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| pretty theft monologue: Pretty Theft Adam Szymkowicz, 2009 Pretty Theft was produced by Flux Theatre Ensemble at the Access Theatre in New York City, opening on April 24, 2009.--P. [4]. |
| pretty theft monologue: Food for Fish Adam Szymkowicz, 2007 THE STORY: Bobbie drops the pages from his novel into the Hudson River. They tell the story of three sisters: Sylvia, a reporter, Barbara, an agoraphobe (played by a man in drag), and Alice, a scientist with a plan to isolate and eliminate the gene |
| pretty theft monologue: Hello, Goodbye, Peace Gabriel Davis, 2016-07-10 One Act Play, Comedy. Cast: 1 woman, 1 man. Synopsis: Alina, a barista at a Manhattan coffee shop, has dreams of climbing the economic ladder to change the world. Robert, a former engineer/inventor turned stock broker, gave up on a dream of launching a business around his lifelike robotic puppies for allergic children. From their first hello at the coffee shop, sparks fly and not before long they're fully engaged in a relationship that challenges both of their dreams and identities. Will they find peace together or say goodbye? |
| pretty theft monologue: Hearts Like Fists Adam Szymkowicz, 2013 THE STORY: A superhero noir comedy about the dangers of love. The city's heart beats with fear: Doctor X is sneaking into apartments and injecting lovers with a lethal poison. Lisa's heart beats with hope: Now that she's joined the elite Crimefighters, ma |
| pretty theft monologue: Incendiary Adam Szymkowicz, 2017-06-29 Firefighting and fire starting get the noir-camp treatment in Adam Szymkowicz's INCENDIARY, which tackles the whimsical dilemma of star-crossed lovers in the arsonist and arson-investigator fields. ...this nutty love triangle of boy, girl and inferno is charmingly original and genuinely suspenseful. Time Out Chicago Hilariously ornate in the best world-weary, film-noir fashion. Chicago Theater Beat |
| pretty theft monologue: Really Really Paul Downs Colaizzo, 2015-05-15 A contemporary drama that pushes the edges and embraces the harsh reality of today's youth. At an elite university, when the party of the year results in the regret of a lifetime, one person will stop at nothing to salvage a future that is suddenly slipping away. In this quick-witted and gripping comic tragedy about 'Generation Me,' it's every man for himself. |
| pretty theft monologue: Small Mouth Sounds Bess Wohl, 2019-10-22 “Leaves you moved, refreshed and, yes, maybe even enlightened.” —New York Times (Critic’s Pick) In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward and insightful humor, Bess Wohl’s beguiling and compassionate new play brilliantly captures the unique eloquence of a silent retreat and asks how we address life’s biggest questions when words fail us. A major hit of the 2015–16 Off Broadway season with two sold out extended runs, Small Mouth Sounds is “wry and observant . . . long on emotions and short on words” (Daily News). |
| pretty theft monologue: Zoot Suit & Other Plays Luis Valdez, 1992-04-30 This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino. |
| pretty theft monologue: The Rover Aphra Behn, 2015-06-02 The magic of Naples during Carnival inspires love between a disparate group of local citizens and visiting Englishmen. |
| pretty theft monologue: Girl Megan Mostyn-Brown, 2008 A play about what it means to be a girl in this day and age. The girls in this play show great strength, revealing their vulnerabilities in language that is honest and extremely compelling. Split into three sections, the characters speak entirely in monologues (with some overlap), providing great material for auditions and monologue work. |
| pretty theft monologue: Sophie's World Jostein Gaarder, 1994 The protagonists are Sophie Amundsen, a 14-year-old girl, and Alberto Knox, her philosophy teacher. The novel chronicles their metaphysical relationship as they study Western philosophy from its beginnings to the present. A bestseller in Norway. |
| pretty theft monologue: The Breakup Monologues Rosie Wilby, 2021-07-27 In 2011, comedian Rosie Wilby was dumped by email. Obsessing about breakups ever since, she embarked on a quest to investigate, understand and conquer the psychology of heartbreak. That quest resulted in Rosie's acclaimed podcast The Breakup Monologues. This book is a love letter to her breakups, a celebration of what they have taught her peppered with anecdotes from illustrious friends and interviews with relationship therapists, scientists and sociologists about separating in the modern age of ghosting, breadcrumbing and conscious uncoupling. Print run 10,000. |
| pretty theft monologue: Deflowering Waldo Adam Szymkowicz, 2006 THE STORY: Waldo is having a bad day. He's afraid of crowds, spiders, skyscrapers, flowers, brown soap and sex. His father won't stop being Scottish. His therapist wants to seduce him. His ex-girlfriend could spontaneously combust at any moment. An |
