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| peso pluma disses bad bunny: The Motherlode Clover Hope, 2021-02-02 An illustrated highlight reel of more than 100 women in rap who have helped shape the genre and eschewed gender norms in the process, The Motherlode “shines a bright light on a history of overlooked female talent and breaks down the ingenuity of our current generation of stars” (Issa Rae, creator and star of HBO’s Insecure). Clover Hope’s comprehensive history showcases more than 100 women who have shaped the power, scope, and reach of rap music, including pioneers like Roxanne Shanté, game changers like Lauryn Hill and Missy Elliott, and current reigning queens like Nicki Minaj, Cardi B, and Lizzo—as well as everyone who came before, after, and in between. Some of these women were respected but not widely celebrated. Some are impossible not to know. Some of these women have stood on their own; others were forced into templates, compelled to stand beside men in big rap crews. Some have been trapped in a strange critical space between respected MC and object. They are characters, caricatures, lyricists, at times both feminine and explicit. The Motherlode profiles each of these women, their musical and career breakthroughs, and the ways in which they each helped change the culture of rap. Illustrations by Rachelle Baker “This book is achingly overdue. Women in hip-hop, as musicians, journalists, and executives, have always dealt with a staggering and sobering truth. Hip-hop, which we love and hold dear, does not always love us back. With The Motherlode, Clover Hope loves on us. She peels back the layers—the joy and pain—and makes sure our untold stories are now told and retold.” —Aliya S. King, New York Times bestselling coauthor of Keep the Faith |
| peso pluma disses bad bunny: Posthuman Rap Justin Adams Burton, 2017-09-01 Posthuman Rap listens for the ways contemporary rap maps an existence outside the traditional boundaries of what it means to be human. Contemporary humanity is shaped in neoliberal terms, where being human means being viable in a capitalist marketplace that favors whiteness, masculinity, heterosexuality, and fixed gender identities. But musicians from Nicki Minaj to Future to Rae Sremmurd deploy queerness and sonic blackness as they imagine different ways of being human. Building on the work of Sylvia Wynter, Alexander Weheliye, Lester Spence, LH Stallings, and a broad swath of queer and critical race theory, Posthuman Rap turns an ear especially toward hip hop that is often read as apolitical in order to hear its posthuman possibilities, its construction of a humanity that is blacker, queerer, more feminine than the norm. |
| peso pluma disses bad bunny: The Measurement of Musical Talent Carl Emil Seashore, 1915 |
| peso pluma disses bad bunny: White Niggers of America Pierre Vallieres, 1988 |
| peso pluma disses bad bunny: Top 40 Democracy Eric Weisbard, 2014-11-27 A capacious and stimulating tour de force of the mainstream music industry that reveals the cultural import of even the most deliberately banal performers and songs. Weisbard finds depths in our culture s shallows as he investigates and articulates the cultural construction of such phenomena as Dolly Parton, Elton John, the Isley Brothers, A&M Records, and the rise of radio populism. He further sheds new light on the upheavals in the music industry over the last fifteen years and the implications of them for the audiences the industry has shaped. Each chapter brings us to see afresh precisely that music and those musicians that have become the most familiar and overexposed, by delving into the minutiae of how pop stars and their music were made and framed for repeated consumption in the era dominated by radio. |
| peso pluma disses bad bunny: Isles of Noise Alejandra Bronfman, 2016 In this media history of the Caribbean, Alejandra Bronfman traces how technology, culture, and politics developed in a region that was 'wired' earlier and more widely than many other parts of the Americas. Attending to everyday life, infrastructure, and sounded histories, Bronfman does not allowthe notion of empire to stand solely for domination. |
| peso pluma disses bad bunny: Dissonant Divas in Chicana Music Deborah R. Vargas, 2012 Explores the resounding musical performances of Mexican American women such as Chelo Silva, Eva Ybarra, Eva Garza, and Selena within Tejano/Chicano music |
| peso pluma disses bad bunny: Culture Is Our Weapon Patrick Neate, Damian Platt, 2010-02-23 An inspiring mission to rescue young people from drugs and violence with music At a time when interest in Brazilian culture has reached an all-time high, and the stories of one person's ability to improve the lives of others has captured so many hearts, this unique book takes readers to the frontlines of a battle raging over control of the nation's poorest areas. Culture Is Our Weapon tells the story of Grupo Cultural AfroReggae, a Rio-based organization employing music and an appreciation for black culture to inspire residents of the favelas, or shantytowns, to resist the drugs that are ruining their neighborhoods. This is an inspiring look at an artistic explosion and the best and worst of Brazilian society. |
