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plato phaedrus: Phaedrus Plato, 2020-12 The Phaedrus, written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium. |
plato phaedrus: Myth and Philosophy in Plato's Phaedrus Daniel S. Werner, 2012-07-09 Examines the role of myth in Plato's Phaedrus, arguing that it leads readers to participate in Plato's dialogues and to engage in self-examination. |
plato phaedrus: Phaedrus Plato, Alexander Nehamas, Paul Woodruff, 1995-01-01 A superb translation that captures the rhetorical brilliance of the Greek. . . . The translation is faithful in the very best sense: it reflects both the meaning and the beauty of the Greek text. . . . The footnotes are always helpful, never obtrusive. A one-page outline is useful since there are no editorial additions to mark major divisions in the dialogue. An appendix containing fragments of early Greek love poetry helps the reader appreciate the rich, and perhaps elusive, meaning of eros. . . . The entire Introduction is crisply written, and the authors' erudition shines throughout, without a trace of pedantry. . . . this is an excellent book that deservedly should find wide circulation for many years to come. -- Tim Mahoney, University of Texas at Arlington Paul Woodruff is Professor of Philosophy, University of Texas at Austin. |
plato phaedrus: Phaedrus Plato, Aeterna Press, 2015-09-01 THE Phaedrus is closely connected with the Symposium, and may be regarded either as introducing or following it. The two Dialogues together contain the whole philosophy of Plato on the nature of love, which in the Republic and in the later writings of Plato is only introduced playfully or as a figure of speech. But in the Phaedrus and Symposium love and philosophy join hands, and one is an aspect of the other. The spiritual and emotional part is elevated into the ideal, to which in the Symposium mankind are described as looking forward, and which in the Phaedrus, as well as in the Phaedo, they are seeking to recover from a former state of existence. Whether the chief subject of the Dialogue is love or rhetoric, or the union of the two, or the relation of philosophy to love and to art in general, and to the human soul, will be hereafter considered. Aeterna Press |
plato phaedrus: Plato's Phaedrus Paul Ryan, 2012-09-05 Composed in the fourth century b.c., the Phaedrus—a dialogue between Phaedrus and Socrates—deals ostensibly with love but develops into a wide-ranging discussion of such subjects as the pursuit of beauty, the nature of humanity, the immortality of the soul, and the attainment of truth, ending with an in-depth discussion of the principles of rhetoric. This erudite commentary, which also includes the original Greek text, is designed to help intermediate-level students of Greek read, understand, and enjoy Plato’s magnificent work. Drawing on his extensive classroom experience and linguistic expertise, Paul Ryan offers a commentary that is both rich in detail and—in contrast to earlier, more austere commentaries on the Phaedrus—fully engaging. Line by line, he explains subtle points of language, explicates difficulties of syntax, and brings out nuances of tone and meaning that students might not otherwise notice or understand. Ryan sections his commentary into units of convenient length for classroom use, with short summaries at the head of each section to orient the reader. Never straying far from the text itself, Ryan provides useful historical glosses and annotations for the student, introducing information ranging from the architecture of the Lyceum to Athenian politics. Further historical and philosophical context is provided in the introduction by Mary Louise Gill, who outlines the issues addressed in the Phaedrus and situates it in relation to Plato’s other dialogues. |
plato phaedrus: Rhetoric and Reality in Plato's "Phaedrus" David A. White, 1993-02-23 The Phaedrus is well-known for the splendid mythical panorama Socrates develops in his second speech, and for its graphic descriptions of erotic behavior. This book shows how the details of the myth and the accounts of interaction between lovers are based on a carefully articulated metaphysical structure. It follows the dialogue as narrated, showing how passages that may not appear relevant to metaphysics have been deployed to heighten the vision of reality that Socrates develops in his second speech and concludes with an Epilogue in which the metaphysical principles adumbrated in the dialogue are ordered and briefly developed. This Epilogue helps illustrate the continuity between the Phaedrus and subsequent dialogues, such as the Parmenides, Sophist, Statesman, and Philebus, in which methodological and metaphysical concerns are dominant for Plato. As a result, new connections emerge between the metaphysical domain in Plato's thought and the more visible and vibrant areas of the psychology of eros and practical rhetoric. |
