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| pieces of poetry nyt crossword: Beautiful & Pointless David Orr, 2011-04-12 David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar. —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace. |
| pieces of poetry nyt crossword: Essays One Lydia Davis, 2019-11-12 This selection of essays on writing and reading showcases the acclaimed author’s “wise and brilliant . . . precise and playful” command of language (The New York Times). Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as “the best prose stylist in America.” And for Claire Messud, “Davis’s signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction—as she amply demonstrates in this selection of essays, commentaries, and lectures. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today. |
| pieces of poetry nyt crossword: Dearest Creature Amy Gerstler, 2009-09-29 A surreal new collection from an acclaimed poet Hallucinogenic plants chant in chorus. A thoughtful dog grants an interview. A caterpillar offers life advice. Amy Gerstler’s newest collection of poetry, Dearest Creature, marries fact and fiction in a menagerie of dramatic monologues, twisted love poems, and epistolary pleadings. Drawing on sources as disparate as Lewis Carroll and Mary Shelley’s Frankenstein, as well as abnormal psychology, etiquette, and archaeology texts, these darkly imaginative poems probe what it means to be a sentient, temporary, flesh-and-blood beast, to be hopelessly, vividly creaturely. |
| pieces of poetry nyt crossword: The Tradition Jericho Brown, 2019-06-18 WINNER OF THE 2020 PULITZER PRIZE FOR POETRY Finalist for the 2019 National Book Award 100 Notable Books of the Year, The New York Times Book Review One Book, One Philadelphia Citywide Reading Program Selection, 2021 By some literary magic—no, it's precision, and honesty—Brown manages to bestow upon even the most public of subjects the most intimate and personal stakes.—Craig Morgan Teicher, “'I Reject Walls': A 2019 Poetry Preview” for NPR “A relentless dismantling of identity, a difficult jewel of a poem.“—Rita Dove, in her introduction to Jericho Brown’s “Dark” (featured in the New York Times Magazine in January 2019) “Winner of a Whiting Award and a Guggenheim Fellowship, Brown's hard-won lyricism finds fire (and idyll) in the intersection of politics and love for queer Black men.”—O, The Oprah Magazine Named a Lit Hub “Most Anticipated Book of 2019” One of Buzzfeed’s “66 Books Coming in 2019 You’ll Want to Keep Your Eyes On” The Rumpus poetry pick for “What to Read When 2019 is Just Around the Corner” One of BookRiot’s “50 Must-Read Poetry Collections of 2019” Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. |
| pieces of poetry nyt crossword: Trickster Feminism Anne Waldman, 2018-07-03 New from celebrated poet and performer Anne Waldman - an edgy, visionary collection that meditates on gender, existence, passion and activism Mythopoetics, shape shifting, quantum entanglement, Anthropocene blues, litany and chance operation play inside the field of these intertwined poems, which coalesced out of months of protests with some texts penned in the streets. Anne Waldman looks to the imagination of mercurial possibility, to the spirits of the doorway and of crossroads, and to language that jolts the status quo of how one troubles gender and outwits patriarchy. She summons Tarot's Force Arcana, the passion of the suffragettes, and various messengers and heroines of historical, hermetic, and heretical stance, creating an intersectionality of lived experience: class, sexuality, race, politics all enter the din. These are experiments of survival. |
| pieces of poetry nyt crossword: Summer Snow Robert Hass, 2020-01-07 A major collection of entirely new poems from the Pulitzer Prize and National Book Award-winning author of Time and Materials and The Apple Trees at Olema A new volume of poetry from Robert Hass is always an event. In Summer Snow, his first collection of poems since 2010, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities, expansive intellect, and tremendous readability in one of his most ambitious and formally brilliant collections to date. |
