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| philip larkin love songs in age: Philip Larkin Poems Philip Larkin, 2012-04-05 For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, laugh out loud (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis |
| philip larkin love songs in age: Philip Larkin James Booth, 2014-01-01 Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as 'Never such innocence again' and 'Sexual intercourse began / In nineteen sixty-three' made him one of the most popular poets of the last century. Larkin's reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving 'Love Songs in Age' have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words 'Deprivation is for me what daffodils were for Wordsworth' really have been so boorish? A very different public image is offered by those who shared the poet's life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets. |
| philip larkin love songs in age: Philip Larkin Sisir Kumar Chatterjee, 2014-08 Philip Larkin (1992-1985) Is Today Acclaimed As A British National Cultural Icon. Historically A Movementeer, Larkin Followed The Pleasure Principle To Democratize Poetry By Forging A Distinctive Philistine Aesthetic, By Employing A Defiantly Demotic Diction, And By Building His Poems Around A Structure Of Rational Discourse.Philip Larkin : Poetry That Builds Bridges Is A Well-Researched And Immensely Readable Book. It Is Perhaps The Only Work Available Today That Offers A Comprehensive Critical Account Of The Full Range Of Larkin S Poetry. A Significant Contribution To Larkin Studies, This Book Provides A Between-The-Lines Analysis Of Almost All The Poems Embodied In The Four Major Collections Of Larkin The North Ship, The Less Deceived, The Whitsun Weddings And High Windows.By Exploiting The Resources Of Larkin S Letters, His Prose Writings And His Biography, The Author Traces, Much Against The Grain Of Contemporary Larkin Criticism, The Poet S Thematic, Attitudinal And Technical Development From One Book Of His Poetry To The Next, And Shows The Trend Of Larkin S Evolution.With A Holistic Approach To The Total Corpus Of Larkin S Poetry, The Author Perspectivises The Poet, And Argues The Larkin S Achievements Lie In His Success In Building Bridges Between Aestheticism And Philistinism, Between Empiricism And Transcendentalism, Between Classicism And Romanticism, Between Modernism And Postmodernism, Between The Native British Poetic Tradition And The Anglo-Franco-American Experimental Line, And, Above All, Between Poetry And The Reading Public.This Book Also Contends The Larkin S Vision Of Life Is Neither Pessimistic Nor Optimistic, But Tragic And Melioristic. |
| philip larkin love songs in age: The North Ship Philip Larkin, 2013-04-04 The North Ship, Philip Larkin's earliest volume of verse, was first published in August 1945. The introduction, by Larkin himself, explains the circumstances of its publication and the influences which shaped its contents. |
| philip larkin love songs in age: Annus mirabilis John Dryden, 1915 |
| philip larkin love songs in age: Cognitive Linguistics and Translation Ana Rojo, Iraide Ibarretxe-Antuñano, 2013-07-15 The papers compiled in the present volume aim at investigating the many fruitful manners in which cognitive linguistics can expand further on cognitive translation studies. Some papers (e.g. Halverson, Muñoz-Martín, Martín de León) take a theoretical stand, since the epistemological and ontological bases of both areas (cognitive linguistics and translation studies) should be known before specific contributions of cognitive linguistic to translation are tackled. Several works in the volume attempt to illustrate how some of the notions imported from cognitive linguistics may contribute to enrich our understanding of the translation process in a general translation problem such as metaphor (e.g. Samaniego), the relationship between form and meaning (e.g. Tabakowska, Rojo and Valenzuela) or cultural aspects (e.g. Bernárdez, Sharifian/Jamarani). Others use translation as an empirical field to test some of the basic assumptions of cognitive linguistics such as frames (e.g. Boas), metonymy (e.g. Brdar/Brdar-Szabó), and lexicalisation patterns (e.g. Ibarretxe-Antuñano/Filipovi?). Finally, another set of papers (e.g. Feist, Hatzidaki) opens up new lines of investigation for experimental research, a very promising area still underdeveloped. |
| philip larkin love songs in age: A Girl in Winter Philip Larkin, 2012-10-04 Lose yourself in this tale of young love by the 'best-loved English poet of the past 100 years.' ( Sunday Times) Katherine Lind is a refugee who has become a librarian in a wartime Northern town. One winter's day, she receives a telegram: and her thoughts drift back to falling in love with her pen-pal, Robin Fennel, on a glorious summer exchange. But on his return from the army, their reunion is not what they imagined ... 'Beautiful.' Nina Stibbe 'Remarkable . Diffused poetry.' Simon Garfield 'Highly sensitive . Reminiscent of Virginia Woolf.' Joyce Carol Oates 'Funny and profoundly sad.' Andrew Motion 'Strange and beautiful ... Short, intense and obsessed with the tiny ballets of social interaction, they could only have been written by someone very young (the writer they most remind me of is Sally Rooney) ... Weird but brilliant ... Zingily contemporary.' Sunday Times |