plato phaedrus: The Reception of Plato’s ›Phaedrus‹ from Antiquity to the Renaissance Sylvain Delcomminette, Pieter d'Hoine, Marc-Antoine Gavray, 2020-07-06 This volume explores the tremendous influence of Plato’s Phaedrus on the philosophical, religious, scientific and literary discussions in the West. Ranging from Plato’s first readers, over the Church Fathers and the Platonic commentators, to Byzantine and Renaissance thinkers, the papers collected here introduce the reader to the first two millennia of the dialogue’s reception history. Thirteen contributions by both junior and established scholars study the engagement with the Phaedrus by such major figures as Aristotle, Galen, Origen, Clemens of Alexandria, Plotinus, Augustine, Proclus, Psellus, Ficino, Erasmus, and many others. Together, they cover the wide range of topics discussed in the dialogue: the value of myth and allegory, religion and theology, love and beauty, the soul and its immortality, teaching and learning, metaphysics and epistemology, rhetoric and dialectic, as well as the role and the limits of writing. By placing the dialogue in this broad perspective, the volume will appeal to readers interested in the Phaedrus itself, as well as to classicists, literary theorists, and historians of philosophy, science and religion concerned with the dialogue’s reception history and its main protagonists. |
plato phaedrus: Plato’s Phaedrus – Plato, 2020-07-30 Plato’s dialogues frequently cover several topics and show their connection to each other. The Phaedrus is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings. Although the historical Socrates was a strong influence on Plato, the character by that name that appears in many of his dialogues is a product of Plato’s fertile imagination. All of Plato’s dialogues are written in a poetic form that his student Aristotle called Socratic dialogue. In the twentieth century, the British philosopher and logician Alfred North Whitehead characterized the entire European philosophical tradition as a series of footnotes to Plato. Philosophy for Plato was not a set of doctrines but a goal — not the possession of wisdom but the love of wisdom. Agora Publications offers these performances based on the assumption that Plato wrote these works to be performed by actors in order to stimulate additional dialogue among those who listen to them. |
plato phaedrus: Plato on Love Plato, 2006-06-15 This collection features Plato's writings on sex and love in the preeminent translations of Stanley Lombardo, Paul Woodruff and Alexander Nehamas, D. S. Hutchinson, and C. D. C. Reeve. Reeve's Introduction provides a wealth of historical information about Plato and Socrates, and the sexual norms of classical Athens. His introductory essay looks closely at the dialogues themselves and includes the following sections: Socrates and the Art of Love; Socrates and Athenian Paiderastia; Loving Socrates; Love and the Ascent to the Beautiful; The Art and Psychology of Love Explained; and Writing about Love. |
plato phaedrus: Phaedrus Plato, 1998 Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. Socrates reveals it to be a kind of divine madness that can allow our souls to grow wings and soar to their greatest heights. Then the conversation changes direction and turns to a discussion of rhetoric, which must be based on truth passionately sought, thus allying it to philosophy. The dialogue closes by denigrating the value of the written word in any context, compared to the living teaching of a Socratic philosopher. The shifts of topic and register have given rise to doubts about the unity of the dialogue, doubts which are addressed in the introduction to this volume. Full explanatory notes also elucidate issues throughout the dialogue that might puzzle a modern reader.--Jacket. |
plato phaedrus: Self-knowledge in Plato's Phaedrus Charles L. Griswold, 1986 In this award-winning study of the Phaedrus, Charles Griswold focuses on the theme of self-knowledge. Relying on the principle that form and content are equally important to the dialogue's meaning, Griswold shows how the concept of self-knowledge unifies the profusion of issues set forth by Plato. Included are a new preface and an updated comprehensive bibliography of works on the Phaedrus. |
