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| patrice d rankine: Ulysses in Black Patrice D. Rankine, 2008-12-30 In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics—contrary to expectations throughout American culture—has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America’s broader cultural integrity, one that is inclusive and historic. Outstanding Academic Title, Choice Magazine |
| patrice d rankine: They Aren't, Until I Call Them Enikő Bollobás, 2010 The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. |
| patrice d rankine: Theater and Crisis Patrice D Rankine, 2024-03-04 Demonstrates how myth, literature, and theater are part of and respond to public or political events |
| patrice d rankine: Aristotle and Black Drama Professor of Classics Patrice D Rankine, 2024-03 Civil disobedience has a tattered history in the American story. Described by Martin Luther King Jr. as both moral reflection and political act, the performance of civil disobedience in the face of unjust laws is also, Patrice Rankine argues, a deeply artistic practice. Modern parallels to King's civil disobedience can be found in black theater, where the black body challenges the normative assumptions of classical texts and modes of creation. This is a theater of civil disobedience. Utilizing Aristotle's Poetics, Rankine ably invokes the six aspects of Aristotelian drama--character, story, thought, spectacle, song, and diction. He demonstrates the re-appropriation and rejection of these themes by black playwrights August Wilson, Adrienne Kennedy, and Eugene O'Neill. Aristotle and Black Drama frames the theater of civil disobedience to challenge the hostility that still exists between theater and black identity. |
| patrice d rankine: Classicisms in the Black Atlantic Ian Moyer, Adam Lecznar, Heidi Morse, 2020-01-09 The historical and cultural space of the Black Atlantic - a diasporic world of forced and voluntary migrations - has long provided fertile ground for the construction and reconstruction of new forms of classicism. From the aftermath of slavery up to the present day, black authors, intellectuals, and artists in the Atlantic world have shaped and reshaped the cultural legacies of classical antiquity in a rich variety of ways in order to represent their identities and experiences and reflect on modern conceptions of race, nation, and identity. The studies presented in this volume range across the Anglophone, Francophone, and Hispanophone worlds, including literary studies of authors such as Derek Walcott, Marlene NourbeSe Philip, and Junot Díaz, biographical and historical studies, and explorations of race and classicism in the visual arts. They offer reflections on the place of classicism in contemporary conflicts and debates over race and racism, and on the intersections between classicism, race, gender, and social status, demonstrating how the legacies of ancient Greece and Rome have been used to buttress racial hierarchies, but also to challenge racism and Eurocentric reconstructions of antiquity. |
| patrice d rankine: Classicisms in the Black Atlantic Ian S. Moyer, Adam Lecznar, Heidi Morse, 2020 Classicisms in the Black Atlantic explores how black authors and artists in the Atlantic world have shaped and reshaped the cultural legacies of classical antiquity from the aftermath of slavery up to the present day to represent black voices and experiences, often revealing in the process effaced black presences in classical antiquity. |
| patrice d rankine: Gladiators Roger Dunkle, 2013-09-13 The games comprised gladiatorial fights, staged animal hunts (venationes) and the executions of convicted criminals and prisoners of war. Besides entertaining the crowd, the games delivered a powerful message of Roman power: as a reminder of the wars in which Rome had acquired its empire, the distant regions of its far-flung empire (from where they had obtained wild beasts for the venatio), and the inevitability of Roman justice for criminals and those foreigners who had dared to challenge the empire's authority. Though we might see these games as bloodthirsty, cruel and reprehensible condemning any alien culture out of hand for a sport that offends our sensibilities smacks of cultural chauvinism. Instead one should judge an ancient sport by the standards of its contemporary cultural context. This book offers a fascinating, and fair historical appraisal of gladiatorial combat, which will bring the games alive to the reader and help them see them through the eyes of the ancient Romans. It will answer questions about gladiatorial combat such as: What were its origins? Why did it disappear? Who were gladiators? How did they become gladiators? What was there training like? How did the Romans view gladiators? How were gladiator shows produced and advertised? What were the different styles of gladiatorial fighting? Did gladiator matches have referees? Did every match end in the death of at least one gladiator? Were gladiator games mere entertainment or did they play a larger role in Roman society? What was their political significance? |
