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| phes gallery: The Townley gallery of classic sculpture, in the British museum sir Henry Ellis, 1846 |
| phes gallery: Gallery of Antiquities, Selected From the British Museum Samuel Birch, Francis Arundale, Joseph Bonomi, 2024-05-25 Reprint of the original, first published in 1842. |
| phes gallery: A Little English Gallery Louise Imogen Guiney, 1894 |
| phes gallery: Publications Wren Society, 1927 |
| phes gallery: The Tate Gallery Tate gallery (Londres, Royaume-Uni / 1897-2000)., 1988 |
| phes gallery: The Coal Trade Bulletin , 1910 |
| phes gallery: National Gallery of Canada Review National Gallery of Canada, 2001 |
| phes gallery: Discipline and Punish Michel Foucault, 1995-04-25 A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul. |
| phes gallery: The Middleman Economy Marina Krakovsky, 2016-04-30 With the rise of the Internet, many pundits predicted that middlemen would disappear. But that hasn't happened. Far from killing the middleman, the Internet has generated a thriving new breed. In The Middleman Economy , Silicon Valley-based reporter Marina Krakovsky elucidates the six essential roles that middlemen play. |
| phes gallery: Brassaï Brassaï, Fundació Antoni Tàpies, 1993 |
| phes gallery: The Bookman , 1903 |
| phes gallery: Catalogue de l'histoire de la Grande-Bretagne Bibliothèque nationale (France). Département des livres imprimés, 1878 |
| phes gallery: Aberrant Nuptials Paulo de Assis, Paolo Giudici , 2019-12-11 Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. |
| phes gallery: The Empire of the Nairs; Or, The Rights of Women James Lawrence, 1811 |
| phes gallery: Catalogue de l'histoire de la Grande-Bretagne Paris bibl. nat, dépt. des imprimés, 1878 |
| phes gallery: Catalogue of the Library of the National Gallery of Canada National Gallery of Canada. Library, 1973 |
| phes gallery: Finding List of the Chicago Public Library Chicago Public Library, 1901 |
| phes gallery: Catalogue of the Library of the National Gallery of Canada: Brit - Draf Ottawa. National Gallery of Canada. Library, 1973 |
| phes gallery: 41 Stories O. Henry, 2007-07-03 Including his most famous works, such as “The Gift of the Magi” and “The Furnished Room,” this collection of forty-one O. Henry short stories demonstrates his extraordinary technical genius. “There are stories in everything. I’ve got some of my best yarns from park benches, lampposts, and newspaper stands.”—O. Henry Readers the world over recognize O. Henry as the best short story writer of the early twentieth century—even today a masterful surprise at the end of a story is described as “an O. Henry twist,” and a prominent short fiction award bears his name. Widely known as a master of irony, O. Henry also displayed in his stories dazzling wordplay and a wry combination of pathos and humor. Cunningly arranged according to geographic location, these tales display the wide range of O. Henry’s world, from the streets of his beloved New York City to the heat of Honduras and other exotic locales. With his wonderful plot turns, unexpected climaxes, and deep insights into human nature, O. Henry’s works will live on as prime examples of the well-told tale. Includes an Introduction by Burton Raffel and an Afterword by Laura Furman |
| phes gallery: They did not stop at Eboli Karin Priem, Giovanna Hendel, Carole Naggar, 2020-02-10 The analysis of UNESCO’s audio-visual archives for their digitization has brought to light a forgotten album of 38 contact sheets and accompanying texts by Magnum photographer, David “Chim” Seymour – a reportage made in 1950 for UNESCO on the fi ght against illiteracy in Italy’s southern region of Calabria. A number of his photographs appeared in the March 1952 issue of UNESCO Courier in an article written by Carlo Levi, who had gained worldwide fame with his novel Christ Stopped at Eboli (1945). L’analyse des archives audio-visuelles de l’UNESCO en vue de leur numérisation a permis de découvrir un album oublié comprenant 38 planches-contact et des textes d’accompagnement du photographe de Magnum David « Chim » Seymour – un reportage réalisé en 1950 pour l’UNESCO sur la bataille contre l’analphabétisme en Calabre, une région du sud de l’Italie. Un certain nombre de ses photographies ont été publiées dans le numéro de mars 1952 du Courrier de l’UNESCO avec un article de Carlo Levi, dont le roman Le Christ s’est arrêté à Eboli (1945) lui avait valu une renommée internationale |
| phes gallery: Street Art NYC Lord K2, Lois Stavsky, 2022-04-15 The birthplace of graffiti, New York City, has evolved into a global center for street art. Its public surfaces host a range of media from handmade stickers and wheatpastes to huge installations and murals. Artists from across the globe routinely travel to New York City to grace its walls as they refashion the city into one huge never-ending unofficial street art festival. Among these are such contemporary urban legends as D'Face, Banksy, Os Gemeos, Case, MaClaim, Invader, Stik and Faith 47. Street Art NYC showcases both sanctioned and unsanctioned works captured in the course of a transformative decade that saw the emergence of over a dozen distinctly engaging projects. The hugely popular Bushwick Collective, L.I.S.A Project NYC and Welling Court Mural Project are highlighted with introductory essays. Local community-based projects and festivals, as well as those responding to specific environmental and social issues, are also represented. Banksy's one month 2013 residency, Better Out than In is documented with words and images. And homage is paid to the legendary 5 Pointz graffiti and street art mecca. Street Art NYC is is a beautifully designed hardcover book. The full color photographs by Lord K2 captures the art in the city, printed on thick coated paper, and Lois Stavsky's text provides the context. This is the only book to spotlight the transformational decade that marked the shift from largely unsanctioned to widely curated street art throughout New York City's five boroughs. This book is a collaboration between Lord K2, an award-winning photographer and curator of the online Museum of Urban Art and Lois Stavsky, a noted street art documentarian and editor of the popular blog, Street Art NYC. |
