Advertisement
| puss in boots roger ebert: Roger Ebert's Movie Yearbook 2010 Roger Ebert, 2009-11-09 Roger Ebert's Movie Yearbook 2010 is the ultimate source for movies, movie reviews, and much more. For nearly 25 years, Roger Ebert's annual collection has been recognized as the preeminent source for full-length critical movie reviews, and his 2010 yearbook does not disappoint. The yearbook includes every review Ebert has written from January 2007 to July 2009. It also includes interviews, essays, tributes, and all-new questions and answers from his Questions for the Movie Answer Man columns. Fans get a bonus feature, too, with new entries to Ebert's Little Movie Glossary. This is the must-have go-to guide for movie fanatics. |
| puss in boots roger ebert: Roger Ebert's Movie Yearbook 2007 Roger Ebert, 2013-02-05 The most-trusted film critic in America. --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect. --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year. |
| puss in boots roger ebert: Roger Ebert's Movie Yearbook 2005 Roger Ebert, 2004 Containing reviews written from January 2002 to mid-June 2004, including the films Seabiscuit, The Passion of the Christ, and Finding Nemo, the best (and the worst) films of this period undergo Ebert's trademark scrutiny. It also contains the year's interviews and essays, as well as highlights from Ebert's film festival coverage from Cannes. |
| puss in boots roger ebert: Roger Ebert's Movie Yearbook Roger Ebert, 2005 |
| puss in boots roger ebert: Sex and Sexuality in Modern Screen Remakes Lauren Rosewarne, 2019-06-19 Sex and Sexuality in Modern Screen Remakes examines how sexiness, sexuality and revisited sexual politics are used to modernize film and TV remakes. This exploration provides insight into the ever-evolving—and ever-contested—role of sex in society, and scrutinizes the politics and economics underpinning modern media reproduction. More nudity, kinky sex, and queer content are increasingly deployed in remakes to attract, and to titillate, a new generation of viewers. While sex in this book refers to increased erotic content, this discussion also incorporates an investigation of other uses of sex and gender to help a remake appear woke and abreast of the zeitgeist including feminist reimaginings and ‘girl power’ make-overs, updated gender roles, female cast-swaps, queer retellings, and repositioned gazes. Though increased sex is often considered a sign of modernity, gratuitous displays of female nudity can sometimes be interpreted as sexist and anachronistic, in turn highlighting that progressiveness around sexuality in contemporary media is not a linear story. Also examined therefore, are remakes that reduce the sexual content to appear cutting-edge and cognizant of the demands of today’s audiences. |
| puss in boots roger ebert: Focus On: 100 Most Popular Former Roman Catholics Wikipedia contributors, |
| puss in boots roger ebert: Atomic Blonde Barry Lowe, 2016-04-28 Born Joan Lucille Olander in a small South Dakota town, Mamie Van Doren rose to Blonde Bombshell status in Hollywood when she signed with Universal Pictures in 1953, right on the heels of Marilyn Monroe. This comprehensive biography explores Van Doren's early life and career, spanning from her start as a bit player in Howard Hughes' Jet Pilot to her significant role as the last surviving member of Hollywood's famous Three M's: Mamie Van Doren, Marilyn Monroe, and Jayne Mansfield. A complete filmography lists Van Doren's roles in film and television. Entries include a plot synopsis, cast and crew details, and in many instances recent and contemporary reviews. |
| puss in boots roger ebert: Forthcoming Books Rose Arny, 1993 |
| puss in boots roger ebert: I Hated, Hated, Hated This Movie Roger Ebert, 2013-07-30 The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss. |
| puss in boots roger ebert: Shrek! William Steig, 2010-03-30 Horribly hideous Shrek leaves home and terrifies everyone he encounters in his search for his equally ugly bride. |
| puss in boots roger ebert: The Hollywood Reporter , 1991 |
| puss in boots roger ebert: Fairy Tale Films Pauline Greenhill, Sidney Eve Matrix, 2010-08-06 To set the field: fairy tales are traditional or literary fictional narratives that combine human and non-human protagonists with elements of wonder and the supernatural. Scholars of literature and film explore how such narratives manifest in film, either native to it or changelings from written literature or oral tradition. Among the topics are the commodification of childhood in contemporary fairy tale film, Guillermo del Toro's Pan's Labyrinth/El Laberinto del fauno and neomagical realism, feminism and place in The Juniper Tree, patriarchal backlash and nostalgia in Disney's Enchanted, feminist cultural pedagogy in Angela Carter and Neil Jordan's The Company of Wolves, and a secret midnight ball and a magic cloak in Stanley Kubrick's Eyes Wide Shut. |