| pieces of poetry nyt crossword: My Private Property Mary Ruefle, 2020-07-21 Author of Madness, Rack, and Honey (One of the wisest books I've read in years, according to the New York Times) and Trances of the Blast, Mary Ruefle continues to be one of the most dazzling poets in America. My Private Property, comprised of short prose pieces, is a brilliant and charming display of her humor, deep imagination, mindfulness, and play in a finely crafted edition. Personalia When I was young, a fortune-teller told me that an old woman who wanted to die had accidentally become lodged in my body. Slowly, over time, and taking great care in following esoteric instructions, including lavender baths and the ritual burial of keys in the backyard, I rid myself of her presence. Now I am an old woman who wants to die and lodged inside me is a young woman dying to live; I work on her. Mary Ruefle is the author of Trances of the Blast; Madness, Rack, and Honey: Collected Lectures, a finalist for the 2013 National Book Critics Circle Award in criticism; and Selected Poems, winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (The Most of It), and a comic book, Go Home and Go to Bed!; she is also an erasure artist whose treatments of nineteenth-century texts have been exhibited in museums and galleries as well as published in the book A Little White Shadow. Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont and teaches in the MFA program at Vermont College. |
| pieces of poetry nyt crossword: Break, Blow, Burn Camille Paglia, 2006-01-24 America’s most provocative intellectual brings her blazing powers of analysis to the most famous poems of the Western tradition—and unearths some previously obscure verses worthy of a place in our canon. Combining close reading with a panoramic breadth of learning, Camille Paglia sharpens our understanding of poems we thought we knew, from Shakespeare to Dickinson to Plath, and makes a case for including in the canon works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut—and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn is a modern classic that excites even seasoned poetry lovers—and continues to create generations of new ones. |
| pieces of poetry nyt crossword: Citizen Claudia Rankine, 2014-10-07 * Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society. |
| pieces of poetry nyt crossword: Why Brownlee Left Paul Muldoon, 2010-12-09 Why Brownlee Left, Paul Muldoon's third collection, was published in 1980. |
| pieces of poetry nyt crossword: The Gorgeous Nothings Emily Dickinson, Susan Howe, 2013 'The Gorgeous Nothings' is a full-colour publication of Emily Dickinson's complete envelope writings. |
| pieces of poetry nyt crossword: Why Poetry Matthew Zapruder, 2017-08-15 An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone. |
| pieces of poetry nyt crossword: Synthesizing Gravity Kay Ryan, 2020-04-14 The first-ever collection of essays by one of our most distinguished poets, the Pulitzer Prize–winner and former Poet Laureate of the United States. Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan’s probings into aesthetics, poetics, and the mind in pursuit of art. A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets—including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson—Synthesizing Gravity bristles with Ryan’s crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like “Radiantly Indefensible,” “Notes on the Danger of Notebooks,” and “The Abrasion of Loneliness,” are piquant pieces on the virtues of emptiness, forgetfulness and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan’s distinctive thinking gives us a surprising look into the mind of an American master. “Synthesizing Gravity is a delight, if a tart and idiosyncratic one . . . If Ryan gives us a view through a keyhole, it’s a view often made richer by its constraints.” —The New York Times Book Review “Reading Ryan’s writing will charge and recharge the mind . . . a wonderful entry point to her work.” —San Francisco Chronicle “Brilliant . . . For poetry enthusiasts and skeptics alike, this will be an inviting portal into the mind of one of America’s greatest living writers.” —Publishers Weekly (starred review) “Damn fine prose . . . What a wonderful voice [Ryan] displays.” —John Freeman, “Lit Hub’s Most Anticipated Books of 2020” |
| pieces of poetry nyt crossword: The Doctor Stories William Carlos Williams, 1984 Not only for students and doctors, this volume contains Williams's thirteen doctor stories, several of his most famous poems on medical matters, and The Practice from The Autobiography. |
| pieces of poetry nyt crossword: Works and Days Bernadette Mayer, 2016 A brand spanking new collection, Works and Days is classic Bernadette Mayer: fresh, learned, exciting, and endlessly surprising |
| pieces of poetry nyt crossword: Pale Fire Vladimir Nabokov, 2024-02-18 The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum. |
| pieces of poetry nyt crossword: the Bourgeois Poet Karl Shapiro, 1964 |
| pieces of poetry nyt crossword: Mrs. Dalloway (Musaicum Must Classics) Virginia Woolf, 2021-05-07 Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels. |
| pieces of poetry nyt crossword: I Know Why the Caged Bird Sings Maya Angelou, 2010-07-21 Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition. |