| peso pluma disses bad bunny: The African Image. -- Ezekiel Mphahlele, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| peso pluma disses bad bunny: Africa in Stereo Tsitsi Jaji, 2014 Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs. |
| peso pluma disses bad bunny: Sounding Composition Steph Ceraso, 2018-08-21 In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first-century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have presented new opportunities for teaching listening in relation to composing, they also have resulted in a limited understanding of how sound works in the world at large. Ceraso offers an expansive approach to sonic pedagogy through the concept of multimodal listening—a practice that involves developing an awareness of how sound shapes and is shaped by different contexts, material objects, and bodily, multisensory experiences. Through a mix of case studies and pedagogical materials, she demonstrates how multimodal listening enables students to become more savvy consumers and producers of sound in relation to composing digital media, and in their everyday lives. |
| peso pluma disses bad bunny: Fire and Fury Michael Wolff, 2018-01-05 #1 New York Times Bestseller With extraordinary access to the West Wing, Michael Wolff reveals what happened behind-the-scenes in the first nine months of the most controversial presidency of our time in Fire and Fury: Inside the Trump White House. Since Donald Trump was sworn in as the 45th President of the United States, the country—and the world—has witnessed a stormy, outrageous, and absolutely mesmerizing presidential term that reflects the volatility and fierceness of the man elected Commander-in-Chief. This riveting and explosive account of Trump’s administration provides a wealth of new details about the chaos in the Oval Office, including: -- What President Trump’s staff really thinks of him -- What inspired Trump to claim he was wire-tapped by President Obama -- Why FBI director James Comey was really fired -- Why chief strategist Steve Bannon and Trump’s son-in-law Jared Kushner couldn’t be in the same room -- Who is really directing the Trump administration’s strategy in the wake of Bannon’s firing -- What the secret to communicating with Trump is -- What the Trump administration has in common with the movie The Producers Never before in history has a presidency so divided the American people. Brilliantly reported and astoundingly fresh, Fire and Fury shows us how and why Donald Trump has become the king of discord and disunion. “Essential reading.”—Michael D’Antonio, author of Never Enough: Donald Trump and the Pursuit of Success, CNN.com “Not since Harry Potter has a new book caught fire in this way...[Fire and Fury] is indeed a significant achievement, which deserves much of the attention it has received.”—The Economist |
| peso pluma disses bad bunny: Sound Curriculum Walter S. Gershon, 2017-06-26 Part of a growing group of works that addresses the burgeoning field of sound studies, this book attends not only to theoretical and empirical examinations, but also to methodological and philosophical considerations at the intersection of sound and education. Gershon theoretically advances the rapidly expanding field of sound studies and simultaneously deepens conceptualizations and educational understandings across the fields of curriculum studies and foundations of education. A feature of this work is the novel use of audio files aligned with the arguments within the book as well as the discussion and application of cutting-edge qualitative research methods. |
| peso pluma disses bad bunny: Dissonance Sean Alexander Gurd, 2016-07-01 In the four centuries leading up to the death of Euripides, Greek singers, poets, and theorists delved deeply into auditory experience. They charted its capacity to develop topologies distinct from those of the other senses; contemplated its use as a communicator of information; calculated its power to express and cause extreme emotion. They made sound too, artfully and self-consciously creating songs and poems that reveled in sonorousness. Dissonance reveals the commonalities between ancient Greek auditory art and the concerns of contemporary sound studies, avant-garde music, and aesthetics, making the argument that “classical” Greek song and drama were, in fact, an early European avant-garde, a proto-exploration of the aesthetics of noise. The book thus develops an alternative to that romantic ideal which sees antiquity as a frozen and silent world. |
| peso pluma disses bad bunny: The Voice in Cinema Michel Chion, 1999 Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma. |
| peso pluma disses bad bunny: Sound Recording Technology and American Literature Jessica Teague, 2021-05-20 This book investigates the sustained engagement between American literature and sound recording technologies during the twentieth century. |
