Papunya School Book

  papunya school book: Papunya School Book of Country and History Papunya School, 2001-09-01 WINNER: CBCA Book of the Year, Eve Pownell Award for Information Books, 2002 This multi-award-winning book tells the story of how Anangu from five different language groups came to live together at Papunya. From the time of first contacts with explorers, missionaries and pastoralists, through to the Papunya art movement and the Warumpi Band, this multi-layered text finally leads us to the development of the unique educational environment that is Papunya School. As an example of two way learning, it is a profound metaphor for reconciliation.
  papunya school book: Papunya School Book of Country and History Papunya School, Nadia Wheatley, 2001 Multi-award-winning, The Papunya School Book of Country and History is a unique and fascinating account of the history of Western Desert communities from an Indigenous perspective.
  papunya school book: Papunya School Magazine Papunya School, 1998
  papunya school book: When I Was Little, Like You Mary Malbunka, 2003 Picture book format. Biography. One of the creators of Papunya School of country and history. 8 yrs+
  papunya school book: Once Upon a Time in Papunya Vivien Johnson, 2010 Astronomical auction prices in the late 1990s first drew many peoples attention to the phenomenon of the early Papunya boards, the thousand small painted panels created at the remote Northern Territory Aboriginal settlement of Papunya in 1971-72.
  papunya school book: Going Bush Nadia Wheatley, Ken Searle, 2013-10-01 We should have harmony among people who live on this beautiful planet. We should make friends with people we don't know. We should play, share and have trust with everyone. - Mohammed On this journey I experienced the bush and I experienced life. I also found a brand-new way to learn, and know new things. - Christine We worked together, made friends, and played together. I learned about ngurra, trees and plants, animals and Aboriginal people. - Alban In 2005 author Nadia Wheatley and artist Ken Searle developed a Harmony Project with sixteen students from eight infant and primary schools in Sydney - some Muslim, some Catholic, some government schools. As well as experiencing the harmony of the natural environment, the children were encouraged to learn about harmony between the traditional owners and the land, and to find harmony in friendship and collaboration. Going Bush showcases some of the students' illustration and writing, linked together with art and design by Ken Searle and a narrative by Nadia Wheatley.
  papunya school book: Just Words? Bernadette M. Brennan, 2008 Over the past decade Australians have witnessed a significant shift to more insular and conservative economic, ethical and cultural norms. The problems of valuing and achieving justice seem more acute than ever, yet the solutions to those problems are not obvious nor are those in power taking the lead. In this powerful collection, Australian writers including Gail Jones, Eva Sallis and Frank Brennan explore the relationship between writing and justice, a relationship utterly dependent on informed, ethical readers. These essays - from poets, essayists, academics, playwrights, critics and novelists - demonstrate how it is possible for writing to articulate concerns of justice, enlighten the broader community and move citizens to action.--BOOK JACKET.
  papunya school book: Papunya Geoffrey Bardon, 2018-10-29 Papunya- A Place Made After the Storyis a first-hand account of the Papunya Tula artists and their internationally significant works emanating from the central Western Desert. This momentous movement began in 1971 when Geoffrey Bardon, a hopeful young art teacher, drove the long lonely road from Alice Springs to the settlement at Papunya in the Northern Territory. He left only eighteen months later, defeated by hostile white authority, but a lasting legacy was the emergence of the Western Desert painting style. It started as an exercise to encourage local children to record their sand patterns and games, and grew to include tribal men and elders painting depictions of their ceremonial lives onto scraps of discarded building materials. With Bardon's support, they preserved their traditional Dreamings and stories in paint. The artistic energy unleashed at Papunya spread through Central Australia to achieve international acclaim. These works are now regarded as some of Australia's most treasured cultural, historical and artistic items. The publication of this material is an unprecedented achievement. Bardon's exquisitely recorded notes and drawings reproduced here document the early stages in this important art group. This landmark book features more than five hundred paintings, drawings and photographs from Bardon's personal archive. It tells the story of the catalyst for a powerfully modern expression of an ancient indigenous way of seeing the world.