| pretty theft monologue: Toad of Toad Hall Alan Alexander Milne, 1929 A play from Kenneth Grahame's Book. |
| pretty theft monologue: The Adventure Zone: Here There Be Gerblins Clint McElroy, Griffin McElroy, Justin McElroy, Carey Pietsch, Travis McElroy, 2018-07-17 Welcome to the Adventure Zone SEE The illustrated exploits of three lovable dummies set loose in a classic fantasy adventure READ Their journey from small-time bodyguards to world-class artifact hunters MARVEL At the sheer metafictional chutzpah of a graphic novel based on a story created in a podcast where three dudes and their dad play a tabletop role playing game in real time Join Taako the elf wizard, Merle the dwarf cleric, and Magnus the human warrior for an adventure they are poorly equipped to handle AT BEST, guided (guided) by their snarky DM, in a graphic novel that, like the smash-hit podcast it's based on, will tickle your funny bone, tug your heartstrings, and probably pants you if you give it half a chance. With endearingly off-kilter storytelling from master goofballs Clint McElroy and the McElroy brothers, and vivid, adorable art by Carey Pietsch, The Adventure Zone: Here There be Gerblins is the comics equivalent of role-playing in your friend's basement at 2am, eating Cheetos and laughing your ass off as she rolls critical failure after critical failure. |
| pretty theft monologue: The Temptation of Adam Dave Connis, 2017-11-21 Adam Hawthorne is fine. Yeah, his mother left, his older sister went with her, and his dad would rather read Nicholas Sparks novels than talk to him. And yeah, he spends his nights watching self-curated porn video playlists. But Adam is fine. When a family friend discovers Adam’s porn addiction, he’s forced to join an addiction support group: the self-proclaimed Knights of Vice. He goes because he has to, but the honesty of the Knights starts to slip past his defenses. Combine that with his sister’s out-of-the-blue return and the attention of a girl he meets in an AA meeting, and all the work Adam has put into being fine begins to unravel. Now Adam has to face the causes and effects of his addiction, before he loses his new friends, his prodigal sister, and his almost semi-sort-of girlfriend. |
| pretty theft monologue: Sonnets for an Old Century José Rivera, 2005 |
| pretty theft monologue: Lacey's Last Chance Gabriel Davis, 2012-11-04 One Act Play, Dark Comedy. Cast: 1 woman, 1 man. Synopsis: Lacey yearns for lasting love but has the unfortunate habit of - when the going gets tough - killing her partners. Hoping to attain a more peaceful life, Lacey takes up origami and begins dating Trent who, despite learning of her crimes, adores her and believes she can change. But will his faith in her be enough to keep their love - and him - alive? |
| pretty theft monologue: Disgraced Ayad Akhtar, 2015-03-24 From the Pulitzer Prize winner for Drama and author of Homeland Elegies, a sparkling and combustible play about identity in America after September 11 (Bloomberg). Everyone has been told that politics and religion are two subjects that should be off-limits at social gatherings. But watching these characters rip into these forbidden topics, there's no arguing that they make for ear-tickling good theater. --New York Times |
| pretty theft monologue: Albion's Seed David Hackett Fischer, 1991-03-14 This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are Albion's Seed, no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations. |
| pretty theft monologue: The Maestro Monologue: Discover Your Genius. Defeat Your Intruder. Design Your Destiny. Rob White, 2021-09-09 The Maestro Monologue teaches you to tap into the inner narrative that strips power from the intruder and awakens natural power once again. Never again will you doubt your capacity to achieve great heights. |
| pretty theft monologue: The Fever Wallace Shawn, 1992 THE STORY: The nameless narrator of this blistering monologue lies ill and alone in a dreary hotel room in a poverty-stricken country. A political execution is about to take place beneath his window. Far from the glib comforts of his own life, he s |
| pretty theft monologue: Earthquakes in London Mike Bartlett, 2014-03-10 It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again. Earthquakes in London includes burlesque strip shows, bad dreams, social breakdown, population explosion, worldwide paranoia. It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious. |