| patrice d rankine: The Representation of the Relationship between Center and Periphery in the Contemporary Novel Ruth Amar, Françoise Saquer-Sabin, 2018-10-15 This collection of essays offers a comparative perspective on different forms of representation of social hybridity in contemporary novels through various cultural and linguistic lenses. It explores the various subcategories of their interdependent relationships, including power and domination between hegemony and marginality. The book revolves around five axes: namely, writing strategies and reterritorialization; marginality and intermediary spaces; revisited urban spaces; when periphery becomes center; and the modality of confrontation and construction of identity. It focuses on the identification and classification of spaces in order to understand their function in relation to the thematic strategy of the novel. Its main objective is identifying the textual representation of the challenge of center and periphery, as well as these concepts’ role and significance in diegesis. Thus, new light is shed on the subject and on the contemporary novel as a whole. |
| patrice d rankine: Black Prometheus Jared Hickman, 2017 An innovative transnational literary study, Black Prometheus tracks the mythical figure's surprising resonance in Anglo-American antislavery discourse from 1800 until the end of the U.S. Civil War. |
| patrice d rankine: Antigone Sophocles, 2013 Oedipus' daughter protests the lack of funeral rites for her brother Polyneikes after his death in the civil war of Thebes, leading to a final tragedy. |
| patrice d rankine: Receptions of the Classics in the African Diaspora of the Hispanophone and Lusophone Worlds Elisa Rizo, Madeleine M. Henry, 2016-09-21 This collection responds to the call within the discipline of classical receptions to foster dialogue across cultures and geographies to show the results of the colonially framed traditional approach to classical studies. It also responds to an important development in Hispanic and Lusophone studies: a turn to relational approaches such as transatlantic, transnational, and global analyses. |
| patrice d rankine: Couched in Death Elizabeth P. Baughan, 2013-12-06 In Couched in Death, Elizabeth P. Baughan offers the first comprehensive look at the earliest funeral couches in the ancient Mediterranean world. These sixth- and fifth-century BCE klinai from Asia Minor were inspired by specialty luxury furnishings developed in Archaic Greece for reclining at elite symposia. It was in Anatolia, however—in the dynastic cultures of Lydia and Phrygia and their neighbors—that klinai first gained prominence not as banquet furniture but as burial receptacles. For tombs, wooden couches were replaced by more permanent media cut from bedrock, carved from marble or limestone, or even cast in bronze. The rich archaeological findings of funerary klinai throughout Asia Minor raise intriguing questions about the social and symbolic meanings of this burial furniture. Why did Anatolian elites want to bury their dead on replicas of Greek furniture? Do the klinai found in Anatolian tombs represent Persian influence after the conquest of Anatolia, as previous scholarship has suggested? Bringing a diverse body of understudied and unpublished material together for the first time, Baughan investigates the origins and cultural significance of kline-burial and charts the stylistic development and distribution of funerary klinai throughout Anatolia. She contends that funeral couch burials and banqueter representations in funerary art helped construct hybridized Anatolian-Persian identities in Achaemenid Anatolia, and she reassesses the origins of the custom of the reclining banquet itself, a defining feature of ancient Mediterranean civilizations. Baughan explores the relationships of Anatolian funeral couches with similar traditions in Etruria and Macedonia as well as their afterlife in the modern era, and her study also includes a comprehensive survey of evidence for ancient klinai in general, based on analysis of more than three hundred klinai representations on Greek vases as well as archaeological and textual sources. |
| patrice d rankine: Phillis Wheatley and the Romantics John C. Shields, 2010-07-27 Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, “On the Death of the Rev. Mr. George Whitefield,” followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star. Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers. In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her “Long Poem,” consisting of “On Recollection,” “Thoughts on the Works of Providence,” and “On Imagination,” helped shape the face of Romanticism in the late eighteenth and nineteenth centuries. Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatley’s influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood. |