  papunya school book: Australians All Nadia Wheatley, Ken Searle, 2013-06-01 'I love history because it is story, but the very best thing about this story is that it is not finished. All of us are making history every moment of our lives.' Nadia Wheatley Australians All encompasses the history of our continent from the Ice Age to the Apology, from the arrival of the First Fleet to the Mabo Judgement. Brief accounts of the lives of real young Australians open up this chronological narrative. Some of the subjects of the eighty mini-biographies have become nationally or even internationally famous. Others were legends in their own families and communities. Meticulously researched, beautifully written and highly readable, Australians All helps us understand who we are, and how we belong to the land we all share. It also shows us who we might be. 'In Australian histories there is a particular group whose tales and presence and concerns are rarely narrated. These are the children and adolescents. They are depicted as mute sufferers of the decisions of elders (as were the children of the Depression), helpless victims of policy (the Stolen Generations) and the children of the Second World War (of whom I was one). They appear in most writing of history as mere passive accessories to what adults do. But their stories are our stories too, and their stories are our history, and Nadia Wheatley, that great writer, tells that wide-ranging story in a way so imaginative and colourful that it would attract any young person, and make young readers feel that many of their personal struggles have been faced before, by children of the past and present. Nadia has performed an essential service to history and the young.' - Thomas Keneally
  papunya school book: Walking with the Seasons in Kakadu Diane Lucas, Ken Searle, 2005 Follows the seasonal calendar of the Gundjeihmi-speaking people of Kakadu and explores the changes each season has on the plants and animals of this land.
  papunya school book: Art Plus Soul Hetti Perkins, 2010 FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated art+soul, the companion book to the prime-time ABC TV series by the same name. art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks. Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists. This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs' phenomenal achievements in the East Kimberley. It features the work of contemporary artists Destiny Deacon, Brenda L Croft and Michael Riley, and that of the celebrated Emily Kam Ngwarray, whose paintings revolutionised Australian art. art+soul tells their storiesandmdash;heartfelt, intimate and political. The book includes more than 150 artworks, and photographs by Warwick Thornton, director of the accompanying television series and the award-winning film Samson and Delilah.
  papunya school book: Papunya Tula Geoffrey Bardon, Judith Ryan, 1999
  papunya school book: Icons of the Desert Roger Benjamin, 2009 This catalogue accompanies an exhibition organized by the Herbert F. Johnson Museum of Art at Cornell University, curated by Roger Benjamin and coordinated by Andrew C. Weislogel, associate curator and master teacher at the Johnson Museum.
  papunya school book: Songlines and Dreamings Patrick Corbally Stourton, 1996 The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.
  papunya school book: Papunya Tula Hetti Perkins, Hannah Fink, 2000 Catalogue for exhibition that tells the story of the emergence of one of the most dynamic movements in Australian art history with its constellation of painters such as Rover Thomas, Mick Namarari, and Emily Kame Kngwarrye.
  papunya school book: Our World One Arm Point Remote Community School Staff, 2010 Takes readers inside the lives of the children of a remote Indigenous community - lives very different to those experienced by most Australians. The children take readers camping and fishing, share traditional stories and dances, show them how to find a waterhole, track, cook and eat bush tucker and animals such as turtles, crabs, oysters and clams, and make spears, boomerangs, bough shelters and bush brooms.
  papunya school book: The Night Tolkien Died Nadia Wheatley, 1995 Consists of 12 short stories by this award-winning author, nine of them published for the first time. They range through many of the problems and experiences of today's Australian teenagers, growing up in multicultural urban communities and faced with numerous choices related to behaviour and lifestyle. This is Wheatley's first short story collection.
