Advertisement
| playbill example: The Playbill and Its People Gillian Russell, 2011 In 2007 a librarian at the Library and Archives Canada Library came across a fragile sheet of paper inserted inside a book. It was the playbill advertising an evening of entertainment that had taken place halfway across the world, over two centuries before. The playbill is the earliest printed document in the history of Australia to be so far discovered and in 2011 it was included on the UNESCO Australian Memory of the World Register. As a piece of ephemera the playbill offers tantalizing glimpses of the social and cultural life of the early colony. What is the significance of the plays performed? Who were the players and their audiences? What kind of theatre did they play in? Gillian Russell answers all of these questions and more, in this fascinating account of the history and significance of the playbill. |
| playbill example: Broadway Swings J. Austin Eyer, Lyndy Franklin Smith, 2015-10-22 In this textbook for performers, the position of a Swing-an Understudy for the Ensemble-on Broadway is examined from every angle, showing just how vital Swings are to the success of any musical theatre production. Authors J. Austin Eyer and Lyndy Franklin Smith draw on their own experiences as performers, and gather first-hand stories from other Swings about the glories and hardships of their industry. The book features interviews with over 100 Broadway pros-Swing veterans, Stage Managers, Casting Directors, Choreographers, and Directors-including Rob Ashford, Susan Stroman, Jerry Mitchell, Larry Fuller, Tony Stevens, Beverley Randolph, and Frank DiLella. Broadway Swings is the ideal guide for anyone considering a career in this most unique of positions, or anyone curious about what really goes on, behind-the- scenes, in a long-running show. |
| playbill example: Illustrated Playbills Derek Forbes, 2002 |
| playbill example: The Playbill , 1929 |
| playbill example: Playbill , 1989 |
| playbill example: Pacific Overtures Stephen Sondheim, John Weidman, 1991 Priceless and peerless...a thrilling work of theatricality. --Wayman Wong, San Francisco Examiner For over three decades, Stephen Sondheim has been the foremost composer and lyricist writing regularly for Broadway. His substantial body of work now stands as one of the most sustained achievements of the American stage. Pacific Overtures, originally produced in 1976, combines an unsurpassed mastery of the American musical with such arts as Kabuki theatre, haiku, dance, and masks to recount Commander Matthew Perry's 1835 opening of Japan and its consequences right up to the present. This new edition of Pacific Overtures incorporates substantial revisions made by the authors for the successful 1984 revival. |
| playbill example: The Yiddish Stage as a Temporary Home Diego Rotman, 2021-03-08 The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980. |
| playbill example: Opera on the Road Katherine K. Preston, 1993 Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel. -- Publisher's description |
| playbill example: The Gothic Novel and the Stage Francesca Saggini, 2015-08-12 In this ground-breaking study Saggini explores the relationship between the late eighteenth-century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made it an obvious source from which dramatists could take ideas. Similarly, elements of the theatre provided inspiration to novelists. |
| playbill example: The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy, 2007-06-28 This book offers a collection of essays on Shakespeare's life and works in popular forms and media. |
| playbill example: Teaching Laboring-Class British Literature of the Eighteenth and Nineteenth Centuries Kevin Binfield, William J. Christmas, 2018-12-01 Behind our contemporary experience of globalization, precarity, and consumerism lies a history of colonization, increasing literacy, transnational trade in goods and labor, and industrialization. Teaching British laboring-class literature of the eighteenth and nineteenth centuries means exploring ideas of class, status, and labor in relation to the historical developments that inform our lives as workers and members of society. This volume demonstrates pedagogical techniques and provides resources for students and teachers on autobiographies, broadside ballads, Chartism and other political movements, georgics, labor studies, satire, service learning, writing by laboring-class women, and writing by laboring people of African descent. |
| playbill example: Representing the Past Charlotte M. Canning, Thomas Postlewait, 2010-04-15 Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects.---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race -- |
| playbill example: The Opera Glass , 1894 |
| playbill example: Opera Glass , 1895 |
| playbill example: The Playbill , 1985 |
| playbill example: Ira Aldridge Bernth Lindfors, 2011 The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the African Roscius, and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as a native of Senegal, created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007). |
| playbill example: Performing Arts Management (Second Edition) Tobie S. Stein, Jessica Rae Bathurst, Renee Lasher, 2022-11-15 Do you know what it takes to manage a performing arts organization today? In this revised second edition of the comprehensive guide, more than 100 managers of top nonprofit and commercial venues share their winning strategies. From theater to classical music, from opera to dance, every type of organization is included, with information on how each one is structured, key managerial figures, its best-practices for financial management, how it handles labor relations, and more. Kennedy Center, the Brooklyn Academy of Music, Lincoln Center, the Mark Morris Dance Company, the New Victory Theater, the Roundabout Theater, the Guthrie Theater, Steppenwolf Theater Company, and many other top groups are represented. Learn to manage a performing arts group successfully in today’s rapidly changing cultural environment with Performing Arts Management. |
