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| persecution and the art of writing: Persecution and the Art of Writing Leo Strauss, 2013-05-10 “The locus classicus of Strauss’s theory of ‘esoteric writing,’ which he . . . emphatically exemplifies in three brilliant and influential interpretations.” —Nathan Tarcov, University of Chicago The essays collected in Persecution and the Art of Writing all deal with one problem—the relation between philosophy and politics. Here, Strauss sets forth the thesis that many philosophers, especially political philosophers, have reacted to the threat of persecution by disguising their most controversial and heterodox ideas. “It is [Strauss’s] thesis that few, if any, of the Great Books in philosophy and political philosophy . . . can simply be ‘read,’ no matter how vigorously . . . They have to be studied, and in a special way, for if they are truly great, it is probably their intention to conceal as well as to reveal . . . The bulk of Persecution and the Art of Writing is devoted to three long essays on ‘the art of reading’ Maimonides’ Guide for the Perplexed, Judah Halevi’s Kuzari, and Spinoza’s Tractatus Theologico-Politicus . . . [These essays] are so closely reasoned, so brilliant in their analysis of details of style and argument, that it is impossible fairly to summarize them.” —Irving Kristol, Commentary |
| persecution and the art of writing: Persecution and the Art of Writing Leo Strauss, 1976 |
| persecution and the art of writing: Philosophy Between the Lines Arthur M. Melzer, 2014-09-09 “Shines a floodlight on a topic that has been cloaked in obscurity . . . a landmark work in both intellectual history and political theory” (The Wall Street Journal). Philosophical esotericism—the practice of communicating one’s unorthodox thoughts “between the lines”—was a common practice until the end of the eighteenth century. Despite its long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, Arthur M. Melzer explains what esotericism is—and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation. Melzer explores the various motives that led thinkers in different times and places to engage in this strange practice, while also exploring the motives that lead more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book’s final section, “A Beginner’s Guide to Esoteric Reading,” Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. The first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, Philosophy Between the Lines is “a treasure-house of insight and learning. It is that rare thing: an eye-opening book . . . By making the world before Enlightenment appear as strange as it truly was, [Melzer] makes our world stranger than we think it is” (George Kateb, Professor of Politics, Emeritus, at Princeton University). “Brilliant, pellucid, and meticulously researched.” —City Journal |
| persecution and the art of writing: Persecution and Art of Writing Laura Strauss, 1952-06-01 |
| persecution and the art of writing: Studies in Platonic Political Philosophy Leo Strauss, 2022-06-22 One of the outstanding thinkers of our time offers in this book his final words to posterity. Studies in Platonic Political Philosophy was well underway at the time of Leo Strauss's death in 1973. Having chosen the title for the book, he selected the most important writings of his later years and arranged them to clarify the issues in political philosophy that occupied his attention throughout his life. As his choice of title indicates, the heart of Strauss's work is Platonism—a Platonism that is altogether unorthodox and highly controversial. These essays consider, among others, Heidegger, Husserl, Nietzsche, Marx, Moses Maimonides, Machiavelli, and of course Plato himself to test the Platonic understanding of the conflict between philosophy and political society. Strauss argues that an awesome spritual impoverishment has engulfed modernity because of our dimming awareness of that conflict. Thomas Pangle's Introduction places the work within the context of the entire Straussian corpus and focuses especially on Strauss's late Socratic writings as a key to his mature thought. For those already familiar with Strauss, Pangle's essay will provoke thought and debate; for beginning readers of Strauss, it provides a fine introduction. A complete bibliography of Strauss's writings if included. |
| persecution and the art of writing: Reading Between the Lines - Leo Strauss and the History of Early Modern Philosophy Winfried Schröder, 2015-09 Philosophical texts of the early modern era in which sanctions were imposed on those who entertained deviating views require a particular hermeneutical approach: According to Leo Strauss the interpreter's task is to uncover their esoteric messages. The contributions both address the methodological problems of Strauss's hermeneutics and discuss paradigmatic cases of candidates for a reading between the lines: Hobbes, Spinoza, and Bayle. |