| peso pluma disses bad bunny: The Sonic Color Line Jennifer Lynn Stoever, 2016-11-15 The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently. |
| peso pluma disses bad bunny: The Race of Sound Nina Sun Eidsheim, 2019-01-11 Examining singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as vocal synthesis technology, Nina Sun Eidsheim traces the ways in which the voice and its qualities are socially produced and how listeners assign a series of racialized and gendered set of assumptions to a singing voice. |
| peso pluma disses bad bunny: Chasing Sound Susan Schmidt Horning, 2013-12-15 The recording studio, she argues, is at the center of musical culture in the twentieth century.--Emily Thompson, Princeton University Science |
| peso pluma disses bad bunny: American Sabor Marisol Berrios-Miranda, Shannon Dudley, Michelle Habell-Pallan, 2017-12-15 Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente’s mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States—including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa—but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berríos-Miranda, Shannon Dudley, and Michelle Habell-Pallán challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities—including Chicanos, Tejanos, and Puerto Ricans—in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all. |
| peso pluma disses bad bunny: Queer Nightlife Kemi Adeyemi, 2021-05-03 Evocative essays and interviews that celebrate the expressive possibilities of a world after dark |
| peso pluma disses bad bunny: Queer Latinidad Juana María Rodríguez, 2003 The author documents the ways in which identity formation and representation within the gay Latinidad population impacts gender and cultural studies today. |
| peso pluma disses bad bunny: Sensing Sound Nina Sun Eidsheim, 2015-12-11 In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies. |
| peso pluma disses bad bunny: I Mix What I Like! Jared A. Ball, 2011-06-21 I Mix What I Like is a study of the hip-hop mixtape as a tool of emancipatory journalism. Looking at colonialism, the media, education, intellectual property, and popular culture Jared Ball examines the ways in which the grassroots history of the rap music mixtape can encourage new forms of political organization and struggle. |
| peso pluma disses bad bunny: Hold Tight, Don't Let Go Laura Rose Wagner, 2015-01-06 In the aftermath of the 2010 earthquake in Haiti, Nadine goes to live with her father in Miami while her cousin Magdalie, raised as her sister, remains behind in a refugee camp, dreaming of joining Nadine but wondering if she must accept that her life and future are in Port-au-Prince. |
| peso pluma disses bad bunny: Wild Music Maria Sonevytsky, 2019-11-05 Recipient of the 2020 Lewis Lockwood Award from the American Musicological Society What are the uses of musical exoticism? In Wild Music, Maria Sonevytsky tracks vernacular Ukrainian discourses of wildness as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism. |
| peso pluma disses bad bunny: Ranciere and Music Cachopo Joao Pedro Cachopo, 2020-04-15 The place of music in Ranciere's thought has long been underestimated or unrecognised. This volume responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields, including an Afterword by Ranciere on the role of music in his thought and writing. The essays engage closely with Ranciere's existing commentary on music and its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound and listening. Ranciere's thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Ranciere's work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze. |
| peso pluma disses bad bunny: Sexual Futures, Queer Gestures, and Other Latina Longings Juana María Rodríguez, 2014-07-25 Winner of the Alan Bray Memorial Book Prize presented by the GL/Q Caucus of the Modern Language Association Finalist for the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Sexual Futures, Queer Gestures and Other Latina Longings proposes a theory of sexual politics that works in the interstices between radical queer desires and the urgency of transforming public policy, between utopian longings and everyday failures. Considering the ways in which bodily movement is assigned cultural meaning, Juana María Rodríguez takes the stereotypes of the hyperbolically gestural queer Latina femme body as a starting point from which to discuss how gestures and forms of embodiment inform sexual pleasures and practices in the social realm. Centered on the sexuality of racialized queer female subjects, the book’s varied archive—which includes burlesque border crossings, daddy play, pornography, sodomy laws, and sovereignty claims—seeks to bring to the fore alternative sexual practices and machinations that exist outside the sightlines of mainstream cosmopolitan gay male culture. Situating articulations of sexual subjectivity between the interpretive poles of law and performance, Rodríguez argues that forms of agency continually mediate among these various structures of legibility—the rigid confines of the law and the imaginative possibilities of the performative. She reads the strategies of Puerto Rican activists working toward self-determination alongside sexual performances on stage, in commercial pornography, in multi-media installations, on the dance floor, and in the bedroom. Rodríguez examines not only how projections of racialized sex erupt onto various discursive mediums but also how the confluence of racial and gendered anxieties seeps into the gestures and utterances of sexual acts, kinship structures, and activist practices. Ultimately, Sexual Futures, Queer Gestures, and Other Latina Longings reveals —in lyrical style and explicit detail—how sex has been deployed in contemporary queer communities in order to radically reconceptualize sexual politics. |