| pieces of poetry nyt crossword: What Work Is Philip Levine, 2011-08-31 Winner of the National Book Award in 1991 “This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal |
| pieces of poetry nyt crossword: Hammer Is the Prayer Christian Wiman, 2016-11-15 The selected poems of American poet Christian Wiman-- |
| pieces of poetry nyt crossword: The Giving Tree Shel Silverstein, 1964-01-01 Once there was a tree . . . and she loved a little boy. So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk . . . and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein has created a moving parable for readers of all ages that offers an affecting interpretation of the gift of giving and a serene acceptance of another’s capacity to love in return. |
| pieces of poetry nyt crossword: An American Sunrise Joy Harjo, 2020-08-18 National Bestseller A stunning new volume from the first Native American Poet Laureate of the United States, informed by her tribal history and connection to the land. In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family’s lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother’s death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo’s personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice. A descendent of storytellers and “one of our finest—and most complicated—poets” (Los Angeles Review of Books), Joy Harjo continues her legacy with this latest powerful collection. |
| pieces of poetry nyt crossword: On the Pulse of Morning , 1993 Presents access to the full text version, in HTML format, of the poem On the Pulse of Morning, written by Maya Angelou, published in 1993, and compiled by the Electronic Text Center at the University of Virginia, a public institution located in Charlottesville. Offers information about the work's original printing. Includes images taken from the original print version. |
| pieces of poetry nyt crossword: A Dangerous Place Chelsea B. DesAutels, 2021-10-19 Early in her powerful, affecting debut, Desautels writes: “I always mention gratitude because/people like that ending.” Unflinching in its candor, this is the story of a woman with two swellings in her belly: a nascent baby, and a cancerous tumor. The poet could focus on the particulars of the medical case, using language from a traditional illness narrative. Instead she gives us the basics, then gathers up surprising and expansive material from various landscapes—the Black Hills, the prairies of Texas, the mountains, switchgrass, and, especially, the neighboring buffalo, to which she feels a profound connection. Desautels’ metaphors strike home, they are counterpoints, balm to the uncertainty and grief that make us uncomfortable. The book moves elegantly from its dark beginnings to a transcendent thankfulness. With healing lyricism, she writes: “And I imagine the white sheets as heron wings./And the whirring machines are white eggs./And the worried voices are sunlight on water.” |
| pieces of poetry nyt crossword: Jonathan Livingston Seagull Richard Bach, 2014-02-14 Now, for the first time ever, a new complete edition ebook original of a timeless classic that includes the never-before-published Part Four and Last Words by Richard Bach. |
| pieces of poetry nyt crossword: A Farewell to Arms Ernest Hemingway, 2025-01-01T00:00:00Z ''A Farewell to Arms'' is Hemingway's classic set during the Italian campaign of World War I. The book, published in 1929, is a first-person account of American Frederic Henry, serving as a Lieutenant (Tenente) in the ambulance corps of the Italian Army. It's about a love affair between the expatriate American Henry and Catherine Barkley against the backdrop of the First World War, cynical soldiers, fighting and the displacement of populations. The publication of ''A Farewell to Arms'' cemented Hemingway's stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as the premier American war novel from that debacle World War I. |
| pieces of poetry nyt crossword: Memorial: A Version of Homer's Iliad Alice Oswald, 2012-09-10 “The most remarkable and affecting book of poetry I encountered this year.”—James Wood, The New Yorker In this daring new work, the poet Alice Oswald strips away the narrative of the Iliad—the anger of Achilles, the story of Helen—in favor of attending to its atmospheres: the extended similes that bring so much of the natural order into the poem and the corresponding litany of the war-dead, most of whom are little more than names but each of whom lives and dies unforgettably and unforgotten in the copious retrospect of Homer’s glance. The resulting poem is a war memorial and a profoundly responsive work that gives new voice to Homer’s level-voiced version of the world. Through a mix of narrative and musical repetition, the sequence becomes a meditation on the loss of human life. |
