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| poem the negro mother: The Negro Speaks of Rivers Langston Hughes, 2009-01-06 Langston Hughes has long been acknowledged as the voice, and his poem, The Negro Speaks of Rivers, the song, of the Harlem Renaissance. Although he was only seventeen when he composed it, Hughes already had the insight to capture in words the strength and courage of black people in America. /DIVDIV Artist E.B. Lewis acts as interpreter and visionary, using watercolor to pay tribute to Hughes’s timeless poem, a poem that every child deserves to know. |
| poem the negro mother: Lullaby (for a Black Mother) Langston Hughes, 2013 My little dark baby, / My little earth-thing, / My little love-one, / What shall I sing / For your lullaby? With a few simple words as smooth as a song, the poet Langston Hughes celebrates the love between an African American mother and her baby. The award-winning illustrator Sean Qualls's painted and collaged artwork captures universally powerful maternal moments with tenderness and whimsy. In the end, readers will find a rare photo of baby Hughes and his mother, a biographical note, further reading, and the complete lullaby. Like little love-ones, this beautiful book is a treasure. |
| poem the negro mother: The Collected Poems of Langston Hughes Langston Hughes, 1995-10-31 The definitive sampling of a writer whose poems were “at the forefront of the Harlem Renaissance and of modernism itself, and today are fundamentals of American culture” (OPRAH Magazine). Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as The Negro Speaks of Rivers and Montage of a Dream Deferred, The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as Goodbye Christ that were once suppressed. |
| poem the negro mother: The Negro Mother, and Other Dramatic Recitations Langston Hughes, 1971 Dramatic recitations by famed author Langston Hughes. |
| poem the negro mother: Selected Poems of Langston Hughes Langston Hughes, 2011-10-26 Langston Hughes electrified readers and launched a renaissance in Black writing in America—the poems in this collection were chosen by Hughes himself shortly before his death and represent stunning work from his entire career. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who rushed the boots of Washington; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in the raffle of night. They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out wonder and pain and terror—and the marrow of the bone of life. The collection includes The Negro Speaks of Rivers, The Weary Blues, Still Here, Song for a Dark Girl, Montage of a Dream Deferred, and Refugee in America. It gives us a poet of extraordinary range, directness, and stylistic virtuosity. |
| poem the negro mother: Hughes: Poems Langston Hughes, 1999-03-23 A collection of poems by the African-American poet Langston Hughes. |
| poem the negro mother: The Big Sea Langston Hughes, 2022-08-01 In The Big Sea, Langston Hughes artfully chronicles his journey from the Midwest to Harlem during the vibrant period of the Harlem Renaissance, blending autobiographical narrative with profound social commentary. Written in a lyrical prose style, the book captures his artistic growth, personal struggles, and encounters with influential figures in the world of literature and jazz. Hughes's reflection on race, identity, and the African American experience is interspersed with rich imagery and poignant anecdotes, making the text not only a memoir but also a timeless exploration of cultural heritage and resilience. Langston Hughes, known for his pioneering contributions to American literature and the Harlem Renaissance, was deeply influenced by his own life experiences, growing up in a racially segregated America. His travels to Paris, where he mingled with expatriate artists, profoundly impacted his worldview and literary voice. Hughes's commitment to using art as a vehicle for social change and cultural expression imbues The Big Sea with a sense of urgency and relevance that resonates with readers from all backgrounds. This remarkable memoir is recommended for anyone seeking an understanding of the socio-cultural landscape of early 20th-century America, as well as those interested in the intersections of race, art, and identity. Hughes's insightful reflections and eloquent prose offer both historical context and personal depth, making The Big Sea an essential read for lovers of literature and advocates of social justice. |
| poem the negro mother: Proud Shoes Pauli Murray, 2024-06-25 First published in 1956, Proud Shoes is the remarkable true story of slavery, survival, and miscegenation in the South from the pre-Civil War era through the Reconstruction. Written by Pauli Murray the legendary civil rights activist and one of the founders of NOW, Proud Shoes chronicles the lives of Murray's maternal grandparents. From the birth of her grandmother, Cornelia Smith, daughter of a slave whose beauty incited the master's sons to near murder to the story of her grandfather Robert Fitzgerald, whose free black father married a white woman in 1840, Proud Shoes offers a revealing glimpse of our nation's history. |
