The female protagonists in the works examined are inextricably linked with the fundamental issues raised by the novels they inform; the interpretations offered strive not to be reductive or doctrinaire, not to be imposed from the outside but to arise from the texts themselves and the historical circumstances in which they were written. Authors discussed include Pushkin, Dostoevsky, Tolstoy, and Bulgakov, and the novels considered range from Fathers and Children to Zamyatin's anti-Utopian We. Throughout, the contributors new visions expand our understanding of the words and reveal new significance in them. |
| problems of dostoevsky's poetics mikhail bakhtin: Christianity in Bakhtin Ruth Coates, 1999-02-13 The work of the great Russian theorist Mikhail Bakhtin has been examined from a wide variety of literary and theoretical perspectives. None of the many studies of Bakhtin begins to do justice, however, to the Christian dimension of his work. Christianity in Bakhtin for the first time fills this important gap. Having established the strong presence of a Christian framework in his early philosophical essays, Ruth Coates explores the way in which Christian motifs, though suppressed, continue to find expression in the work of Bakhtin's period of exile, and re-emerge in texts written during the time of his rehabilitation. Particular attention is paid to the themes of Creation, Fall, Incarnation and Christian love operating within metaphors of silence and exile, concepts which inform Bakhtin's world view as profoundly as they influence his biography. |
| problems of dostoevsky's poetics mikhail bakhtin: Born in Exile George Gissing, 2009-08-01 Born in Exile is an 1892 novel by George Robert Gissing, a prominent realist author of late-Victorian England who wrote twenty-three novels between 1880 and 1903. |
| problems of dostoevsky's poetics mikhail bakhtin: Critical Pedagogies and Language Learning Bonny Norton, Kelleen Toohey, 2004-01-26 This volume applies the critical pedagogical approach to the area of language learning, and in doing so, it addresses such topics as critical multiculturalism, gender and language learning, and popular culture. |
| problems of dostoevsky's poetics mikhail bakhtin: The Bakhtin Circle Craig Brandist, David Shepherd, Galin Tihanov, 2004-06-26 The Russian philosopher and cultural theorist Mikhail Bakhtin has traditionally been seen as the leading figure in the group of intellectuals known as the Bakhtin Circle. The writings of other members of the Circle are considered much less important than his work, while Bakhtin's achievement has been exaggerated in proportion to the downgrading of the thinkers with whom he associated in the 1920s. This volume, which includes new translations and studies of the work of the most important members of the Circle, sets out to correct the distortions in the established representations of its activity. The original contributions to literary and linguistic theory made by Valentin Voloshinov and Pavel Medvedev (but frequently credited to Bakhtin) are assessed, and the distinctiveness of their approaches is highlighted. |
| problems of dostoevsky's poetics mikhail bakhtin: Kant Karl Jaspers, 1962 A masterful exploration of Kant's intellectual development, theory of knowledge, politics, and ethics. Edited by Hannah Arendt; Index. Translated by Ralph Manheim. |
| problems of dostoevsky's poetics mikhail bakhtin: Urwind Bo Carpelan, 1998 Urwind comprises fifty-three letters from Daniel Urwind, an aging bookseller, to his wife, who has left him for an indeterminate spell of greater freedom and study in the United States. The wife's absence haunts the letters, which are often tales of Daniel's daily rituals. Yet Daniel's narration of such mundanities--changing the bookshop window dressing, or housekeeping--approaches magical realism; memories of his wife, fantasies, bad dreams, monologues, and dialogues with the living and the dead coalesce in a complex layering of experience, past and present. Urwind is a construct worthy of Bachelard's Poetics of Space, and a painful chronicle of the ending of a love. |