| philip larkin love songs in age: High Windows Philip Larkin, 2015-04-02 Re-packaged in the much-loved Faber typographic look. |
| philip larkin love songs in age: Philip Larkin R. J. C. Watt, 1995 |
| philip larkin love songs in age: Poems That Make Grown Men Cry Anthony Holden, Ben Holden, 2014-04-01 A life-enhancing tour through classic and contemporary poems that have made men cry: “The Holdens remind us that you don’t have to be an academic or a postgraduate in creative writing to be moved by verse….It’s plain fun” (The Wall Street Journal). Grown men aren’t supposed to cry…Yet in this fascinating anthology, one hundred men—distinguished in literature and film, science and architecture, theater and human rights—confess to being moved to tears by poems that continue to haunt them. Although the majority are public figures not prone to crying, here they admit to breaking down, often in words as powerful as the poems themselves. Their selections include classics by visionaries, such as Walt Whitman, W.H. Auden, and Philip Larkin, as well as modern works by masters, including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore. The poems chosen range from the sixteenth century to the twenty-first, with more than a dozen by women, including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. All are moved to tears by the exquisite way a poet captures, in Alexander Pope’s famous phrase, “what oft was thought, but ne’er so well express’d.” From J.J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave to Stephen Fry, Stanley Tucci to Colin Firth to the late Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world. “Everyone who reads this collection will be roused: disturbed by the pain, exalted in the zest for joy given by poets” (Nadine Gordimer, winner of the Nobel Prize for literature). |
| philip larkin love songs in age: Philip Larkin J. Booth, 2005-08-10 James Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Booth's focus is on Larkin's artistry with words, the 'verbal devices' through which this purest of lyric poets celebrates 'the experience. The beauty.' Featuring discussion for the first time of two recently discovered poems by Larkin, this original and exciting new study will be of interest to all students, scholars and enthusiasts of Larkin. |
| philip larkin love songs in age: Philip Larkin: Art and Self M. Rowe, 2011-02-08 Exploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert). |
| philip larkin love songs in age: Such Deliberate Disguises: The Art of Philip Larkin Richard Palmer, 2008-05-01 Such Deliberate Disguises: The Art of Philip Larkin argues that a true understanding of Philip Larkin as man and poet lies beyond his enduring public appeal and the variety of criticism that has recently been applied to his work. Richard Palmer suggests that the ostensible simplicity of Larkin's writing, which continues to attract so many readers to him, is deceptive, masking as it does one of the richest and most resonant of oeuvres in twentieth-century poetry. Penetrating the many masks of Larkin, the book sheds new and considerable light on the hitherto largely ignored spiritual significance of his work. Based upon close and scrupulous reading of the poems themselves, it draws upon insights gained from the history of art and the study of religion and myth as much as literary criticism and personal biography. It also brings long-overdue attention to what is seen to be perhaps the chief love, and operative aesthetic force, of Larkin's life: jazz. Such Deliberate Disguises is thus a major contribution, not just to Larkin studies, but to the wider cultural history of our times. |
| philip larkin love songs in age: Larkin, Ideology and Critical Violence J. Osborne, 2007-11-23 This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera . |
| philip larkin love songs in age: Sebastian Faulks Jonathan Noakes, Margaret Reynolds, 2012-05-31 In Vintage Living Texts teachers and students will find the essential guide to the works of Sebastian Faulks. This guide will deal with his themes, genre and narrative technique, and a close reading of the texts will be accompanied with likely exam questions, and contexts and comparisons - as well as providing a rich source of ideas for intelligent and inventive ways of approaching the novels. |
| philip larkin love songs in age: Emily Dickinson and the Modern Consciousness Kenneth Stocks, 1988-03-15 |