| puss in boots roger ebert: Pinocchio (木偶奇遇記) Carlo Collodi, 2011-01-25 ※ Google Play 圖書不支援多媒體播放 ※ |
| puss in boots roger ebert: Your Movie Sucks Roger Ebert, 2007-03-01 A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel. |
| puss in boots roger ebert: Two Weeks in the Midday Sun Roger Ebert, 2016-04-06 Praise for Two Weeks in the Midday Sun -- About the Author -- Title Page -- Foreword by Martin Scorsese -- Dedication -- Two Weeks in the Midday Sun: A Cannes Notebook -- Postscript, 1997: Scorsese Goes to Dinner |
| puss in boots roger ebert: CD-ROMs in Print , 1997 |
| puss in boots roger ebert: The Art of Star Wars Rebels Limited Edition Dan Wallace, Lucasfilm Ltd., 2020-04-24 In the early days of the rebellion, a tight-knit group of rebels from various backgrounds banded together against all odds to do their part in the larger mission of defeating the Galactic Empire, sparking hope across the galaxy. The award-winning team from Lucasfilm Animation brought the beloved occupants of the Ghost into our homes five years ago, now, take a step behind-the-scenes to witness the journey from paper to screen with The Art of Star Wars Rebels. Featuring never-before-seen concept art and process pieces along with exclusive commentary from the creative team behind the show. |
| puss in boots roger ebert: The Art of The Mitchells vs. The Machines Ramin Zahed, 2021-05-18 COVER NOT FINAL The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines The Mitchells vs. The Machines is a comedy about an everyday family's struggle to relate while technology rises up around the world! When Katie Mitchell, a creative outsider, is accepted into the film school of her dreams, her plans to meet “her people” at college are upended when her nature-loving dad Rick determines the whole family should drive Katie to school together and bond as a family one last time. Katie and Rick are joined by the rest of the family, including Katie’s wildly positive mom Linda, her quirky little brother Aaron, and the family’s delightfully chubby pug Monchi for the ultimate family road trip. Suddenly, the Mitchells’ plans are interrupted by a tech uprising: All around the world, the electronic devices people love—from phones to appliances to an innovative new line of personal robots—decide it’s time to take over. With the help of two friendly malfunctioning robots, the Mitchells will have to get past their problems and work together to save each other and the world! The Art of The Mitchells vs. The Machines gives insight into how the filmmakers were able to bring this fresh, new vision to the screen through concept art, sketches, and early character designs, accompanied by exclusive commentary from director/co-writer Michael Rianda and co-director/co-writer Jeff Rowe, alumni of the team behind Emmy Award–winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The Lego Movie and the Academy Award–winning Spider-Man: Into the Spider-Verse. |
| puss in boots roger ebert: Fairy Tale Films Pauline Greenhill, Sidney Eve Matrix, 2010-08-06 This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress). As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema. |
| puss in boots roger ebert: The Art of Kiki's Delivery Service Hayao Miyazaki, 2006-05-09 A 13-year-old girl sets off on a journey to become a witch. In the process, she learns how to be a woman. From the movie of the same name, this prestige format, lavishly illustrated hard-bound book gives fans a rare glimpse into the creative process of Academy Award-winning director, Hayao Miyazaki. A 13-year-old girl sets off on a journey to become a witch. In the process, she learns how to be a woman. From the movie of the same name, this prestige format, lavishly illustrated hard-bound book gives fans a rare glimpse into the creative process of Academy Award-winning director, Hayao Miyazaki. |
| puss in boots roger ebert: Stars and Stardom in French Cinema Ginette Vincendeau, 2000-11-01 French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international star system. Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, GTrard Depardieu, and Juliette Binoche. This volume analyzes these stars' images and performance styles in the context of the French film industry, but also in relation to national culture and society. In the country where Brigitte Bardot and Catherine Deneuve have modeled for Marianne (the effigy of the Republic) and left-wing politicians have held up Jean Gabin as a role model, Vincendeau examines the unusual relationship between French film stars and national identity.Ginette Vincendeau is professor of film studies at the University of Warwick. She is the author and editor of a number of books on cinema. |