| pretty theft monologue: Last Days Adam Nevill, 2013-02-26 Last Days (winner of the British Fantasy Award for Best Horror Novel of the Year) by Adam Nevill is a Blair Witch style novel in which a documentary film-maker undertakes the investigation of a dangerous cult—with creepy consequences. When guerrilla documentary maker, Kyle Freeman, is asked to shoot a film on the notorious cult known as the Temple of the Last Days, it appears his prayers have been answered. The cult became a worldwide phenomenon in 1975 when there was a massacre including the death of its infamous leader, Sister Katherine. Kyle's brief is to explore the paranormal myths surrounding an organization that became a testament to paranoia, murderous rage, and occult rituals. The shoot's locations take him to the cult's first temple in London, an abandoned farm in France, and a derelict copper mine in the Arizonan desert where The Temple of the Last Days met its bloody end. But when he interviews those involved in the case, those who haven't broken silence in decades, a series of uncanny events plague the shoots. Troubling out-of-body experiences, nocturnal visitations, the sudden demise of their interviewees and the discovery of ghastly artifacts in their room make Kyle question what exactly it is the cult managed to awaken – and what is its interest in him? |
| pretty theft monologue: The Trestle at Pope Lick Creek Naomi Wallace, 2000 High atop a railroad trestle that spans a bone dry creek, two teenagers plan to race across the bridge against an oncoming locomotive. At first their scheme adds excitement to life in a small factory town during the Great Depression, then sensual experience awakens dangerous passions in an era of stifled ambitions. With theatrical flourish and lyrical finesse, Naomi Wallace delves into a world where people struggle to change lives that bear down upon them. ... Naomi Wallace, the thirty-eight-year-old Kentucky playwright at work here, received a MacArthur 'genius grant' last week, and TRESTLE AT POPE LICK CREEK, her lovely, strikingly poetic Depression-era play ... certainly illustrates what makes her deserving ... the play sometimes seems like a blend of Ingmar Bergman and Horton Foote, with Thornton Wilder on the side ... TRESTLE is set in 1936 in a in a town so dull that the only thing young people can pit themselves against, the only thing greater than them, is the 7:10 train with its 153-ton engine and deafening roar. So we find Dalton and Pace, who becomes his girlfriend despite his repeated insistence that she is not pretty, making plans to test themselves by trying to outrun the train on a trestle a hundred feet above a dry creek bed. Another boy from their town tried it recently and died ... By the end, the play, like that train, has built up a full head of steam and we feel its power. -Anita Gates, The New York Times ... TRESTLE is an often poignant, nonlinear-narrative coming-of-age story that's set in 1936 in a 'town outside a city, somewhere in the United States ... TRESTLE is at once charming and haunting ... you'll view it with wonder along the way. -Sam Whitehead, Time Out ... The honor for the most original and memorable work of this year's 22nd Humana Festival goes to another Kentuckian, Naomi Wallace, for her brilliant THE TRESTLE AT POPE LICK CREEK ... After the two-act play ended with an erotic, gender-twisted climax, there was a moment in the darkness when I thought: 'This must be how it felt when people saw A STREETCAR NAMED DESIRE for the very first time.' Like Tennessee Williams's daring play, Wallace's work introduces a new level of sexual honesty with a fresh mature voice. TRESTLE wraps its five characters in a metaphorical drama within a romantic and tragic mystery. It's a complicated, interwoven play that moves back and forth in time between past and present, with layers of meaning that overlap and build upon each other. Despite its depth of symbolism and clear political message, the play is neither stuffy nor strident. A bright ripple of humor funs through Wallace's play about two sexually charged young people who consider a game of chicken with an oncoming train. Wallace's keen psychological insights evoke compassion for her characters. Tears are shed and not only over the pathos of the play ... The actors stir the emotions with the tender way they expose the fragility and indomitable beauty of the human spirit, as revealed through Wallace's words ... If Wallace's plays were a visual art, ONE FLEA SPARE would be a baroque oil painting, while THE TRESTLE AT POPE LICK CREEK would be a 1930s American photograph with contrasting lights and shadows and its direct, unsentimental and uncensored gaze into the lives of the working class. -Judith Egerton, Courier-Journal, Louisville |
| pretty theft monologue: Kiffe Kiffe Tomorrow Faïza Guène, 2006-07-03 A “touching, furious, sharp, and very funny” novel of an immigrant teenage girl finding her own identity in France (Booklist). The Paradise projects are only a few metro stops from Paris, but it feels like a different world. Doria’s father, aka the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub, their destiny, alone. They have a little help—from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud. It seems like fate has dealt them an impossible hand, but Doria might still make a new life—“with bravado, humor, and a healthy dose of rage” (St. Petersburg Times). “[A] sassy, spunky tale . . . Doria has what it takes to storm any barricade.” —The Hartford Courant “[Doria is] as likable as Holden Caulfield or Prep’s Lee Fiora. Readers will cheer. Highly recommended.” —Library Journal, starred review “A promising addition to the world’s literary voices.” —The Miami Herald “Moving and irreverent, sad and funny, full of rage and intelligence. Her voice is fresh, and her book a delight.” —Laila Lalami, bestselling author of The Moor’s Account |