plato phaedrus: The Reception of Plato’s ›Phaedrus‹ from Antiquity to the Renaissance Sylvain Delcomminette, Pieter d'Hoine, Marc-Antoine Gavray, 2020-07-06 This volume explores the tremendous influence of Plato’s Phaedrus on the philosophical, religious, scientific and literary discussions in the West. Ranging from Plato’s first readers, over the Church Fathers and the Platonic commentators, to Byzantine and Renaissance thinkers, the papers collected here introduce the reader to the first two millennia of the dialogue’s reception history. Thirteen contributions by both junior and established scholars study the engagement with the Phaedrus by such major figures as Aristotle, Galen, Origen, Clemens of Alexandria, Plotinus, Augustine, Proclus, Psellus, Ficino, Erasmus, and many others. Together, they cover the wide range of topics discussed in the dialogue: the value of myth and allegory, religion and theology, love and beauty, the soul and its immortality, teaching and learning, metaphysics and epistemology, rhetoric and dialectic, as well as the role and the limits of writing. By placing the dialogue in this broad perspective, the volume will appeal to readers interested in the Phaedrus itself, as well as to classicists, literary theorists, and historians of philosophy, science and religion concerned with the dialogue’s reception history and its main protagonists. |
plato phaedrus: Phaedrus Plato, 2005-08-25 Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader. |
plato phaedrus: Phaedrus Plato, 2002-09-01 With a masterful sense of the place of rhetoric in both thought and practice and an ear attuned to the clarity, natural simplicity, and charm of Plato's Greek prose, James H. Nichols, Jr., offers a precise yet unusually readable translation of one of the great Platonic dialogues on rhetoric. Featuring some of Plato's most soaringly lyrical passages, the Phaedrus investigates the soul's erotic longing and its relationship to the whole cosmos, as well as inquiring into the nature of rhetoric and the problem of writing.Nichols's attention to dramatic detail brings this dialogue to life. Plato's striking variety in conversational address (names and various terms of relative warmth and coolness) is carefully reproduced, as is alteration in tone and implication even in the short responses. The translation renders references to the gods accurately and non-monotheistically for the first time, and includes a fascinating variety of oaths and invocations. Nichols believes that Plato's thought on rhetoric has been largely misunderstood, and he uses his translation as an opportunity to reconstruct the classical position on right relations between thought and public activity. |
plato phaedrus: Phaedrus Plato, 2021-09-19 Phaedrus Plato - The Phaedrus written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues.Plato (424/423 348/347 BC) was a philosopher in Classical Greece and the founder of the Academy in Athens, the first institution of higher learning in the Western world. |
plato phaedrus: Listening to the Cicadas G. R. F. Ferrari, 2010-03-12 The focus of this account is how myth and formal argument in the dialogue Phaedrus complement and reinforce each other in Plato's philosophy. Not only is the dialogue in its formal structure a joining of myth and argument, but the philosophic life that it praises is also shaped by the limitations of argument and the importance of mythical and poetic understanding. The book is written for anyone seriously interested in Plato's thought and in the history of literary theory or of rhetoric. No knowledge of Greek is required. |
plato phaedrus: Explorations in Ancient and Modern Philosophy: Volume 1 M. F. Burnyeat, 2012-06-14 M. F. Burnyeat taught for 14 years in the Philosophy Department of University College London, then for 18 years in the Classics Faculty at Cambridge, 12 of them as the Laurence Professor of Ancient Philosophy, before migrating to Oxford in 1996 to become a Senior Research Fellow in Philosophy at All Souls College. The studies, articles and reviews collected in these two volumes of Explorations in Ancient and Modern Philosophy were all written, and all but two published, before that decisive change. Whether designed for a scholarly audience or for a wider public, they range from the Presocratics to Augustine, from Descartes and Bishop Berkeley to Wittgenstein and G. E. Moore. Their subject-matter falls under four main headings: 'Logic and Dialectic' and 'Scepticism Ancient and Modern', which are contained in this first volume; 'Knowledge' and 'Philosophy and the Good Life' make up the second volume. The title 'Explorations' well expresses Burnyeat's ability to discover new aspects of familiar texts, new ways of solving old problems. In his hands the history of philosophy becomes itself a philosophical activity. |
plato phaedrus: The Phaedrus of Plato Plato, William Hepworth Thompson, 1868 |
plato phaedrus: Studies in Hermias’ Commentary on Plato’s Phaedrus , 2019-10-01 Studies in Hermias’ Commentary on Plato’s Phaedrus is a collection of twelve essays that consider aspects of Hermias’ philosophy, including his notions of the soul, logic, and method of exegesis. The essays also consider Hermias’ work in the tradition of Neoplatonism, particularly in relation to the thought of Iamblichus and Proclus. The collection grapples with the question of the originality of Hermias’ commentary—the only extant work of Hermias—which is a series of lectures notes of his teacher, Syrianus. |