| phes gallery: L'image de la femme Armand Dayot, 1899 |
| phes gallery: Who's who in American Art , 1984 |
| phes gallery: Friends' Review Enoch Lewis, Samuel Rhoads, 1860 |
| phes gallery: The Dream of the Moving Statue Kenneth Gross, 2019-01-24 The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster—few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us? Kenneth Gross explores the implications of fictive statues in biblical and romantic narrative; in the poetry of Ovid, Michelangelo, Blake, Rilke, and Stevens; in the drama of Shakespeare; in the writings of Freud and Wittgenstein. He also considers their place in the poetry of such contemporaries as Richard Howard and the films of Charlie Chaplin, Frarn;ois Truffaut, and Peter Greenaway. In the motif of the moving statue, we can see how the reciprocal ambitions of writing and sculpture play off each other, often producing deeply paradoxical figures of life and voice, Stories of the living statue point to the uncertain ways in which our desires, fantasies, and memories are bound to the realm of unliving objects. Clarifying the sources of our fascination with real and imaginary statues, this book asks us to reconsider some of our most basic assumptions about the uses of fantasy and fiction. Eloquent and evocative, The Dream of the Moving Statue will capture and hold a wide audience. |
| phes gallery: American Ceramics, 1876 to the Present Garth Clark, 1987 In American Ceramics: 1876 to the present, the noted ceramics authority Garth Clark gives us the most richly illustrated, up-to-the minute, and comprehensive publication on the history and triumph of our most tactile art. With a text that elegantly marries cultural history to critical analysis, Clark reveals, decade by decade, how American ceramics emerged from an incipient art-pottery movement in the late nineteenth century to its position of international preeminence in the last thirty-five years. Clark's cogent narrative and aesthetic insights are illuminated by more than one hundred color and 140 black-and-white reproductions, which enable us to see afresh the full range of imagery and forms--pottery, sculpture, events, and environments--that American artists have created with clay during the past one hundred eleven years. We are informed of the divers achievements of more than two hundred artists, from the pioneering potters Mary Louise McLaughlin, Maria Longworth Nichols, and, later, Adelaide Alsop Robineau, and the maverick George Ohr to such contemporary figures as Peter Voulkos, Robert Arneson, Kenneth Price, Jim Melchert, Betty Woodman, Viola Frey, Beatrice Wood, and Adrian Saxe. This encyclopedic work concludes with an extensive chronology of ceramic milestone, a list of significant exhibitions, and more than 170 biographical essays illustrated with photographs of the artists. The bibliography is the most comprehensive ever compiled on American ceramics and includes 1,200 entries indexed by both subject and artist. -- Publisher's description |
| phes gallery: A Handbook for Travellers in Lower and upper Egypt; including Descriptions of the Course of the Nile through Egypt and Nubia, Alexandria, Cairo, the Pyramids, Thebes, the Suez Canal, the Peninsula of Mount Sinai, the Oases, the Fayoom, etc , 1888 |
| phes gallery: Hidden Genocides Alexander Laban Hinton, Thomas La Pointe, Douglas Irvin-Erickson, 2013-12-18 Why are some genocides prominently remembered while others are ignored, hidden, or denied? Consider the Turkish campaign denying the Armenian genocide, followed by the Armenian movement to recognize the violence. Similar movements are building to acknowledge other genocides that have long remained out of sight in the media, such as those against the Circassians, Greeks, Assyrians, the indigenous peoples in the Americas and Australia, and the violence that was the precursor to and the aftermath of the Holocaust. The contributors to this collection look at these cases and others from a variety of perspectives. These essays cover the extent to which our biases, our ways of knowing, our patterns of definition, our assumptions about truth, and our processes of remembering and forgetting as well as the characteristics of generational transmission, the structures of power and state ideology, and diaspora have played a role in hiding some events and not others. Noteworthy among the collection’s coverage is whether the trade in African slaves was a form of genocide and a discussion not only of Hutus brutalizing Tutsi victims in Rwanda, but of the execution of moderate Hutus as well. Hidden Genocides is a significant contribution in terms of both descriptive narratives and interpretations to the emerging subfield of critical genocide studies. Contributors: Daniel Feierstein, Donna-Lee Frieze, Krista Hegburg, Alexander Laban Hinton, Adam Jones, A. Dirk Moses, Chris M. Nunpa, Walter Richmond, Hannibal Travis, and Elisa von Joeden-Forgey |