| problems of dostoevsky's poetics mikhail bakhtin: The First Hundred Years of Mikhail Bakhtin Caryl Emerson, 2018-06-05 Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. In this candid assessment of his place in Russian and Western thought, Caryl Emerson brings to light what might be unfamiliar to the non-Russian reader: Bakhtin's foundational ideas, forged in the early revolutionary years, yet hardly altered in his lifetime. With the collapse of the Soviet system, a truer sense of Bakhtin's contribution may now be judged in the context of its origins and its contemporary Russian reclamation. A foremost Bakhtin authority, Caryl Emerson mines extensive Russian sources to explore Bakhtin's reception in Russia, from his earliest publication in 1929 until his death, and his posthumous rediscovery. After a reception-history of Bakhtin's published work, she examines the role of his ideas in the post-Stalinist revival of the Russian literary profession, concentrating on the most provocative rethinkings of three major concepts in his world: dialogue and polyphony; carnival; and outsideness, a position Bakhtin considered essential to both ethics and aesthetics. Finally, she speculates on the future of Bakhtin's method, which was much more than a tool of criticism: it will tell you how to teach, write, live, talk, think. |
| problems of dostoevsky's poetics mikhail bakhtin: On Literature and Art Anatoly Vasilievich Lunacharsky, 1973 |
| problems of dostoevsky's poetics mikhail bakhtin: Dostoevsky's The Devils William J. Leatherbarrow, 1999 The most openly political of Dostoevsky's four major novels, The Devils has left literary scholars intrigued with its difficult narrative structure which veers back and forth between first and third person, and fascinated by the political overtones and social commentary it includes. For these reasons, The Devils often anchors courses on Dostoevsky's works. This critical companion contains essays that shed light on both the tricky literary structure of the novel as well as its social and political components. |
| problems of dostoevsky's poetics mikhail bakhtin: Dostoevsky and the Riddle of the Self Yuri Corrigan, 2017-10-15 Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources. |
| problems of dostoevsky's poetics mikhail bakhtin: Dostoevsky and Romantic Realism Donald Fanger, 1998 Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism. |
| problems of dostoevsky's poetics mikhail bakhtin: Jazz Journeys to Japan William Minor, 2004 One author's personal odyssey through the jazz scene in Japan |
| problems of dostoevsky's poetics mikhail bakhtin: Beyond Discourse Alexander M. Sidorkin, 1999-08-12 Drawing on the works of Martin Buber and Mikhail Bakhtin, the author explores the roles that dialogue, laughter, and spontaneity play in the education of the whole person. |
| problems of dostoevsky's poetics mikhail bakhtin: Stavrogin's Confession and the Plan of The Life of a Great Sinner Fyodor Dostoyevsky, 1922 |
| problems of dostoevsky's poetics mikhail bakhtin: Rethinking the Spectacle Devin Penner, 2019-06-15 Spectacle is usually considered a superficial form of politics, which tries to distract and deceive a passive audience. It is difficult to see how this type of politics could be reconciled with the democratic requirement of active and informed agency. Rethinking the Spectacle re-examines the tension between spectacle and political agency in our hyper-mediated digital society. Devin Penner uses the theories and practices of Guy Debord and the Situationist International as a point of departure, offering both a critical review of Situationist ideas and a way to develop their radical democratic potential in the current political climate. Emphasizing the importance of thinking about the connection between spectacle and broader democratic processes, Rethinking the Spectacle also looks at various models of social and political organization and includes an in-depth assessment of the 2011 Occupy movement. Ultimately, Rethinking the Spectacle concludes that properly conceived spectacle can in fact mobilize the public for egalitarian purposes. |
| problems of dostoevsky's poetics mikhail bakhtin: Demons Fyodor Dostoyevsky, 2018-12-01 Demons is an anti-nihilistic novel by Fyodor Dostoyevsky. It is the third of the four great novels written by Dostoyevsky after his return from Siberian exile, the others being Crime and Punishment, The Idiot and The Brothers Karamazov. Demons is a social and political satire, a psychological drama, and large scale tragedy. |