| philip larkin love songs in age: Human Chain Seamus Heaney, 2014-01-13 A Boston Globe Best Poetry Book of 2011 Winner of the 2011 Griffin Poetry Prize Winner of the 2011 Poetry Now Award Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present—the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other hermit songs that weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled Route 101 plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead—friends, neighbors, family—that is yet wholly and movingly vernacular. Human Chain also includes a poetic herbal adapted from the Breton poet Guillevic—lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included. |
| philip larkin love songs in age: 21st-Century Dylan Laurence Estanove, Adrian Grafe, Andrew McKeown, Claire Hélie, 2020-12-10 Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. This volume consists of multidisciplinary essays written by cultural historians, musicologists, literary academics and film experts, including contributions by critics Christopher Ricks and Nina Goss. Together, the essays reveal Dylan's continuing artistic development and self-fashioning, as well as the making of a certain legitimized Dylan through critical and public recognition in the new millennium. |
| philip larkin love songs in age: A Short History of Celebrity Fred Inglis, 2010-07-01 A history of celebrity from Byron to Beckham Love it or hate it, celebrity is one of the dominant features of modern life—and one of the least understood. Fred Inglis sets out to correct this problem in this entertaining and enlightening social history of modern celebrity, from eighteenth-century London to today's Hollywood. Vividly written and brimming with fascinating stories of figures whose lives mark important moments in the history of celebrity, this book explains how fame has changed over the past two-and-a-half centuries. Starting with the first modern celebrities in mid-eighteenth-century London, including Samuel Johnson and the Prince Regent, the book traces the changing nature of celebrity and celebrities through the age of the Romantic hero, the European fin de siècle, and the Gilded Age in New York and Chicago. In the twentieth century, the book covers the Jazz Age, the rise of political celebrities such as Mussolini, Hitler, and Stalin, and the democratization of celebrity in the postwar decades, as actors, rock stars, and sports heroes became the leading celebrities. Arguing that celebrity is a mirror reflecting some of the worst as well as some of the best aspects of modern history itself, Inglis considers how the lives of the rich and famous provide not only entertainment but also social cohesion and, like morality plays, examples of what—and what not—to do. This book will interest anyone who is curious about the history that lies behind one of the great preoccupations of our lives. Some images inside the book are unavailable due to digital copyright restrictions. |
| philip larkin love songs in age: The Complete Poems of Philip Larkin Philip Larkin, 2014-09-04 A stunning new edition that brings together all of Larkin's poems in addition to some unpublished pieces. |
| philip larkin love songs in age: Anthony Burgess Roger Lewis, 2014-02-04 Interviewer: On what occasions do you lie? Anthony Burgess: When I write, when I speak, when I sleep. He was the last great modernist. Novelist, composer, librettist, essayist, semanticist, translator, critic, Anthony Burgess's versatility and erudition found expression in more than fifty books and dozens of musical compositions, from operas, choral works and song cycles to symphonies and concertos. Here now is a kaleidoscope of a book--the culmination of twenty years of writing and research--about a man who remains best known for A Clockwork Orange, the source of Stanley Kubrick's ground breaking, mind bending and prescient film. Tracking Burgess from Manchester to Malaya to Malta to Monte Carlo, Roger Lewis assesses Burgess's struggles and uncovers the web of truth and illusion about the writer's famous antic disposition. Burgess, the author argues, was just as much a literary confidence man and prankster as a consummate wordsmith. Outrageously funny, honest and touching, Anthony Burgess explores the divisions that characterize its irascible subject and his darkly comic, bleakly beautiful world of fiction. |
| philip larkin love songs in age: Morrissey Gavin Hopps, 2009-06-26 Examines the career of the British pop star from his days as the lead singer of The Smiths through his successful solo career, and explores the complex attitudes and perspectives expressed in his lyrics. |
| philip larkin love songs in age: American and British Poetry Harriet Semmes Alexander, 1984 |
| philip larkin love songs in age: So You Think You Know Philip Larkin? M. R. Sethi, 2021-10-20 Nothing seemed to escape the eyes of Philip Larkin, a contemporary English poet who achieved acclaim on the strength of a small body of work. While lyrically exploring the human experience, Larkin’s candid perceptions were enlivened by his acute power of observation—a unique literary talent that prompted his recognition as England’s other Poet Laureate. In a fascinating quiz book that will appeal to both Larkin scholars and lovers of poetry and literature, retired English professor M. R. Sethi shares more than six hundred questions (with answers) that offer an opportunity to test knowledge regarding the life and works of the famous poet. Scholars and others will be tested on Larkin’s physical shortcomings, his first jobs, what he wore while mowing the lawn, why he once threatened to jump out a window, who was not one of his friends at Oxford, and much more that includes detailed questions regarding many of his poems. So You Think You Know Philip Larkin? is a volume of questions and answers shared to test the knowledge of both scholars and poetry and literature aficionados about a famous, contemporary poet. |