| patrice d rankine: Paradoxes of Care Rania Kassab Sweis, 2021-06-29 Each year, billions of dollars are spent on global humanitarian health initiatives. These efforts are intended to care for suffering bodies, especially those of distressed children living in poverty. But as global medical aid can often overlook the local economic and political systems that cause bodily suffering, it can also unintentionally prolong the very conditions that hurt children and undermine local aid givers. Investigating medical humanitarian encounters in Egypt, Paradoxes of Care illustrates how child aid recipients and local aid experts grapple with global aid's shortcomings and its paradoxical outcomes. Rania Kassab Sweis examines how some of the world's largest aid organizations care for vulnerable children in Egypt, focusing on medical efforts with street children and out-of-school village girls. Her in-depth ethnographic study reveals how global medical aid fails to save these children according to its stated aims, and often maintains—or produces new—social disparities in children's lives. Foregrounding vulnerable children's responses to medical aid, Sweis moves past the unquestioned benevolence of global health to demonstrate how children must manage their own bodies and lives in the absence of adult care. With this book, she challenges readers to engage with the question of what medical caregivers and donors alike gain from such global humanitarian transactions. |
| patrice d rankine: Diversifying Greek Tragedy on the Contemporary US Stage Melinda Powers, 2018-08-16 In its long history of performance and reception, Greek drama has been interpreted and adapted in ever-changing ways to share in the preoccupations and tensions of particular historical moments. Diversifying Greek Tragedy on the Contemporary US Stage explores this tradition by investigating a cross section of theatrical productions that have reimagined Greek tragedy in order to address social and political concerns in the US. Studying performance and its role in creating social, historical, and cultural identities, this volume draws on cutting-edge research to move discussion away from the interpretation of dramatic texts in isolation from their performance contexts and towards an analysis of the dynamic experience of live theatre. The study focuses particularly on the ability of engaged performances to pose critical challenges to the long-standing stereotypes and political policies that have contributed to the misrepresentation and marginalization of underrepresented communities. However, in the process it also uncovers the ways in which such performances can inadvertently reinforce the very stereotypes they aim to challenge, demonstrating that ancient drama can be a powerful, yet dangerous tool in the search for justice. |
| patrice d rankine: Ralph Ellison in Context Paul Devlin, 2021-12-02 Ralph Ellison's Invisible Man is the second-most assigned American novel since 1945 and is one of the most enduring. It is studied by many thousands of high school and college students every year and has been since the 1950s. His landmark essays, with their blend of personal history and cultural theory, have been extraordinarily influential. Ralph Ellison in Context includes authoritative chapters summing up longstanding conversations, while offering groundbreaking essays on a variety of topics not yet covered in the copious critical and biographical literature. It provides fresh perspectives on some of the most important people and places in Ellison's life, and explores where his work and biography cross paths with some of the pressing topics of his time. It includes chapters on Ellison's literary influences and offers a definitive overview of his early writings. It also provides an overview of Ellison's reception and reputation from his death in 1994 through 2020. |
| patrice d rankine: The Matter of the Page Shane Butler, 2011-01-06 Ancient and medieval literary texts often call attention to their existence as physical objects. Shane Butler helps us to understand why. Arguing that writing has always been as much a material struggle as an intellectual one, The Matter of the Page offers timely lessons for the digital age about how creativity works and why literature moves us. Butler begins with some considerations about the materiality of the literary text, both as a process (the draft) and a product (the book), and he traces the curious history of “the page” from scroll to manuscript codex to printed book and beyond. He then offers a series of unforgettable portraits of authors at work: Thucydides struggling to describe his own diseased body; Vergil ready to burn an epic poem he could not finish; Lucretius wrestling with words even as he fights the madness that will drive him to suicide; Cicero mesmerized by the thought of erasing his entire career; Seneca plumbing the depths of the soul in the wax of his tablets; and Dhuoda, who sees the book she writes as a door, a tunnel, a womb. Butler reveals how the work of writing transformed each of these authors into his or her own first reader, and he explains what this metamorphosis teaches us about how we too should read. All Greek and Latin quotations are translated into English and technical matters are carefully explained for general readers, with scholarly details in the notes. |
