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| plain black abstract paintings by clare rojas: Plain Black Clare Rojas, Jens Hoffmann, 2016 Here, for the first time, is a collection of the artist Clare Rojas' abstract paintings, completed between 2012 and 2015. Known for her association with a generation of San Francisco artists that became internationally prominent through the exhibition Beautiful Losers, much of Rojas' earlier work drew from various Russian and Eastern European folkloric subjects. While the figures have been removed from this newer body of work, it is not hard to see their lasting impact on Rojas' practice; these paintings are equally evocative of folk art, sign painting and the formalist reductions of artists like Alexander Calder, Matisse or Ellsworth Kelly. Accompanying these works is an essay by the curator and writer Jens Hoffmann.Clare Rojas (b. 1976) lives and works in San Francisco. Recent solo and group exhibitions include Everyone Has Those Spaces at Kavi Gupta, Chicago; Carved, Cast, Crumpled: Sculpture All Ways at the Smart Museum of Art in Chicago; Caerulea at Paule Anglim in San Francisco, Clare Rojas at Vladmir Restoin Roitfeld in New York; Clare Rojas at Galleri Nicolai Wallner in Copenhagen, and Pith at Prism in Los Angeles. Solo museum shows include the Museum of Craft and Folk Art, San Francisco; Riverside Art Museum, CA; The Rose Art Museum, Boston; Museo De Arte Comtemporaneo De Castilla y Leon; Museum Het Domein, Sittard; Ulrich Museum of Art, Wichita; Knoxville Museum of Art and the Museum of Contemporary Art, Chicago. |
| plain black abstract paintings by clare rojas: Barry McGee Barry McGee, 2010 Edited by Aaron Rose. |
| plain black abstract paintings by clare rojas: Artspeak Robert Atkins, 1997 More than 115 entries clearly explain the who, what, when, and where of art since 1945. Some entries deal with concepts, such as formalism, multiculturalism, and the picture plane; some discuss specific movements, such as Abstract Expressionism and Fluxus; some describe various ways of making art, such as collage, performance, and video. Together they provide an invaluable key to the specialized, often baffling vocabulary so often used in today's art world. Complementing the entries are two additional noteworthy features. The first, a one-page ArtChart, presents the movements of the postwar years in a concise format that makes their chronological connections immediately visible. The second is a twenty-eight-page timeline - illustrated with full-color reproductions of paintings, sculptures, and installations - that chronicles events in the art world and the world at large, providing a context for the entries that follow, in addition, for this updated and revised edition, birth and death dates for the artists have been added to the index, along with their nationalities, making this easy-to-use reference even more informative. |
| plain black abstract paintings by clare rojas: Artificial Hells Claire Bishop, 2012-07-24 This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism. |
| plain black abstract paintings by clare rojas: The Every Dave Eggers, 2021-11-16 From the award-winning, bestselling author of The Circle comes an exciting new follow-up. When the world’s largest search engine/social media company, the Circle, merges with the planet’s dominant ecommerce site, it creates the richest and most dangerous—and, oddly enough, most beloved—monopoly ever known: the Every. Delaney Wells is an unlikely new hire at the Every. A former forest ranger and unwavering tech skeptic, she charms her way into an entry-level job with one goal in mind: to take down the company from within. With her compatriot, the not-at-all-ambitious Wes Makazian, they look for the Every's weaknesses, hoping to free humanity from all-encompassing surveillance and the emoji-driven infantilization of the species. But does anyone want what Delaney is fighting to save? Does humanity truly want to be free? Studded with unforgettable characters, outrageous outfits, and lacerating set-pieces, this companion to The Circle blends absurdity and terror, satire and suspense, while keeping the reader in apprehensive excitement about the fate of the company—and the human animal. |