| persecution and the art of writing: Method and Metaphysics in Maimonides' Guide for the Perplexed Daniel Davies, 2011-09-06 This book investigates the substance and presentation of major metaphysical themes in Maimonides' Guide for the Perplexed. Using rigorous philosophy it seeks to refute the view that the Guide hides an ''esoteric'' philosophical meaning beneath a traditional veneer, and offers a new explanation of his esotericism. |
| persecution and the art of writing: The Art of the Roman Catacombs Gregory S. Athnos, 2023-07-07 Every story in catacomb art is a tale of deliverance, a tale of the powerlessness of death and the certainty of the resurrection. Looking back through fifteen hundred years of Christian art, it appears the crucifixion of Jesus holds the highest place. We haven’t looked back far enough. Go back to the first three centuries after Jesus walked among us. Walk the dark corridors of those subterranean burial chambers of the persecuted Christians. There we find a much different theology at work: a theology with resurrection hope and power at the center. If catacomb art were all we had of Christian theology and practice from the first three centuries AD—no Scriptures—we would have no choice but to conclude that the first message of the Christian faith was the Easter gospel. |
| persecution and the art of writing: Natural Right and History Leo Strauss, 2013-12-27 In this classic work, Leo Strauss examines the problem of natural right and argues that there is a firm foundation in reality for the distinction between right and wrong in ethics and politics. On the centenary of Strauss's birth, and the fiftieth anniversary of the Walgreen Lectures which spawned the work, Natural Right and History remains as controversial and essential as ever. Strauss . . . makes a significant contribution towards an understanding of the intellectual crisis in which we find ourselves . . . [and] brings to his task an admirable scholarship and a brilliant, incisive mind.—John H. Hallowell, American Political Science Review Leo Strauss (1899-1973) was the Robert Maynard Hutchins Distinguished Service Professor Emeritus in Political Science at the University of Chicago. |
| persecution and the art of writing: Persecution & Toleration Noel D. Johnson, Mark Koyama, 2019-02-14 In this book, Noel D. Johnson and Mark Koyama tackle the question: how does religious liberty develop? |
| persecution and the art of writing: Socrates and Aristophanes Leo Strauss, 2008-03-26 In one of his last books, Socrates and Aristophanes, Leo Strauss's examines the confrontation between Socrates and Aristophanes in Aristophanes' comedies. Looking at eleven plays, Strauss shows that this confrontation is essentially one between poetry and philosophy, and that poetry emerges as an autonomous wisdom capable of rivaling philosophy. Strauss gives us an impressive addition to his life's work—the recovery of the Great Tradition in political philosophy. The problem the book proposes centers formally upon Socrates. As is typical of Strauss, he raises profound issues with great courage. . . . [He addresses] a problem that has been inherent in Western life ever since [Socrates'] execution: the tension between reason and religion. . . . Thus, we come to Aristophanes, the great comic poet, and his attack on Socrates in the play The Clouds. . . [Strauss] translates it into the basic problem of the relation between poetry and philosophy, and resolves this by an analysis of the function of comedy in the life of the city. —Stanley Parry, National Review |
| persecution and the art of writing: Leo Strauss and Nietzsche Laurence Lampert, 1996 For Lampert, Strauss's essay is equally important for understanding Strauss himself. Lampert's Strauss is a sympathetic admirer of Nietzsche and his teachings, who ultimately situates him in the company of Plato and elevates understanding the contest between Plato and Nietzsche into the highest task facing contemporary or postmodern philosophy. Why, then, should Strauss have kept this admiration hidden while permitting such a distorted public view of his thought? And why should he have discouraged others from appreciating the teachings that had proved so important to his own philosophical liberation and training? According to Lampert, the answers lie in Strauss's own esoteric writing, full of subtexts, implications, and consequences. Strauss conceived of philosophy as a furtive undertaking, and believed Nietzsche had rejected the necessity of this role for philosophy in favor of a daring candor. |
| persecution and the art of writing: Silence and Beauty Makoto Fujimura, 2016-04-01 Internationally renowned artist Makoto Fujimura reflects on Shusaku Endo's novel Silence and grapples with the nature of art, pain and culture. Showing that light is yet present in darkness, he uncovers deep layers of meaning in Japanese history and finds connections to how faith is lived in contexts of trauma. |