| pretty theft monologue: Love in the Time of Cholera (Illustrated Edition) Gabriel García Márquez, 2020-10-27 A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again. |
| pretty theft monologue: How I Paid for College Marc Acito, 2004-09-07 A deliciously funny romp of a novel about one overly theatrical and sexually confused New Jersey teenager’s larcenous quest for his acting school tuition It’s 1983 in Wallingford, New Jersey, a sleepy bedroom community outside of Manhattan. Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard. Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is. How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent. |
| pretty theft monologue: 50 Fabulous Classical Monologues for Women Freyda Thomas, Jan Silverman, 2008 Fifty fabulous fresh new classical monologues for men await you within these pages. Everyone from the ancient Greeks to novelists of the 19th century is represented. They are not translated; they are adapted to the actor's needs and accessible to modern audiences. There are 25 dramatic and 25 comic-the largest collection of comic classical monologues on the market. The book is divided into 4 sections: Young Women's Dramatic Mature Women's Dramatic Young Women's Comedic and Mature Women's Com |
| pretty theft monologue: The Lincoln Highway Amor Towles, 2023-03-21 #1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, a New York Times Readers’ Choice Best Book of the Century, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates |
| pretty theft monologue: Miss. Julie August Strindberg, 2014-09-02 On Midsummer’s Eve, Miss Julie, a young noblewoman enters into an illicit affair with her father’s valet, Jean. Worldly and cultured, Jean by turns spurns and encourages Miss Julie’s flirtation, eventually initiating a relationship with disastrous consequences for her. August Strindberg’s naturalistic play Miss Julie (Miss Julia) was the premiere production of the Scandinavian Naturalistic Theatre. While initially censored for content, the play has since become one of the most successful naturalistic dramas written, and has been performed on stages around the world each year since its premiere in 1888. Miss Julie has also been adapted numerous times for film, most recently by Liv Ullman with Jessica Chastain and Colin Farrell in the roles of Miss Julie and Jean. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library. |
| pretty theft monologue: The Parking Lot Adam Szymkowicz, 2021-06-16 A couple decides their fate in a parking lot. A play meant to be performed outside by two actors quarantined together (1M, 1F) who can play a couple. It takes place in a parking lot and people watch from the safety of their cars. This show is infinitely more than a public therapy session. It's a humorous, heartfelt and thought-provoking narrative for all of us in life's 'parking lot'. THE PARKING LOT is the opportunity we've been missing. It's an outlet to remember that the arts are changing-forever, maybe-but they will never cease to do what they have always done: form us into deeper, better versions of ourselves. Little Village Mag Playwright Adam Szymkowicz hit on a simply brilliant plan, hatched during the pandemic, of penning a play revolving around a parking lot, to be performed in a parking lot, with audience members staying in their vehicles. The Gazette |
| pretty theft monologue: Low Level Panic Clare McIntyre, 2017 A funny, unapologetic play about the effects of society's objectification of women. |
| pretty theft monologue: Unbearable Hotness Gabriel Davis, 2014-07-27 A play in one act. Comedy. Cast: 3 women, 3 men. Synopsis: Andrew has thrown a house party in hopes that the girl of his dreams, Marisa, will attend. Once he learns she is somewhere in his home, he becomes set on winning her heart. Matters are complicated when Chuck arrives bent on the same goal, followed by Jill who reveals her ex boyfriend is pursuing Marisa. Beatrice (aka Benny), a tom-boy, watches on amused as her peers become more and more frenzied over the unbearably hot object of their affections. When Marisa finally enters, passions run high and Chuck is almost killed! In the end, an unexpected twist unites Marisa with her true love. |