| phes gallery: Synopsis of the Contents of the British Museum British Museum, 1847 |
| phes gallery: The Gleaner , 1830 |
| phes gallery: Go to Hell Chuck Crisafulli, Kyra Thompson, 2010-06-15 Close your eyes and picture -- just for a moment -- hell. Fire? Demons? Eternal torment? Well, yes -- that's the place, in one very hot nutshell. But that's not all there is to the forbidding world beneath us. For a few millennia now, we mortals have imagined and reimagined hell in countless ways: as a realm of damnation, as an inspiration for highest art, as a setting for the lowest of lowbrow comedy. One might conclude that for all our good intentions to enter para- dise, we can't seem to get enough vivid details of its counterpart, hell. Provocative, colorful, and damned entertaining, Go to Hell takes readers on a tour of the underworld that is both darkly comical and seriously informative. From the frozen hell of the Vikings to the sun-drenched Cayman Islands' town of Hell (where tourists line up to have their postcards aptly postmarked), from Dante's circles of hell to Buffy the Vampire Slayer's Hellmouth, Go to Hell embraces our evolving relationship with the sinner's final destination, revealing how we truly think of ourselves in this world. What's down below? Meet HEL, the hideous, half-rotting goddess of the Viking underworld. Beware the Egyptians' AM-MUT, an unsightly mix of lion, crocodile, and hippo parts, and insatiably hungry for wicked souls. Visit JIGOKU, a Buddhist realm of eight fiery hells and eight icy hells: an all-you-can-suffer hot-and-cold buffet. Step into the INFERNO for a tour of Dante's nine circles of the damned... |
| phes gallery: Synopsis of the Contents of the British Museum , 1847 |
| phes gallery: South-west England W. Baxter, 1913 |
| phes gallery: The Dublin Journal of Medical and Chemical Science , 1832 |
| phes gallery: The Fireside annual [afterw.] pictorial annual [formerly Our own fireside] conducted by C. Bullock Fireside pictorial annual, 1877 |
| phes gallery: New Paradigms in Ergonomics Neville A. Stanton, Paul M. Salmon, Guy Walker, 2020-04-28 The systems in which we work continue to evolve, creating emergent problems and often strengthening intractable issues. In order to remain relevant and impactful, the discipline of ergonomics needs its paradigms to evolve too. The aim of this book is to provide researchers and practitioners with new paradigms in the form of ideas, concepts, theories, methods, practices and values. The chapters take the reader on a journey through underlying theories, new ways to apply those theories and emerging domains in which ergonomics is expected to play a greater role. Readers of this book will be inspired by these new paradigms in ergonomics and seek to push the boundaries even further. The lifeblood of the science depends on continual evolvement and developments to take on the challenges we face in complex sociotechnical systems design and evaluation. Perhaps the most significant take-home message from this book is the demonstration of how theory maps onto practice. As such, the only remaining paradigm shift is for these ideas, concepts, methods and practices to be taken up more widely and the discipline advanced, until the next paradigm shift occurs. The chapters were originally published as a special issue in the journal Ergonomics. |
| phes gallery: Miracle on Tynte Street Rex Heading, 1996 NWS Channel Nine brought the miracle of modern television to South Australians on 5 September 1959. Miracle on Tynte Street is a sentimental journey back to the early days and shows Adelaide Tonight, Woodies Teen Time, The Channel Niners, the Christmas pantos, and all the rest. |
| phes gallery: Hand-Book for Travellers in Egypt ... Being a New Edition, Corrected and Condensed, of “Modern Egypt and Thebes.” By Sir Gardner Wilkinson. With a Map John Murray (Firm), 1873 |
| phes gallery: Catalogue of the Public Library of the Polytechnic Society of Kentucky, 1880 Polytechnic Society of Kentucky, Louisville. Library, 1880 |
| phes gallery: An Account of an Elizabethan Family Cassandra Willoughby Brydges Duchess of Chandos, 2018 This volume is an invaluable portrait of family, kinship, regional and national dynamics in the Tudor and early Stuart period. Based on letters and papers that Cassandra Willoughby found in the family library, her Account focuses on the women of the family, and offers insight into sixteenth-century family dynamics, gentry culture and court connections. |
Psychometric hepatic encephalopathy score (PHES) – when, how, …
Psychometric hepatic encephalopathy score (PHES) has established itself as one of the most used tests for detecting minimal hepatic encephalopathy. To use it in a certain population one …
PHES: One label, different goods?! - Journal of Hepatology
The PHES – the psychometric hepatic encephalopathy score – has its roots in these flourishing times of neuropsychological assessment of HE. The term PHES was coined by Dr. Andres Blei …
A Simplified Psychometric Evaluation for the Diagnosis of …
Mar 25, 2011 · The psychometric hepatic encephalopathy score (PHES), which includes 5 psychometric tests, is a standard for the diagnosis of minimal hepatic encephalopathy (HE). …
PHES - Definition by AcronymFinder
6 definitions of PHES. Meaning of PHES. What does PHES stand for? PHES abbreviation. Define PHES at AcronymFinder.com.