| persecution and the art of writing: History of Political Philosophy Joseph Cropsey, Leo Strauss, 1981 |
| persecution and the art of writing: What is Political Philosophy? Leo Strauss, 1959 |
| persecution and the art of writing: Live Not by Lies Rod Dreher, 2020-09-29 The New York Times bestselling author of The Benedict Option draws on the wisdom of Christian survivors of Soviet persecution to warn American Christians of approaching dangers. For years, émigrés from the former Soviet bloc have been telling Rod Dreher they see telltale signs of soft totalitarianism cropping up in America--something more Brave New World than Nineteen Eighty-Four. Identity politics are beginning to encroach on every aspect of life. Civil liberties are increasingly seen as a threat to safety. Progressives marginalize conservative, traditional Christians, and other dissenters. Technology and consumerism hasten the possibility of a corporate surveillance state. And the pandemic, having put millions out of work, leaves our country especially vulnerable to demagogic manipulation. In Live Not By Lies, Dreher amplifies the alarm sounded by the brave men and women who fought totalitarianism. He explains how the totalitarianism facing us today is based less on overt violence and more on psychological manipulation. He tells the stories of modern-day dissidents--clergy, laity, martyrs, and confessors from the Soviet Union and the captive nations of Europe--who offer practical advice for how to identify and resist totalitarianism in our time. Following the model offered by a prophetic World War II-era pastor who prepared believers in his Eastern European to endure the coming of communism, Live Not By Lies teaches American Christians a method for resistance: • SEE: Acknowledge the reality of the situation. • JUDGE: Assess reality in the light of what we as Christians know to be true. • ACT: Take action to protect truth. Aleksandr Solzhenitsyn famously said that one of the biggest mistakes people make is assuming totalitarianism can't happen in their country. Many American Christians are making that mistake today, sleepwalking through the erosion of our freedoms. Live Not By Lies will wake them and equip them for the long resistance. |
| persecution and the art of writing: A Threat to Public Piety Elizabeth DePalma Digeser, 2012-04-15 In A Threat to Public Piety, Elizabeth DePalma Digeser reexamines the origins of the Great Persecution (AD 303–313), the last eruption of pagan violence against Christians before Constantine enforced the toleration of Christianity within the Empire. Challenging the widely accepted view that the persecution enacted by Emperor Diocletian was largely inevitable, she points out that in the forty years leading up to the Great Persecution Christians lived largely in peace with their fellow Roman citizens. Why, Digeser asks, did pagans and Christians, who had intermingled cordially and productively for decades, become so sharply divided by the turn of the century? Making use of evidence that has only recently been dated to this period, Digeser shows that a falling out between Neoplatonist philosophers, specifically Iamblichus and Porphyry, lit the spark that fueled the Great Persecution. In the aftermath of this falling out, a group of influential pagan priests and philosophers began writing and speaking against Christians, urging them to forsake Jesus-worship and to rejoin traditional cults while Porphyry used his access to Diocletian to advocate persecution of Christians on the grounds that they were a source of impurity and impiety within the empire. The first book to explore in depth the intellectual social milieu of the late third century, A Threat to Public Piety revises our understanding of the period by revealing the extent to which Platonist philosophers (Ammonius, Plotinus, Porphyry, and Iamblichus) and Christian theologians (Origen, Eusebius) came from a common educational tradition, often studying and teaching side by side in heterogeneous groups. |
| persecution and the art of writing: Perversion and the Art of Persecution Sean Noah Walsh, 2012-03-14 This book critically examines Leo Strauss’s claim that the philosophers of antiquity, especially Plato, wrote esoterically, hiding the highest truths “exclusively between the lines.” Reading Strauss’s discourse through Lacanian psychoanalysis, his theory of esoteric writing can be understood as a pathologically perverse response to fear. |