| philip larkin love songs in age: Philip Larkin Laurence Lerner, 2005 This short study places Larkin in his literary and personal context, discusses current controversies and literary criticism, and, above all, explores all of his major poems. |
| philip larkin love songs in age: Words and Music Peter Dickinson, 2016 Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time. Peter Dickinson made an enduring contribution to British musical life, and his music has been regularly performed and recorded by leading musicians. His writings, brought together here for the first time, are equally noteworthy. Covering well over half a century, the subjects are fascinatingly varied. Apart from musical interests ranging from Charles Ives to John Cage, they touch on literature; and Dickinson's meetings with W.H. Auden and Philip Larkin are an intriguing insight that led to his Auden songs and the chamber work Larkin's Jazz. American themes are prominent in this collection. There are unique reviews of concert life in New York from 1959 to 1961; an account of the teaching programme at the Juilliard School of Music at that time; three studies of Ives; and features containing original material on Copland, Thomson and Cage, all of whom Dickinson knew. Features on Erik Satie include the imaginary discussion marking his centenary in 1966. Dickinson also writes about his own music, providing an insight into what it was like being a British composer in the later twentieth century. Peter Dickinson was born in Lancashire in 1934 and lived in Suffolk until his passing. His 80th birthday was marked by a whole variety of tributes, including concerts, articles, broadcasts and various interviews - some included in this book. PETER DICKINSON was a British composer and pianist as well as author and editor of Boydell/URP books on Berkeley, Copland, Cage, Barber and Berners. As a pianist, Dickinson had a twenty-five-year, international partnership with his sister, the mezzo Meriel Dickinson, for whom he wrote song cycles to poems of E. E. Cummings, Gregory Corso and Stevie Smith. He was a regular contributor to BBC Radio 3 and was widely read as a critic on the Gramophone. He was an Emeritus Professor of the Universities of Keele and London and was chair of the Bernarr Rainbow Trust, for which he edited several books on music education. |
| philip larkin love songs in age: Secondary English Nicholas McGuinn, Nicola Onyett, 2011-02-03 The complete guide to planning for learning English in the secondary classroom. |
| philip larkin love songs in age: Shakespeare's First Reader Jason Scott-Warren, 2019-10-18 Richard Stonley has all but vanished from history, but to his contemporaries he would have been an enviable figure. A clerk of the Exchequer for more than four decades under Mary Tudor and Elizabeth I, he rose from obscure origins to a life of opulence; his job, a secure bureaucratic post with a guaranteed income, was the kind of which many men dreamed. Vast sums of money passed through his hands, some of which he used to engage in moneylending and land speculation. He also bought books, lots of them, amassing one of the largest libraries in early modern London. In 1597, all of this was brought to a halt when Stonley, aged around seventy-seven, was incarcerated in the Fleet Prison, convicted of embezzling the spectacular sum of £13,000 from the Exchequer. His property was sold off, and an inventory was made of his house on Aldersgate Street. This provides our most detailed guide to his lost library. By chance, we also have three handwritten volumes of accounts, in which he earlier itemized his spending on food, clothing, travel, and books. It is here that we learn that on June 12, 1593, he bought the Venus & Adhonay per Shakspere—the earliest known record of a purchase of Shakespeare's first publication. In Shakespeare's First Reader, Jason Scott-Warren sets Stonley's journals and inventories of goods alongside a wealth of archival evidence to put his life and library back together again. He shows how Stonley's books were integral to the material worlds he inhabited and the social networks he formed with communities of merchants, printers, recusants, and spies. Through a combination of book history and biography, Shakespeare's First Reader provides a compelling bio-bibliography—the story of how one early modern gentleman lived in and through his library. |