| pretty theft monologue: 50 Fabulous New Classical Monologues for Men Freyda Thomas, Jan Silverman, 2008 Fifty fabulous fresh new classical monologues for men await you within these pages. Everyone from the ancient Greeks to novelists of the 19th century is represented. They are not translated; they are adapted to the actor's needs and accessible to modern audiences. There are 25 dramatic and 25 comic-the largest collection of comic classical monologues on the market. The book is divided into 4 sections: Young Men's Dramatic Mature Men's Dramatic Young Men's Comedic and Mature Men's Comedic. Mo |
| pretty theft monologue: GoodFellas Nicholas Pileggi, 2011-11-03 The enthralling story of Henry Hill's life as a gangster and notorious participation in the Witness Protection Programme, made into the hugely acclaimed Martin Scorsese film _________________________ 'Absolutely engrossing' - New York Times 'The best book ever written on organised crime' - Cosmopolitan 'A riveting account of organised crime as a way of life ... extraordinary' - Publishers Weekly _________________________ 'At the age of twelve my ambition was to be a gangster. To me being a wiseguy was better than being president of the United States. To be a wiseguy was to own the world.' GoodFellas is Henry Hill's own story, telling the fascinating and sometimes brutal details of the day-to-day life of a working New York mobster - the violence, wild spending sprees, his wife, his mistress, his code of honour. From the small-time scamming of his early years, his first arrest at the age of sixteen and initiation into the dealings of his wiseguy friends and bosses, Henry Hill tells of the good times, dodgy dealings, indulgences, and the insularity of the mob-controlled neighbourhoods. But things start to go too far. To save his own life, Hill turns into a Federal witness, and the mob is to this day still hunting him down for revealing their involvement in hundreds of crimes including arson, extortion, hijacking, the six-million dollar Lufthansa heist (the most successful cash robbery in US history), and murder. |
| pretty theft monologue: The Art of Theft Sherry Thomas, 2019-10-15 Charlotte Holmes, Lady Sherlock, is back solving new cases in the Victorian-set mystery series from the USA Today bestselling author of The Hollow of Fear. As “Sherlock Holmes, consulting detective,” Charlotte Holmes has solved murders and found missing individuals. But she has never stolen a priceless artwork—or rather, made away with the secrets hidden behind a much-coveted canvas. But Mrs. Watson is desperate to help her old friend recover those secrets and Charlotte finds herself involved in a fever-paced scheme to infiltrate a glamorous Yuletide ball where the painting is one handshake away from being sold and the secrets a bare breath from exposure. Her dear friend Lord Ingram, her sister Livia, Livia’s admirer Stephen Marbleton—everyone pitches in to help and everyone has a grand time. But nothing about this adventure is what it seems and disaster is biding time on the grounds of a glittering French chateau, waiting only for Charlotte to make a single mistake… |
| pretty theft monologue: The Five Stages of Love and Marriage Gabriel Davis, 2018-10-05 One Act Play, Comedy. Cast: 4 men, 1 woman. Synopsis: A high school teacher presents universal truths about love and marriage to his class. During the process, the husband and wife characters in the teacher's slide presentation come to life and begin talking back. Soon the narrative is being driven as much by the teacher as his fictionalized husband and wife. Will the teacher be able to keep his characters marriage together and his class under control? |
| pretty theft monologue: The Suspect Fiona Barton, 2020-11-03 AN INSTANT NATIONAL BESTSELLER Utterly engrossing . . . I lived inside this book for two days—and I’m still thinking about it. Superb! Shari Lapena, #1 internationally bestselling author of The Couple Next Door Featured on Glamour’s “The Best Books of 2019 (So Far)” list Featured in The Globe and Mail's Six hot thrillers to get you through the big cold of January One of New York Post’s best books of the week Featured as Marie Claire’s February Interactive Monthly Book Club pick The New York Times bestselling author of The Widow returns with a brand new novel of twisting psychological suspense about every parent's worst nightmare... When two eighteen-year-old girls go missing in Thailand, their families are thrust into the international spotlight—desperate, bereft and frantic with worry. What were the girls up to before they disappeared? Journalist Kate Waters always does everything she can to be first to the story, first with the exclusive, first to discover the truth—and this time is no exception. But she can't help thinking of her own son, whom she hasn't seen in two years, when he left home to travel. As the case of the missing girls unfolds, they will all find that even when it seems far away, danger can lie closer to home than one might think... |
PRETTY Definition & Meaning - Merriam-Webster
The meaning of PRETTY is artful, clever. How to use pretty in a sentence. Using Pretty as an Adverb: Usage Guide Synonym Discussion of Pretty.
