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| pdf phantom of the opera: The Phantom of the Opera Gaston Leroux, 2015-04-01 Read the book that inspired the musical The Phantom of the Opera by Gaston Leroux is a gothic novel that inspired the Andrey Lloyd Webber Musical. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes |
| pdf phantom of the opera: Phantom Susan Kay, 2006-03 Powerful, moving tour de force, says Publishers Weekly. . . . adds new depth to the (original story) . . . Haunting and unforgettable. A sensual and poetic exploration of a man's internal conflict between good and evil and of a search for love amidst darkness and despair. |
| pdf phantom of the opera: The Phantom of the Opera Varga Tomi, 2020 The Phantom Of The Opera, the iconic gothic romance, is retold with all the spectacle its legend demands in this devoted graphic novel adaptation that marries stunning artwork with Gaston Leroux's haunting prose. Everyone has heard the whispered tales of the phantom who lives beneath the opera house, the mysterious trickster behind all the little mishaps and lost things. But no one has ever seen the monster . . . until now. When the promise of blossoming love lures him out from his intricately constructed hideaways in the labyrinthine building's walls and cellars, a hideously disfigured artist trains the lovely Christine to be the opera's next star for a steep price. Does she choose her newfound success or her beloved Count Raoul? This doomed love triangle threatens to combust when a tragic death, a series of betrayals, and increasingly dangerous accidents cast the players of The Palais Garnier into a heart-wrenching horror story that will echo through the ages--provided by publisher. |
| pdf phantom of the opera: The Phantom of the Opera Robert Chauls, Joseph Robinette, Gaston Leroux, 1992 |
| pdf phantom of the opera: The Phantom Prince Elizabeth Kendall, 2020-01-07 The inspiration for the five-part Amazon Original docuseries Ted Bundy: Falling for a Killer This updated, expanded edition of The Phantom Prince, Elizabeth Kendall’s 1981 memoir detailing her six-year relationship with serial killer Ted Bundy, includes a new introduction and a new afterword by the author, never-before-seen photos, and a startling new chapter from the author’s daughter, Molly, who has not previously shared her story. Bundy is one of the most notorious serial killers in American history and one of the most publicized to this day. However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. The Phantom Prince chronicles Elizabeth Kendall’s intimate relationship with Ted Bundy and its eventual unraveling. As much as has been written about Bundy, it’s remarkable to hear the perspective of people who shared their daily lives with him for years. This gripping account presents a remarkable examination of a charismatic personality that masked unimaginable darkness. |
| pdf phantom of the opera: Oxford Bookworms Library: Stage 1: The Phantom of the Opera Jennifer Bassett, 2007-11-08 Word count 6,230 Bestseller |
| pdf phantom of the opera: Evita Andrew Lloyd Webber, Tim Rice, 1978 Biografía de Eva Duarte de Perón, recoge numerosas fotografías y la explicación sobre el musical Evita |
| pdf phantom of the opera: The Phantom of the Opera Gaston Leroux, Caitlin G. Freeman, 2014-01-25 On September 23, 1909, the Parisian daily newspaper, Le Gaulois, published its first installment of Gaston Leroux's Le Fantôme de l'Opéra (The Phantom of the Opera). This type of serialized publication, in France called a “feuilleton,” was common from the middle of the 19th century through the beginning of the 20th century. Many authors of the day published their novels section by section in newspapers to gain readership and to work out ideas before the publication of the first edition. Between the newspaper printing and the first edition, it was common for chapters to be added, rewritten, or removed as part of the editing process. In the feuilleton of Le Fantôme de l'Opéra, Gaston Leroux wrote a chapter called “L'enveloppe magique” (“The Magic Envelope”). Leroux decided to omit this chapter from his first edition, and so it only appeared in Le Gaulois. Since the feuilleton has never been translated, few people apart from the most dedicated Phantom enthusiasts are familiar with this lost chapter. For the first time, the text of “The Magic Envelope” has been translated into English so that fans of The Phantom of the Opera can read this forgotten gem. This chapter provides explanations for several enigmas that have puzzled readers since Leroux's first edition, and it offers a fascinating glimpse into the writing process of one of France's literary icons. |
| pdf phantom of the opera: The Lifted Veil Illustrated George Eliot, 2021-04-17 The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897). |
| pdf phantom of the opera: Muppets Meet the Classics: the Phantom of the Opera Gaston Leroux, Erik Forrest Jackson, 2017 Leroux's classic tale of love, intrigue, and jealousy at the Paris Opera House is reimagined with the cast of the Muppets. Readers can join Kermit, Miss Piggy, Uncle Deadly, and the other Muppets as they bring this gripping tale to life in their own hilarious way. |
| pdf phantom of the opera: The Undergrounds of the Phantom of the Opera J. Hogle, 2002-05-30 This is the most comprehensive analytical study ever done of The Phantom of the Opera in its many different versions from the original Gaston Leroux novel to the present day. It proposes answers to the question, 'why do we keep needing this story told and retold in the Western world?' by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Using extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. The Phantom of the Opera - in varying ways over time - turns out like the 'Gothic' tradition it extends, to be deeply connected to Western self-fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between 'high' and 'low' culture. This book should interest all students of the history of Western culture, as well as those especially fascinated by Gothic fiction, opera, musical theatre, and film. |