| puss in boots roger ebert: Cineforum , 2007 |
| puss in boots roger ebert: The Little Prince: The Art of the Movie Ramin Zahed, 2016-03-15 The art of Antoine de Saint-Exupéry's iconic masterpiece, The Little Prince, has been celebrated around the world for over seventy years. Now, Kung Fu Panda director Mark Osborne has brought the first-ever animated feature film adaptation of the children’s classic to screen, with voice talent that includes Marion Cotillard, James Franco, Jeff Bridges, Rachel McAdams and Benicio del Toro. This fresh take on a legendary tale blends intricate stop-motion animation with carefully crafted CGI to bring a whole new story to life – that of a little girl forced to grow up too fast in a world that has its priorities backwards. That is, until she meets the Aviator from Saint-Exupéry's story and is drawn into the rich, vibrant world of the Little Prince. Packed with never-before-seen designs and plenty of behind-the-scenes secrets, The Art of The Little Prince captures the breathtaking magic of the movie. With hundreds of stunning images, this book gives fans an all-access pass to The Little Prince – see how the visuals develop from page to screen, enjoy fascinating insights into the creative process and watch an incredible story unfold through its production art. |
| puss in boots roger ebert: The Man in the Moon William Joyce, 2011-09-06 In the first book of a multibook series, find out how a round, jolly baby became the great white hope of the Milky Way—and ringleader of the Guardians of Childhood. Up there in the sky. Don’t you see him? No, not the moon. The Man in the Moon. He wasn’t always a man. Nor was he always on the moon. He was once a child. Like you. Until a battle, a shooting star, and a lost balloon sent him on a quest. Meet the very first guardian of childhood. MiM, the Man in the Moon. |
| puss in boots roger ebert: The Art of WALL.E Tim Hauser, 2008-04-30 A guide to the art of the animated film presents storyboards, sketches, character studies, and colorscripts, and provides commentary by the director, artists, and animators on making the film. |
| puss in boots roger ebert: The Beauty Myth Naomi Wolf, 2009-03-17 The bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife. It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of the flawless beauty. |
| puss in boots roger ebert: "Repent, Harlequin!" Said the Ticktockman Harlan Ellison, 2016-07-12 Winner of the Hugo and Nebula Awards: A science fiction classic about an antiestablishment rebel set on overthrowing the totalitarian society of the future. One of science fiction’s most antiestablishment authors rails against the accepted order while questioning blind obedience to the state in this unique pairing of short story and essay. “‘Repent, Harlequin!’ Said the Ticktockman” is set in a dystopian future society in which time is regulated by a heavy bureaucratic hand known as the Ticktockman. The rebellious Everett C. Marm flouts convention, masquerading as the anarchic Harlequin, disrupting the precise schedule with bullhorns and jellybeans in a world where being late is nothing short of a crime. But when his love, Pretty Alice, betrays Everett out of a desire to return to the punctuality to which she is programmed, he is forced to face the Ticktockman and his gauntlet of consequences. The bonus essay included in this volume, “Stealing Tomorrow,” is a hard-to-find Harlan Ellison masterwork, an exploration of the rebellious nature of the writer’s soul. Waxing poetic on humankind’s intellectual capabilities versus its emotional shortcomings, the author depicts an inner self that guides his words against the established bureaucracies, assuring us that the intent of his soul is to “come lumbering into town on a pink-and-yellow elephant, fast as Pegasus, and throw down on the established order.” Winner of the Prometheus Hall of Fame Award, “‘Repent, Harlequin!’ Said the Ticktockman” has become one of the most reprinted short stories in the English language. Fans of George Orwell’s Nineteen Eighty-Four and Aldous Huxley’s Brave New World will delight in this antiestablishment vision of a Big Brother society and the rebel determined to take it down. The perfect complement, “Stealing Tomorrow” is a hidden gem that reinforces Ellison’s belief in humankind’s inner nobility and the necessity to buck totalitarian forces that hamper our steady evolution. |
| puss in boots roger ebert: The Men Who Would Be King Nicole LaPorte, 2010-05-04 “The definitive history of the studio” created by the larger-than-life team of Spielberg, Geffen, and Katzenberg (Los Angeles Times). For sixty years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte, who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened. Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often-otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions of dollars, its rich owners get richer, and everybody else suffers. LaPorte displays Geffen, seducing investors like Microsoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is a blockbuster behind-the-scenes Hollywood story—up close, glamorous, and gritty. |