| playbill example: The Philadelphia Story Philip Barry, 1942 Twenty-four hours in the life of a Philadelphia belle, during which she discards an about-to-be second husband to remarry her first mate. |
| playbill example: The Ephemeral Eighteenth Century Gillian Russell, 2020-08-27 Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relationship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for 'ephemerology' as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today. |
| playbill example: Against Itself Paul Sporn, 1995 This work devoted to federally funded arts programmes in the American Midwest, deals with the controversial Federal Theater Project (FTP) and the Federal Writers Project (FWP) under the New Deal's Works Progress Administration (WPA). |
| playbill example: Ruskin, the Theatre and Victorian Visual Culture A. Heinrich, K. Newey, J. Richards, 2009-04-08 This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre', an approach to theatre which values its educative purpose as well as its aesthetic expression. |
| playbill example: Owning Performance | Performing Ownership Jane Wessel, 2022-07-14 How playwrights, actors, and theater managers vied for control over the performance of popular plays after the passage of England's first copyright law |
| playbill example: The Theatrical Public Sphere Christopher B. Balme, 2014-06-12 The first in-depth study of theatre's relationship to the public sphere in a wide range of cultural and historical contexts. |
| playbill example: The Cambridge Introduction to Theatre Studies Christopher B. Balme, 2008-09-18 Providing thorough coverage of the methods and tools required in studying historical and contemporary theatre, this Introduction examines the complexities of a rapidly changing and dynamic discipline. Following a cross-cultural perspective, the book surveys the ways theatre and performance are studied by looking initially at key elements such as performers, spectators and space. The central focus is on methodology, which is divided into sections covering theatre theory, historiography and textual and performance analysis. The book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Designed to guide students through the academic dimension of the discipline, the volume emphasizes questions of methodology, research techniques and approaches, and will therefore be relevant for a wide variety of theatre studies courses. Informative textboxes provide background on key topics, and suggestions for further reading are included at the end of each chapter. |
| playbill example: Exploring Fine Artist Barbara Kurshan, 1994 Fine Artist offers a cornucopia of electronic art tools to create multimedia picture shows, buttons, stickers, and comic strips. Written with the cooperation of Microsoft Corporation, this activity book shows parents and children how to use the software creatively to perform fun activities that have an underlying educational purpose. |
| playbill example: Network of Knowledge Terrence Jackson, 2016-02-29 Nagasaki during the Tokugawa (1603–1868) was truly Japan's window on the world with its Chinese residences and Deshima island, where Western foreigners, including representatives of the Dutch East India Company, were confined. In 1785 Ōtsuki Gentaku (1757–1827) journeyed from the capital to Nagasaki to meet Dutch physicians and the Japanese who acted as their interpreters. Gentaku was himself a physician, but he was also a Dutch studies (rangaku) scholar who passionately believed that European science and medicine were critical to Japan's progress. Network of Knowledge examines the development of Dutch studies during the crucial years 1770–1830 as Gentaku, with the help of likeminded colleagues, worked to facilitate its growth, creating a school, participating in and hosting scholarly and social gatherings, and circulating books. In time the modest, informal gatherings of Dutch studies devotees (rangakusha), mostly in Edo and Nagasaki, would grow into a pan-national society. Applying ideas from social network theory and Bourdieu's conceptions of habitus, field, and capital, this volume shows how Dutch studies scholars used networks to grow their numbers and overcome government indifference to create a dynamic community. The social significance of rangakusha, as much as the knowledge they pursued in medicine, astronomy, cartography, and military science, was integral to the creation of a Tokugawa information revolution—one that saw an increase in information gathering among all classes and innovative methods for collecting and storing that information. Although their salons were not as politically charged as those of their European counterparts, rangakusha were subversive in their decision to include scholars from a wide range of socio-economic backgrounds. They created a cultural society of civility and play in which members worked toward a common cultural goal. This insightful study reveals the strength of the community's ties as it follows rangakusha into the Meiji era (1868–1912), when a new generation championed values and ambitions similar to those of Gentaku and his peers. Network of Knowledge offers a fresh look at the cultural and intellectual environment of the late Tokugawa that will be welcomed by scholars and students of Japanese intellectual and social history. |