| plain black abstract paintings by clare rojas: Giant Robot , 2008 |
| plain black abstract paintings by clare rojas: Geoff McFetridge Geoff McFetridge, 2002 Los Angeles based graphic designer and visual artist. Formed in 1996. Working in product packaging, fabric and fashion design, animation, installations, etc. Aim - to create contemplative concepts you can feel close to. |
| plain black abstract paintings by clare rojas: Art of Latin America Marta Traba, 1994-01-01 Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art. |
| plain black abstract paintings by clare rojas: New York , 2004-11 |
| plain black abstract paintings by clare rojas: We Need a Horse Sheila Heti, 2011 A speckled horse wonders why he was made a horse and discovers that everything in the world has purpose, created to bring joy to someone or something else. |
| plain black abstract paintings by clare rojas: Teaching Primary Art and Design Paul Key, Jayne Stillman, 2009-09-07 This book introduces trainees and newly qualified primary teachers to the teaching of art and design in primary schools. It helps students gain an appreciation of what constitutes good practice in primary art and design and how they can go about achieving it. To meet the different needs of students, the book identifies varying levels of experience, creativity and confidence, and offers suggestions for applying these levels to the classroom. The book covers key areas of the art and design curriculum for Early Years Foundation Stage, Key Stage 1 and Key Stage 2, considering both their discrete and developmental characteristics. |
| plain black abstract paintings by clare rojas: Bruno Jakob , 2016 |
| plain black abstract paintings by clare rojas: Bill Woodrow and Richard Deacon Bill Woodrow, Richard Deacon, Jon Wood, 2021-12-28 This book presents the shared sculptures and drawings of Bill Woodrow and Richard Deacon. It showcases the work they have made together over the last thirty years, exhibition by exhibition. The introductory text explores the ways in which their shared sculptures have led them both into new artistic terrain, outside their individual practices. |
| plain black abstract paintings by clare rojas: Everything Flowers , 2011-04-20 Collected here for the first time are the beautiful and exotic paintings of Clare Rojas. One of the San Francisco Bay Area's most beloved art stars, Rojas is influenced by craft, folk art, and the beauty and wisdom of the garden. Her work weaves together flowers, plants, animals, and various folk figures to create mysterious narratives. Through the language of flowersdelicate yet resilient, powerful yet flexibleRojas tells enchanting stories with color. |
| plain black abstract paintings by clare rojas: AFRICOBRA Wadsworth A. Jarrell, 2020-05-08 Formed on the South Side of Chicago in 1968 at the height of the civil rights, Black power, and Black arts movements, the AFRICOBRA collective created a new artistic visual language rooted in the culture of Chicago's Black neighborhoods. The collective's aesthetics, especially the use of vibrant color, capture the rhythmic dynamism of Black culture and social life. In AFRICOBRA, painter, photographer, and collective cofounder Wadsworth A. Jarrell tells the definitive story of the group's creation, history, and artistic and political principles. From accounts of the painting of the groundbreaking Wall of Respect mural and conversations among group members to documentation of AFRICOBRA's exhibits in Chicago, New York, and Boston, Jarrell outlines how the collective challenged white conceptions of art by developing an artistic philosophy and approach wholly divested of Western practices. Featuring nearly one hundred color images of artworks, exhibition ephemera, and photographs, this book is at once a sourcebook history of AFRICOBRA and the story of visionary artists who rejected the white art establishment in order to create uplifting art for all Black people. |
| plain black abstract paintings by clare rojas: Arrival Cities Burcu Dogramaci, Mareike Hetschold, Laura Karp Lugo, Rachel Lee, Helene Roth, 2020-09-01 Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies. |