| pieces of poetry nyt crossword: The Little Virtues Natalia Ginzburg, 1989 |
| pieces of poetry nyt crossword: Quilting Lucille Clifton, 1991 A collection of poems by the author divided into sections: Log Cabin; Catalpa Flower; Eight-pointed Star; Tree of Life; Prayer. |
| pieces of poetry nyt crossword: Poems William Carlos Williams, 2002 Before William Carlos Williams was recognized as one of the most important innovators in American poetry, he commissioned a printer to publish 100 copies of Poems (1909), a small collection largely imitating the styles of the Romantics and the Victorians. This volume collects the self-published edition of Poems, Williams's foray into the world of letters, with previously unpublished notes he made after spending nearly a year in Europe rethinking poetry and how to write it. As Poems shows his first tentative steps into poetry, the notes show him as he prepares to make a giant transformation in his art. Shortly after Poems appeared, Williams went through a series of experiences that changed his life--a trip to Europe, a marriage to the sister of the woman he genuinely loved, and the establishment of his medical practice. In Europe he was introduced to a consideration of an unlikely trio: Heinrich Heine, Martin Luther, and Richard Wagner, resulting in an exposure that subsequently influenced his developing style. Williams looked back on Poems as apprentice work, calling them, bad Keats, nothing else--oh well, bad Whitman too. But I sure loved them. . . . There is not one thing of the slightest value in the whole thin booklet--except the intent, and never republished the collection. Now that Williams's work is widely read and appreciated, his reputation secure, his development as a poet is a matter worth serious study, Poems can be seen as a point of departure, a clear record of where Williams began before his life and ideas about poetry made seismic shifts. Virginia M. Wright-Peterson's succinct introduction puts Poems in the context of his life and times, discusses the reception of the volume, his reconsideration of the poems, and what they reveal about his poetic ambitions. |
| pieces of poetry nyt crossword: Guilty Knowledge, Guilty Pleasure William Logan, 2014-04-08 William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the Òmost hated man in American poetry,Ó his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a witty polemic against the wish to have critics announce their aesthetics every time they begin a review. ÒThe Unbearable Rightness of CriticismÓ is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books wereÑthey saw the poems plain, yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank OÕHara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert FrostÕs notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is ÒElizabeth Bishop at Summer Camp,Ó which prints for the first time her early adolescent verse, along with the intimate letters written to the first girl she loved. |
| pieces of poetry nyt crossword: Midwinter Day Bernadette Mayer, 1999 Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. Midwinter Day, as Alice Notley notes, is an epic poem about a daily routine. In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December. |
| pieces of poetry nyt crossword: Red Doc> Anne Carson, 2016-10-25 Internationally celebrated poet Anne Carson's critically acclaimed follow-up to her highly successful Autobiography of Red, which takes its mythic boy-hero into the twenty-first century to tell a story all its own of love, loss, and the power of memory. For Carson's substantial following and general poetry readers. To live past the end of your myth is a perilous thing. In this stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called G, into manhood, and through the complex labyrinths of the modern age. We join him as he travels with his friend and lover Sad (short for Sad But Great), a haunted war veteran; and with Ida, an artist, across a geography that ranges from plains of glacial ice to idyllic green pastures; from a psychiatric clinic to the somber housewhere G's mother must face her death. Haunted by Proust, juxtaposing the hunger for flight with the longing for family and home, this deeply powerful verse picaresque invites readers on an extraordinary journey of intellect, imagination, and soul. |
