Advertisement
| phantom city studio: Batman: The Animated Series Mondo, 2020-10-06 Chock-full of gorgeous pieces of art, many of which I would love to hang on my wall, Batman: The Animated Series: The Phantom City Creative Collection, is one of my favorite pieces. – DC Comics News Mondo is proud to present Batman: The Animated Series: The Phantom City Creative Collection, a visually breathtaking celebration of the Emmy Award–winning series. Known for their limitless passion and incredible ingenuity for film and television posters, Mondo turns their attention to the highly acclaimed show Batman: The Animated Series. The show first aired in 1992 and was instantly met with critical praise for its sophisticated writing and distinctive, noir-influenced art style, generating an intense following that still exists today. Over the years, Mondo has received global recognition for their astonishing artisanal posters, and their creations for Batman: The Animated Series are no exception. The studio has partnered exclusively with the award-winning artist at Phantom City Creative, Inc., Justin Erickson, in order to bring this show to life in a striking and unparalleled way. Filled with Erikson’s slick graphic design as well as beautifully rendered illustrations, this Batman: The Animated Series art book is a one-of-a-kind tribute to one of the greatest animated shows of all time. |
| phantom city studio: Hollywood's Lost Backlot Steven Bingen, 2018-12-01 Hollywood is a transitory place. Stars and studios rise and fall. Genres and careers wax and wane. Movies and movie moguls and movie makers and movie palaces are acclaimed and patronized and loved and beloved, and then forgotten. And yet… And yet one place in Southern California, built in the 1920s by (allegedly murdered) producer Thomas Ince, acquired by Cecil B. DeMille, now occupied by Amazon.com, has been the home for hundreds of the most iconic and legendary films and television shows in the world for a remarkable and star-studded fifty years. This bizarre, magical place was the location for Tara in Gone with The Wind, the home of King Kong and Superman, of Tarzan and Batman, of the Green Hornet, of Elliot Ness, of Barney Fife, of Tarzan, of Rebecca, of Citizen Kane, of Hogan’s Heroes and Gomer Pyle, of Lasse, of A Star is Born and Star Trek, and at least twice, of Jesus Christ. For decades, every conceivable star in Hollywood, from Clark Gable to Warren Beatty, worked and loved and gave indelible performances on the site. And yet, today, it is completely forgotten. Pretty much anyone alive today, from college professors to longshoremen, have probably heard of Paramount and of MGM, of Warner Bros. and of Universal, and of Disney and Fox and Columbia, but the place where many of these studio’s beloved classics were minted is today as mysterious and unknowable as the sphinx. Hollywood’s Lost Backlot: 40 Acres of Glamour and Mystery will, for the first time ever, unwind the colorful and convoluted threads that make for the tale of one of the most influential and photographed places in the world. A place which most have visited, at least on screen, and which has contributed significantly and unexpectedly to the world’s popular culture, and yet which few people today, paradoxically, have ever heard of. |
| phantom city studio: The File on Robert Siodmak in Hollywood, 1941-1951 Joseph Greco, 1999 Robert Siodmak, who is considered the master of film noir thrillers and crime melodramas, has long been seen as a mere assignment director, never an artist in complete control of his work. J. Greco's study of Siodmak's Hollywood career dispels this view and presents a unique perspective on the studio system and the director who used cunning to get his own way within it. He incorporates both archival evidence and stylistic analysis to show a distinct correlation between the production histories of Siodmak's studio films and the director's central artistic purpose. Shedding new light on the career of this important film maker, this book is worthwhile reading for the film scholar, the lover of film noir, and the fan of Siodmak's work. |
| phantom city studio: The Film Daily ... Year Book , 1929 |
| phantom city studio: The Phantom's Frame Cindy Monica, 2024-11-01 In the vibrant and haunting city of New Orleans, an ambitious photographer named Clara stumbles upon an old camera at a flea market, rumored to have belonged to a mysteriously vanished artist. Intrigued, she begins using the camera to capture the essence of the city's iconic locations, only to discover that each photograph reveals shadowy figures lurking just out of sight—figures that grow increasingly vivid and menacing with each click. As Clara delves deeper into the mystery, she becomes entangled in the lives of tormented spirits who seek to express their pain and stories through her lens. Among them are Lucien, a sorrowful bard trapped in time; Elise, a guardian of a forgotten garden; and Victor, a lost musician yearning to be remembered. Each spirit carries a haunting tale of love, loss, and regret, urging Clara to help them find closure. As she embarks on this emotional journey, Clara must confront her own fears and insecurities while unraveling the dark secrets of the city’s past. With the spirits urging her to use her photography as a bridge between the living and the dead, Clara races against time to complete their stories before she becomes just another ghost in their haunting gallery. |