  papunya school book: Indigenous Archives Darren Jorgensen, Ian McLean, 2017 The archive is a source of power. It takes control of the past, deciding which voices will be heard and which won't, how they will be heard and for what purposes. Indigenous archivists were at work well before the European Enlightenment arrived and began its own archiving. Sometimes at odds, other times not, these two ways of ordering the world have each learned from, and engaged with, the other. Colonialism has been a struggle over archives and its processes as much as anything else.The eighteen essays by twenty authors investigate different aspects of this struggle in Australia, from traditional Indigenous archives and their developments in recent times to the deconstruction of European archives by contemporary artists as acts of cultural empowerment. It also examines the use of archives developed for other reasons, such as the use of rainfall records to interpret early Papunya paintings. Indigenous Archives is the first overview of archival research in the production and understanding of Indigenous culture. Wide-ranging in its scope, it reveals the lively state of research into Indigenous histories and culture in Australia.
  papunya school book: Do Not Go Around the Edges Daisy Utemorrah, 1992-01-01 Illustrated with traditional Aboriginal dot form and contemporary images, this is a poetry collection from an elder of the Wunambal people. The poems are juxtaposed with the story of the author's life. The illustrator is a writer and artist of other children's books and has worked in Aboriginal education.
  papunya school book: Hossein Valamanesh Mary Knights, Ian North, 2011 Deceptively simple, Valamanesh's work is often made with elemental substances, natural materials found objects - for example Persian Carpets, an old photo of his grandmother or a pair of worn shoes resonating with cultural and personal associations.
  papunya school book: Everywhen Henry F. Skerritt, Hetti Perkins, Fred R. Myers, Narayan Khandekar, 2016-01-01 This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016.
  papunya school book: One Sun One Moon Hetti Perkins, Margie K. C. West, Art Gallery of New South Wales, 2007 Featuring over 240 colour plates, this volume canvasses an extraordinary diverse range of Aboriginal art. The 27 essays by leading authorities and 13 interviews with key artists are accompanied by an extensive chronology.
  papunya school book: Flight Nadia Wheatley, 2015 Tonight is the night. The family has to flee. They've been tipped off that the authorities are after their blood. Set in biblical times, a small family sets off across a desert in search of refuge from persecution in their own country, and an ancient story becomes a fable for our times. Their journey is beset by heat and thirst, threatening tanks and the loss of their donkey, but eventually they reach a refugee camp where they can wait in safety for asylum in another country. In this first-time collaboration between multi-award-winning author, Nadia Wheatley, and internationally-renowned illustrator, Armin Greder, words and images blend seamlessly to take readers on a journey they will never forget.
  papunya school book: Wanarn Painters of Place and Time David Brooks, Darren Jorgensen, 2015 David Brooks is an anthropologist who has worked with the Ngaanyatjarra people, including the people at Wanarn, for over twenty-five years. He researched and wrote the connection reports through which they gained native title rights over the huge tract of the Australian Western Desert that is their home, and has worked with them on matters from negotiating with mining companies to facing the challenges of making education meaningful to the youth. He has written extensively on the rich desert Tjukurrpa and art, and on the layers of social and cultural interconnectedness of the people. Brooks is an Honorary Research Fellow at the University of Western Australia. Darren Jorgensen lectures in art history in the Faculty of Architecture, Landscape and Visual Arts at the University of Western Australia. He has written on Australian art, especially from the Kimberley and the Ngaanyatjarra Lands, for academic journals, art magazines and newspapers. He also writes on music and science fiction, enjoys surfing badly and drinking whisky well, and lives with his partner and two children in Perth.