| problems of dostoevsky's poetics mikhail bakhtin: Freudianism Valentin Voloshinov, 2013-01-16 Freudianism is a major icon in the history of ideas, independently rich and suggestive today both for psychoanalysis and for theories of language. It offers critical insights whose recognition demands a change in the manner in which the fundamental principles of both psychoanalysis and linguistic theory are understood. Volosinov went to the root of Freud’s theory adn method, arguing that what is for him the central concept of psychoanalysis, “the unconscious,” was a fiction. He argued that the phenomena that were taken by Freud as evidence for “the unconscious” constituted instead an aspect of “the conscious,” albeit one with a person’s “official conscious.” For Volosinov, “the conscious” was a monologue, a use of language, “inner speech” as he called it. As such, the conscious participated in all of the properties of language, particularly, for Volosinov, its social essence. This type of argumentation stood behind Volosinov’s charge that Freudianism presented humans in an inherently false, individualistic, asocial, and ahistorical setting. |
| problems of dostoevsky's poetics mikhail bakhtin: Touching Earth Rani Manicka, 2011-10-13 THE BALINESE TWINS - Beautiful and exotic, they exchange an island paradise for the shabby squalor of London, and innocence for corruption. THE SICILIAN - Ricky Delgado strikes a devil's bargain with a blood goddess: 'Build my temple and bring me the souls of damaged people, and you will see what rewards I give.' THE COURTESAN - Elizabeth makes her living from men's desire. With a flick of the switch in her head, she feels nothing: no pain, no hate, no sorrow, no joy. THE ARTIST - Anis takes to painting as an outlet for his rage. His artist's eye knows his subjects before they know themselves, and he paints them all, a gallery of broken people. Can they escape the deadly web of decadence and sin? |
| problems of dostoevsky's poetics mikhail bakhtin: Towards the Dignity of Difference? Mojtaba Mahdavi, 2016-02-24 The rise of popular social movements throughout the Middle East, North Africa, Europe and North America in 2011 challenged two hegemonic discourses of the post-Cold War era: Francis Fukuyama's 'The End of History' and Samuel Huntington's 'The Clash of Civilizations.' The quest for genuine democracy and social justice and the backlash against the neoliberal order is a common theme in the global mass protests in the West and the East. This is no less than a discursive paradigm shift, a new beginning to the history, a move towards new alternatives to the status quo. This book is about difference and dialogue; it embraces The Dignity of Difference and promotes dialogue. However, it also demonstrates the limits of dialogue as a useful and universal approach for resolving conflicts, particularly in cases involving asymmetric and unequal power relations. The distinguished group of authors suggests in this volume that there is a 'third way' of addressing global tensions - one that rejects the extremes of both universalism and particularism. This third way is a radical call for an epistemic shift in our understanding of 'us-other' and 'good-evil', a radical approach toward accommodating difference as well as embracing the plural concept of 'the good'. The authors strengthen their alternative approach with a practical policy guide, by challenging existing policies that either exclude or assimilate other cultures, that wage the constructed 'global war on terror,' and that impose a western neo-liberal discourse on non-western societies. This important book will be essential reading for all those studying civilizations, globalization, foreign policy, peace and security studies, multiculturalism and ethnicity, regionalism, global governance and international political economy. |
| problems of dostoevsky's poetics mikhail bakhtin: The Art of Translation in Light of Bakhtin's Re-accentuation Slav Gratchev, Margarita Marinova, 2022-10-06 Although Mikhail Bakhtin's study of the novel does not focus in any systematic way on the role that translation plays in the processes of novelistic creation and dissemination, when he does broach the topic he grants translation'a disproportionately significant role in the emergence and constitution of literature. The contributors to this volume, from the US, Hong Kong, Finland, Japan, Spain, Italy, Bangladesh, and Belgium, bring their own polyphonic experiences with the theory and practice of translation to the discussion of Bakhtin's ideas about this topic, in order to illuminate their relevance to translation studies today. Broadly stated, the essays examine the art of translation as an exercise in a cultural re-accentuation (a transferal of the original text and its characters to the novel soil of a different language and culture, which inevitably leads to the proliferation of multivalent meanings), and to explore the various re-accentuation devices employed over the span of the last 100 years in translating modern texts from one language to another. Through its contributors, The Art of Translation in Light of Bakhtin's Re-accentuation brings together different cultural contexts and disciplines (such as literature, literary theory, the visual arts, pedagogy, translation studies, and philosophy) to demonstrate the continued international relevance of Bakhtin's ideas to the study of creative practices, broadly understood. |