| patrice d rankine: Astray Eluned Summers-Bremner, 2023-06-07 A meandering celebration of the indirect and unforeseen path, revealing that to err is not just human—it is everything. This book explores how, far from being an act limited to deviation from known pathways or desirable plans of action, wandering is an abundant source of meaning—a force as intimately involved in the history of our universe as it will be in the future of our planet. In ancient Australian Aboriginal cosmology, in works about the origins of democracy and surviving disasters in ancient Greece, in Eurasian steppe nomadic culture, in the lifeways of the Roma, in the movements of today’s refugees, and in our attempts to preserve spaces of untracked online freedom, wandering is how creativity and skills of adaptation are preserved in the interests of ongoing life. Astray is an enthralling look at belonging and at notions of alienation and hope. |
| patrice d rankine: African Athena Daniel Orrells, Gurminder K. Bhambra, Tessa Roynon, 2011-10-27 The appearance of Martin Bernal's Black Athena: The Afro-Asian Roots of Classical Civilization in 1987 sparked intense debate and controversy in Africa, Europe, and North America. His detailed genealogy of the 'fabrication of Greece' and his claims for the influence of ancient African and Near Eastern cultures on the making of classical Greece, questioned many intellectuals' assumptions about the nature of ancient history. The transportation of enslaved African persons into Europe, the Americas, and the Caribbean, brought African and diasporic African people into contact in significant numbers with the Greek and Latin classics for the first time in modern history. In African Athena, the contributors explore the impact of the modern African disapora from the sixteenth century onwards on Western notions of history and culture, examining the role Bernal's claim has played in European and American understandings of history, and in classical, European, American and Caribbean literary production. African Athena examines the history of intellectuals and literary writers who contested the white, dominant Euro-American constructions of the classical past and its influence on the present. Martin Bernal has written an Afterword to this collection. |
| patrice d rankine: The Matter of High Words Robert Chodat, 2017-08-18 In a world of matter, how can we express what matters? When the explanations of the natural sciences become powerfully precise and authoritative, what is the status of our highest words, the languages that articulate our norms and orient our lives? The Matter of High Words examines a constellation of American writers who in the decades since World War II have posed these questions in distinctive ways. Walker Percy, Marilynne Robinson, Ralph Ellison, Stanley Cavell, and David Foster Wallace are all self-consciously post-WWII authors, attuned to the fragmentation and skepticism that have defined so much of the literary and critical culture of the last century and more. Yet they also attempt to reach back to older forms of thought and writing that are often thought to have dried up-the traditions of prophecy, of wisdom literature, of the sage. Working within this dual inheritance, these authors are drawn equally to both art and argument, showing and telling, shifting continually between narrative and discursive genres. In their essays they act as moralists, promoting the broad, abstract concepts that might inspire action in the face of naturalistic reduction: community, family, courage, fraternity, marriage, friendship, temperance, judgment. In their narratives, they offer particular lives in particular settings, thick descriptions that give flesh to such high words. Rarely do these movements between genres generate a tidy equilibrium; where their essays speak of cooperation and redemption, their narratives display alienation, loss, and failure. But in pursuing such risky, unorthodox strategies, these postwar sages are not only able to challenge some of the dominant naturalistic theories of the last several decades: cognitive science, neo-Darwinian theory, social science, the fact-value divide in analytic philosophy. Through five chapters of detailed analysis and close reading, Chodat explores the question of whether vocabularies of ought and ought-not can still emerge today, and how these concepts might be embodied, and whether such ideas might be found in things. |
| patrice d rankine: Co-workers in the Kingdom of Culture David Withun, 2022 Classical influences and allusions are found throughout the works of W. E. B. Du Bois, the prominent African American intellectual and pioneering sociologist, historian, and educator. This is the first book-length discussion of the influence of classical authors such as Plato and Cicero on this important twentieth-century thinker. |