plato phaedrus: Plato's Symposium and Phaedrus Plato, 2023-06-27 Joe Sachs is a national treasure. His brilliant translations from the Greek, spanning works from Homer to Aristotle, have long enriched scholars and students alike. He crowns those achievements with this exquisite rendering of two of Plato’s most beautiful dialogues, with an introduction that evidences his deft ability to drill down to 'the thing itself.' —Thomas Sheehan, Professor Emeritus of Religious Studies, Stanford University The Phaedrus and Symposium are Plato’s two dialogues about Eros—that is, desirous longing. In these new translations by former St. John’s College tutor Joe Sachs, the reader imaginatively becomes a member, if a silent one, of the conversations Socrates has with his companions. While both dialogues are about love, they differ in intriguing and important ways. The conversation of the Phaedrus takes place in the countryside and that of the Symposium in Athens. In the Phaedrus only Socrates and Phaedrus are present; in the Symposium many participate in the drinking party. But in both, Socrates presents singularly abiding images: The winged horses and chariot in the Phaedrus; the ladder of love in the Symposium. These compelling images attract and move the reader to ask questions of the dialogues, which in their unique ways seem to reply. The interplay of the two texts may spark an unfolding in the reader’s thinking about love, The context for our thinking includes in one case the subject of tragedy and comedy, in the other the nature of rhetoric and writing, but it is philosophy, and not poetry or politics, that persistently claims the center of attention. The dialogues themselves seem as different as night from day, as urbane wit from rustic charm—but do they point to opposing or converging attitudes toward erotic love? |
plato phaedrus: Plato's Phaedrus Graeme Nicholson, 1999 The Phaedrus lies at the heart of Plato's work, and the topics it discusses are central to his thought. In its treatment of the topics of the soul, the ideas and love, it is closely tied to the other dialogues of Plato's middle period, the Phaedo, the Symposium, and the Republic. |
plato phaedrus: Plato: Phaedrus Plato, 2011-05-26 Ostensibly a discussion about love, the debate in the Phaedrus also encompasses the art of rhetoric and how it should be practised. This new edition contains an introductory essay outlining the argument of the dialogue as a whole and Plato's arguments about rhetoric and eros in particular. The Introduction also considers Plato's style and offers an account of the reception of the dialogue from its composition to the twentieth century. A new Greek text of the dialogue is accompanied by a select textual apparatus. The greater part of the book consists of a Commentary, which elucidates the text and makes clear how Plato achieves his philosophical and literary objectives. Primarily intended for advanced undergraduates and graduate students of ancient Greek literature and philosophy, it will also benefit scholars who want an up-to-date account of how to understand the text, argument, style and background of the work. |
plato phaedrus: Reason, Rhetoric, and the Philosophical Life in Plato's Phaedrus Tiago Lier, 2019-06-28 In a novel interpretation of Plato’s Phaedrus, Tiago Lierargues that Socrates’ defense of rhetoric stems from a tension between the desires that motivate speech and the limited power of speech to realize those desires. This tension culminates in a philosophical ethic that Socrates and Plato cultivate through their respective forms of rhetoric. |
plato phaedrus: Who Is Phaedrus? Marshell Bradley, 2012-11-06 Who Is Phaedrus? This book delivers answers. Many have said Phaedrus is the most intriguing of Plato's works. Phaedrus is certainly one of the most difficult to follow and fathom. In part this is because the title figure, Phaedrus himself, has remained a mystery. Who Is Phaedrus? takes us on a tour of this intricate dialogue: a work of philosophy and history, and a work of art. In Who Is Phaedrus? we see how and why Phaedrus became involved in the most sensational scandals, both religious and political, in ancient Athens; and yet we see Phaedrus come across as a person remarkably contemporary, someone who could walk through a time seam and be wholly understandable as a soul in the twenty-first century. Perplexed as well as perplexing, Phaedrus, in the final analysis, needs Socrates' timeless philosophy as a salve and therapy, and we follow along as Socrates delivers. |
plato phaedrus: Plato and the Poets Pierre Destrée, Fritz-Gregor Herrmann, 2011-03-21 Plato’s discussions of poetry and the poets stand at the cradle of Western literary criticism. Plato is, paradoxically, both the philosopher who cites, or alludes to, works of poetry more than any other, and the one who is at the same time the harshest critic of poetry. The nineteen essays presented here aim to offer various avenues to this paradox, and to illuminate the ways poetry and the poets are discussed by Plato throughout his writing career, from the Apology and the Ion to the Laws. As well as throwing new light on old topics, such as mimesis and poetic inspiration, the volume introduces fresh approaches to Plato’s philosophy of poetry and literature. |