| poem the negro mother: Vintage Hughes Langston Hughes, 2004-01-06 Presents selected works from The Collected Poems of Langston Hughes, and The Ways of White Folks. |
| poem the negro mother: The Weary Blues Langston Hughes, 2022-01-24 Immediately celebrated as a tour de force upon its release, Langston Hughes's first published collection of poems still offers a powerful reflection of the Black experience. From The Weary Blues to Dream Variation, Hughes writes clearly and colorfully, and his words remain prophetic. |
| poem the negro mother: Spring in New Hampshire and Other Poems Claude McKay, 1920 |
| poem the negro mother: No Crystal Stair Mairuth Sarsfield, 2021-11 First published in 1997, No Crystal Stair is an absorbing story of Montreal in the 1940s. Raising her three daughters alone, Marion discovers she can only find gainful employment if she passes as white. Set in Little Burgundy against the backdrop of an exciting cosmopolitan jazz scene--home of Oscar Peterson, Oliver Jones, and Rockhead's Paradise--and the tense years of World War II, No Crystal Stair is both a tender story and an indictment of Canada's soft racism. In 2005, No Crystal Stair was nominated for that year's Canada Reads and was defended by Olympic fencer Sherraine MacKay. |
| poem the negro mother: The Book of American Negro Poetry (EasyRead Super Large 24pt Edition) James Weldon Johnson, 2019 |
| poem the negro mother: Into Each Room We Enter Without Knowing Charif Shanahan, 2017-01-20 In Into Each Room We Enter without Knowing, poet Charif Shanahan explores the various ways in which we as a species inherit identity constructs, chiefly about race and sexuality, and how we navigate those constructs in the creation of our identities-- |
| poem the negro mother: The Weary Blues Langston Hughes, 1927 |
| poem the negro mother: Mother to Son Latorial Faison, 2017-02-03 American Hip Hop artist, Nas, penned the lyrics, If I ruled the world, I'd free all my sons. Poet and author, Latorial Faison, attempts to do just that in this passionately resounding collection of her most prolific poems to date. With Mother to Son, Faison reminds all, especially her own sons to whom the book is dedicated, why we must rise above our greatest tragedies, our deepest pains. We can't give up this fight that is so increasingly laced with inner conflict, foundational challenges, systemic racism, social injustice, and inequality; we must stand up, rise up, and realize every possibility. Faison paints a lyrical picture that the urgency is still now. These 40 poems render a glimpse into the tumultuous life experiences that have caused this poet to evolve. Readers will gain a sense of those primary, yet pivotal moments that often become the very foundations on which we stand. Recalling the words, ideas, and the spirits of literary icons, such as Langston Hughes, James Baldwin, Lucille Clifton, Maya Angelou, and Amiri Baraka, Faison rhythmically galvanizes readers to hope, to resilience, to faith, to achievement, to sankofa. Every now and then a book comes along that changes the way we see our world and helps to fuel social change. Mother to Son is a march on humanity, a poetic protest, a profoundly lyrical plea, a storytelling that draws us all to the intersection of race, gender, and politics in America. Mothers, sons, and daring readers the world over-- all will find the boldness and passion with which Faison pens this analysis of life as she's experienced it both moving and stirring. This book is complete with wisdom and a very rich heritage of the contributions and the legacy Africans have created in America. It sings freedom song after freedom song to a tune that readers are sure to both embrace and lift their voices. Mother to Son is a must-read; it's uplifting and ushers readers into a renewed or continued sense of purpose, responsibility, and self-worth. Faison has penned a collection that is stunning, valuable, and profoundly necessary. This book is a mother to son, woman to mankind call to action. |
| poem the negro mother: The Panther and the Lash Langston Hughes, 2011-10-26 Hughes's last collection of poems commemorates the experience of Black Americans in a voice that no reader could fail to hear—the last testament of a great American writer who grappled fearlessly and artfully with the most compelling issues of his time. “Langston Hughes is a titanic figure in 20th-century American literature ... a powerful interpreter of the American experience.” —The Philadelphia Inquirer From the publication of his first book in 1926, Langston Hughes was America's acknowledged poet of color. Here, Hughes's voice—sometimes ironic, sometimes bitter, always powerful—is more pointed than ever before, as he explicitly addresses the racial politics of the sixties in such pieces as Prime, Motto, Dream Deferred, Frederick Douglas: 1817-1895, Still Here, Birmingham Sunday. History, Slave, Warning, and Daybreak in Alabama. |