| puss in boots roger ebert: Writers and Their Cats Alison Nastasi, 2018-08-21 Come for the behind-the-scenes stories.stay for the cutest picture of a kitten-covered Stephen King ever. — O, The Oprah Magazine Every great writer needs a mews: Mark Twain, Alice Walker, Haruki Murakami, Ursula K. Le Guin—this volume celebrates many famous authors who have shared their homes and hearts with furry feline friends. From the six-toed kitties who still inhabit the Ernest Hemingway Home and Museum in Florida to the mewling muses of mystery writer Lilian Jackson Braun, cats are clearly, in the words of Gloria Steinem, a writer's most logical and agreeable companion. • Features photographs and stories from 45 famous authors that capture the special bond between wordsmith and mouser • Sorted by alphabetical order, you'll see photographs from some of the most well-known authors including Beverly Cleary, Mark Twain, Stephen King, Sylvia Plath, and many more • Alison Nastasi is a journalist and the author of Artists and Their Cats, also from Chronicle Books. She lives in Los Angeles, California Full of charming anecdotes and feline whimsy, this collection is catnip for lit nerds. — Shelf Awareness • Makes a charming and thoughtful gift for any fan of great literature and cats • An excellent addition to your coffee table books for guests to enjoy browsing |
| puss in boots roger ebert: Sinbad Eleanor Fremont, 2003 Sinbad and his crew attack a royal flagship to steal the Book of Peace that protects the city of Syracuse, but later Sinbad and his friend Proteus will battle to return it to its rightful place. |
| puss in boots roger ebert: The Life of August Wilhelm Schlegel, Cosmopolitan of Art and Poetry Roger Paulin, 2016-02-01 This is the first full-scale biography, in any language, of a towering figure in German and European Romanticism: August Wilhelm Schlegel whose life, 1767 to 1845, coincided with its inexorable rise. As poet, translator, critic and oriental scholar, Schlegel's extraordinarily diverse interests and writings left a vast intellectual legacy, making him a foundational figure in several branches of knowledge. He was one of the last thinkers in Europe able to practise as well as to theorise, and to attempt to comprehend the nature of culture without being forced to be a narrow specialist. With his brother Friedrich, for example, Schlegel edited the avant-garde Romantic periodical Athenaeum; and he produced with his wife Caroline a translation of Shakespeare, the first metrical version into any foreign language. Schlegel's Lectures on Dramatic Art and Literature were a defining force for Coleridge and for the French Romantics. But his interests extended to French, Italian, Spanish and Portuguese literature, as well to the Greek and Latin classics, and to Sanskrit. August Wilhelm Schlegel is the first attempt to engage with this totality, to combine an account of Schlegel’s life and times with a critical evaluation of his work and its influence. Through the study of one man's rich life, incorporating the most recent scholarship, theoretical approaches, and archival resources, while remaining easily accessible to all readers, Paulin has recovered the intellectual climate of Romanticism in Germany and traced its development into a still-potent international movement. The extraordinarily wide scope and variety of Schlegel's activities have hitherto acted as a barrier to literary scholars, even in Germany. In Roger Paulin, whose career has given him the knowledge and the experience to grapple with such an ambitious project, Schlegel has at last found a worthy exponent. |
| puss in boots roger ebert: Makin' Toons Allan Neuwirth, 2007-04-02 From the first drawing board sketch to wriggling TV character, Makin’ Toons illustrates the thrills and challenges of making animated cartoon movies as told by the industry’s most successful creators. Cartoon lovers everywhere will be treated to 47 personal interviews with animation artists and industry leaders ranging from Shrek director Andrew Adamson to Rugrats producer Gabor Csupo. These and dozens of other fascinating firsthand accounts chronicle the behind-the-scene antics and commercial dynamics behind such blockbusters as The Simpsons, South Park, Beauty and the Beast, and Dragon Tales, to name just a few. Author Allan Neuwirth—an accomplished animation artist and writer himself—spices the book with insightful comments, hilarious anecdotes, and a true “toon artist’s” sense of humor. He also includes 75 never-before-published concept drawings, character designs, storyboards, and much more. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers. |