plato phaedrus: Phaedrus Plato, Aeterna Press, 2015-09-01 THE Phaedrus is closely connected with the Symposium, and may be regarded either as introducing or following it. The two Dialogues together contain the whole philosophy of Plato on the nature of love, which in the Republic and in the later writings of Plato is only introduced playfully or as a figure of speech. But in the Phaedrus and Symposium love and philosophy join hands, and one is an aspect of the other. The spiritual and emotional part is elevated into the ideal, to which in the Symposium mankind are described as looking forward, and which in the Phaedrus, as well as in the Phaedo, they are seeking to recover from a former state of existence. Whether the chief subject of the Dialogue is love or rhetoric, or the union of the two, or the relation of philosophy to love and to art in general, and to the human soul, will be hereafter considered. Aeterna Press |
plato phaedrus: Phaedrus Plato, 2005-12-27 Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
plato phaedrus: A Plato Reader Plato, 2012-09-15 A Plato Reader offers eight of Plato's best-known works--Euthyphro, Apology, Crito, Meno, Phaedo, Symposium, Phaedrus, and Republic--unabridged, expertly introduced and annotated, and in widely admired translations by C. D. C. Reeve, G. M. A. Grube, Alexander Nehamas, and Paul Woodruff. The collection features Socrates as its central character and a model of the examined life. Its range allows us to see him in action in very different settings and philosophical modes: from the elenctic Socrates of the Meno and the dialogues concerning his trial and death, to the erotic Socrates of the Symposium and Phaedrus, to the dialectician of the Republic. Of Reeve's translation of this final masterpiece, Lloyd P. Gerson writes, Taking full advantage of S. R. Slings' new Greek text of the Republic, Reeve has given us a translation both accurate and limpid. Loving attention to detail and deep familiarity with Plato's thought are evident on every page. Reeve's brilliant decision to cast the dialogue into direct speech produces a compelling impression of immediacy unmatched by other English translations currently available. |
plato phaedrus: Platonic Writings/Platonic Readings Charles L. Griswold, 1988 The contributors to this volume focus on two main themes. First, the general problem of interpreting a Platonic dialogue: what assumptions about the text are made or ought to be made, and how do these assumptions illumine or conceal the content of the dialogues? The second theme concerns Plato's reasons for writing dialogues as distinguished from treatises, Plato being the only western philosopher to have written almost exclusively in dialogue form. |
plato phaedrus: Brill’s Companion to the Reception of Plato in Antiquity Harold Tarrant, François Renaud, Dirk Baltzly, Danielle A. Layne, 2018-04-03 Brill’s Companion to the Reception of Plato in Antiquity offers a comprehensive account of the ways in which ancient readers responded to Plato, as philosopher, as author, and more generally as a central figure in the intellectual heritage of Classical Greece, from his death in the fourth century BCE until the Platonist and Aristotelian commentators in the sixth century CE. The volume is divided into three sections: ‘Early Developments in Reception’ (four chapters); ‘Early Imperial Reception’ (nine chapters); and ‘Early Christianity and Late Antique Platonism’ (eighteen chapters). Sectional introductions cover matters of importance that could not easily be covered in dedicated chapters. The book demonstrates the great variety of approaches to and interpretations of Plato among even his most dedicated ancient readers, offering some salutary lessons for his modern readers too. |
plato phaedrus: Words Plato, Muus Gerrit Jan Beets, 1999 |
plato phaedrus: Socrates' Daimonic Art Elizabeth S. Belfiore, 2012-03-08 Despite increasing interest in the figure of Socrates and in love in ancient Greece, no recent monograph studies these topics in all four of Plato's dialogues on love and friendship. This book provides important new insights into these subjects by examining Plato's characterization of Socrates in Symposium, Phaedrus, Lysis and the often neglected Alcibiades I. It focuses on the specific ways in which the philosopher searches for wisdom together with his young interlocutors, using an art that is 'erotic', not in a narrowly sexual sense, but because it shares characteristics attributed to the daimon Eros in Symposium. In all four dialogues, Socrates' art enables him, like Eros, to search for the beauty and wisdom he recognizes that he lacks and to help others seek these same objects of erôs. Belfiore examines the dialogues as both philosophical and dramatic works, and considers many connections with Greek culture, including poetry and theater. |