| poem the negro mother: The Life of Langston Hughes: Volume I: 1902-1941, I, Too, Sing America Arnold Rampersad, 2001-11-26 February 1, 2002 marks the 100th birthday of Langston Hughes. To commemorate the centennial of his birth, Arnold Rampersad has contributed new Afterwords to both volumes of his highly-praised biography of this most extraordinary and prolific American writer. In young adulthood Hughes possessed a nomadic but dedicated spirit that led him from Mexico to Africa and the Soviet Union to Japan, and countless other stops around the globe. Associating with political activists, patrons, and fellow artists, and drawing inspiration from both Walt Whitman and the vibrant Afro-American culture, Hughes soon became the most original and revered of black poets. In the first volumes Afterword, Rampersad looks back at the significant early works Hughes produced, the genres he explored, and offers a new perspective on Hughess lasting literary influence. Exhaustively researched in archival collections throughout the country, especially in the Langston Hughes papers at Yale Universitys Beinecke Library, and featuring fifty illustrations per volume, this anniversary edition will offer a new generation of readers entrance to the life and mind of one of the twentieth centurys greatest artists. |
| poem the negro mother: I, Too, Am America Langston Hughes, 2012-05-22 Winner of the Coretta Scott King illustrator award, I, Too, Am America blends the poetic wisdom of Langston Hughes with visionary illustrations from Bryan Collier in this inspirational picture book that carries the promise of equality. I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Langston Hughes was a courageous voice of his time, and his authentic call for equality still rings true today. Beautiful paintings from Barack Obama illustrator Bryan Collier accompany and reinvent the celebrated lines of the poem I, Too, creating a breathtaking reminder to all Americans that we are united despite our differences. This picture book of Langston Hughes’s celebrated poem, I, Too, Am America, is also a Common Core Text Exemplar for Poetry. |
| poem the negro mother: The Mis-Education of the Negro Carter Godwin Woodson, 2012-03-07 This landmark work by a pioneering crusader of black education inspired African-Americans to demand relevant learning opportunities that were inclusive of their own culture and heritage. |
| poem the negro mother: Not Without Laughter Langston Hughes, 2008-04-04 Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African-American family in rural Kansas, explores the dilemmas of life in a racially divided society. |
| poem the negro mother: The Negro Mother and Other Poems Langston Hughes, Prentiss Taylor, 1931 |
| poem the negro mother: The Different Faces of Motherhood Beverly Birns, Dale Hay, 2013-06-29 The Different Faces of Motherhood began during a conversation between the two editors, developmental psychologists who have spent our professional careers working with infants and very young children. We are well aware of the impor tance of infants to their mothers and of mothers to their infants. However, we were particularly aware of the fact that, whereas our knowledge about infants increases exponentially . each decade, our assumptions about mothers change relatively little. We were concerned about the theories that underlie the advice given to mothers and also about the assumption that mothers appear to be generic. More and more we have learned about individual differences in babies, but not more and more about individual differences in mothers. Our second concern has been to expand our knowledge about mothers. Our assumptions were few and our questions were many. We believed that the experience of women would vary greatly, both in outlook and in behavior, depending on each woman's age, marital status, finan Cial status, ethnicity, health, education and work experience, as well as a wom an's own experience in her family origin and her relationship to her husband. If we are to understand child development and believe that the early years are important in a child's life, then it seems critical to examine our beliefs about mothers. If we are to understand human development, then being a mother is surely an important area of inquiry. |
| poem the negro mother: The Life of Langston Hughes Arnold Rampersad, 2002-01-10 February 1, 2002 marks the 100th birthday of Langston Hughes. To commemorate the centennial of his birth, Arnold Rampersad has contributed new Afterwords to both volumes of his highly-praised biography of this most extraordinary and prolific American writer. In young adulthood Hughes possessed a nomadic but dedicated spirit that led him from Mexico to Africa and the Soviet Union to Japan, and countless other stops around the globe. Associating with political activists, patrons, and fellow artists, and drawing inspiration from both Walt Whitman and the vibrant Afro-American culture, Hughes soon became the most original and revered of black poets. In the first volume's Afterword, Rampersad looks back at the significant early works Hughes produced, the genres he explored, and offers a new perspective on Hughes's lasting literary influence. Exhaustively researched in archival collections throughout the country, especially in the Langston Hughes papers at Yale University's Beinecke Library, and featuring fifty illustrations per volume, this anniversary edition will offer a new generation of readers entrance to the life and mind of one of the twentieth century's greatest artists. |