| persecution and the art of writing: Thoughts on Machiavelli Leo Strauss, 2014-07-04 The esteemed philosopher’s assessment of good, evil, and the value of Machiavelli. Leo Strauss argued that the most visible fact about Machiavelli’s doctrine is also the most useful one: Machiavelli seems to be a teacher of wickedness. Strauss sought to incorporate this idea in his interpretation without permitting it to overwhelm or exhaust his exegesis of The Prince and Discourses on the First Ten Books of Livy. “We are in sympathy,” he writes, “with the simple opinion about Machiavelli [namely, the wickedness of his teaching], not only because it is wholesome, but above all because a failure to take that opinion seriously prevents one from doing justice to what is truly admirable in Machiavelli: the intrepidity of his thought, the grandeur of his vision, and the graceful subtlety of his speech.” This critique of the founder of modern political philosophy by this prominent twentieth-century scholar is an essential text for students of both authors. |
| persecution and the art of writing: Networks of Nazi Persecution Gerald D. Feldman, Wolfgang Seibel, 2005 The persecution and mass-murder of the Jews during World War II would not have been possible without the modern organization of division of labor. Moreover, the perpetrators were dependent on human and organizational resources they could not always control by hierarchy and coercion. Instead, the persecution of the Jews was based, to a large extent, on a web of inter-organizational relations encompassing a broad variety of non-hierarchical cooperation as well as rivalry and competition. Based on newly accessible government and corporate archives, this volume combines fresh evidence with an interpretation of the governance of persecution, presented by prominent historians and social scientists. |
| persecution and the art of writing: A Good Look at Evil Abigail L. Rosenthal, 2018-02-14 We meet with evil in the ordinary course of experience, as we try to live our life stories. It’s not a myth. It’s a mysterious but quite real phenomenon. How can we recognize it? How can we learn to resist it? Amazingly, philosophers have not been much help. Despite the claim of classical rationalists that evil is “ignorance,” evil-doers can be extremely intelligent, showing an understanding of ourselves that surpasses our own self-understanding. Meanwhile, contemporary philosophers, in the English-speaking world and on the Continent, portray good and evil as social constructs, which leaves us puzzled and powerless when we have to face the real thing. Thinkers like Hannah Arendt have construed evil as blind conformity to institutional roles—hence “banal”— but evil-doers have shown exceptional creativity in bending and reshaping institutions to conform to their will. Theologians have assigned evil the role of adversary to the divine script, but professing religionists are fully capable of evil, while atheists have been known to mount effective resistance. More than broad-brush conceptual distinctions are needed. A Good Look at Evil maps the actual terrain—of lived ideas and situations—showing how to recognize evil for what it is: the perennial and present threat to a good life. Abigail Rosenthal proposes a new way of understanding one of the oldest mysteries--the nature of evil. Drawing on wide literary and philosophical resources, Rosenthal proposes that narrative self-understanding is the key to a good life. She traces the implications of this idea for understanding various types of evil, including the ultimate evil of Nazi genocide--which, she argues, cannot be understood in Arendtian terms as a kind of banality. Highly personal and original, Rosenthal's work offers new ways of grappling with some of the largest ethical questions. Adam Kirsch, author of The Global Novel: Writing the World in the 21st Century (2016) Rosenthal pinpoints the characteristic feature of evil--at least the leading type of evil--that distinguishes it from what is only morally wrong or very, very bad. It is based on her basic notion of an ideal 'life story' or plot. She extends both concepts from individual victims to races and populations as victims. [T]here is nothing banal or ordinary about evil, the intentional disrupting of the victim's 'ideal thread' or plot. ... In a fascinating new essay, Rosenthal revisits Hannah Arendt . . . applying her plot concept to Arendt herself in light of what is known about Arendt's long intellectual and personal relationship with Heidegger. Rosenthal argues that despite a splendid recovery from early adversity, Arendt went on to 'spoil' her own life story. And in a concluding piece, Rosenthal shows from her own experience how one can have reason to believe that a person's life story has been co-authored by God. William G. Lycan, author of Real Conditionals (2001) It is a most compelling and creative work. Rosenthal is analyzing the 'stories' that people tell us about themselves, in terms of both their lives and their work. She does so in an effort to understand genocidal evil-doers, both those who perpetrate and collaborate with it and those who cover up such crimes. Phyllis Chesler, author of An American Bride in Kabul: A Memoir (2013) As a person who wholeheartedly subscribes to the idea that we must be constantly attentive to, and increasingly watchful over, the 'plots' of our own unfolding stories, I found Abigail Rosenthal's A Good Look at Evil a welcome, revealing, and indispensable book about the slippery crevices of the moral life. I hope it is translated into many languages. Everyone should read it. Gail Godwin, author of Heart: A Personal Journey Through Its Myths and Meanings (2001) |