| plain black abstract paintings by clare rojas: Encyclopedia of Caves and Karst Science John Gunn, 2004 The Encyclopedia of Caves and Karst Science examines cave and karst geoscience, cave archaeology and human use of caves, art in caves, hydrology and groundwater, cave and karst history, and conservation and management. |
| plain black abstract paintings by clare rojas: Advances in Fingerprint Technology Ashim K. Datta, 2001-06-15 Fingerprints constitute one of the most important categories of physical evidence, and it is among the few that can be truly individualized. During the last two decades, many new and exciting developments have taken place in the field of fingerprint science, particularly in the realm of methods for developing latent prints and in the growth of imag |
| plain black abstract paintings by clare rojas: The Hearing Trumpet Leonora Carrington, 2021-01-05 An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.” |
| plain black abstract paintings by clare rojas: Purity is a Myth Zanna Gilbert, Pia Gottschaller, Tom Learner, Andrew Perchuk, 2021 Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s-- |
| plain black abstract paintings by clare rojas: Young, Sleek And Full Of Hell Aaron Rose, 2005 Alleged Gallery in New York defined a generation of art-making before it made the full transition from the streets to the galleries. This book features more than 100 artists who exhibited at the gallery, the most famous street-style gallery in America that launched countless emerging artists. |
| plain black abstract paintings by clare rojas: Pacific Natural Jenni Kayne, 2019-03-19 Both practical and inspiring, the first book from Jenni Kayne--the creator of the eponymous lifestyle brand--offers ideas and tips for entertaining and living well throughout the year. Jenni Kayne embodies an effortless aesthetic, where natural beauty is found in every detail. Pacific Natural illustrates Jenni's conscious way of living through personal anecdotes and tips with Jenni's home state of California serving as the backdrop. Organized by season, this entertaining book is your guide to creating special moments with family and friends. Each chapter includes tabletop ideas, simple crafts, tips for keeping a stocked kitchen and pantry, what to plant in your garden, and healthy, delicious recipes. From an apple harvest dinner and at-home herb drying in the fall, cocktail parties and DIY gift ideas in the winter, flower arranging in the spring and a beach picnic in the summer, Jenni shares her philosophy for creating traditions and living mindfully all year long. A thoughtful hands-on approach for stylish and balanced living, Pacific Natural shows us how to make the most of the time we spend together, treating life's details with creativity and care. |
| plain black abstract paintings by clare rojas: Mamma Andersson & Jockum Nordstrom: Who is sleeping on my pillow , 2010-11-30 Originally published on the occasion of the 2010 exhibition at David Zwirner in New York, Who is sleeping on my pillow marked the first time Andersson and Nordstrom presented their work in concurrent solo shows. The book showcases their work from the late 1980s to 2010 in over two hundred full-color plates, as well as numerous reproductions of family snapshots and source material. The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative art since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie interiors and landscapes. Nordstrom’s detailed collages, watercolors, and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. Included in Who is sleeping on my pillow are texts by Paolo Colombo and Anders Kruger, a poem by Stig Claesson, and an interview with Nordstrom by Marcel Dzama. As Colombo notes in his accompanying essay, “The miracle is that Jockum and Mamma spent more than half of their life together, and that over the years their complicity has guided them into the artists they are, each the complement and the best sounding board for the other.” The publication was reissued to coincide with Nordstrom’s 2014 exhibition, For the insects and the hounds, at David Zwirner in London, and Andersson’s 2015 presentation, Behind the Curtain, at the gallery in New York. |