| playbill example: Old Playbills , 1885 |
| playbill example: Theater Week , 1996 |
| playbill example: Victorian Writers and the Stage R. Pearson, 2015-06-23 This book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked? |
| playbill example: Theatre to Cinema Ben Brewster, Lea Jacobs, 1997 On the relationship between early cinema and 19th century theatre. |
| playbill example: Hop on Pop Henry Jenkins III, Jane Shattuc, Tara McPherson, 2003-01-23 Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that sticks to the skin, that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi |
| playbill example: Absence and Memory in Colonial American Theatre O. Johnson, 2016-09-23 History, they say, has a filthy tongue. In the case of colonial theatre in America, what we know about performance has come from the detractors of theatre and not its producers. Yet this does not account for the flourishing theatrical circuit established between 1760 and 1776. This study explores the culture's social support of the theatre. |
| playbill example: A Book of the Play Edward Dutton Cook, 1876 |
| playbill example: On Broadway Drew Hodges, 2016-04-26 A visual and oral history of the past twenty years of theater, On Broadway pulls back the curtain to reveal the creative process involved in bringing a Broadway show to the stage and into the public consciousness through the words of Broadway’s most famous personalities and the art of SpotCo. The art created for a show provides audiences with a tangible, visual, and emotional connection with the theatrical experience. This collection of hundreds of behind-the-scenes photos, concept art, and posters, as well as personal anecdotes by and with some of Broadway’s most beloved stars, including John Leguizamo, Berry Gordy, Alison Bechdel, Lin-Manuel Miranda, Mark Ruffalo, Patrick Stewart, Bernadette Peters, Joel Grey, Harvey Fierstein, Sting, Dolly Parton, Neil LaBute, Cherry Jones, and more serves as the document of record of the shows and performers that have graced New York stages for the past two decades. Stories and art cover working with Jonathan Larson’s family and the producers on the campaign for Rent; Nicole Kidman on her decision to bare all during her photo shoot for The Blue Room; selling the hip-hop Hamilton; and collaborating with the legendary Kander and Ebb on their revival of Chicago, in addition to stories about shows such as Annie Get Your Gun, Young Frankenstein, Freak, Avenue Q, Shrek, Pippin, Elaine Stritch: At Liberty, Gypsy, and Kinky Boots. |
| playbill example: The Colossal P.T. Barnum Reader Phineas Taylor Barnum, 2005 The Colossal P. T. Barnum Reader reveals the trailblazing American showman as, by turns, a moral reformer, a habitual hoaxer, an insightful critic, a savvy puffer, a master of images, a sparkling writer, a relentless provocateur, and an early advocate of family entertainments. Taken together, these selections paint a new and more complete portrait of this complex man than has ever been seen before. James W. Cook's The Colossal P. T. Barnum Reader includes large excerpts from Barnum's semi-autobiographical novel The Adventures of an Adventurer (1841), his European letters from 1844-46 informing readers of the New York Atlas of his reception by royalty overseas, selections from his Ancient and Modern Humbugs of the World (Barnum's 1864-65 insider's look into nineteenth-century frauds), and much, much more. The book also features vintage photographs and reproductions of difficult-to-find images from Barnum's two-decade collaboration with the prominent New York lithographers Currier and Ives. Collectively, these materials help us to track the shifting personas of the great showman, his promotional choices, and his publics across the nineteenth century. Book jacket. |
| playbill example: Assembling Arguments Jonathan Buehl, 2016-01-20 Scientific arguments—and indeed arguments in most disciplines—depend on visuals and other nontextual elements; however, most models of argumentation typically neglect these important resources. In Assembling Arguments, Jonathan Buehl offers a concentrated study of scientific argumentation that is sensitive to both the historical and theoretical possibilities of multimodal persuasion as it advances two related claims. First, rhetorical theory—when augmented with methods for reading nonverbal representations—can provide the analytical tools needed to understand and appreciate multimodal scientific arguments. Second, science—an inherently multimodal enterprise—offers ideal subjects for developing general theories of multimodal rhetoric applicable across fields. In developing these claims, Buehl offers a comprehensive account of scientific persuasion as a multimodal process and develops a simple but productive framework for analyzing and teaching multimodal argumentation. Comprising five case studies, the book provides detailed treatments of argumentation in specific technological and historical contexts: argumentation before World War I, when images circulated by hand and by post; argumentation during the mid-twentieth century, when computers were beginning to bolster scientific inquiry but images remained hand-crafted products; and argumentation at the turn of the twenty-first century—an era of digital revolutions and digital fraud. Each study examines the rhetorical problems and strategies of specific scientists to investigate key issues regarding visualization and argument: 1) establishing new instruments as reliable sources of visual evidence; 2) creating novel arguments from reliable visual evidence; 3) creating novel arguments with unreliable visual evidence; 4) preserving the credibility of visualization practices; and 5) creating multimodal artifacts before and in the era of digital circulation. Given the growing enterprise of rhetorical studies and the field's contributions to communication practices in all disciplines, rhetoricians need a comprehensive rhetoric of science—one that accounts for the multimodal arguments that change our relation to reality. Assembling Arguments argues that such rhetoric should enable the interpretation of visual scientific arguments and improve science-writing instruction. |