The Psychometric Hepatic Encephalopathy Syndrome score does …
Feb 14, 2020 · The Psychometric Hepatic Encephalopathy Score (PHES) have been found to correlate with markers of systematic inflammation including interleukin 6, C-reactive protein …
Pumped Heat Electrical Storage (PHES)
In Pumped Heat Electrical Storage (PHES), electricity is used to drive a storage engine connected to two large thermal stores. To store electricity, the electrical energy drives a heat pump, which …
PHES - What does PHES stand for? The Free Dictionary
Looking for online definition of PHES or what PHES stands for? PHES is listed in the World's most authoritative dictionary of abbreviations and acronyms.
PHES scores have limited impact on the risk of overt HE in patients ...
Minimal hepatic encephalopathy, defined by the portosystemic hepatic encephalopathy score (PHES), is associated with a higher risk of subsequent OHE. It remains unclear if there is a …
Booking Calendar - PHES Online
PHES is a trusted ally and friend to thousands of registered nurses across the United States. In partnership, we can build a healthcare environment where nurses can flourish. If you register …
Psychometric hepatic encephalopathy score (PHES) - PubMed
Psychometric hepatic encephalopathy score (PHES) has established itself as one of the most used tests for detecting minimal hepatic encephalopathy. To use it in a certain population one …
Psychometric hepatic encephalopathy score (PHES) – when, how, …
Psychometric hepatic encephalopathy score (PHES) has established itself as one of the most used tests for detecting minimal hepatic encephalopathy. To use it in a certain population one …
PHES: One label, different goods?! - Journal of Hepatology
The PHES – the psychometric hepatic encephalopathy score – has its roots in these flourishing times of neuropsychological assessment of HE. The term PHES was coined by Dr. Andres …
A Simplified Psychometric Evaluation for the Diagnosis of …
Mar 25, 2011 · The psychometric hepatic encephalopathy score (PHES), which includes 5 psychometric tests, is a standard for the diagnosis of minimal hepatic encephalopathy (HE). …
PHES - Definition by AcronymFinder
6 definitions of PHES. Meaning of PHES. What does PHES stand for? PHES abbreviation. Define PHES at AcronymFinder.com.
The Psychometric Hepatic Encephalopathy Syndrome score does …
Feb 14, 2020 · The Psychometric Hepatic Encephalopathy Score (PHES) have been found to correlate with markers of systematic inflammation including interleukin 6, C-reactive protein …
Pumped Heat Electrical Storage (PHES)
In Pumped Heat Electrical Storage (PHES), electricity is used to drive a storage engine connected to two large thermal stores. To store electricity, the electrical energy drives a heat pump, which …
PHES - What does PHES stand for? The Free Dictionary
Looking for online definition of PHES or what PHES stands for? PHES is listed in the World's most authoritative dictionary of abbreviations and acronyms.
PHES scores have limited impact on the risk of overt HE in patients ...
Minimal hepatic encephalopathy, defined by the portosystemic hepatic encephalopathy score (PHES), is associated with a higher risk of subsequent OHE. It remains unclear if there is a …
Booking Calendar - PHES Online
PHES is a trusted ally and friend to thousands of registered nurses across the United States. In partnership, we can build a healthcare environment where nurses can flourish. If you register …
Psychometric hepatic encephalopathy score (PHES) - PubMed
Psychometric hepatic encephalopathy score (PHES) has established itself as one of the most used tests for detecting minimal hepatic encephalopathy. To use it in a certain population one …