plato phaedrus: Plato on the Rhetoric of Philosophers and Sophists Marina McCoy, 2008 Marina McCoy explores Plato's treatment of the rhetoric of philosophers and sophists. |
plato phaedrus: Plato's Dialectic at Play Kevin Corrigan, Elena Glazov-Corrigan, 2010-12-31 The Symposium is one of Plato’s most accessible dialogues, an engrossing historical document as well as an entertaining literary masterpiece. By uncovering the structural design of the dialogue, Plato’s Dialectic at Play aims at revealing a Plato for whom the dialogical form was not merely ornamentation or philosophical methodology but the essence of philosophical exploration. His dialectic is not only argument; it is also play. Careful analysis of each layer of the text leads cumulatively to a picture of the dialogue’s underlying structure, related to both argument and myth, and shows that a dynamic link exists between Diotima’s higher mysteries and the organization of the dialogue as a whole. On this basis the authors argue that the Symposium, with its positive theory of art contained in the ascent to the Beautiful, may be viewed as a companion piece to the Republic, with its negative critique of the role of art in the context of the Good. Following Nietzsche’s suggestion and applying criteria developed by Mikhail Bakhtin, they further argue for seeing the Symposium as the first novel. The book concludes with a comprehensive reevaluation of the significance of the Symposium and its place in Plato’s thought generally, touching on major issues in Platonic scholarship: the nature of art, the body-soul connection, the problem of identity, the relationship between mythos and logos, Platonic love, and the question of authorial writing and the vanishing signature of the absent Plato himself. |
plato phaedrus: Parmenides, Plato and Mortal Philosophy Vishwa Adluri, 2010-12-02 In a new interpretation of Parmenides' philosophical poem On Nature, Vishwa Adluri considers Parmenides as a thinker of mortal singularity, a thinker who is concerned with the fate of irreducibly unique individuals. Adluri argues that the tripartite division of Parmenides' poem allows the thinker to brilliantly hold together the paradox of speaking about being in time and articulates a tragic knowing: mortals may aspire to the transcendence of metaphysics, but are inescapably returned to their mortal condition. Hence, Parmenides' poem articulates a tragic return, i.e., a turn away from metaphysics to the community of mortals. In this interpretation, Parmenides' philosophy resonates with post-metaphysical and contemporary thought. The themes of human finitude, mortality, love, and singularity echo in thinkers such as Arendt, and Schürmann as well. Plato, Parmenides and Mortal Philosophy also includes a complete new translation of 'On Nature' and a substantial overview and bibliography of contemporary scholarship on Parmenides. |
plato phaedrus: Listening to the Cicadas G. R. F. Ferrari, Giovanni R. F. Ferrari, 1990-11-30 This full-length study of Plato's dialogue Phaedrus, now in paperback, is written in the belief that such concerted scrutiny of a single dialogue is an important part of the project of understanding Plato so far as possible 'from the inside' - of gaining a feel for the man's philosophy. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each other in his philosophy. Not only is the dialogue in its formal structure a dovetail of myth and argument, but the philosophic life that it praises is also shaped by an acknowledgement of the limitations of argument and the importance of mythical understanding. By means of this correlation of form and content Plato invites his readers, through the very act of reading, to take a first step along the path of the philosophical life. |
plato phaedrus: Six Great Dialogues Plato, 2007-05-11 Presents authoritative translations of six of Plato's dialogues. |
plato phaedrus: Plato's Phaedrus Ronna Burger, 1980 |
Plato - Wikipedia
Plato (/ ˈ p l eɪ t oʊ / PLAY-toe; Greek: Πλάτων, Plátōn; born c. 428–423 BC, died 348/347 BC) was an ancient Greek philosopher of the Classical period who is considered a foundational …
Plato | Life, Philosophy, & Works | Britannica
Apr 22, 2025 · Plato (born 428/427 bce, Athens, Greece—died 348/347, Athens) was an ancient Greek philosopher, student of Socrates (c. 470–399 bce), teacher of Aristotle (384–322 bce), …
Plato - Stanford Encyclopedia of Philosophy
Mar 20, 2004 · But even though Plato constantly adapted “the dialogue form” (a commonly used term, and convenient enough, so long as we do not think of it as an unvarying unity) to suit his …
Plato: Biography, Greek Philosopher, Quotes, Platonic Academy
Aug 9, 2023 · Ancient Greek philosopher Plato founded the Academy and is the author of philosophical works of unparalleled influence in Western thought.