  papunya school book: When We Go Walkabout Rhoda Lalara, Alfred Lalara, 2014-01-29 Yirruwa yirrilikenuma-langwa, amiyembena yirrirringka yirruwa? When we go walkabout, what do we see? Up in a tree there is something flapping its wings at us. Duwedirra! Cockatoo! Down in the river we see something staring at us. Dingarrbiya! Crocodile! Back home there is someone waiting for us . Dungkwarrika! Grandma! A beautiful story for the very young that brings to vivid life the unique world of Groote Eylandt. 'We want our children to hear a story and know where it's come from and where it's travelled.' Rhoda Lalara 'As children we used to go walkabout with our grandmothers and see the animals. Now we take our own kids out.' Alfred Lalara This edition includes a QR code link to hear Rhoda Larlara read the text in Anindilyakwa. This book was produced through the Emerging Indigenous Picture Book Mentoring Project, a joint initiative between The Little Big Book Club and Allen & Unwin, assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
  papunya school book: Before Time Began , 2019 - Overview of the Aboriginal Art, focusing on the first large-scale exhibition staged by the Fondation Opale (Switzerland)The common thread running right through this work is man's link with the land, the legacy of the ancestors that still echoes in the present. It is no accident that Before Time Began is one of the expressions used by Aboriginal artists in central Australia to refer to the creation of the world, in an oneiric sense. Understanding and following this underlying bond enables the reader to explore the art's narrative content in its association with dreams and the passage of time, elements that inevitably distinguish the temporal dimension in the different societies. But it is also a way of exploring the first stirrings of contemporary art in an Aboriginal context through works made at the beginning of the 1970s in Arnhem Land and in the territory of the Papunya, as well as more recent paintings by artists living in the APY (Anangu Pitjantjatjara Yankunytjatjara). These last examples in particular highlight the fusion between contemporary art and traditional customs, in which ancestral knowledge is fused with elements drawn from the inevitable march of progress. This book is published to complement an exhibition due to begin in June 2019. For more, visit http: //fondationopale.ch/en/index.html
  papunya school book: A Banner Bold Kate McAllan, Nadia Wheatley, 2005 The Diary of Rosa Aarons, Ballarat Goldfield, 1854. In 1854, Rosa Aarons travelled with her family from London to the diggings on the Ballarat goldfield, where she met the Governor of the Colony, the leader of the diggers, Lady Macbeth, and a dog called Bonaparte. This is her story of how she makes new friends and learns to pan for gold, tolerate school, avoid snakes and survive the Eureka stockade.
  papunya school book: Bottersnikes and Other Lost Things Juliet O'Conor, 2009 Lazy Bottersnikes in outback rubbish tips, Sir Pronoun's dilemma about standing in Miss Noun's place and the story of how Jack built a house, a hut or a shack are all to be found in this treasury of Australian children's books. This book illuminates the icons of Australian children's literature from Gibbs and Outhwaite to Shaun Tan.
  papunya school book: Australia's Living Heritage Jennifer Isaacs, 1984 For Aboriginal people these arts are a proud heritage that expresses the Dreaming.Australias Living Heritage is the classic book that first brought together the different facets of Aboriginal art, from painting, sculpture, ceremony and dance, to the making of body ornaments, carved utensils and spun or woven articles for everyday use.
  papunya school book: My Girragundji Meme McDonald, Boori Monty Pryor, 1998-10-01 The story of an Aboriginal boy whose house is invaded by a Hairyman - a spirit the old people call a Quinkin. When a little green tree frog lands on his windowsill, he knows she has been sent by the ancestors to help him face his fears.
  papunya school book: Beyond Sacred Colin Laverty, 2009-04-07 Interest in Aboriginal art has grown exponentially over the past few decades, both in Australia and around the world. No longer seen as simply ethnographic, traditional Aboriginal art has evolved into one of the most exciting new forms of modern art. Beyond Sacred: Recent painting from Australia's remote Aboriginal communities is a comprehensive, visually stunning survey of recent Aboriginal art. Ranging across Western Australia and the Northern Territory, from the well-known art centres of Papunya and Utopia to the lesser known communities of Maningrida and Bidyadanga, this book tells the story of Aboriginal art and its growing presence in the contemporary art scene. Strikingly illustrated and lavishly produced, Beyond Sacred: Recent painting from Australia's remote Aboriginal communities features more than 250 paintings and drawings. Works are featured from internationally renowned artists such as Rover Thomas, Emily Kngwarreye and John Mawurndjul as well as from newer discoveries such as Alma Webou and Christine Yukenbarri. It is a major survey of contemporary Aboriginal art in Australia and will inspire the experienced collector and novice alike. Colin and Elizabeth Laverty are collectors with a passion for contemporary art and they have acquired the works featured in the book over the past 20 years. The works have been exhibited in museums and contemporary art galleries throughout Australia and overseas and have been described as the most important private collection of Indigenous art in the country (Nicholas Rothwell, Art writer at The Australian). These paintings are increasingly being hung in contemporary art museums where they more than hold their own with non-Indigenous contemporary art.