| peso pluma disses bad bunny: The Sounding Object Davide Rocchesso, Federico Fontana, 2003 |
| peso pluma disses bad bunny: Tokyo Boogie-Woogie Hiromu Nagahara, 2017-04-10 Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan’s transformation into a postwar middle-class society. |
| peso pluma disses bad bunny: Keywords John Patrick Leary, 2019-01-08 “A clever, even witty examination of the manipulation of language in these days of neoliberal or late stage capitalism” (Counterpunch). From Silicon Valley to the White House, from kindergarten to college, and from the factory floor to the church pulpit, we are all called to be innovators and entrepreneurs, to be curators of an ever-expanding roster of competencies, and to become resilient and flexible in the face of the insults and injuries we confront at work. In the midst of increasing inequality, these keywords teach us to thrive by applying the lessons of a competitive marketplace to every sphere of life. What’s more, by celebrating the values of grit, creativity, and passion at school and at work, they assure us that economic success is nothing less than a moral virtue. Organized alphabetically as a lexicon, Keywords explores the history and common usage of major terms in the everyday language of capitalism. Because these words have infiltrated everyday life, their meanings may seem self-evident, even benign. Who could be against empowerment, after all? Keywords uncovers the histories of words like innovation, which was once synonymous with “false prophecy” before it became the prevailing faith of Silicon Valley. Other words, like best practices and human capital, are relatively new coinages that subtly shape our way of thinking. As this book makes clear, the new language of capitalism burnishes hierarchy, competition, and exploitation as leadership, collaboration, and sharing, modeling for us the habits of the economically successful person: be visionary, be self-reliant—and never, ever stop working. |
| peso pluma disses bad bunny: Relocations Karen Tongson, 2011-08-01 What queer lives, loves and possibilities teem within suburbia’s little boxes? Moving beyond the imbedded urban/rural binary, Relocations offers the first major queer cultural study of sexuality, race and representation in the suburbs. Focusing on the region humorists have referred to as “Lesser Los Angeles”—a global prototype for sprawl—Karen Tongson weaves through suburbia’s “nowhere”spaces to survey our spatial imaginaries: the aesthetic, creative and popular materials of the new suburbia. Across southern California’s freeways, beneath its overpasses and just beyond its winding cloverleaf interchanges, Tongson explores the improvisational archives of queer suburban sociability, from multimedia artist Lynne Chan’s JJ Chinois projects and the amusement park night-clubs of 1980s Orange County to the imperial legacies of the region known as the Inland Empire. By taking a hard look at the cosmopolitanism historically considered de rigeur for queer subjects, while engaging with the so-called “New Suburbanism” that has captivated the national imaginary in everything from lifestyle trends to electoral politics, Relocations radically revises our sense of where to see and feel queer of color sociability, politics and desire. |
| peso pluma disses bad bunny: The Skillful Huntsman Khang Le, Mike Yamada, Felix Yoon, Scott Robertson, 2005 Documents the creative process of concept design by 3 students from the Art Center College of Design under the guidance of their instructor, Scott Robinson. The concept design includes a host of intriguing places and people, inspired by the Brothers Grimm's tale The skillfull huntsman. Discussion of ideas and techniques used to create this stunning collection of artwork between Robertson and his students reveal insights on the behind-the-scenes action of concept design. |
| peso pluma disses bad bunny: Staten Island Noir Patricia Smith, 2012-11-06 Presents a collection of short stories featuring noir and crime fiction about Staten Island, New York, by such authors as Todd Craig, Linda Nieves-Powell, S. J. Rozan, and Patricia Smith. |