| puss in boots roger ebert: Chasing Portraits Elizabeth Rynecki, 2016-09-06 The memoir of one woman’s emotional quest to find the art of her Polish-Jewish great-grandfather, lost during World War II. Moshe Rynecki’s body of work reached close to eight hundred paintings and sculptures before his life came to a tragic end. It was his great-granddaughter Elizabeth who sought to rediscover his legacy, setting upon a journey to seek out what had been lost but never forgotten… The everyday lives of the Polish-Jewish community depicted in Moshe Rynecki’s paintings simply blended into the background of Elizabeth Rynecki’s life when she was growing up. But the art transformed from familiar to extraordinary in her eyes after her grandfather, Moshe’s son George, left behind journals detailing the loss her ancestors had endured during World War II, including Moshe’s art. Knowing that her family had only found a small portion of Moshe’s art, and that many more pieces remained to be found, Elizabeth set out to find them. Before Moshe was deported to the ghetto, he entrusted his work to friends who would keep it safe. After he was killed in the Majdanek concentration camp, the art was dispersed all over the world. With the help of historians, curators, and admirers of Moshe’s work, Elizabeth began the incredible and difficult task of rebuilding his collection. Spanning three decades of Elizabeth’s life and three generations of her family, this touching memoir is a compelling narrative of the richness of one man’s art, the devastation of war, and one woman’s unexpected path to healing. |
| puss in boots roger ebert: Switchblade Honey Warren Ellis, Brandon McKinney, 2003 The alien Chasta put their war machine into gear and humankind was suddenly in the worst fight it had ever known - and lost. The solar system will be annexed by the Chasta within the next thirty days. If humankind can't be the U.S. Army anymore, then it will have to be the Viet Cong. Disgraced Captain John Ryder gets a ship and crew and leads them into space as guerrilla fighters. Once clear of the system, they locate a place to hide between sorties and begin fighting. They strike from behind and shoot from cover. If they can't give them hell, Ryder and crew at least give them a hard time. The Chasta throw a ring of steel around the system as they close in on Earth, so Ryder pokes holes in it. They're on their own. No support. Naval vessels won't even recognize their callsign. They don't exist... but they're mankind's last hope. |
| puss in boots roger ebert: Big Bosoms and Square Jaws Jimmy McDonough, 2005-06-28 What do you need to make money making movies? The answer, according to cult hero, creator of the sexploitation film, and the man the Wall Street Journal once dubbed the King Leer of Hollywood, Russ Meyer, is: “big bosoms and square jaws.” In the first candid and fiendishly researched account of the late cinematic instigator’s life, Jimmy McDonough shows us how Russ Meyer used that formula to turn his own crazed fantasies into movies that made him a millionaire and changed the face of American film forever. Bringing his anecdote—and action—packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind such sexploitation classics as Faster, Pussycat! Kill! Kill!, Vixen, and Beyond the Valley of the Dolls. This former WWII combat photographer immortalized his personal sexual obsession (women with enormous breasts, of course) upon the silver screen, turning his favorite hobby into box-office gold when this one-man movie machine wrote, directed, and produced a no-budget wonder called The Immoral Mr. Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist. Rich with wicked and sometimes shocking observations and recollections from Meyer’s friends (such as colleague Roger Ebert and fellow filmmaker John Waters), lovers and leading ladies (some of whom played both roles with equal vigor), a cadre of his grizzled combat buddies, moviemakers inspired by him, and critics and fans alike, Big Bosoms and Square Jaws tells the voluptuous story of Meyer’s very singular life and career: his troubled youth, his war years, his volatile marriages, his victories against censorship, and his clashes with the Hollywood establishment. In his new biography of a true maverick, Jimmy McDonough blows the lid off the story of Russ Meyer, from beginning to his recent tragic demise, creating in the process a vivid portrait of a past America. |