| poem the negro mother: The Development of Black Theater in America Leslie Catherine Sanders, 1989-08-01 In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own. |
| poem the negro mother: Magical Negro Morgan Parker, 2019-02-05 A National Book Critics Circle Poetry Award Winner! From the breakout author of There Are More Beautiful Things Than Beyoncé comes a profound and deceptively funny exploration of Black American womanhood. Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read—both as an account of a private life and as searing political protest. —TIME Magazine A Best Book of 2019 at TIME, Elle, BuzzFeed, the Star Tribune, AVClub, and more. A Most Anticipated Book of 2019 at Vogue, O: the Oprah Magazine, NYLON, BuzzFeed, Publishers Weekly, and more. Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless black melancholies and triumphs. |
| poem the negro mother: Primer for Blacks Gwendolyn Brooks, 1991 |
| poem the negro mother: Selected Letters of Langston Hughes Langston Hughes, 2015-02-10 This is the first comprehensive selection from the correspondence of the iconic and beloved Langston Hughes. It offers a life in letters that showcases his many struggles as well as his memorable achievements. Arranged by decade and linked by expert commentary, the volume guides us through Hughes’s journey in all its aspects: personal, political, practical, and—above all—literary. His letters range from those written to family members, notably his father (who opposed Langston’s literary ambitions), and to friends, fellow artists, critics, and readers who sought him out by mail. These figures include personalities such as Carl Van Vechten, Blanche Knopf, Zora Neale Hurston, Arna Bontemps, Vachel Lindsay, Ezra Pound, Richard Wright, Kurt Weill, Carl Sandburg, Gwendolyn Brooks, James Baldwin, Martin Luther King, Jr., Alice Walker, Amiri Baraka, and Muhammad Ali. The letters tell the story of a determined poet precociously finding his mature voice; struggling to realize his literary goals in an environment generally hostile to blacks; reaching out bravely to the young and challenging them to aspire beyond the bonds of segregation; using his artistic prestige to serve the disenfranchised and the cause of social justice; irrepressibly laughing at the world despite its quirks and humiliations. Venturing bravely on what he called the “big sea” of life, Hughes made his way forward always aware that his only hope of self-fulfillment and a sense of personal integrity lay in diligently pursuing his literary vocation. Hughes’s voice in these pages, enhanced by photographs and quotations from his poetry, allows us to know him intimately and gives us an unusually rich picture of this generous, visionary, gratifyingly good man who was also a genius of modern American letters. |
| poem the negro mother: Langston Hughes Faith Berry, 1992 Portrays the African American writer and man of letters Langston Hughes, his Midwest roots, his college days (already a recognized poet), his travels, permanent settlement in Harlem, and involvement in the Harlem Renaissance. |
| poem the negro mother: Imperial Liquor Amaud Jamaul Johnson, 2020-02-25 Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal—what’s more American? This book tracks echoes, rides the residue of music “after the love is gone.” Smokey the most dangerous men in my neighborhood only listened to love songs to reach those notes a musicologist told me a man essentially cuts his own throat. some nights even now, i’ll hear a falsetto and think i should run |
| poem the negro mother: The Fable of Polyphemus and Galatea Luis de Góngora y Argote, 1988 This is a poetic translation of Luis Góngora y Argote's Polifemo y Galatea, a major work by a major poet of the Spanish Golden Age. The main body of this English version consists of prose paraphrases of the English poetic text and an analytical commentary that accompanies the actual poetic text it reproduces faithfully both content and the form of the ottava rima of the Spanish original. |
| poem the negro mother: Caroling Dusk Countee Cullen, 1927 For this anthology, Cullen selected the work of thirty-eight poets to, as he put it, bring together a miscellany of deeply appreciated but scattered verse. The collection includes Paul Laurence Dunbar, often credited as the first Black poet to make a deep and lasting impression on the literary world; James Weldon Johnson, the author of what is referred to now as the Black National Anthem; W. E. B. Du Bois; Jessie Faucet; Sterling A. Brown; Arna Bontemps; Langston Hughes and Cullen's own work. The poets were all known within the literary world and widely published. Each poem is accompanied by autobiographical notes, with the exception of three. The decorations in this book are by African American painter and graphic artist, Aaron Douglas--J. Willard Marriott Library blog, viewed June 3, 2022. |
| poem the negro mother: Langston Hughes C. James Trotman, 2014-02-25 First published in 1995. This volume focuses on the life and influence of Langston Hughes (1902-1967) and forms part of the Critical Studies in Black Life and Culture series. The series is devoted to original, book-Iength studies of African American developments. Written by well-qualified scholars, the series is interdisciplinary and global, interpreting tendencies and themes wherever African Americans have left their mark. |