| persecution and the art of writing: A Room of One's Own Virginia Woolf, 2022-11-13 In 'A Room of One's Own,' Virginia Woolf constructs a sharply detailed and profoundly influential critique of the patriarchal limitations imposed on female writers and intellectuals. First published in 1929, this extended essay transcends its original lecture format, utilizing a fictional veil to delve into the intersection of women with literary creation and representation. Woolf's prose is fluid and exacting, a rally for recognition orchestrated in the cadence of narrative fiction, yet grounded in the stark realities of the feminist struggle for intellectual autonomy and recognition. This resourceful mingling of fact and fiction situates Woolf among the vanguard of feminist literary critique, providing context and commentary to the historical suppression of women's voices within the established literary canon. Virginia Woolf, with her exceptional literary prowess, embarks on this essay from a position of lived experience and recognition of the broader socio-historical currents of her time. Her own encounters with gender-based barriers and the psychological insights she developed in her broader oeuvre fuel the essay's core argument. The provenance of her writing in 'A Room of One's Own'—stemming from the dynamics of her personal journey and societal observations—elucidates the necessity of financial independence and intellectual freedom for the creative output of female authors. Woolf's narrative competence and critical acumen position her not only as a luminary of modernist literature but also as a vital provocateur in the discourse of gender equality. 'A Room of One's Own' remains a fundamental recommendation for readers seeking not only to understand the historical plight and literary silencing of women but also to appreciate the enduring relevance of Woolf's argument. Scholars, feminists, and bibliophiles alike will find in Woolf's essay an enduring testament to the necessity of giving voice to the voiceless and space to the confined. It is a rallying cry for the creation of a literary world that acknowledges and celebrates the contributions of all of its constituents, one where the measure of talent is not distorted by the filter of gender bias. |
| persecution and the art of writing: An Unspeakable Crime Elaine Marie Alphin, 2014-08-01 Was an innocent man wrongly accused of murder? On April 26, 1913, thirteen-year-old Mary Phagan planned to meet friends at a parade in Atlanta, Georgia. But first she stopped at the pencil factory where she worked to pick up her paycheck. Mary never left the building alive. A black watchman found Mary’s body brutally beaten and raped. Police arrested the watchman, but they weren’t satisfied that he was the killer. Then they paid a visit to Leo Frank, the factory’s superintendent, who was both a northerner and a Jew. Spurred on by the media frenzy and prejudices of the time, the detectives made Frank their prime suspect, one whose conviction would soothe the city’s anger over the death of a young white girl. The prosecution of Leo Frank was front-page news for two years, and Frank’s lynching is still one of the most controversial incidents of the twentieth century. It marks a turning point in the history of racial and religious hatred in America, leading directly to the founding of the Anti-Defamation League and to the rebirth of the modern Ku Klux Klan. Relying on primary source documents and painstaking research, award-winning novelist Elaine Alphin tells the true story of justice undone in America. |
| persecution and the art of writing: How to Suppress Women's Writing Joanna Russ, 1983-09 Discusses the obstacles women have had to overcome in order to become writers, and identifies the sexist rationalizations used to trivialize their contributions |