| phantom city studio: Behind the Phantom's Mask Roger Ebert, 1993-05 Mason Devereaux, the once-great London actor, has hit the skids and clings to his job as an understudy for Phantom of the Opera. Then the Phantom is shot dead onstage. |
| phantom city studio: The Film Studio Ben Goldsmith, Tom O'Regan, 2005 The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations. Visit our website for sample chapters! |
| phantom city studio: Studios Before the System Brian R. Jacobson, 2015-09-01 By 1915, Hollywood had become the epicenter of American filmmaking, with studio dream factories structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France—the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères—as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the specific art of the machine. From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape. |
| phantom city studio: The Smashing Idea Book Cameron Chapman, 2011-08-15 Presents a collection of design ideas and more than seven hundred examples from websites to help create an effective Web site. |
| phantom city studio: Phantom of the Auditorium (Classic Goosebumps #20) R. L. Stine, 2011-08-01 Goosebumps now on Disney+! Brooke's best friend, Zeke, has been given the lead role in the school play, The Phantom. Zeke's totally into it. He loves dressing up in the grotesque phantom costume. And scaring the other members of the cast. Brooke thinks Zeke's getting a little too into it. But then really scary things start happening. A message appears on a piece of scenery: The Phantom Strikes! A stage light comes crashing down.Is someone trying to ruin the play?Or is there really a phantom living under the stage? |
| phantom city studio: A Stray Cat Struts Slim Jim Phantom, 2016-08-16 In June 1980, 19-year-old James McDonnell (known as Slim Jim Phantom) boarded a plane from New York City to London with his childhood friends and bandmates Brian Setzer and Lee Rocker. In less than a year, they went from being homeless, hungry, and living in punk rock squats to the toast of the London music scene. The Stray Cats developed a signature sound and style that swept across the world, released multiplatinum albums, and were embraced and befriended by classic rock acts like the Rolling Stones and Led Zeppelin, as well as original punk heroes such as the Sex Pistols, the Damned, and the Clash, and rock-and-roll originators Carl Perkins and Jerry Lee Lewis. After ten years of marriage to actress Britt Ekland, Slim Jim moved down the hill to Sunset Strip, where his son was raised and he owned the world-famous rock-and-roll bar Cat Club while continuing to play with a host of well-known musicians. Slim Jim, a veteran of the London and LA music scenes, recounts in his memoir not just the Stray Cats' rise but a different type of life spent in the upper echelon of rock-and-roll stardom. |
| phantom city studio: Hollywood by Hollywood Steven Cohan, 2019 The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the movie crazy fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies. |
| phantom city studio: God Says No James Hannaham, 2009 Gary Gray marries his first girlfriend, a fellow student from Central Florida Christian College who loves Disney World as much as he does. They are 19 years old, God-fearing, and eager to start a family, but a week before their wedding Gary goes into a rest-stop bathroom and lets something happen. God Says No is his testimony -- the story of a young black Christian struggling with desire and belief, with his love for his wife and his appetite for other men, told in a singular, emotional voice. Driven by desperation and religious visions, the path that Gary Gray takes -- from revival meetings to out life in Atlanta to a pray-away-the-gay ministry in Memphis, Tennessee -- gives a riveting picture of how a life like his can be lived, and how it can't. |
| phantom city studio: The Studio , 1893 |
| phantom city studio: The Phantom Tollbooth Norton Juster, 1988-10-12 With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams! |
| phantom city studio: The Phantom's Phantom Robert Reginald, 2007 A pulp mystery magazine entitled The Phantom detective was issued from 1933 to 1953, featuring the character Richard Curtis Van Loan, aka the Phantom. After a 50-year hiatus, author Robert Reginald brings out a new Phantom Detective story with Van Loan's character. |
| phantom city studio: Here, There and Everywhere Geoff Emerick, Howard Massey, 2006-03-16 An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known. |
| phantom city studio: Sound Reproduction Floyd E. Toole, 2017-07-28 Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource. |
| phantom city studio: The Films of the Thirties Jerry Vermilye, 1982 |