| patrice d rankine: Political Initiation in the Novels of Philip Roth Claudia Franziska Bruhwiler, 2013-04-25 Political Initiation in the Novels of Philip Roth exemplifies how literature and, specifically, the work of Philip Roth can help readers understand the ways in which individuals develop their political identity, learn to comprehend political ideas, and define their role in society. Combining political science, literary theory, and anthropology, the book describes an individual's political coming of age as a political initiation story, which is crafted as much by the individual himself as by the circumstances influencing him, such as political events or the political attitude of the parents. Philip Roth's characters constantly re-write their own stories and experiment with their identities. Accordingly, Philip Roth's works enable the reader to explore, for instance, how individuals construct their identity against the backdrop of political transformations or contested territories, and thereby become initiands—or fail to do so. Contrary to what one might expect, initiations are not only defining moments in childhood and early adulthood; instead, Roth shows how initiation processes recur throughout an individual's life. |
| patrice d rankine: Reset in Stone Sarah A. Rous, 2019-11-12 Ancient Athenians were known to reuse stone artifacts, architectural blocks, and public statuary in the creation of new buildings and monuments. However, these construction decisions went beyond mere pragmatics: they were often a visible mechanism for shaping communal memory, especially in periods of profound and challenging social or political transformation. Sarah Rous develops the concept of upcycling to refer to this meaningful reclamation, the intentionality of reemploying each particular object for its specific new context. The upcycling approach drives innovative reinterpretations of diverse cases, including column drums built into fortification walls, recut inscriptions, monument renovations, and the wholesale relocation of buildings. Using archaeological, literary, and epigraphic evidence from more than eight centuries of Athenian history, Rous's investigation connects seemingly disparate instances of the reuse of building materials. She focuses on agency, offering an alternative to the traditional discourse on spolia. Reset in Stone illuminates a vital practice through which Athenians shaped social memory in the physical realm, literally building their past into their city. |
| patrice d rankine: Out of One, Many Jennifer T. Roberts, 2024-05-14 A sweeping new account of ancient Greek culture and its remarkable diversity Covering the whole of the ancient Greek experience from its beginnings late in the third millennium BCE to the Roman conquest in 30 BCE, Out of One, Many is an accessible and lively introduction to the Greeks and their ways of living and thinking. In this fresh and witty exploration of the thought, culture, society, and history of the Greeks, Jennifer Roberts traces not only the common values that united them across the seas and the centuries, but also the enormous diversity in their ideas and beliefs. Examining the huge importance to the Greeks of religion, mythology, the Homeric epics, tragic and comic drama, philosophy, and the city-state, the book offers shifting perspectives on an extraordinary and astonishingly creative people. Century after century, in one medium after another, the Greeks addressed big questions, many of which are still very much with us, from whether gods exist and what happens after we die to what political system is best and how we can know what is real. Yet for all their virtues, Greek men set themselves apart from women and foreigners and profited from the unpaid labor of enslaved workers, and the book also looks at the mixed legacy of the ancient Greeks today. The result is a rich, wide-ranging, and compelling history of a fascinating and profoundly influential culture in all its complexity—and the myriad ways, good and bad, it continues to shape us today. |
| patrice d rankine: Mandeville's Travails Francis Tobienne, Jr., 2016-06-20 Mandeville’s Travails challenges the less than serious stereotyping of travel as both genre and theoretical framework. Instead, and by examining the position of travel, a deeper sense of the human species can be appreciated beyond the displaced borders of language, ritual, and culture. |
| patrice d rankine: Shakespeare and Senecan Tragedy Curtis Perry, 2020-10-15 Shakespeare's tragic characters have often been seen as forerunners of modern personhood. It has been assumed that Shakespeare was able to invent such lifelike figures in part because of his freedom from the restrictions of classical form. Curtis Perry instead argues that characters such as Hamlet and King Lear have seemed modern to us in part because they are so robustly connected to the tradition of Senecan tragedy. Resituating Shakespearean tragedy in this way - as backward looking as well as forward looking - makes it possible to recover a crucial political dimension. Shakespeare saw Seneca as a representative voice from post-republican Rome: in plays such as Coriolanus and Othello he uses Senecan modes of characterization to explore questions of identity in relation to failures of republican community. This study has important implications for the way we understand character, community, and alterity in early modern drama. |