| playbill example: The Routledge Handbook of Shakespeare and Interface Clifford Werier, Paul Budra, 2022-08-25 The Routledge Handbook of Shakespeare and Interface provides a ground-breaking investigation into media-specific spaces where Shakespeare is experienced. While such operations may be largely invisible to the average reader or viewer, the interface properties of books, screens, and stages profoundly mediate our cognitive engagement with Shakespeare. This volume considers contemporary debates and questions including how mobile devices mediate the experience of Shakespeare; the impact of rapidly evolving virtual reality technologies and the interface architectures which condition Shakespearean plays; and how design elements of hypertext, menus, and screen navigation operate within internet Shakespeare spaces. Charting new frontiers, this diverse collection delivers fresh insight into human–computer interaction and user-experience theory, cognitive ecology, and critical approaches such as historical phenomenology. This volume also highlights the application of media and interface design theory to questions related to the medium of the play and its crucial interface with the body and mind. |
| playbill example: Coaching Students with Executive Skills Challenges Peg Dawson, Richard Guare, 2023-04-24 With 55% new material, the significantly revised second edition of this influential resource presents a refined coaching model and an expanded set of tools for helping K–12 students live up to their potential in school and beyond. The book describes how to provide evidence-based, individualized instruction and support for kids and teens with executive skills challenges. Guidelines are provided for partnering with students and improving their performance in such areas as time and task management, planning, organization, and impulse control. Adaptations for coaching students with disabilities are discussed. In a convenient large-size format, the book features over two dozen reproducible forms and handouts; coaches can download and print additional copies as needed. New to This Edition *Two new chapters on coaching 5- to 8-year-olds (K–3), and more material on younger students throughout. *Shows how to enhance coaching by incorporating motivational interviewing and cognitive rehearsal strategies. *Chapter of case examples, plus chapters on self-assessment for coaches and the building blocks of executive skills coaching. *Expanded content on goal setting, action planning, and progress monitoring. *Updated research and revised reproducible tools. This book is in The Guilford Practical Intervention in the Schools Series, edited by Sandra M. Chafouleas. See also the authors' Work-Smart Academic Planner, Revised Edition, designed for middle and high school students to use in conjunction with coaching, and the authoritative Executive Skills in Children and Adolescents, Third Edition. Plus, for parents: Smart but Scattered, Second Edition (with a focus on 4- to 12-year-olds), and Smart but Scattered Teens. |
| playbill example: Black Activists Write Wheatley and Washington Lurana Donnels O’Malley, 2025-07-11 This book examines how early twentieth-century Black theatre artists depicted national mythologies of the United States. White-authored pageants and plays written for the 1932 Bicentennial celebration of George Washington’s birthday relegated Black Americans to the periphery through racist stereotyping. Black activists Mary Church Terrell and W. E. B. Du Bois seized the opportunity to place Black people at center stage and to revise contemporary views of Washington and of Black achievement. Terrell’s Historical Pageant-Play Based on the Life of Phyllis Wheatley and Du Bois’s George Washington and Black Folk dramatize how the achievements of Black men and women fit into the US origin story. Terrell’s script is a biography of the life of the enslaved African poet Phillis Wheatley; Du Bois’s pageant is a transgressive revision of the Washington myth. The book’s chapters contextualize these plays within the larger Bicentennial event. O’Malley also includes her edited version of Terrell’s script, published here for the first time. This interdisciplinary book will be a valuable resource for college and university courses in American theatre and performance studies, Black Studies, and Women’s Studies. |
| playbill example: The Cambridge Companion to English Literature, 1740-1830 Thomas Keymer, Tom Keymer, Jon Mee, 2004-06-17 This volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism. |
Playbill: Broadway, Off-Broadway, London News, Listings and Tickets
Jun 2, 2025 · Top News Patti LuPone Apologizes to Kecia Lewis and Audra McDonald Listen: The Playbill Podcast Predicts the 2025 Tony Award Winners With Critics Adam Feldman and …
Broadway News - Playbill
Read the latest news about Broadway musicals and plays including show openings and closings, casting, and reviews.