PRETTY | English meaning - Cambridge Dictionary
PRETTY definition: 1. quite, but not extremely: 2. almost: 3. pleasant to look at, or (especially of girls or women…. Learn more.
Pretty - definition of pretty by The Free Dictionary
1. pleasing or attractive, esp. in a delicate or graceful way: a pretty face; a pretty song. 2. pleasing or charming but lacking in grandeur, importance, or force. 3. fine; grand (often used ironically): …
PRETTY Definition & Meaning | Dictionary.com
Pretty definition: pleasing or attractive to the eye, as by delicacy or gracefulness.. See examples of PRETTY used in a sentence.
PRETTY definition and meaning | Collins English Dictionary
A place or a thing that is pretty is attractive and pleasant, in a charming but not particularly unusual way. Whitstable is still a very pretty little town. ...comfortable sofas covered in a pretty …
Pretty - Definition, Meaning & Synonyms - Vocabulary.com
Jun 9, 2025 · Use the word pretty to describe something with a delicate and pleasant appearance. Something that’s pretty is less powerful and intimidating than something that’s beautiful, the …
Pretty Definition & Meaning - YourDictionary
Pretty definition: Pleasing or attractive in a graceful or delicate way.
PRETTY - Definition & Meaning - Reverso English Dictionary
Pretty definition: somewhat or fairly, not completely. Check meanings, examples, usage tips, pronunciation, domains, and related words. Discover expressions like "pretty much", "so …
Pretty Definition & Meaning | Britannica Dictionary
PRETTY meaning: 1 : attractive to look at usually in a simple or delicate way used especially of a girl or woman; 2 : pleasant to look at or listen to
Pretty - Wikipedia
Look up pretty in Wiktionary, the free dictionary. "Pretty", a song on The Cranberries album Everybody Else Is Doing It, So Why Can't We?
PRETTY Definition & Meaning - Merriam-Webster
The meaning of PRETTY is artful, clever. How to use pretty in a sentence. Using Pretty as an Adverb: Usage Guide Synonym Discussion of Pretty.
PRETTY | English meaning - Cambridge Dictionary
PRETTY definition: 1. quite, but not extremely: 2. almost: 3. pleasant to look at, or (especially of girls or women…. Learn more.
Pretty - definition of pretty by The Free Dictionary
1. pleasing or attractive, esp. in a delicate or graceful way: a pretty face; a pretty song. 2. pleasing or charming but lacking in grandeur, importance, or force. 3. fine; grand (often used ironically): …
PRETTY Definition & Meaning | Dictionary.com
Pretty definition: pleasing or attractive to the eye, as by delicacy or gracefulness.. See examples of PRETTY used in a sentence.
PRETTY definition and meaning | Collins English Dictionary
A place or a thing that is pretty is attractive and pleasant, in a charming but not particularly unusual way. Whitstable is still a very pretty little town. ...comfortable sofas covered in a pretty …
Pretty - Definition, Meaning & Synonyms - Vocabulary.com
Jun 9, 2025 · Use the word pretty to describe something with a delicate and pleasant appearance. Something that’s pretty is less powerful and intimidating than something that’s beautiful, the …
Pretty Definition & Meaning - YourDictionary
Pretty definition: Pleasing or attractive in a graceful or delicate way.
PRETTY - Definition & Meaning - Reverso English Dictionary
Pretty definition: somewhat or fairly, not completely. Check meanings, examples, usage tips, pronunciation, domains, and related words. Discover expressions like "pretty much", "so …
Pretty Definition & Meaning | Britannica Dictionary
PRETTY meaning: 1 : attractive to look at usually in a simple or delicate way used especially of a girl or woman; 2 : pleasant to look at or listen to
Pretty - Wikipedia
Look up pretty in Wiktionary, the free dictionary. "Pretty", a song on The Cranberries album Everybody Else Is Doing It, So Why Can't We?