| plain black abstract paintings by clare rojas: Art Basel Hans Ulrich Obrist, Gianni Jetzer, Philip Ursprung, 2014 In celebration of Art Basel's 44th year - the first to include three exhibitions on three continents - JRP Ringier joins Art Basel in publishing a new book documenting the dynamic experience of its Basel, Miami Beach, and Hong Kong fairs.Art Basel Year 44, designed by Gavillet & Rust (Geneva), has an A-to-Z format that maps the world of Art Basel with a comprehensive look at the shows of 2013. This elegant, hardcover publication offers a compilation of portfolios, interviews, and essays on contemporary art, and lists all exhibitors participating in the three exhibitions.The book depicts works from the different shows' sectors, highlights events and talks, and gives art world experts, curators, and collectors a platform for sharing their expertise, providing an immersive art experience for the reader.An extensive survey, a path to discovery, an indispensable piece of memorabilia - the first edition of the Art Basel Year 44 will no doubt be a favourite addition to the library of essential art books for the expanding global art world community.Published with Art Basel. |
| plain black abstract paintings by clare rojas: Widening Circles Joanna Macy, 2007-04 In this absorbing memoir, well-known eco-philosopher, Buddhist scholar, and deep ecology activist/teacher Macy recounts her adventures of mind and spirit in the key social movements of the era. From involvement with the CIA and the Cold War, through experiences in Africa, India and Tibet, her autobiography reads like a novel. |
| plain black abstract paintings by clare rojas: Reconsidering Olmec Visual Culture Carolyn E. Tate, 2012-01-18 Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems. |
| plain black abstract paintings by clare rojas: The Art of Buying Art Alan Bamberger, 2018-02-01 'The very best book on the subject ever published' Bernard Ewell, Personal Property Journal (the trade publication of the American Society of Appraisers) The art world can appear impenetrable to the beginner. This classic book, in print since 1990, is an invaluable primer that will help anyone to penetrate the thickets of inscrutable 'insider info' and esoteric jargon. Updated for today's art market, including online buying, The Art of Buying Art is without a doubt the most accessible book on how to research, evaluate, price and buy artworks - for anyone who wants to buy art. No previous knowledgeof art or the art business is necessary. Topics include: · how to research and evaluate art prices like the professionals · how to build a quality collection · how to spot fakes and forgeries · how to buy art at auctions and directly from artists · how to negotiate prices · how to tell the difference between an original and a reproduction Bamberger provides the information needed to transform anyone into an informed art consumer, to protect collectors from bad buys and to help them locate the best art at the correct prices. |
| plain black abstract paintings by clare rojas: 112 Greene Street , 2012-07-31 112 Greene Street was more than a physical space—it was a locus of energy and ideas that with a combination of genius and chance had a profound impact on the trajectory of contemporary art...its permeable walls became the center of an artistic community that challenged the traditional role of the artist, the gallery, the performer, the audience, and the work of art. — Jessamyn Fiore 112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark, and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. 112 Greene Street: The Early Years (1970–1974) is the culmination of an exhibition by the same name that was on view at David Zwirner in New York in 2011. This extensively researched and historically important book brings together a number of works that were exhibited at the seminal space (including works by Gordon Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret, and Richard Serra); extensive interviews with many of the artists involved in the space; a fascinating timeline of all the activity at 112 Greene Street in the early years; and installation views of the 2011 exhibition. The interviews in the book have been prepared by the exhibition’s curator, Jessamyn Fiore, and Louise Sørensen, Head of Research at David Zwirner, has contributed an introductory text that illuminates the space’s significance and critical reception during the prime years of its operation, as well as commentary on individual works in the show. |