| poem the negro mother: Langston Hughes Laurie Leach, 2004-06-30 This biography traces Hughes' life and artistic development, from his early years of isolation, which fostered his fierce independence, to his prolific life as a poet, playwright, lyricist, and journalist. Hughes' inspiring story is told through 21 engaging chapters, each providing a fascinating vignette of the artistic, personal, and political associations that shaped his life. Recounted are the pivotal developments in his literary career, with all its struggles and rewards, as well as his travel adventures to Africa, Europe, and Asia, and his political commitments to fight fascism as well as racism. Langston Hughes was raised by a grandmother who actively aided the Underground Railroad, and his first forays into poetry reflected personal tales of slavery and heroism. Through his poetry, Hughes lived up to a proud tradition and continued the uplifting legacy of his race. He was a renaissance man in nearly every aspect of his life, and his name has become synonymous with the Harlem Renaissance movement he helped launch. This biography traces Hughes' life and artistic development, from his early years of isolation, which fostered his fierce independence, to his prolific life as a poet, playwright, lyricist, and journalist. Hughes' inspiring story is told through 21 engaging chapters, each providing a fascinating vignette of the artistic, personal, and political associations that shaped his life. Recounted are the pivotal developments in his literary career, with all its struggles and rewards, as well as his travel adventures to Africa, Europe, and Asia, and his political commitments to fight fascism as well as racism. A timeline, a selected bibliography of biographical and critical sources, and a complete list of Hughes' writings complete the volume. |
| poem the negro mother: Plum Bun (Classic Reprint) Jessie Redmon Fauset, 2016-09-16 Excerpt from Plum Bun Angela had no high purpose in life; unlike her sister Virginia, who meant some day to invent a marvellous method for teaching the pianoforte, Angela felt no impulse to discover, or to perfect. True she thought she might become eventually a distinguished painter, but that was because she felt within herself an ability to depict which as far as it went was correct and promising. Her eye for line and for expression was already good and she had a nice feeling for colour. Moreover she possessed the instinct for self-appraisal which taught her that she had much to learn. And she was sure that the knowledge once gained would ower in her case to perfection. But her gift was not for her the end of existence; rather it was an adjunct to a life which was to know light, pleasure, gaiety and freedom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. |
| poem the negro mother: Letter from Birmingham Jail MARTIN LUTHER KING JR., Martin Luther King, 2018 This landmark missive from one of the greatest activists in history calls for direct, non-violent resistance in the fight against racism, and reflects on the healing power of love. |
| poem the negro mother: Modern African American Poets Yasser K. R. Aman, 2018-10-29 This book consists of eight chapters covering poets from the Harlem Renaissance until the present day. It considers the Harlem Renaissance poets Hughes and Cullen from new perspectives, with regards to two psychological types: self-acceptance and self-dejection. The first two chapters discuss Hughes’ and Cullen’s expression of race relations and the way they protest. Chapter three on Roscoe C. Jamison represents unheard voices, while the fourth chapter, focusing on Ai, analyzes multi-ethnic roots and dissects American society, highlighting the reasons for violence and sexual hunger. Chapter five on Nikky Finney, a representative of Affrilachian poetry and a political activist, focuses on different social and political issues. Chapters six and seven discuss the application of Dual Inheritance Theory on African American and Afro-German poetry. Chapter eight tackles the ongoing effort of redefining black womanhood, with specific emphasis on Morgan Parker. |
| poem the negro mother: Prose to the People Katie Mitchell, 2025-04-08 A stunning visual homage to Black bookstores, featuring a selection of shops around the country alongside essays that celebrate the history, community, activism, and culture these spaces embody, with an original foreword by Nikki Giovanni. Black literature is perhaps the most powerful, polarizing force in the modern American zeitgeist. Today—as Black novels draw authoritarian ire, as Black memoirs shape public debates, as Black polemics inspire protest petitions—it’s more important than ever to highlight the places that center these stories: Black bookstores. Traversing teeming metropolises and tiny towns, Prose to the People explores a these spaces, chronicling these Black bookstore's past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books. Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography. Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores' role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community. |