| patrice d rankine: Perfidy and Passion Mark Buchan, 2012-08-06 Homer’s Iliad is often considered a poem of blunt truthfulness, his characters’ motivation pleasingly simple. A closer look, however, reveals a complex interplay of characters who engage in an awful lot of lies. Beginning with Achilles, who hatches a secret plot to destroy his own people, Mark Buchan traces motifs of deception and betrayal throughout the poem. Homer’s heroes offer bluster, their passion linked to and explained by their lack of authenticity. Buchan reads Homer’s characters between the lies, showing how the plot is structured individual denial and what cannot be said. |
| patrice d rankine: An Iliad Lisa Peterson, Denis O'Hare, 2014-09-24 From Robert Fagles’s acclaimed translation, An Iliad telescopes Homer’s Trojan War epic into a gripping monologue that captures both the heroism and horror of war. Crafted around the stories of Achilles and Hector, in language that is by turns poetic and conversational, An Iliad brilliantly refreshes this world classic. What emerges is a powerful piece of theatrical storytelling that vividly drives home the timelessness of mankind’s compulsion toward violence. |
| patrice d rankine: Classicising Crisis Barbara Goff, Michael Simpson, 2020-07-29 Geopolitical shifts and economic shocks, from the Early Modern period to the 21st century, are frequently represented in terms of classical antecedents. In this book, an international team of contributors - working across the disciplines of Classics, History, Politics, and English - addresses a range of revolutionary transformations, in England, America, France, Haiti, Greece, Italy, Russia, Germany, and a recently globalised world, all of which were accorded the classical treatment. The chapters investigate discrete cases of classicising crisis, while the Introduction highlights patterns among them. The book asks: are classical equations a prized ideal, when evidence warrants, or linkages forced by an implacable will to power, or good faith attempts to make sense of events otherwise bafflingly unfamiliar and dangerous? Finally, do the events thus classicised retain, even increase, their power to disturb and energise, or are they ultimately contained? Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire is essential reading for students and scholars of classics, classical reception, and political thought in Europe and the Americas. |
| patrice d rankine: Black Odysseys Justine McConnell, 2013-06-20 This book explores works from Africa and the African diaspora which respond to the Homeric Odyssey. As a founding text of the Western canon, and as a homecoming trope and quest for identity, the Odyssey has inspired writers who are simultaneously striving against and appropriating the very forms which had been used to oppress them. |
| patrice d rankine: African American Writers & Classical Tradition William W. Cook, James Tatum, 2011-06-07 Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way.Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of “classic” writing, especially as it was inflected by American racial politics. |
| patrice d rankine: Classics, the Culture Wars, and Beyond Eric Adler, 2016-11 Scrutinizes the contentious ideological feuds in American academia during the 1980s and 1990s |
| patrice d rankine: African Athena Daniel Orrells, Gurminder K. Bhambra, Tessa Roynon, 2011-10-27 African Athena examines the history of intellectuals and literary writers who contested the white, dominant Euro-American constructions of the classical past and its influence on the present. |
| patrice d rankine: Narratives of Nothing in 20th-Century Literature Meghan Vicks, 2017-04-20 The concept of nothing was an enduring concern of the 20th century. As Martin Heidegger and Jean-Paul Sartre each positioned nothing as inseparable from the human condition and essential to the creation or operation of human existence, as Jacques Derrida demonstrated how all structures are built upon a nothing within the structure, and as mathematicians argued that zero ? the number that is also not a number ? allows for the creation of our modern mathematical system, Narratives of Nothing in 20th-Century Literature suggests that nothing itself enables the act of narration. Focusing on the literary works of Vladimir Nabokov, Samuel Beckett, and Victor Pelevin, Meghan Vicks traces how and why these writers give narrative form to nothing, demonstrating that nothing is essential to the creation of narrative ? that is, how our perceptions are conditioned, how we make meaning (or madness) out of the stuff of our existence, how we craft our knowable selves, and how we exist in language. |