  papunya school book: A Walk in the Bush Gwyn Perkins, 2017-03-01
  papunya school book: Wings of the Kite-hawk Nicolas Rothwell, 2019 An Australian travel classic. Reminiscent of Bruce Chatwin's The Songlines, Wings of the Kite-Hawk will seduce and enthral; it will force you out of the comfortable chair and into the wilds of the bush. This is a set of linked journeys into the Australian landscape: its past and its present, its people and its half-remembered secrets. In each chapter, Nicolas Rothwell takes a precursor and follows him. His guides include famous explorers from the past, Leichhardt, Sturt, Strehlow and Giles -- as well as artists, anthropologists, rodeo riders and even Hell's Angels.Vivid characters weave in and out of the story, inspiring journeys through different states of heart and mind: love, loss, friendship, fear.
  papunya school book: Carpentaria Alexis Wright, 2024-02-06 Alexis Wright’s award-winning classic Carpentaria: “a swelling, heaving tsunami of a novel—stinging, sinuous, salted with outrageous humor, sweetened by spiraling lyricism” (The Australian) Carpentaria is an epic of the Gulf country of northwestern Queensland, Australia. Its portrait of life in the precariously settled coastal town of Desperance centers on the powerful Phantom family, leader of the Westend Pricklebush people, and its battles with old Joseph Midnight’s renegade Eastend mob, on the one hand, and with the white officials of Uptown and the nearby rapacious, ecologically disastrous Gurfurrit mine on the other. Wright’s masterful novel teems with extraordinary characters—the outcast savior Elias Smith, the religious zealot Mozzie Fishman, the murderous mayor Bruiser, the moth-ridden Captain Nicoli Finn, the activist Will Phantom, and above all, the rulers of the family, the queen of the garbage dump and the fish-embalming king of time: Angel Day and Normal Phantom—who stand like giants in a storm-swept world. Wright’s storytelling is operatic and surreal: a blend of myth and scripture, politics and farce. She has a narrative gift for remaking reality itself, altering along her way, as if casually, the perception of what a novel can do with the inside of the reader's mind. Carpentaria is “an epic, exhilarating, unsettling novel” (Wall Street Journal) that is not to be missed.
  papunya school book: Making Waves Marele Day, Fay Knight, Susan Bradley Smith, 2006 This anthology celebrates 10 years of the Byron Bay Writers' Festival, with contributions from twenty-four leading Australian writers who have also appeared at the Festival. Writers include Kate Grenville, Peter Goldsworthy, Christopher Kremmer, Anita Heiss, Roger McDonald, Nick Earls and Thea Astley, and topics addressed range from the deeply personal to the powerfully political. At a time when discussion can be read as sedition and free expression is increasingly muted, writers' festivals are important forums for independent intelligent discussion, something the Byron Bay Writers Festival has provided from its inception. Writers address the things that matter to them, as writers and as Australians, and contributions range from essays to short stories and a poem. Like the Festival itself, the anthology is by turns (and sometimes all at once) passionate, considered, witty and intellectual and provides a fascinating overview of Australian writers today.