| puss in boots roger ebert: I'm No Angel Ellen Tremper, 2006 Have you ever wondered why there are so many dumb blonde jokes--always about women? Or how Ivanhoe's childhood love, theflaxen Saxon Rowena, morphed into Marilyn Monroe? Between that season in 1847 when readers encountered Becky Sharp playing the vengeful Clytemnestra--about to plunge a dagger into Agamemnon--and the sunny moment in 1932 when moviegoers watched Clark Gable plunge Jean Harlow's platinum-tressed head into a rain barrel, the playing field for women and men had leveled considerably. But how did the fairy-tale blonde, that placid, pliant girl, become the tomato upstair, as Monroe styled herself in The Seven Year Itch? In I'm No Angel: The Blonde in Fiction and Film, Ellen Tremper shows how, at its roots, the image of the blonde was remodeled by women writers in the nineteenth century and actors in the twentieth to keep pace with the changes in real women's lives. As she demonstrates, through these novels and performances, fair hair and its traditional attributes--patience, pliancy, endurance, and innocence--suffered a deliberate alienation, which both reflected and enhanced women's personal and social freedoms essential to the evolution of modernity. From fiction to film, the active, desiring, and sometimes difficult women who disobeyed, manipulated, and thwarted their fellow characters mimicked and furthered women's growing power in the world. The author concludes with an overview of the various roles of the blonde in film from the 1960s to the present and speculates about the possible end of blond dominance. An engaging and lively read, I'm No Angel will appeal to a general audience interested in literary and cinematic representations of the blonde, as well as to scholars in Victorian, women's, and film studies. |
| puss in boots roger ebert: Game Over Dave Zirin, 2013 If you've ever thought that sports and politics don't mix, think again. In this eye-opening account, the gutsiest sportswriter in America (Robert Lipsyte, bestselling author and commentator) shows us just how deeply entwined politics and sports have become. Dave Zirin's Game Over takes readers on a whirlwind tour of the modern sports world, from the NFL lockout to soccer riots in Egypt, from the explosive 2011 MLB All-Star game to the Penn State scandal and the seamy underworld of the NCAA. Zirin reveals in each instance how our most important debates about class, race, sex, and political power are played out both on and off the field. He also sings the praise of those athletes with the courage to use their exalted platforms to reclaim sports form corporate interests and put them back where they belong: in the hands of the players and fans. Heralded as a damning indictment of all that is corrupting sports, Game Over is not just a book for sports fans. Combining analysis of sports today with the take-no-prisoners style that has earned Zirin legions of fans, Game Over is a must-read for anyone interested in understanding how sports both shape and reflect society--and why the stakes have never been higher. |
| puss in boots roger ebert: Gilliam on Gilliam Terry Gilliam, Ian Christie, 1999 The candid filmaker turns his his vision inward to explore the motivation behind Monty Python and the Holy Grail, The Fisher King, Twelve Monkeys, and other groundbreaking films. Original. |
| puss in boots roger ebert: Fences August Wilson, 2019-08-06 From legendary playwright August Wilson comes the powerful, stunning dramatic bestseller that won him critical acclaim, including the Tony Award for Best Play and the Pulitzer Prize. Troy Maxson is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less. This is a modern classic, a book that deals with the impossibly difficult themes of race in America, set during the Civil Rights Movement of the 1950s and 60s. Now an Academy Award-winning film directed by and starring Denzel Washington, along with Academy Award and Golden Globe winner Viola Davis. |
| puss in boots roger ebert: Subject Guide to Children's Books in Print , 1976 |
Pus: Causes, Locations, Symptoms, Treatment, and Prevention - Healthline
Jun 14, 2023 · Pus is a thick fluid containing dead tissue, cells, and bacteria. Your body often produces it when it’s fighting off an infection, especially infections caused by bacteria. …
Pus: Definition & Causes - Cleveland Clinic
Jan 7, 2025 · Pus is a milky-like fluid that can form underneath your skin or ooze from wounds, among other places. It forms because of how your immune system works. Infections are …
Pus: What is it and why does it happen? - Medical News Today
Nov 16, 2023 · Pus is a whitish-yellow, yellow, green, or brown-yellow protein-rich fluid called liquor puris that accumulates at the site of an infection. Pus is made of dead, white blood cells …
What Is Pus? Symptoms, Causes, Treatment, and More
Jan 26, 2023 · Pus is a fluid that contains a mixture of dead skin cells, white blood cells, and infectious material. The body produces pus as a response to infection. As a result, pus …
PUSS Definition & Meaning - Merriam-Webster
The meaning of PUSS is cat.