| pieces of poetry nyt crossword: It's Not PMS, It's You! Amlen Deb, 2010 BUST’s hilarious Queen of Crosswords now has men squarely in her crosshairs.” - Emily Rems, Managing Editor, BUST Magazine For every woman who has pulled her hair out trying to explain—for the 46th time—the importance of putting the toilet seat down, there’s a man snickering, “Someone's on the rag.” And this book is for that justifiably furious gal. The war between the sexes has raged for millennia, and It's Not PMS, It's You! is a hilarious, take-no-prisoners reconnaissance mission into the minds and souls of men and the things they do to infuriate women. Beginning with a completely scientific, fairly non-hormonal look at the history of the term “on the rag” and ending with the “Diary of a Break Up in One Full Menstrual Cycle,” this lighthearted guide looks at: Who should fund the medical research into why men do what they do. (Hint: It's definitely NOT the government) - How to take a lesson from Hamlet’s poor in-law management (Not to self: Don’t kill your future father-in-law) - Why men hate to talk about their feelings (with four separate mentions of the word “penis”) - An absolutely foolproof method for sustaining a long-term relationship, and why it could kill you |
| pieces of poetry nyt crossword: What Kind of Woman Kate Baer, 2021-05-06 The Instant #1 New York Times Bestseller 'Gorgeous.' Glennon Doyle 'Sharp observations on modern womanhood.' Sunday Times 'Exquisite.' Fi Glover A stunning and honest debut poetry collection about the beauty and hardships of being a woman in the world today, and the many roles we play - mother, partner, and friend. 'When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.' So ends Kate Baer's remarkable poem 'Things My Girlfriends Teach Me.' In 'Nothing Tastes as Good as Skinny Feels' she challenges her reader to consider their grandmother's cake, the taste of the sea, the cool swill of freedom. In her poem 'Deliverance' about her son's birth she writes 'What is the word for when the light leaves the body?/What is the word for when it/at last, returns?' Through poems that are as unforgettably beautiful as they are accessible, Kate Baer proves herself to truly be an exemplary voice in modern poetry. Her words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends. |
| pieces of poetry nyt crossword: The Selected Works of Audre Lorde Audre Lorde, 2020-09-08 A definitive selection of Audre Lorde’s intelligent, fierce, powerful, sensual, provocative, indelible (Roxane Gay) prose and poetry, for a new generation of readers. Self-described black, lesbian, mother, warrior, poet Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay. Among the essays included here are: The Transformation of Silence into Language and Action The Master’s Tools Will Never Dismantle the Master’s House I Am Your Sister Excerpts from the American Book Award–winning A Burst of Light The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are: Martha A Litany for Survival Sister Outsider Making Love to Concrete |
| pieces of poetry nyt crossword: Poetry 180 Billy Collins, 2003 A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more. |
| pieces of poetry nyt crossword: Breezeway John Ashbery, 2015-06-25 These poems encompass a colourful range of subjects from Middle English mysticism to a peculiarly-paced samba, a drugstore, a supermarket, and Batman and his dog, Pastor Fido. |
| pieces of poetry nyt crossword: Cultural Amnesia Clive James, 2008-09-04 With fascinating essays on artists from Louis Armstrong to Walter Benjamin, Sigmund Freud to Franz Kafka and Beatrix Potter to Marcel Proust, Cultural Amnesia is one of the crowning achievements in Clive James's illustrious career as a critic. 'One stupendous starburst of wild brilliance' – Simon Schama, historian and author of The Power of Art A lifetime in the making and containing over one hundred essays, this is a definitive guide to twentieth-century culture. James catalogues and explores the careers of many of the century's greatest thinkers, humanists, musicians, artists and philosophers, with illuminating excursions into the minds of those historical figures – from Sir Thomas Browne to Montesquieu – who paved the way. Altogether, it is an illuminating work of extraordinary erudition. Organised alphabetically by surname, this almanac invites you to share in the connections James draws, and to make your own – whether you read cover-to-cover, or allow curiosity to guide you. From Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Wittgenstein, this varied and unfailingly absorbing book is both story and history, public memoir and personal record – and provides a field-guide to the vast movements of taste, intellect, politics and delusion that helped to prepare the times we live in now. 'Aphoristic and acutely provocative: a crash course in civilization' – J. M. Coetzee, author of Disgrace 'This is a beautiful book' – Observer Part of the Picador Collection, a series showcasing the best of modern literature. |
Pieces for Developers — The first AI that remembers ...