  papunya school book: The Boy from the Mish Gary Lonesborough, 2021-02-02 'I don't paint so much anymore,' I say, looking to my feet. 'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.' It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city - but this time a mysterious boy with a troubled past comes with them... As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret - a secret he thought he'd locked away for good. Compelling, honest and beautifully written, The Boy from the Mish is about first love, identity, and the superpower of self-belief. 'The Boy from the Mish is an extraordinary debut novel, and I loved this tender, beautiful story with all my heart. Jackson and Tomas stole my heart, and I'll be thinking about them for a long time.' NINA KENWOOD 'A lightning bolt to the soul. The Boy from the Mish announces a bold, necessary new talent.' WILL KOSTAKIS 'How I wish I had this big-hearted book when I was a teenager. It would've changed my life. Let it change yours.' BENJAMIN LAW 'It is, honestly, a book I've been searching for over my whole career as an editor, as well as all my years as a (queer) reader. I'm not ashamed to say that it made me cry (repeatedly) and awed me with the power of its storytelling.' DAVID LEVITHAN, Scholastic US Editorial Director 'A deftly woven tale that is both a raw, unflinching look at the experience of growing up gay and Aboriginal, and a sweet, truly endearing love story you just can't turn away from. This is Own Voices storytelling at its best.' HOLDEN SHEPPARD 'Honest. Funny. Beautiful. This book is all the things.' GABBIE STROUD
  papunya school book: The House that Was Eureka Nadia Wheatley, 2013-09-25 Winner of the New South Wales Premier's Children's Book Award, 1985. It's 1981 and Evie is sixteen. She has left school but can't find work, and her family has just moved into the run-down inner Sydney suburb of Newtown. Noel lives in the adjoining terrace house. He's fifteen, not taking school seriously and fed up with looking after his ancient bed-ridden grandmother. As a friendship grows between Evie and Noel, the past is set back in motion, and the events of the 1930s Depression era begin to play out in the high-unemployment times of the early 1980s, and the house again is the centre of the Sydney anti-eviction campaign of 1931. Based on historical fact, meticulously researched, The House that Was Eureka is a critically acclaimed novel about a history we all share. Nadia Wheatley is a long-standing fixture of Australian literature having written fiction and non-fiction for both children and adults. Seven of her books have been Children's Book Council of Australia Honour Books including Five Times Dizzy, The House that Was Eureka and My Place. She has won the New South Wales Premier's Children's Book Prize twice, for The House that Was Eureka and Five Times Dizzy and is known and respected for her contributions to Indigenous communities and the preservation of environment. Nadia is currently the Artist in Residence at The University of Sydney. textclassics.com.au 'A fine piece of work, well researched and beautifully plotted around the Depression when people were tipped out of their houses by landlords and unemployed men took to the roads with swags.' Sydney Morning Herald 'An absorbing and wholly convincing recreation of the Depression of the 1930s, with the traumatic experiences of the Cruise family, destitute and threatened with eviction, running parallel to the problems of today.' Australian Book Review 'Wheatley's book has urgency and a fierce strength...The characters from both eras are alive and flying, freedom fighters who are aware that they are making history.' Maurice Saxby
  papunya school book: My Place Nadia Wheatley, Donna Rawlins, 1989 Depicts life in Australia at different times in its development by viewing one place in different years while moving backwards from 1988 to 1788.
  papunya school book: Unsettling Narratives Clare Bradford, 2007 Children’s books seek to assist children to understand themselves and their world. Unsettling Narratives: Postcolonial Readings of Children’s Literature demonstrates how settler-society texts position child readers as citizens of postcolonial nations, how they represent the colonial past to modern readers, what they propose about race relations, and how they conceptualize systems of power and government. Clare Bradford focuses on texts produced since 1980 in Canada, the United States, Australia, and New Zealand and includes picture books, novels, and films by Indigenous and non-Indigenous publishers and producers. From extensive readings, the author focuses on key works to produce a thorough analysis rather than a survey. Unsettling Narratives opens up an area of scholarship and discussion—the use of postcolonial theories—relatively new to the field of children’s literature and demonstrates that many texts recycle the colonial discourses naturalized within mainstream cultures.
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