| persecution and the art of writing: The Art of Joy Goliarda Sapienza, 2013-07-30 The tumultuous twentieth century, told through the life of a single extraordinary woman Rejected by a series of publishers, abandoned in a chest for twenty years, Goliarda Sapienza's masterpiece, The Art of Joy, survived a turbulent path to publication. It wasn't until 2005, when it was released in France, that this novel received the recognition it deserves. At last, Sapienza's remarkable book is available in English, in a brilliant translation by Anne Milano Appel and with an illuminating introduction by Angelo Pellegrino. The Art of Joy centers on Modesta, a Sicilian woman born on January 1, 1900, whose strength and character are an affront to conventional morality. Impoverished as a child, Modesta believes she is destined for a better life. She is able, through grace and intelligence, to secure marriage to an aristocrat—without compromising her own deeply felt values. Friend, mother, lover—Modesta revels in upsetting the rules of her fascist, patriarchal society. This is the history of the twentieth century, transfigured by the perspective of one extraordinary woman. Sapienza, an intriguing figure in her own right—her father homeschooled her so she wouldn't be exposed to fascist influences—was a respected actress and writer who drew on her own struggles to craft this powerful epic. A fictionalized memoir, a book of romance and adventure, a feminist text, a bildungsroman—this novel is ultimately undefinable but deeply necessary; its genius will leave readers breathless. |
| persecution and the art of writing: All Art Is Propaganda George Orwell, Keith Gessen, 2009-10-14 The essential collection of critical essays from a twentieth-century master and author of 1984. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as Politics and the English Language and Rudyard Kipling and gems such as Good Bad Books, here is an unrivaled education in, as George Packer puts it, how to be interesting, line after line. With an Introduction from Keith Gessen. |
| persecution and the art of writing: Art of Estrangement Pamela Anne Patton, 2012 Examines the influential role of visual images in reinforcing the efforts of Spain's Christian-ruled kingdoms to renegotiate the role of their Jewish minority following the territorial expansions of the twelfth and thirteenth centuries--Provided by publisher. |
| persecution and the art of writing: Asian Art Lark E. Mason, 2002 A specialist in Asian art at Sotheby's, Mason presents a very useful introduction to a complicated subject. He begins with an essay on the history of Asia, which despite its brevity will be useful for the collector targeted by this book. Individual chapters range from ceramics and metalwork to prints, paintings, and textiles; the chapter on The Artisan and Craftsman examines the quality, condition, and authenticity of works in areas such as arms, armor, glass, ivory, and jewelry. The book contains appendixes of chronological tables and major marks on Chinese and Japanese works of art, as well as an index and a fine bibliography. The narrative does not confuse readers new to the subject with excessive detail, and the photographs are clear and very instructive. A beautiful book at a reasonable price, this volume contains an amazing wealth of information on a very broad subject. Recommended for both public and academic libraries.-Martin Chasin, Adult Inst., Bridgeport, CT Copyright 2003 Reed Business Information. |
| persecution and the art of writing: The Art of Leaving Ayelet Tsabari, 2019-02-19 WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIR FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION An unforgettable memoir about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood. Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen. |
| persecution and the art of writing: The Huguenot Experience of Persecution and Exile Charlotte Arbaleste Duplessis-Mornay, Anne de Chaufepié, Anne Marguerite Petit Du Noyer, 2019-05-07 This volume provides an English translation of firsthand testimonies by three early modern French women. It illustrates the Huguenot experience of persecution and exile during the bloodiest times in the history of Protestantism: the St. Bartholomew’s Day Massacre, the dragonnades, and the Huguenot exodus following the Revocation of the Edict of Nantes. The selections given here feature these women’s experiences of escape, the effects of religious strife on their families, and their reliance on other women amid the terrors of war. Edited by Colette H. Winn. Translated by Lauren King and Colette H. Winn The Other Voice in Early Modern Europe: The Toronto Series, Vol. 68 |
| persecution and the art of writing: Leo Strauss and the Theologico-Political Problem Heinrich Meier, 2006-12-25 This book, by one of the most prominent interpreters of Leo Strauss's thought, was the first to address the problem that Leo Strauss himself said was the theme of his studies: the theologico-political problem or the confrontation with the theological and the political alternative to philosophy as a way of life. In his theologico-political treatise, which comprises four parts and an appendix, Heinrich Meier clarifies the distinction between political theology and political philosophy and reappraises the unifying center of Strauss's philosophical enterprise. The book is the culmination of Meier's work on the theologico-political problem. It will interest anyone who seeks to understand both the problem caused by revelation for philosophy and the challenge posed by political-religious radicalism. The appendix makes available for the first time two lectures by Strauss that are immediately relevant to the subject of this book and that will open the way for future research and debate on the legacy of Strauss. |