| plain black abstract paintings by clare rojas: The Best American Book of the 20th Century Société réaliste, 2015 Are Pearl S. Buck, Sinclair Lewis, Ernest Hemingway, Margaret Mitchell, Ayn Rand, John Steinbeck, Daphne du Maurier, J. D. Salinger, Stephen King and Toni Morrison telling a similar story? By constructing The Best American Book from the first ten sentences of the 100 best-selling books of American fiction written between 1900 and 1999, the artist cooperative Socit Raliste has created a compelling intertextual narrative in which a multitude of cultural shifts converse. In the process, this publication projecta collaboration among Socit Raliste, New York multidisciplinary design studio Project Projects, and Dutch project space Onomatopee 100traverses formal standards of language and provokes questions regarding the dynamics of reader and writer, creating an opportunity to reflect upon modernitys spell on our present collective imagination. Each sentence is footnoted with its reference. This little book is a hysterical and challenging reading experience for all! |
| plain black abstract paintings by clare rojas: Morandi's Objects Ltd Joel Meyerowitz, 2016 |
| plain black abstract paintings by clare rojas: Margaret Kilgallen Alex Baker, Margaret Kilgallen, Eungie Joo, Susan Sollins, 2005 |
| plain black abstract paintings by clare rojas: Can You Feel It? Freek Lomme, 2017-01-04 This work addresses the issue of tactility and print today. Six contemporary artists and eight international academics and authors in the field of graphic design, materiality, theory and art explore how, in the digital age, our daily interaction with physical materials is greatly altered and how this affects us as humans. Developed in the context of fine book publishing, the project includes in-depth discussions of past printing and reproduction processes, including silkscreen, etching, Risograph, linocut, lithography and letterpress. Contributors: Lars Bang Larsen, Sema Bekirovic, Matthieu Blanchard, Christopher Breu, Lieven De Boeck, Johanna Drucker, Frederic Geurts, Alessandro Ludovico, Esther Krop / De Monsterkamer, Ulrike Mohr Thomas Rentmeister, Rik Peters, Marieke Sonneveld. |
| plain black abstract paintings by clare rojas: Four Generations Courtney J. Martin, 2019 The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by artists of the African diaspora and from the continent of Africa itself. 'Four Generations: The Joyner/Giuffrida Collection of Abstract Art' draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuries.0This revised and expanded edition updates 'Four Generations' with several new texts and nearly 100 images of works that have been added to the collection since the initial publication of this influential and widely praised book. Lavishly illustrated and featuring important contributions by leading art historians, critics, and curators, Four Generations gives an essential overview of some of the most notable artists and movements of the past century, with an emphasis on black artists and their approaches to abstraction in its various forms.0Filled with countless insights and visual treasures, 'Four Generations' is a journey through the momentous legacy of postwar art of the African diaspora. |