| patrice d rankine: A Cultural History of Race in Antiquity Denise Eileen McCoskey, 2023-06-01 The era generally referred to as antiquity lasted for thousands of years and was characterized by a diverse range of peoples and cultural systems. This volume explores some of the specific ways race was defined and mobilized by different groups-including the Greeks, Romans, Egyptians, Persians, and Ethiopians- as they came into contact with one another during this period. Key to this inquiry is the examination of institutions, such as religion and politics, and forms of knowledge, such as science, that circumscribed the formation of ancient racial identities and helped determine their meanings and consequences. Drawing on a range of ancient evidence-literature, historical writing, documentary evidence, and ancient art and archaeology-this volume highlights both the complexity of ancient racial ideas and the often violent and asymmetrical power structures embedded in ancient racial representations and practices like war and the enslavement of other persons. The study of race in antiquity has long been clouded by modern assumptions, so this volume also seeks to outline a better method for apprehending race on its own terms in the ancient world, including its relationship to other forms of identity, such as ethnicity and gender, while also seeking to identify and debunk some of the racist methods and biases that have been promulgated by classical historians themselves over the last few centuries. |
| patrice d rankine: History in Dispute: Classical antiquity and classical studies Benjamin Frankel, 2000 Addresses heavily debated questions by offering different critical perspectives on major historical events, drawn from all time periods and from all parts of the globe. This volume covers classical antiquity and classical studies. Provides students with an enhanced understanding of events only summarized in history texts, helps stimulate critical thinking and provides ideas for papers and assignments. |
| patrice d rankine: Time and Antiquity in American Empire Mark Storey, 2021-03-18 This is a book about two empires—America and Rome—and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular genres that have reimagined America's and Rome's sometimes strange orbit: Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, however, Time and Antiquity in American Empire builds a more fundamental inquiry: about how we imagine both our politics and ourselves within historical time. It outlines a new relationship between text and context, and between history and culture; one built on the oscillating, dialectical logic of the analogy, and on a spatialising of historical temporality through the metaphors of constellations and networks. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read. |
| patrice d rankine: Philip Roth Debra Shostak, 2011-06-16 > |
| patrice d rankine: The Wiley Blackwell Anthology of African American Literature, Volume 2 Gene Andrew Jarrett, 2014-01-28 The Wiley Blackwell Anthology of African American Literature is a comprehensive collection of poems, short stories, novellas, novels, plays, autobiographies, and essays authored by African Americans from the eighteenth century until the present. Evenly divided into two volumes, it is also the first such anthology to be conceived and published for both classroom and online education in the new millennium. Reflects the current scholarly and pedagogic structure of African American literary studies Selects literary texts according to extensive research on classroom adoptions, scholarship, and the expert opinions of leading professors Organizes literary texts according to more appropriate periods of literary history, dividing them into seven sections that accurately depict intellectual, cultural, and political movements Includes more reprints of entire works and longer selections of major works than any other anthology of its kind This second volume contains a comprehensive collection of texts authored by African Americans from the 1920s to the present The two volumes of this landmark anthology can also be bought as a set, at over 20% savings. |
| patrice d rankine: American Fiction in Transition Adam Kelly, 2013-04-25 American Fiction in Transition is a study of the observer-hero narrative, a highly significant but critically neglected genre of the American novel. Through the lens of this transitional genre, the book explores the 1990s in relation to debates about the end of postmodernism, and connects the decade to other transitional periods in US literature. Novels by four major contemporary writers are examined: Philip Roth, Paul Auster, E. L. Doctorow and Jeffrey Eugenides. Each novel has a similar structure: an observer-narrator tells the story of an important person in his life who has died. But each story is equally about the struggle to tell the story, to find adequate means to narrate the transitional quality of the hero's life. In playing out this narrative struggle, each novel thereby addresses the broader problem of historical transition, a problem that marks the legacy of the postmodern era in American literature and culture. |
Patrice O'Neal - Wikipedia
Patrice Lumumba Malcolm O'Neal [1] (December 7, 1969 – November 29, 2011) was an American comedian and actor. He was known for his stand-up comedy career and his regular …
'Patrice: The Movie' explores disabled couple's highs and lows
Sep 30, 2024 · Patrice Jetter is a beloved New Jersey school crossing guard, carrying herself with an infectious optimism and vigor each day. She's also found the love of her life in her late 50s.