| persecution and the art of writing: The Book of Aron Jim Shepard, 2015-05-12 The acclaimed National Book Award finalist—“one of the United States’ finest writers,” according to Joshua Ferris, “full of wit, humanity, and fearless curiosity”—now gives us a novel that will join the short list of classics about children caught up in the Holocaust. Aron, the narrator, is an engaging if peculiar and unhappy young boy whose family is driven by the German onslaught from the Polish countryside into Warsaw and slowly battered by deprivation, disease, and persecution. He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo. When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape—as his mentor suspected he could—to spread word about the atrocities? Jim Shepard has masterfully made this child’s-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron’s voice will remember it forever. |
| persecution and the art of writing: Politics and the English Language George Orwell, 2025 In Politics and the English Language, George Orwell dissects the decay of language and its insidious link to political manipulation. With sharp analysis and clear examples, he exposes how vague, pretentious, and misleading language is used to obscure truth and control thought. More than a critique, this essay is a call to clarity, urging writers to resist jargon and dishonesty in favor of precision and honesty. A timeless and essential read, Orwell’s insights remain as relevant today as when they were first written. GEORGE ORWELL was born in India in 1903 and passed away in London in 1950. As a journalist, critic, and author, he was a sharp commentator on his era and its political conditions and consequences. |
| persecution and the art of writing: Philosophy and Law Leo Strauss, 1995-01-01 A groundbreaking study of the political philosophy of Maimonides and his Islamic predecessors. |
| persecution and the art of writing: Ginny Good Gerard Jones, A novel set in the 60's by a writer who lived through them. |
| persecution and the art of writing: Tradition, Interpretation, and Science John S. Nelson, 1986-01-01 This book reassesses the academic field of political theory and brings into sharp relief its problems and opportunities. Here for the first time, diverse theorists coordinate their arguments through a common focus. This focus is the writing of John G. Gunnell. Gunnell attacks a set of myths said to plague almost every recent theory about politics: the myth of the given, the myth of science, myths of theory, the myth of tradition, and the myth of the political. He argues that these all alienate political theory from substantive inquiry and actual practice. Contributors include Richard E. Flathman, Russell L. Hanson, George Kateb, Paul F. Kress, J. Donald Moon, John S. Nelson, J.G.A. Pocock, Herbert G. Reid, Ira L. Strauber, Nathan Tarcov, and Sheldon S. Wolin. They respond on behalf of projects in the new history of political theory, epic theory, phenomenology, traditional theory, and political deconstruction. These discussions also address the theories of Hans-Georg Gadamer, Jürgen Habermas, Karl Marx, Leo Strauss, Alain Touraine, and Ludwig Wittgenstein. At the conclusion of the volume, Gunnell reconsiders his arguments in light of the respondent's remarks. His challenges thus provide a series of confrontations - both exciting and provocative - among major theorists. The result is a lively debate about what political theory is, how it relates to political history and practice, and how it involves epistemology. The authors probe a broad range of questions about practices of politics and traditions of discourse, and they identify priorities for the future of the field. |
| persecution and the art of writing: The Art of Not Being Governed James C. Scott, 2009-01-01 From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm’s length from any organized state society For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states. In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen. |