| philip larkin love songs in age: English Literature for AQA A Tony Childs, Jackie Moore, 2000 This text provides material that covers the AQA English literature specification A syllabus. As well as exam and coursework tips, there is a firm focus on assessment objectives to aid students learn how to achieve maximum results. |
| philip larkin love songs in age: Philip Larkin and his Contemporaries Philip Hobsbaum, Salem K Hassan, 1988-07-26 |
| philip larkin love songs in age: Poetry Please Various Poets, 2013-10-01 BBC Radio 4's Poetry Please is the longest-running broadcast of verse anywhere in the world. First aired in 1979, the programme, a request show which broadcasts to two million listeners a week, has become a unique record of the country's best-loved poems over the decades since its inception. The BBC has looked back through its rich archive of recordings to produce a poll of the most asked for and most broadcast pieces ever: it is those poems that this anthology brings together here. A showcase, in effect, for the nation's favourite verse, Poetry Please is a treasure trove for our most requested and most listened to poems of all time. It is a compelling invitation for readers of all ages and backgrounds to celebrate the verse that we care so much about: from new readers to old, from schools to reading groups, this a book for giving, a book for cherishing. |
| philip larkin love songs in age: Interpreting Texts Kim Ballard, 2013-04-15 Part of the Routledge A Level English Guides series, this title focuses on developing the skills needed to successfully interpret texts and covers key aspects of the area, including discourse, intertextuality and theoretical approaches. |
| philip larkin love songs in age: A Writer's Life Gay Talese, 2006-04-25 The inner workings of a writer’s life, the interplay between experience and writing, are brilliantly recounted by a master of the art. Gay Talese now focuses on his own life—the zeal for the truth, the narrative edge, the sometimes startling precision, that won accolades for his journalism and best-sellerdom and acclaim for his revelatory books about The New York Times (The Kingdom and the Power), the Mafia (Honor Thy Father), the sex industry (Thy Neighbor’s Wife), and, focusing on his own family, the American immigrant experience (Unto the Sons). How has Talese found his subjects? What has stimulated, blocked, or inspired his writing? Here are his amateur beginnings on his college newspaper; his professional climb at The New York Times; his desire to write on a larger canvas, which led him to magazine writing at Esquire and then to books. We see his involvement with issues of race from his student days in the Deep South to a recent interracial wedding in Selma, Alabama, where he once covered the fierce struggle for civil rights. Here are his reflections on the changing American sexual mores he has written about over the last fifty years, and a striking look at the lives—and their meaning—of Lorena and John Bobbitt. He takes us behind the scenes of his legendary profile of Frank Sinatra, his writings about Joe DiMaggio and heavyweight champion Floyd Patterson, and his interview with the head of a Mafia family.But he is at his most poignant in talking about the ordinary men and women whose stories led to his most memorable work. In remarkable fashion, he traces the history of a single restaurant location in New York, creating an ethnic mosaic of one restaurateur after the other whose dreams were dashed while a successor’s were born. And as he delves into the life of a young female Chinese soccer player, we see his consuming interest in the world in its latest manifestation.In these and other recollections and stories, Talese gives us a fascinating picture of both the serendipity and meticulousness involved in getting a story. He makes clear that every one of us represents a good one, if a writer has the curiosity to know it, the diligence to pursue it, and the desire to get it right.Candid, humorous, deeply impassioned—a dazzling book about the nature of writing in one man’s life, and of writing itself. |
| philip larkin love songs in age: Collected Poems Kingsley Amis, 2016-06-21 Kingsley Amis’s poetry tackles all the grimly humorous subjects he tackled in his novels—lust, lost love, booze, money and the lack of it, old age, death—and does so with immense formal poise. A master of both traditional and unconventional meters with a perfect ear for parody, Amis wrote satires, epigrams, and rueful and scornful songs that are remarkable not only for their virtuosity and humor but for their scabrous realism. It all adds up to a small, entirely individual, and memorably bracing body of work. As Amis writes: “Beauty, they tell me, is a dangerous thing, / Whose touch will burn, but I’m asbestos, see?” |
| philip larkin love songs in age: Jill Philip Larkin, 2005 |
| philip larkin love songs in age: Teaching Shakespeare To Develop Children'S Writing: A Practical Guide: 9-12 Years Sedgwick, Fred, 2014-10-01 This exciting and accessible book offers techniques for introducing some of Shakespeare’s plays to children between the ages of nine and twelve. |