Pieces Long-Term Memory Agent captures, preserves, and resurfaces historical workflow details, so you can pick up where you left off. Capture 9 months of context across Windows, MacOS, …
PIECE Definition & Meaning - Merriam-Webster
The meaning of PIECE is a part of a whole. How to use piece in a sentence. Synonym Discussion of Piece.
Pieces (film) - Wikipedia
Pieces (Spanish: Mil gritos tiene la noche, lit. 'The Night Has 1,000 Screams') is a 1982 slasher film directed by J. Piquer Simon, written and produced by Dick Randall and starring …
Pieces - definition of pieces by The Free Dictionary
A thing considered as a unit or an element of a larger thing, quantity, or class; a portion: a piece of string. 2. A portion or part that has been separated from a whole: a piece of pie. 3. An object …
PIECES Definition & Meaning - Dictionary.com
See examples of PIECES used in a sentence.
PIECE | English meaning - Cambridge Dictionary
Piece words make it possible to talk about a single unit or units of something which is seen as uncountable. Piece words include words such as piece, bit, item, article. We normally use them …
Piece - Definition, Meaning & Synonyms - Vocabulary.com
4 days ago · A piece is a section or a chunk of some larger thing, like a piece of cake or a piece of a broken lamp. You can describe a serving of something, like pie, as a piece, and you can also …
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PIECES offers a wide range of women's accessories, bags, leggings, seasonal clothing, shoes, jewellery, scarves, belts and basic styles.
PIECE definition and meaning | Collins English Dictionary
Do you want another piece? A piece of an object is one of the individual parts or sections which it is made of, especially a part that can be removed. ...assembling objects out of standard pieces. …
Piece Definition & Meaning | Britannica Dictionary
Divide the pie into six equal pieces. The cheese was cut into small pieces and arranged on a silver platter. I need a few more pieces of tape. She bought a small piece of land/property in …
Pieces for Developers — The first AI that remembers ...
Pieces Long-Term Memory Agent captures, preserves, and resurfaces historical workflow details, so you can pick up where you left off. Capture 9 months of context across Windows, MacOS, …
PIECE Definition & Meaning - Merriam-Webster
The meaning of PIECE is a part of a whole. How to use piece in a sentence. Synonym Discussion of Piece.
Pieces (film) - Wikipedia
Pieces (Spanish: Mil gritos tiene la noche, lit. 'The Night Has 1,000 Screams') is a 1982 slasher film directed by J. Piquer Simon, written and produced by Dick Randall and starring …
Pieces - definition of pieces by The Free Dictionary
A thing considered as a unit or an element of a larger thing, quantity, or class; a portion: a piece of string. 2. A portion or part that has been separated from a whole: a piece of pie. 3. An object …
PIECES Definition & Meaning - Dictionary.com
See examples of PIECES used in a sentence.
PIECE | English meaning - Cambridge Dictionary
Piece words make it possible to talk about a single unit or units of something which is seen as uncountable. Piece words include words such as piece, bit, item, article. We normally use …
Piece - Definition, Meaning & Synonyms - Vocabulary.com
4 days ago · A piece is a section or a chunk of some larger thing, like a piece of cake or a piece of a broken lamp. You can describe a serving of something, like pie, as a piece, and you can also …
PIECES for women | Shop clothing & accessories from the ...
PIECES offers a wide range of women's accessories, bags, leggings, seasonal clothing, shoes, jewellery, scarves, belts and basic styles.
PIECE definition and meaning | Collins English Dictionary
Do you want another piece? A piece of an object is one of the individual parts or sections which it is made of, especially a part that can be removed. ...assembling objects out of standard …
Piece Definition & Meaning | Britannica Dictionary
Divide the pie into six equal pieces. The cheese was cut into small pieces and arranged on a silver platter. I need a few more pieces of tape. She bought a small piece of land/property in …