| persecution and the art of writing: The Prevention of Literature George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In The Prevention of Literature, the third in the Orwell’s Essays series, Orwell considers the freedom of thought and expression. He discusses the effect of the ownership of the press on the accuracy of reports of events, and takes aim at political language, which ‘consists almost entirely of prefabricated phrases bolted together.’ The Prevention of Literature is a stirring cry for freedom from censorship, which Orwell says must start with the writer themselves: ‘To write in plain vigorous language one has to think fearlessly.’ 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| persecution and the art of writing: NeoConservatism C. Bradley Thompson, 2015-11-17 An obituary so soon! Surely the reports of neoconservatism's death are greatly exaggerated. C. Bradley Thompson has written (with Yaron Brook) the most comprehensive and original analysis of neoconservatism yet published and in the process has dealt it a mortal blow. Neoconservatism: An Obituary for an Idea reveals publicly for the first time what the neocons call their philosophy of governance--their plan for governing America. This book explicates the deepest philosophic principles of neoconservatism, traces the intellectual relationship between the political philosopher Leo Strauss and contemporary neoconservative political actors, and provides a trenchant critique of neoconservatism from the perspective of America's founding principles. The theme of this timely book--neoconservatism as a species of anti-Americanism--will shake up the intellectual salons of both the Left and Right. What makes this book so compelling is that Thompson actually lived for many years in the Straussian/neoconservative intellectual world. Neoconservatism therefore fits into the breaking ranks tradition of scholarly criticism and breaks the mold when it comes to informed, incisive, nonpartisan critique of neoconservative thought and action. |
| persecution and the art of writing: On the Move Michael Rosen, 2020-10 Former Children's Laureates Michael Rosen and Sir Quentin Blake join forces for a personal and uniquely affecting collection of poems about migration. What you leave behind Won't leave your mind. But home is where you find it. Home is where you find it. Michael Rosen and Sir Quentin Blake join forces for a landmark new collection, focusing on migration and displacement. Michael's poems are divided into four: in the first series, he draws on his childhood as part of a first-generation Polish family living in London; in the second, on his perception of the War as a young boy; in the third, on his missing relatives and the Holocaust; and in the fourth, and final, on global experiences of migration. By turns charming, shocking and heart-breaking, this is an anthology with a story to tell and a powerful point to make: You can only do something now. |
The EXPELLED persecution that "never happens" - theologywe…
May 23, 2018 · Study charts, use really long words, and throw pens at each other. Creation/evolution, …
Persecution in Alberta - TheologyWeb Campus
Persecution in Alberta
Persecution as Proof of Salvation - TheologyWeb Cam…
Apologetics isn't saying "I'm sorry." Exclusively Atheism/Agnosticism v. Theism. Hazmat suit may be required.
USA added to Human-Rights watchlist? - TheologyWeb Ca…
Mar 12, 2025 · They tend to be more oriented to Christian persecution. Institute for Justice would be a right aligned human rights group. The …
Persecuted German Homeschoolers Face Deporta…
Sep 30, 2023 · Biden's admin has suddenly and without warning revoked their permanent deferred status, and they've been given a deadline to self …
The EXPELLED persecution that "never happens" - theologyweb.com
May 23, 2018 · Study charts, use really long words, and throw pens at each other. Creation/evolution, astronomy, physics, biology, and other nerdy stuff goes here.
Persecution in Alberta - TheologyWeb Campus
Persecution in Alberta
Persecution as Proof of Salvation - TheologyWeb Campus
Apologetics isn't saying "I'm sorry." Exclusively Atheism/Agnosticism v. Theism. Hazmat suit may be required.
USA added to Human-Rights watchlist? - TheologyWeb Campus
Mar 12, 2025 · They tend to be more oriented to Christian persecution. Institute for Justice would be a right aligned human rights group. The Institute for Justice appears to be a law firm rather …
Persecuted German Homeschoolers Face Deportation After 15 …
Sep 30, 2023 · Biden's admin has suddenly and without warning revoked their permanent deferred status, and they've been given a deadline to self-deport. For no clear or apparent …
Christian persecution - TheologyWeb Campus
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Persecution in Alberta - TheologyWeb Campus
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Flashbulb Memory: Matthew 27:51-53 - TheologyWeb Campus
Nov 5, 2024 · There was persecution - precisely how far it had extended, and to what degree during the time between the event making reference to excommunication and the crucifixion? …
Persecution in California - TheologyWeb Campus
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Jan 31, 2024 · It's 'paranoid' to imagine that persecution exists when whatever one calls persecution has nothing to do with persecuting Christian faith. What is even worse is to go …