| phantom city studio: The Hawthorn Archive Avery F. Gordon, 2017-10-31 The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike. |
| phantom city studio: Duke Ronald L. Davis, 2012-09-06 Almost two decades after his death, John Wayne is still America’s favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne’s human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength. Davis traces Wayne’s story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford’s 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man’s ideal more than a woman’s, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier’s--and the nation’s--traditional values. To depict the different facets of Wayne’s life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor’s costar Maureen O’Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself. |
| phantom city studio: Lou Scheimer Andy Mangels, Lou Scheimer, 2012-01-10 Hailed as one of the father's of Saturday morning television, Lou Scheimer was the co-founder of Filmation Studios, which for over 25 years provided animated excitement for TV and film. Always at the forefront, Scheimer's company created the first DC cartoons with Superman, Batman, and Aquaman, and ruled the song charts with The Archies. |
| phantom city studio: The Phantom Twin Lisa Brown, 2020 Isabel and Jane are the Extraordinary Peabody Sisters, conjoined twins in a traveling carnival freak show--until an ambitious surgeon tries to separate them and fails, causing Jane's death. Isabel has lost an arm and a leg but gained a ghostly companion: her dead twin is now her phantom limb. Haunted, altered, and alone for the first time, can Isabel build a new life that's truly her own?--Provided by publisher. |
| phantom city studio: The Art of Mondo Mondo, 2017-10-10 Experience the incredible pop culture art of Mondo, beloved by fans and iconic filmmakers alike. Based in Austin, Texas, Mondo is an art gallery and online store devoted to the love of film, art, music, and collectibles. Over the years, the company has received global recognition for its incredible art posters that bring to life classic films, television shows, and comics in a refreshing and utterly striking new way, offering a unique perspective on everything from Star Wars to Robocop, Back to the Future, Jurassic Park, Game of Thrones, Godzilla, Kill Bill, and many, many more. For the first time, The Art of Mondo brings together this highly sought-after art in one deluxe volume that showcases the incredible ingenuity of the studio’s diverse stable of artists whose vastly different styles are united by one guiding principle: limitless passion for their subject matter. Adored by the creative talents to whom Mondo’s art pays tribute—including Paul Thomas Anderson, Guillermo del Toro, Zack Snyder, Quentin Tarantino, and Edgar Wright, to name but a few—this richly imaginative work is fueled by a love of pop culture that fans recognize and identify with, giving Mondo’s output a rare and valuable synergy with its audience. While these posters are normally produced in a limited quantity and sell out in minutes, The Art of Mondo allows fans to explore the studio’s remarkable back catalog, including Olly Moss’s iconic Star Wars trilogy work, Laurent Durieux’s brilliantly subtle Jaws poster, and Tyler Stout’s evocative Guardians of the Galaxy art. Other key Mondo artists such as Jock, Martin Ansin, and Aaron Horkey will also feature. Definitive, visually stunning, and filled with art that celebrates some of the biggest and best-loved properties in pop culture, The Art of Mondo is the ultimate book for cult art fans everywhere. |
| phantom city studio: Studio , 1893 |
| phantom city studio: No Regrets Aviva Yael, P. M. Chen, 2008-05-20 Dr. Phil, Gay Unicorns, and Jesus Christ... They're all tattooed on someone's ass. Or face, or whatever. Remember that time you were wasted and thought it would be a good idea to get a tattoo on your leg of Maury Povich shaking hands with Sasquatch, but your friends talked you out of it at the last second? Well, some people don't have any friends... Aviva Yael and P. M. Chen spent a year going to tattoo conventions and tattoo studios all over the country, chasing, stalking, e-mailing, calling, interviewing, ambushing, and hunting down whomever they could in order to find the most insane tattoos out there. What started out as a joke in a bar became a year-long tattoo safari that's presented here in all its full color, balls-to-the-wall, train-wreck/beauty-pageant glory. |
| phantom city studio: New Makers of Modern Culture Justin Wintle, 2016-04-22 New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms. |
| phantom city studio: The Phantom Empire Geoffrey O'Brien, 1993 The Phantom Empire is a brilliant, daring, and utterly original book that analyzes (even as it exemplifies) the effect that the image saturation of a hundred years of moving pictures have had on human culture and consciousness. |
| phantom city studio: The ... Film Daily Year Book of Motion Pictures , 1929 |