| peso pluma disses bad bunny: Hear Our Truths Ruth Nicole Brown, 2013-11-22 This volume examines how Saving Our Lives Hear Our Truths, or SOLHOT, a radical youth intervention, provides a space for the creative performance and expression of Black girlhood and how this creativity informs other realizations about Black girlhood and womanhood. Founded in 2006 and co-organized by the author, SOLHOT is an intergenerational collective organizing effort that celebrates and recognizes Black girls as producers of culture and knowledge. Girls discuss diverse expressions of Black girlhood, critique the issues that are important to them, and create art that keeps their lived experiences at its center. Drawing directly from her experiences in SOLHOT, Ruth Nicole Brown argues that when Black girls reflect on their own lives, they articulate radically unique ideas about their lived experiences. She documents the creative potential of Black girls and women who are working together to advance original theories, practices, and performances that affirm complexity, interrogate power, and produce humanizing representation of Black girls' lives. Emotionally and intellectually powerful, this book expands on the work of Black feminists and feminists of color and breaks intriguing new ground in Black feminist thought and methodology. |
| peso pluma disses bad bunny: Perspective Made Easy Ernest R. Norling, 2012-05-23 Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations. |
| peso pluma disses bad bunny: How to Render Scott Robertson, 2013 'How to Render' shows how the human brain interprets the visual world around us. Author Scott Robertson explains the subject of visually communicating the form of an object in easy to understand step-by-step lessons through the use of drawings, photography and even 3D digital imagery. |
| peso pluma disses bad bunny: Beneath the Underdog Charles Mingus, 2011 Charles Mingus, bassist, composer and bandleader, was one of the towering figures of American twentieth century music. In this memoir, Mingus documents his childhood on an Army base in Arizona, his difficult teenage years in Watts, and his musical education by the likes of Louis Armstrong, Duke Ellington and Charlie Parker. Unique and lyrical voice, this memoir charts the highs and lows of a life lived to the full. Beneath the Underdog is also a portrait of life in the Forties and Fifties, of ideas of identity and race in America and the ways in which they affected the young Mingus. Above all, it is a powerful tale told through the eyes of an inspiring, anguished and extraordinary musician. |
| peso pluma disses bad bunny: The Devil's Milk John Tully, 2011 Capital, as Marx once wrote, comes into the world dripping from head to foot, from every pore, with blood and dirt. He might well have been describing the long, grim history of rubber. From the early stages of primitive accumulation to the heights of the industrial revolution and beyond, rubber is one of a handful of commodities that has played a crucial role in shaping the modern world, and yet, as John Tully shows in this remarkable book, laboring people around the globe have every reason to regard it as the devil's milk. All the advancements made possible by rubber--industrial machinery, telegraph technology, medical equipment, countless consumer goods--have occurred against a backdrop of seemingly endless exploitation, conquest, slavery, and war. But Tully is quick to remind us that the vast terrain of rubber production has always been a site of struggle, and that the oppressed who toil closest to the devil's milk in all its forms have never accepted their immiseration without a fight. This book, the product of exhaustive scholarship carried out in many countries and several continents, is destined to become a classic.Tully tells the story of humanity's long encounter with rubber in a kaleidoscopic narrative that regards little as outside its rangewithout losing sight of the commodity in question. With the skill of a master historian and the elegance of a novelist, he presents what amounts to a history of the modern world told through the multiple lives of rubber. |
| peso pluma disses bad bunny: Race Sounds Nicole Brittingham Furlonge, 2018-05-15 Forging new ideas about the relationship between race and sound, Furlonge explores how black artists--including well-known figures such as writers Ralph Ellison and Zora Neale Hurston, and singers Bettye LaVette and Aretha Franklin, among others--imagine listening. Drawing from a multimedia archive, Furlonge examines how many of the texts call on readers to listen in print. In the process, she gives us a new way to read and interpret these canonical, aurally inflected texts, and demonstrates how listening allows us to engage with the sonic lives of difference as readers, thinkers, and citizens. |
Convert Mexican Peso to United States Dollar | MXN to USD …
4 days ago · Currency converter to convert from Mexican Peso (MXN) to United States Dollar (USD) including the latest exchange rates, a chart showing the exchange rate history for the …
Peso - Wikipedia
The peso is the monetary unit of several Spanish-speaking countries in Latin America, as well as the Philippines. Originating in the Spanish Empire, the word peso translates to "weight".