Plato - Internet Encyclopedia of Philosophy
Plato’s middle to later works, including his most famous work, the Republic, are generally regarded as providing Plato’s own philosophy, where the main character in effect speaks for …
Plato's Life & Influence - World History Encyclopedia
May 8, 2024 · The Greek philosopher Plato (l. 424/423 to 348/347 BCE) is recognized as the founder of Western philosophy, following his mentor, Socrates. He founded the Academy in …
Plato - Encyclopedia.com
May 23, 2018 · Dion's friends now appealed to Plato again, and Plato replied with two letters, the Seventh and Eighth in a collection of thirteen that are attributed to Plato. These two are …
Plato - New World Encyclopedia
Plato (c. 428 B.C.E. – c. 348 B.C.E.) was a Greek philosopher and is perhaps the most famous and influential thinker in the history of Western thought. He was a student of Socrates and a …
Plato – Ancient Greek Philosopher: A Comprehensive Summary
Jan 19, 2023 · Plato was an ancient Greek philosopher and student of Socrates. He is considered one of the most important figures in the development of Western philosophy, and his ideas …
Platonic Foundation: Promoting Plato's Wisdom for the Modern …
The Foundation assists individuals and organisations who undertake research, scholarship and education, and otherwise advance the wisdom of Plato and the Platonic tradition.
Plato - Wikipedia
Plato (/ ˈ p l eɪ t oʊ / PLAY-toe; Greek: Πλάτων, Plátōn; born c. 428–423 BC, died 348/347 BC) was an ancient Greek philosopher of the Classical period who is considered a foundational …
Plato | Life, Philosophy, & Works | Britannica
Apr 22, 2025 · Plato (born 428/427 bce, Athens, Greece—died 348/347, Athens) was an ancient Greek philosopher, student of Socrates (c. 470–399 bce), teacher of Aristotle (384–322 bce), …
Plato - Stanford Encyclopedia of Philosophy
Mar 20, 2004 · But even though Plato constantly adapted “the dialogue form” (a commonly used term, and convenient enough, so long as we do not think of it as an unvarying unity) to suit his …
Plato: Biography, Greek Philosopher, Quotes, Platonic Academy
Aug 9, 2023 · Ancient Greek philosopher Plato founded the Academy and is the author of philosophical works of unparalleled influence in Western thought.
Plato - Internet Encyclopedia of Philosophy
Plato’s middle to later works, including his most famous work, the Republic, are generally regarded as providing Plato’s own philosophy, where the main character in effect speaks for …
Plato's Life & Influence - World History Encyclopedia
May 8, 2024 · The Greek philosopher Plato (l. 424/423 to 348/347 BCE) is recognized as the founder of Western philosophy, following his mentor, Socrates. He founded the Academy in …
Plato - Encyclopedia.com
May 23, 2018 · Dion's friends now appealed to Plato again, and Plato replied with two letters, the Seventh and Eighth in a collection of thirteen that are attributed to Plato. These two are …
Plato - New World Encyclopedia
Plato (c. 428 B.C.E. – c. 348 B.C.E.) was a Greek philosopher and is perhaps the most famous and influential thinker in the history of Western thought. He was a student of Socrates and a …
Plato – Ancient Greek Philosopher: A Comprehensive Summary
Jan 19, 2023 · Plato was an ancient Greek philosopher and student of Socrates. He is considered one of the most important figures in the development of Western philosophy, and his ideas …
Platonic Foundation: Promoting Plato's Wisdom for the Modern …
The Foundation assists individuals and organisations who undertake research, scholarship and education, and otherwise advance the wisdom of Plato and the Platonic tradition.