Patrice - Wikipedia
Patrice is a given name meaning noble or patrician, related to the names Patrick and Patricia. In English, Patrice is often a feminine first name. In French, it is used as a masculine first name. …
ABC’s ‘Patrice: The Movie’ - A Rallying Cry For Marriage ... - Forbes
Sep 30, 2024 · Patrice: The Movie, a touching socio-legal documentary romcom that today launches on Hulu, is more than just about one disabled couple’s fight to have their love and …
Patrice: The Movie
Patrice’s present-day battles are informed by her past. With long-time friend, director Ted Passon, Patrice recreates scenes from her life imbued with her art and her uniquely tragicomic joie de …
Patrice: The Movie (2024) - IMDb
Patrice: The Movie: Directed by Ted Passon. With Noah Mendes, Ollie Robinson, Kingston Carroll, Rachael Dutta. A disabled couple in their 50s, Patrice and Garry, want to marry but …
See Trailer for 'Patrice: The Movie' (Exclusive) - People.com
Sep 18, 2024 · A New Jersey woman's fight for disability rights in the center of a powerful new documentary, "Patrice: The Movie," that begins streaming on Hulu this month.
Patrice O'Neal - IMDb
Patrice O'Neal. Actor: 25th Hour. O'Neal was born in New York in 1969, but moved to Boston when he was just 1 year old. He was educated at West Roxbury High School and went on to …
The fascinating true story behind Patrice: The Movie on
Sep 30, 2024 · Filmmaker Ted Passon has known the protagonist, Patrice Jetter, for over three decades. She is a disabled woman, a Special Olympics athlete, and a disability rights …
Patrice O’Neal, Boisterous Comedian, Dies at 41
Nov 30, 2011 · Patrice O’Neal, a stand-up comedian who boisterously took on controversial topics like race, AIDS and his own struggle with diabetes, died on Tuesday. He was 41 and lived in …
Patrice O'Neal - Wikipedia
Patrice Lumumba Malcolm O'Neal [1] (December 7, 1969 – November 29, 2011) was an American comedian and actor. He was known for his stand-up comedy career and his regular guest …
'Patrice: The Movie' explores disabled couple's highs and lo…
Sep 30, 2024 · Patrice Jetter is a beloved New Jersey school crossing guard, carrying herself with an infectious optimism and vigor each day. She's also found the love of her life in her late …
Patrice - Wikipedia
Patrice is a given name meaning noble or patrician, related to the names Patrick and Patricia. In English, Patrice is often a feminine first name. In French, it is used as a masculine first …
ABC’s ‘Patrice: The Movie’ - A Rallying Cry For Marriage
Sep 30, 2024 · Patrice: The Movie, a touching socio-legal documentary romcom that today launches on Hulu, is more than just about one disabled couple’s fight to have their love and …
Patrice: The Movie
Patrice’s present-day battles are informed by her past. With long-time friend, director Ted Passon, Patrice recreates scenes from her life imbued with her art and her uniquely …