United States Dollar to Mexican Peso
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1 US dollar to Mexican pesos Exchange Rate. Convert USD/MXN
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MXN to USD - Mexican Peso to US Dollar Conversion
3 days ago · 1 Mexican Peso = 0.05274 US Dollars as of June 14, 2025 01:20 AM UTC. You can get live exchange rates between Mexican Pesos and US Dollars using exchange-rates.org, …
1 Mexican Peso (MXN) to United States Dollars (USD) today
3 days ago · Learn the value of 1 Mexican Peso (MXN) in United States Dollars (USD) today. The dynamics of the exchange rate change for a week, for a month, for a year on the chart and in …
USDMXN | Mexican Peso Overview | MarketWatch
4 days ago · USDMXN | A complete Mexican Peso currency overview by MarketWatch. View the currency market news and exchange rates to see currency strength.
MXN - Mexican Peso rates, news, and tools | Xe
MXN - Mexican Peso The Mexican Peso is the currency of Mexico. Our currency rankings show that the most popular Mexican Peso exchange rate is the MXN to USD rate. The currency …
Convert Mexican Peso to United States Dollar | MXN to USD …
4 days ago · Currency converter to convert from Mexican Peso (MXN) to United States Dollar (USD) including the latest exchange rates, a chart showing the exchange rate history for the …
Peso - Wikipedia
The peso is the monetary unit of several Spanish-speaking countries in Latin America, as well as the Philippines. Originating in the Spanish Empire, the word peso translates to "weight".
United States Dollar to Mexican Peso
Get the latest United States Dollar to Mexican Peso (USD / MXN) real-time quote, historical performance, charts, and other financial information to help you make more informed trading …
1 US dollar to Mexican pesos Exchange Rate. Convert USD/MXN
Our currency converter will show you the current USD to MXN rate and how it’s changed over the past day, week or month. Are you overpaying your bank? Banks often advertise free or low …
Convert Mexican Peso To United States Dollar - Forbes
3 days ago · Use our currency converter to find the live exchange rate between MXN and USD. Convert Mexican Peso to United States Dollar.
Live US Dollar to Mexican Pesos Exchange Rate - $ 1 USD/MXN …
4 days ago · Get the latest and best $1 US Dollar to Mexican Pesos rate for FREE. USD/MXN - Live exchange rates, banks, historical data & currency charts.
MXN to USD - Mexican Peso to US Dollar Conversion
3 days ago · 1 Mexican Peso = 0.05274 US Dollars as of June 14, 2025 01:20 AM UTC. You can get live exchange rates between Mexican Pesos and US Dollars using exchange-rates.org, …
1 Mexican Peso (MXN) to United States Dollars (USD) today
3 days ago · Learn the value of 1 Mexican Peso (MXN) in United States Dollars (USD) today. The dynamics of the exchange rate change for a week, for a month, for a year on the chart and in …
USDMXN | Mexican Peso Overview | MarketWatch
4 days ago · USDMXN | A complete Mexican Peso currency overview by MarketWatch. View the currency market news and exchange rates to see currency strength.
MXN - Mexican Peso rates, news, and tools | Xe
MXN - Mexican Peso The Mexican Peso is the currency of Mexico. Our currency rankings show that the most popular Mexican Peso exchange rate is the MXN to USD rate. The currency …