| poem the negro mother: Mothers in Children's and Young Adult Literature Lisa Rowe Fraustino, Karen Coats, 2016-05-05 Winner of the Children’s Literature Association’s 2018 Edited Book Award Contributions by Robin Calland, Lauren Causey, Karen Coats, Sara K. Day, Lisa Rowe Fraustino, Dorina K. Lazo Gilmore, Anna Katrina Gutierrez, Adrienne Kertzer, Kouen Kim, Alexandra Kotanko, Jennifer Mitchell, Mary Jeanette Moran, Julie Pfeiffer, and Donelle Ruwe Living or dead, present or absent, sadly dysfunctional or merrily adequate, the figure of the mother bears enormous freight across a child's emotional and intellectual life. Given the vital role literary mothers play in books for young readers, it is remarkable how little scholarly attention has been paid to the representation of mothers outside of fairy tales and beyond studies of gender stereotypes. This collection of thirteen essays begins to fill a critical gap by bringing together a range of theoretical perspectives by a rich mix of senior scholars and new voices. Following an introduction in which the coeditors describe key trends in interdisciplinary scholarship, the book's first section focuses on the pedagogical roots of maternal influence in early children's literature. The next section explores the shifting cultural perspectives and subjectivities of the twentieth century. The third section examines the interplay of fantasy, reality, and the ethical dimensions of literary mothers. The collection ends with readings of postfeminist motherhood, from contemporary realism to dystopian fantasy. The range of critical approaches in this volume will provide multiple inroads for scholars to investigate richer readings of mothers in children's and young adult literature. |
| poem the negro mother: Which Sin to Bear? David E. Chinitz, 2013-02-14 Langston Hughes survived as a writer for over forty years under conditions that made survival virtually heroic. Determined on a literary career at a time when no African American had yet been able to live off his or her writing, Hughes not only faced poverty and racism but found himself pressed by the conflicting hopes, expectations, and demands of readers and critics. He relied on his skill as a mediator among competing positions in order to preserve his art, his integrity, and his unique status as the poetic voice of ordinary African Americans. Which Sin To Bear? explores Hughes's efforts to negotiate the problems of identity and ethics he faced as an African American professional writer and intellectual. The book traces his early efforts to fashion himself as an authentic black poet of the Harlem Renaissance and his later imagining of a new and more inclusive understanding of authentic blackness. It examines Hughes's lasting, yet self-critical commitment to progressive politics in the mid-century years. And it shows how, in spite of his own ambivalence--and, at times, anguish--Hughes was forced to engage in ethical compromises to achieve his personal and social goals. The book is also the first to analyze Hughes's executive-session testimony before Joseph McCarthy's Senate Permanent Subcommittee on Investigations, which was unavailable to the public for half a century. David Chinitz digs into Hughes's creative work, newspaper columns, letters, and unpublished papers to reveal a writer who faced a daunting array of dicey questions and intimidating obstacles, and whose triumphs and occasional missteps are a fascinating and telling part of his legacy. |
Poems | The Poetry Foundation
Poems, readings, poetry news and the entire 110-year archive of POETRY magazine.
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Search our extensive curated collection of over 10,000 poems by occasion, theme, and form, or search by keyword or poet’s name in the field below.
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3 days ago · Best poems by famous poets all around the world on Poem Hunter. Read poem and quotes from most popular poets. Search for poems and poets using the …
Poems | The Poetry Foundation
Poems, readings, poetry news and the entire 110-year archive of POETRY magazine.
100 Most Famous Poems | DiscoverPoetry.com
There's always room for debate when creating a "top 100" list, and let's face it, fame is a pretty fickle thing. It changes over time. But that said, we did our best to use available objective data …
Poems | Academy of American Poets
Search our extensive curated collection of over 10,000 poems by occasion, theme, and form, or search by keyword or poet’s name in the field below.
Our 100 Most Popular Poems - Family Friend Poems
Our collection focuses on poems that convey love, encourage healing and touch the heart. With 15+ years of experience, we've developed a unique method to find poems that are both …
Poem Hunter: Poems - Poets - Poetry
3 days ago · Best poems by famous poets all around the world on Poem Hunter. Read poem and quotes from most popular poets. Search for poems and poets using the poetry search engine.
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Mar 12, 2025 · Navigate your way into this beautiful art form with this list of the most famous poems ever written. What jumps into your mind when you think of the most famous poems …