| problems of dostoevsky's poetics mikhail bakhtin: Toward a Philosophy of the Act M. M. Bakhtin, 2010-02-22 Rescued in 1972 from a storeroom in which rats and seeping water had severely damaged the fifty-year-old manuscript, this text is the earliest major work (1919-1921) of the great Russian philosopher M. M. Bakhtin. Toward a Philosophy of the Act contains the first occurrences of themes that occupied Bakhtin throughout his long career. The topics of authoring, responsibility, self and other, the moral significance of outsideness, participatory thinking, the implications for the individual subject of having no-alibi in existence, the difference between the world as experienced in actions and the world as represented in discourse—all are broached here in the heat of discovery. This is the heart of the heart of Bakhtin, the center of the dialogue between being and language, the world and mind, the given and the created that forms the core of Bakhtin's distinctive dialogism. A special feature of this work is Bakhtin's struggle with the philosophy of Immanuel Kant. Put very simply, this text is an attempt to go beyond Kant's formulation of the ethical imperative. mci will be important for scholars across the humanities as they grapple with the increasingly vexed relationship between aesthetics and ethics. |
| problems of dostoevsky's poetics mikhail bakhtin: Contemporary Approaches in Literary Trauma Theory M. Balaev, 2014-12-02 This edited collection argues that trauma in literature must be read through a theoretical pluralism that allows for an understanding of trauma's variable representations that include yet move beyond the concept of trauma as pathological and unspeakable. |
| problems of dostoevsky's poetics mikhail bakhtin: The Bakhtin Reader Pam Morris, 2000-12 The innovative thinking associated with the name of Mikhail Bakhtin offers new approaches across a wide range of current theoretical concerns. At the centre of the work is an account of language that unites rigorous semiotic analysis with an emphasis upon discourse as fundamentally social: as dialogic. This key concept combines theoretical accessibility with the potential to generate new thinking in such diverse fields as linguistics, feminist and Marxist studies, anthropology, reader-response, cultural and postcolonial studies, and aesthetics. |
| problems of dostoevsky's poetics mikhail bakhtin: Dostoevsky's Dialectics and the Problem of Sin Ksana Blank, 2010-07-31 In Dostoevsky’s Dialectics and the Problem of Sin, Ksana Blank borrows from ancient Greek, Chinese, and Christian dialectical traditions to formulate a dynamic image of Dostoevsky’s dialectics—distinct from Hegelian dialectics—as a philosophy of “compatible contradictions.” Expanding on the classical triad of Goodness, Beauty, and Truth, Blank guides us through Dostoevsky’s most difficult paradoxes: goodness that begets evil, beautiful personalities that bring about grief, and criminality that brings about salvation. Dostoevsky’s philosophy of contradictions, this book demonstrates, contributes to the development of antinomian thought in the writings of early twentieth-century Russian religious thinkers and to the development of Bakhtin’s dialogism. Dostoevsky’s Dialectics and the Problem of Sin marks an important and original intervention into the enduring debate over Dostoevsky’s spiritual philosophy. |
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[BC] Anyone had problems with the T3200M? - DSL Reports
Jun 27, 2018 · Forum discussion: I got my fibre service hooked up yesterday but the internet has been very fast but intermittent. Wireless will work for a while but then it will just randomly crap …
[AZ] If you're having disconnect problems... - Cox | DSLReports …
Jan 27, 2005 · The speed upgrade in Arizona has caused alot of disconnect problems. Everyone I know has the same problem. Mine was fixed when I tossed my old Toshiba PCX1100 modem …
[Connectivity] Splitter causing connection problems? - Comcast …
May 17, 2008 · Forum discussion: I recently moved into a new apartment and have been having all sorts of connection issues with my wireless connection. Running wired directly into my …