Pus Color Chart - Statcare
Pus is a thick, yellowish or greenish fluid that is produced as a result of inflammation or infection in the body. It is composed of dead white blood cells, bacteria, and tissue debris. While pus is …
PUSS! on Steam
In this game, you play as a cat that is trapped in another dimension. Find the way out or stay there forever! You can do it with just one hand! The easiest controls ever! Bossfights! The real Bullet …
Pus: Causes, Symptoms, Treatment, and Prevention - Verywell Health
Dec 15, 2024 · Pus is a thick yellowish, whitish, or greenish fluid made up of dead white blood cells, dead tissues, and dead bacteria or fungi. Also called liquor puris or purulent exudate, it is …
Is Pus a Sign of Infection? What Causes It? - MedicineNet
May 30, 2025 · Pus is a sign that the body is fighting off an infection and healing. Pus is a thick, often yellowish fluid that your body produces when it's fighting off inflammation, like an …
Pus - Wikipedia
Pus is an exudate, typically white-yellow, yellow, or yellow-brown, formed at the site of inflammation during infections, regardless of cause. [1][2] An accumulation of pus in an …
Pus: Causes, Locations, Symptoms, Treatment, and Prevention - Healthline
Jun 14, 2023 · Pus is a thick fluid containing dead tissue, cells, and bacteria. Your body often produces it when it’s fighting off an infection, especially infections caused by bacteria. …
Pus: Definition & Causes - Cleveland Clinic
Jan 7, 2025 · Pus is a milky-like fluid that can form underneath your skin or ooze from wounds, among other places. It forms because of how your immune system works. Infections are …
Pus: What is it and why does it happen? - Medical News Today
Nov 16, 2023 · Pus is a whitish-yellow, yellow, green, or brown-yellow protein-rich fluid called liquor puris that accumulates at the site of an infection. Pus is made of dead, white blood cells …
What Is Pus? Symptoms, Causes, Treatment, and More
Jan 26, 2023 · Pus is a fluid that contains a mixture of dead skin cells, white blood cells, and infectious material. The body produces pus as a response to infection. As a result, pus …
PUSS Definition & Meaning - Merriam-Webster
The meaning of PUSS is cat.
Pus Color Chart - Statcare
Pus is a thick, yellowish or greenish fluid that is produced as a result of inflammation or infection in the body. It is composed of dead white blood cells, bacteria, and tissue debris. While pus is …
PUSS! on Steam
In this game, you play as a cat that is trapped in another dimension. Find the way out or stay there forever! You can do it with just one hand! The easiest controls ever! Bossfights! The real Bullet …
Pus: Causes, Symptoms, Treatment, and Prevention - Verywell Health
Dec 15, 2024 · Pus is a thick yellowish, whitish, or greenish fluid made up of dead white blood cells, dead tissues, and dead bacteria or fungi. Also called liquor puris or purulent exudate, it is …
Is Pus a Sign of Infection? What Causes It? - MedicineNet
May 30, 2025 · Pus is a sign that the body is fighting off an infection and healing. Pus is a thick, often yellowish fluid that your body produces when it's fighting off inflammation, like an …
Pus - Wikipedia
Pus is an exudate, typically white-yellow, yellow, or yellow-brown, formed at the site of inflammation during infections, regardless of cause. [1][2] An accumulation of pus in an …