| phantom city studio: Phantom Plague Vidya Krishna, 2022-04-29 The definitive social history of tuberculosis, from its origins as a haunting mystery to its modern reemergence that now threatens populations around the world. It killed novelist George Orwell, Eleanor Roosevelt, and millions of others-rich and poor. Desmond Tutu, Amitabh Bachchan, and Nelson Mandela survived it, just. For centuries, tuberculosis has ravaged cities and plagued the human body. In Phantom Plague, Vidya Krishnan, traces the history of tuberculosis from the slums of 19th-century New York to modern Mumbai. In a narrative spanning century, Krishnan shows how superstition and folk-remedies, made way for scientific understanding of TB, such that it was controlled and cured in the West. The cure was never available to black and brown nations. And the tuberculosis bacillus showed a remarkable ability to adapt-so that at the very moment it could have been extinguished as a threat to humanity, it found a way back, aided by authoritarian government, toxic kindness of philanthropists, science denialism and medical apartheid. Krishnan's original reporting paints a granular portrait of the post-antibiotic era as a new, aggressive, drug resistant strain of TB takes over. Phantom Plague is an urgent, riveting and fascinating narrative that deftly exposes the weakest links in our battle against this ancient foe. |
| phantom city studio: Listen to This Alex Ross, 2010-09-28 One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely. |
| phantom city studio: Designing Hollywood Christian Esquevin, 2023-08-29 Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unraveling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen. |
| phantom city studio: Clay Thompson's Valley 101 Clay Thompson, 2003-11-01 A collection of oddly informative columns by the Arizona Republic's Clay Thompson. Newcomers and longtime Arizona residents have challenged Mr. Thompson with questions, both vital and obscure. His witty responses entertain readers daily. This is the first compilation of his work. |
| phantom city studio: The Phantom of Fifth Avenue Meryl Gordon, 2014-05-27 From New York Times bestselling author Meryl Gordon, the definitive biography of Huguette Clark, who went from being one of the wealthiest and most famous Jazz Age socialites to spending the last twenty years of her life hiding out in hospitals. Born in 1906, Huguette Clark grew up in her family's 121-room Beaux Arts mansion in New York and was one of the leading celebrities of her day. Her father William Andrews Clark, was a copper magnate, the second richest man in America, and not above bribing his way into the Senate. Huguette attended the coronation of King George V. And at twenty-two with a personal fortune of $50 million to her name, she married a Princeton man and childhood friend William MacDonald Gower. Two-years later the couple divorced. After a series of failed romances, Huguette began to withdraw from society--first living with her mother in a kind of Grey Gardens isolation then as a modern-day Miss Havisham, spending her days in a vast apartment overlooking Central Park, eating crackers and watching The Flintstones with only servants for company. All her money and all her real estate could not protect her in her later life from being manipulated by shady hangers-on and hospitals that were only too happy to admit (and bill) a healthy woman. But what happened to Huguette that turned a vivacious, young socialite into a recluse? And what was her life like inside that gilded, copper cage? |
| phantom city studio: MGM Steven Bingen, Stephen X Sylvester, Michael Troyan, 2011-02-25 M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio. |
| phantom city studio: The Publishers Weekly , 1921 |
| phantom city studio: Phantom Angel David Handler, 2015-02-10 A wickedly funny private eye novel set in the dark underbelly of New York City, where the worlds of Broadway and organized crime meet When it comes to tracking down teen runaways, there is no private investigator in New York City better than streetwise Benji Golden. But his newest client is Morrie Frankel, the last of the great Broadway showmen. Morrie's current extravaganza, a lavish $65 million musical adaptation of Emily Bronte's Wuthering Heights, is the biggest unfolding disaster the Great White Way has ever seen. Rumor has it, if he doesn't find a deep-pocketed angel, or investor, soon, he might go down and take the production with him. Morrie thought he had found such an investor in hedge fund billionaire R.J. Farnell, who promised to keep the teetering production afloat. But Farnell and his $12 million have vanished. Benji tracks Farnell to his girlfriend, Jonquil Beausoleil, who turns the investigation on its head. When Morrie is found gunned down on 42nd Street, Benji finds himself smack in the middle of a high-profile murder investigation, and he'll have to pierce through a lot of Broadway gossip before he can find the killer. Phantom Angel is the next entertaining installment in David Handler's newest mystery series, sure to delight both old and new fans of this award--winning, unique voice in crime fiction. |
| phantom city studio: Town Journal , 1926 |