News - Playbill
At Opening Night of Les Misérables at the Kennedy Center, Trump and Drag Artists Shared the House
Buy Broadway Tickets - Show Information, Discounts, Reviews
Your trusted source for Broadway Show information and tickets including discount offers, news, features, reviews, photos and videos.
Playbill: Broadway, Off-Broadway, London News, Listings and Tickets
5 days ago · Broadway Grosses Discount Tickets Build-Your-Own Playbill Playbill Travel & Cruises NYC/London Hotel Deals Classic Arts Shop For Gifts
Upcoming Broadway Shows - Tickets, Information, Discounts, …
Your trusted source for upcoming Broadway show information and tickets including discount offers, news, features, reviews, photos and videos.
Weekly Schedule of Current Broadway Shows | Playbill
A rundown of current Broadway shows and their planned show times, as well as cancellations due to COVID.
Tony Awards 2025: The Full List of Winners - Playbill
Jun 8, 2025 · Visit Playbill.com/Tonys for complete coverage of the 2025 Tony Awards. See the full list of winners below: Best Musical Buena Vista Social Club Dead Outlaw Death Becomes …
Spring Preview 2024 | Playbill
Playbill proudly presents Spring Preview 2024. Here, we take a deep dive into some of the most anticipated shows coming up in NYC.
Schedule of Upcoming and Announced Broadway Shows - Playbill
Playbill will update these listings when new information is made available. For a list of all Broadway-related COVID-19 protocols, please click here. 2025-2026 SEASON CALL ME …
Playbill: Broadway, Off-Broadway, London News, Listings and …
Jun 2, 2025 · Top News Patti LuPone Apologizes to Kecia Lewis and Audra McDonald Listen: The Playbill Podcast Predicts the 2025 Tony Award Winners With Critics Adam Feldman and Elysa …
Broadway News - Playbill
Read the latest news about Broadway musicals and plays including show openings and closings, casting, and reviews.
News - Playbill
At Opening Night of Les Misérables at the Kennedy Center, Trump and Drag Artists Shared the House
Buy Broadway Tickets - Show Information, Discounts, Reviews
Your trusted source for Broadway Show information and tickets including discount offers, news, features, reviews, photos and videos.
Playbill: Broadway, Off-Broadway, London News, Listings and …
5 days ago · Broadway Grosses Discount Tickets Build-Your-Own Playbill Playbill Travel & Cruises NYC/London Hotel Deals Classic Arts Shop For Gifts
Upcoming Broadway Shows - Tickets, Information, Discounts, …
Your trusted source for upcoming Broadway show information and tickets including discount offers, news, features, reviews, photos and videos.
Weekly Schedule of Current Broadway Shows | Playbill
A rundown of current Broadway shows and their planned show times, as well as cancellations due to COVID.
Tony Awards 2025: The Full List of Winners - Playbill
Jun 8, 2025 · Visit Playbill.com/Tonys for complete coverage of the 2025 Tony Awards. See the full list of winners below: Best Musical Buena Vista Social Club Dead Outlaw Death Becomes …
Spring Preview 2024 | Playbill
Playbill proudly presents Spring Preview 2024. Here, we take a deep dive into some of the most anticipated shows coming up in NYC.
Schedule of Upcoming and Announced Broadway Shows - Playbill
Playbill will update these listings when new information is made available. For a list of all Broadway-related COVID-19 protocols, please click here. 2025-2026 SEASON CALL ME IZZY …