| philip larkin love songs in age: Reading Philip Larkin John Gilroy, 2012-10-21 The book offers a detailed commentary on the poetry of Philip Larkin, exploring the political and cultural contexts which have shaped his contemporary reputation. Part 1, Life and Times, traces Larkin's early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was able to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin's reputation from the mid-1950s to the present, examining the debates and ideological confrontations to which his poetry has given rise. |
| philip larkin love songs in age: Radical Larkin J. Osborne, 2016-04-30 The first critical monograph to benefit from the textual rigour of Archie Burnett's landmark edition of The Complete Poems (2012), Radical Larkin celebrates Larkin's technical genius by offering seven in-depth analyses of the stylistic strategies he used to create eleven of his most famous poems. |
| philip larkin love songs in age: 77 Dream Songs John Berryman, 2014-10-21 A wild, masterful Pulitzer Prize-winning cycle of poems that half a century later still shocks and astounds John Berryman was hardly unknown when he published 77 Dream Songs, but the volume was, nevertheless, a shock and a revelation. A spooky collection in the words of Robert Lowell-a maddening work of genius. As Henri Cole notes in his elegant, perceptive introduction, Berryman had discovered a looser style that mixed high and low dictions with a strange syntax. Berryman had also discovered his most enduring alter ego, a paranoid, passionate, depressed, drunk, irrepressible antihero named Henry or, sometimes, Mr. Bones: We touch at certain points, Berryman claimed, of Henry, But I am an actual human being. Henry may not be real, but he comes alive on the page. And while the most famous of the Dream Songs begins, Life, friends, is boring, these poems never are. Henry lusts: seeing a woman Filling her compact & delicious body / with chicken páprika he can barely restrain himself: only the fact of her husband & four other people / kept me from springing on her. Henry despairs: All the world like a woolen lover / once did seem on Henry's side. / Then came a departure. Henry, afraid of his own violent urges, consoles himself: Nobody is ever missing. 77 Dream Songs won the Pulitzer Prize in 1965, but Berryman's formal and emotional innovations-he cracks the language open, creates a new idiom in which to express eternal feelings-remain as alive and immediate today as ever. |
| philip larkin love songs in age: Thinking on Thresholds Subha Mukherji, 2011 Through a combination of case studies and theoretical investigations, the essays in this book address the imaginative power of the threshold as a productive space in literature and art. |
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Philip the Apostle - Wikipedia
Philip the Apostle (Greek: Φίλιππος; Aramaic: ܦܝܠܝܦܘܣ; Coptic: ⲫⲓⲗⲓⲡⲡⲟⲥ, Philippos) was one of the Twelve Apostles of Jesus according to the New Testament. Later Christian traditions describe …
Philip, duke of Edinburgh | Biography & Facts | Britannica
Jun 6, 2025 · Prince Philip was the husband of Queen Elizabeth II of the United Kingdom and the father of Charles, who became king in 2022. Philip was also known for supporting numerous …
Who Was the Apostle Philip in the Bible? | Christianity.com
Apr 15, 2024 · Philip the Apostle, one of the original twelve disciples of Jesus, is a somewhat enigmatic figure in the New Testament, mentioned primarily in the Gospel of John. His name, …
Prince Philip - Funeral, Death & Siblings - Biography
Apr 2, 2014 · Prince Philip, Duke of Edinburgh, was the husband of Queen Elizabeth II, the father of King Charles III and the grandfather of Prince Harry and Prince William.
Topical Bible: Philip
Philip the Evangelist, also known as Philip the Deacon, is introduced in Acts 6:5 as one of the seven men chosen to serve the early church in Jerusalem. He is described as "full of faith and …
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Philips - United States | Philips
Learn more about Philips and how we help improve people’s lives through meaningful innovation in the areas of Healthcare, Consumer Lifestyle and …
Philip the Apostle - Wikipedia
Philip the Apostle (Greek: Φίλιππος; Aramaic: ܦܝܠܝܦܘܣ; Coptic: ⲫⲓⲗⲓⲡⲡⲟⲥ, Philippos) was one of the Twelve Apostles of Jesus according to the New Testament. …
Philip, duke of Edinburgh | Biography & Facts | Britannica
Jun 6, 2025 · Prince Philip was the husband of Queen Elizabeth II of the United Kingdom and the father of Charles, who became king in 2022. …
Who Was the Apostle Philip in the Bible? | Christianity.com
Apr 15, 2024 · Philip the Apostle, one of the original twelve disciples of Jesus, is a somewhat enigmatic figure in the New Testament, mentioned primarily in the …
Prince Philip - Funeral, Death & Siblings - Biography
Apr 2, 2014 · Prince Philip, Duke of Edinburgh, was the husband of Queen Elizabeth II, the father of King Charles III and the grandfather of Prince Harry …