| phantom city studio: Poverty Row Studios, 1929-1940 Michael R. Pitts, 2015-09-17 From the beginning of the sound era until the end of the 1930s, independent movie-making thrived. Many of the independent studios were headquartered in a section of Hollywood called Poverty Row. Here the independents made movies on the cheap, usually at rented facilities where shooting was limited to only a few days. From Allied Pictures Corporation to Willis Kent Production, 55 Poverty Row Studios are given histories in this book. Some of the studios, such as Diversion Pictures and Cresent Pictures, came into existence for the sole purpose of releasing movies by established stars. Others, for example J.D. Kendis, were early exploitation filmmakers under the guise of sex education. The histories include critical commentary on the studio's output and a filmography of all titles released from 1929 through 1940. |
| phantom city studio: Shark Summer Ira Marcks, 2021-05-25 “Shark Summer is bursting with vibrant, expressive art....The characters are distinct and relatable...It’s a lovely read!”—Molly Knox Ostertag, author of the Witch Boy series Eloquently chronicled in Marcks’s cinematic panels, friendships are formed and repaired, parental relationships articulated, and inner conflicts expressed and resolved. A winning production. --Kirkus When a Hollywood film crew arrives on Martha's Vineyard with a mechanical shark and a youth film contest boasting a huge cash prize, disgraced pitcher Gayle Blue Streak Briar sees a chance to turn a bad season into the best summer ever. After recruiting aspiring cinematographer Elijah Jones and moody director Maddie Grey, Gayle and her crew set out to uncover the truth of the island's own phantom shark and win the prize money. But these unlikely friends are about to discover what happens when you turn your camera toward the bad things lurking below the surface. |
The Zeitgeist - podcast.phantom.app
Brian Friel and the Phantom team highlight the founders, developers, and designers who are pushing Web3 forward. Join the conversation as we delve into the unique challenges and …
Phantom Waitlist
Get early access to embedded wallets for your app
docs.phantom.app
docs.phantom.app
Sharky - App Spotlight - Phantom
May 12, 2023 · Don't have Phantom? Download Phantom for desktop or mobile here. The Zeitgeist - Episode 17. Rea Dulcetta and Anton Restuta - Sharky.fi Co-Founders. 00:00:00. …
Privacy Policy • Phantom
Sep 17, 2024 · Privacy is core to Phantom’s mission and values. We take appropriate steps to preserve user privacy and aim to be as transparent as possible with you regarding the …
Phantom Developer Docs
Phantom Blocklist. Shortcuts. Sign-In-With (SIW) Standards. Solana Actions & Blinks. Solana Priority Fees. Solana Token Extensions (Token22) Solana Versioned Transactions. Testnet …
Tensor - App Spotlight - Phantom
May 25, 2023 · Tensor is an NFT marketplace for pro traders. It features advanced functionality such as real-time data, candlestick charts, and automated market making (AMM) pools for NFTs.
The Zeitgeist
Brian Friel and the Phantom team highlight the founders, developers, and designers who are pushing Web3 forward. Join the conversation as we delve into the unique challenges and …
Introduction | Phantom Developer Docs
Introduction | Phantom Developer Docs
Mert Mumtaz, Co-founder & CEO - Helius | The Zeitgeist
Brian Friel and the Phantom team highlight the founders, developers, and designers who are pushing Web3 forward. Join the conversation as we delve into the unique challenges and …
The Zeitgeist - podcast.phantom.app
Brian Friel and the Phantom team highlight the founders, developers, and designers who are pushing Web3 forward. Join the conversation as we delve into the unique challenges and …
Phantom Waitlist
Get early access to embedded wallets for your app
docs.phantom.app
docs.phantom.app
Sharky - App Spotlight - Phantom
May 12, 2023 · Don't have Phantom? Download Phantom for desktop or mobile here. The Zeitgeist - Episode 17. Rea Dulcetta and Anton Restuta - Sharky.fi Co-Founders. 00:00:00. …
Privacy Policy • Phantom
Sep 17, 2024 · Privacy is core to Phantom’s mission and values. We take appropriate steps to preserve user privacy and aim to be as transparent as possible with you regarding the …
Phantom Developer Docs
Phantom Blocklist. Shortcuts. Sign-In-With (SIW) Standards. Solana Actions & Blinks. Solana Priority Fees. Solana Token Extensions (Token22) Solana Versioned Transactions. Testnet …
Tensor - App Spotlight - Phantom
May 25, 2023 · Tensor is an NFT marketplace for pro traders. It features advanced functionality such as real-time data, candlestick charts, and automated market making (AMM) pools for NFTs.
The Zeitgeist
Brian Friel and the Phantom team highlight the founders, developers, and designers who are pushing Web3 forward. Join the conversation as we delve into the unique challenges and …
Introduction | Phantom Developer Docs
Introduction | Phantom Developer Docs
Mert Mumtaz, Co-founder & CEO - Helius | The Zeitgeist
Brian Friel and the Phantom team highlight the founders, developers, and designers who are pushing Web3 forward. Join the conversation as we delve into the unique challenges and …