| plain black abstract paintings by clare rojas: Punks, Poets & Provocateurs Marcia Resnick, 2015-11-10 “The people from the extraordinary New York milieu amongst whom I was living and working had no way of knowing that the years between 1977 and 1982 were enchanted, endangered, and unrepeatable,” explains photographer Marcia Resnick. It was a time and place populated by icons, iconoclasts, and antiheroes whom Resnick documented with a unique and evocative eye. Here, her photographs of the “enfants terribles” reflect this unique time in the worlds of jazz, rock and roll, literature, art, and film—an era that remains highly influential. Rockers Johnny Thunders, Joey Ramone, James Brown, Iggy Pop, David Byrne, Brian Eno, and Mick Jagger; beat poets William S. Burroughs, Allen Ginsberg, and Gregory Corso; and provocateurs and raconteurs John Waters, Steve Rubell, Gary Indiana, Abbie Hoffman, Norman Mailer, Andy Warhol, and the incomparable John Belushi are included here, along with text by Victor Bockris and contemporary writings that create a context for Resnick’s photography from this inimitable era. |
| plain black abstract paintings by clare rojas: Conserving textiles : studies in honour of Ágnes Timár-Balázsy J. B. Perjés (ed.), 2009 |
| plain black abstract paintings by clare rojas: Artbibliographies Modern , 1999 |
| plain black abstract paintings by clare rojas: Who's Who in the South and Southwest 2000-2001 Marquis Who's Who, Marquis Who's Who Staff, 2000-11 |
| plain black abstract paintings by clare rojas: Arts & Humanities Citation Index , 1987 A multidisciplinary index covering the journal literature of the arts and humanities. It fully covers 1,144 of the world's leading arts and humanities journals, and it indexes individually selected, relevant items from over 6,800 major science and social science journals. |
| plain black abstract paintings by clare rojas: The Catholic Periodical and Literature Index , 1992 |
| plain black abstract paintings by clare rojas: Book Review Index , 2003 Vols. 8-10 of the 1965-1984 master cumulation constitute a title index. |
英語「plain」の意味・読み方・表現 | Weblio英和辞書
「plain」の意味・翻訳・日本語 - 明白な、わかりやすい、明瞭な、平易な、簡単な、はっきり見える、まったくの、徹底した、装飾のない、模様のない｜Weblio英和・和英辞書
「プレーン」の英語・英語例文・英語表現 - Weblio和英辞書
｢プレーン｣は英語でどう表現する？【単語】plain...【例文】Control Plane....【その他の表現】be simply dressed... - 1000万語以上収録！英訳・英文・英単語の使い分けならWeblio英和・ …
plain foodの意味・使い方・読み方 | Weblio英和辞書
plain foodの意味や使い方 粗餐; 粗食 - 約489万語ある英和辞典・和英辞典。発音・イディオムも分かる英語辞書。
plain janeの意味・使い方・読み方 | Weblio英和辞書
plain janeの意味や使い方 名詞plain Jane (複数形 plain Janes)(informal) A young woman or girl of average or unremarkable appearance... - 約489万語ある英和辞典・和英辞典。発音・イディ …
plainsの意味・使い方・読み方 | Weblio英和辞書
plains: plainの三人称単数現在。plainの複数形。明白な, わかりやすい, 明瞭な , 平易な, 簡単な
英語「explain」の意味・使い方・読み方 | Weblio英和辞書
[ラテン語「平らにする，明らかにする」の意 (EX‐ 2 +plānus 「平らな」); 名詞 explanation，形容詞 explanatory; ⇒PLAIN]
plain washerの意味・使い方・読み方 | Weblio英和辞書
plain washerの意味や使い方 平座金 - 約489万語ある英和辞典・和英辞典。発音・イディオムも分かる英語辞書。
英語「even」の意味・使い方・読み方 | Weblio英和辞書
even【副】…でさえ(も),…すら,(それどころか)いやまったく,いっそう,なお Even now it's not too late.:今でも遅くはない. - 研究社 新英和中辞典...【発音】íːv(ə)n, ˈiːvən【変化】evening(現在 …
英語「plain clothes」の意味・使い方・読み方 | Weblio英和辞書
「plain clothes」の意味・翻訳・日本語 - (警官の)平服、私服｜Weblio英和・和英辞書
英語「plain-spoken」の意味・読み方・表現 | Weblio英和辞書
「plain-spoken」の意味・翻訳・日本語 - 遠慮のない、率直に言う、あからさまの｜Weblio英和・和英辞書
英語「plain」の意味・読み方・表現 | Weblio英和辞書
「plain」の意味・翻訳・日本語 - 明白な、わかりやすい、明瞭な、平易な、簡単な、はっきり見える、まったくの、徹底した、装飾のない、模様のない｜Weblio英和・和英辞書
「プレーン」の英語・英語例文・英語表現 - Weblio和英辞書
｢プレーン｣は英語でどう表現する？【単語】plain...【例文】Control Plane....【その他の表現】be simply dressed... - 1000万語以上収録！英訳・英文・英単語の使い分けならWeblio英和・ …
plain foodの意味・使い方・読み方 | Weblio英和辞書
plain foodの意味や使い方 粗餐; 粗食 - 約489万語ある英和辞典・和英辞典。発音・イディオムも分かる英語辞書。
plain janeの意味・使い方・読み方 | Weblio英和辞書
plain janeの意味や使い方 名詞plain Jane (複数形 plain Janes)(informal) A young woman or girl of average or unremarkable appearance... - 約489万語ある英和辞典・和英辞典。発音・イディ …
plainsの意味・使い方・読み方 | Weblio英和辞書
plains: plainの三人称単数現在。plainの複数形。明白な, わかりやすい, 明瞭な , 平易な, 簡単な
英語「explain」の意味・使い方・読み方 | Weblio英和辞書
[ラテン語「平らにする，明らかにする」の意 (EX‐ 2 +plānus 「平らな」); 名詞 explanation，形容詞 explanatory; ⇒PLAIN]
plain washerの意味・使い方・読み方 | Weblio英和辞書
plain washerの意味や使い方 平座金 - 約489万語ある英和辞典・和英辞典。発音・イディオムも分かる英語辞書。
英語「even」の意味・使い方・読み方 | Weblio英和辞書
even【副】…でさえ(も),…すら,(それどころか)いやまったく,いっそう,なお Even now it's not too late.:今でも遅くはない. - 研究社 新英和中辞典...【発音】íːv(ə)n, ˈiːvən【変化】evening(現在 …
英語「plain clothes」の意味・使い方・読み方 | Weblio英和辞書
「plain clothes」の意味・翻訳・日本語 - (警官の)平服、私服｜Weblio英和・和英辞書
英語「plain-spoken」の意味・読み方・表現 | Weblio英和辞書
「plain-spoken」の意味・翻訳・日本語 - 遠慮のない、率直に言う、あからさまの｜Weblio英和・和英辞書