| pdf phantom of the opera: The Mystery of the Yellow Room (SeaWolf Press Illustrated Classic) Gaston Leroux, 2024-11-02 |
| pdf phantom of the opera: The Phantom of Manhattan Frederick Forsyth, 2000-12-15 A sequel to Gaston Leroux's The Phantom of the Opera in which the disfigured Phantom goes to America. He builds the world's greatest opera house, hoping to lure his love, the opera diva who rejected him in Paris. By the author of The Day of the Jackal. |
| pdf phantom of the opera: Vocal Apparitions Michal Grover-Friedlander, 2014-12-25 Cinema and opera have become intertwined in a variety of powerful and unusual ways. Vocal Apparitions tells the story of this fascinating intersection, interprets how it occurred, and explores what happens when opera is projected onto the medium of film. Michal Grover-Friedlander finds striking affinities between film and opera--from Lon Chaney's classic silent film, The Phantom of the Opera, to the Marx Brothers' A Night at the Opera to Fellini's E la nave va. One of the guiding questions of this book is what occurs when what is aesthetically essential about one medium is transposed into the aesthetic field of the other. For example, Grover-Friedlander's comparison of an opera by Poulenc and a Rossellini film, both based on Cocteau's play The Human Voice, shows the relation of the vocal and the visual to be surprisingly affected by the choice of the medium. Her analysis of the Marx Brothers' A Night at the Opera demonstrates how, as a response to opera's infatuation with death, cinema comically acts out a correction of opera's fate. Grover-Friedlander argues that filmed operas such as Zeffirelli's Otello and Friedrich's Falstaff show the impossibility of a direct transformation of the operatic into the cinematic. Paradoxically, cinema at times can be more operatic than opera itself, thus capturing something essential that escapes opera's self-understanding. A remarkable look at how cinema has been haunted--and transformed--by opera, Vocal Apparitions reveals something original and important about each medium. |
| pdf phantom of the opera: The Opera Singer's Career Guide Pearl Yeadon McGinnis, 2010-08-12 The Opera Singer's Career Guide: Understanding the European Fach System describes the features, characteristics, and benefits of the Fach system, including voice categorization and classification and using Fach to train the young voice. It also provides practical information on maintaining a career in opera. |
| pdf phantom of the opera: The Opera Fanatic Claudio E. Benzecry, 2011-07-15 Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world's stage. So why do audiences continue to flock to it? Opera lovers are an intense lot, Benzecry discovers in his look at the fanatics who haunt the legendary Colón Opera House in Buenos Aires. |
| pdf phantom of the opera: The Phantom of the Opera - Official Graphic Novel Cavan Scott, Andrew Lloyd Webber, 2022-01-11 From the original libretto of Andrew Lloyd Webber's world-famous, multi-award-winning musical that has been playing continuously around the world for over 33 years comes this fully authorized graphic novel adaptation. In 1881 the cast and crew of a new production, Hannibal, are terrorized by the Phantom of the Opera, a mysterious, hideously disfigured man who lives beneath the Paris Opera House. Hopelessly in love and obsessed with one of the chorus singers, the Phantom will stop at nothing to make her the star of the show, even if that means murder. |
| pdf phantom of the opera: The Open Work Umberto Eco, 1989 This book is significant for its concept of openness--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text. |
| pdf phantom of the opera: Desired by the Phantom Jennifer Deschanel, 2016-06-14 Proving the mask isn't hiding a madman is probably hopeless, but preventing his past from destroying their love-may just be impossible...Four years ago Paris was under siege by Erik the murderously vengeful Phantom of the Opera, who swore no one would come between him and his student, the breathtaking Christine Daa�. But a broken heart and a blast of conscience have changed him. Vowing never again to let his curse haunt the diva or the Opera Garnier, Erik is content for the world to believe he is dead. That is, until a good Samaritan begins leaving strange packages, awakening both his deepest desire and most forbidden fear-love.Anna has no way to escape the memories of her past or her bonded servitude to the owners of the Opera Garnier. Ministering to the less fortunate is the only bright light in an otherwise dark existence. When her kind gesture brings her to the attention of the masked and mysterious Erik, her need for redemption became a desire for true acceptance. But Erik's powerful obsession with Christine and a deadly con that puts everything she knows at risk pushes her to face terrifying choices.Before lies and the legend of the opera ghost threaten the lives of any more people, Erik fights to control his demons and tame a heart torn between two women. Battling the nobleman determined to lock Erik away, Anna must help free Erik from his bonds of madness or once again seal his fate as The Phantom of the Opera...but saving him may just destroy her heart.Note to readers: previously published under the title Madrigal. It has been re-released in this 2nd with new content for your enjoyment. |
| pdf phantom of the opera: The Secret of the Night Gaston Leroux, 2018-01-25 Like The Mystery of the Yellow Room, The Secret of the Night is a Joseph Rouletabille mystery. In The Mystery of the Yellow Room fictional detective Rouletabille investigated a complex and seemingly impossible crime - in which the criminal appears to disappear from a locked room! There've been so many locked-room mysteries since that it's become a subgenre - but there are folks who believe Gaston Leroux invented the form. (We hate assertions like that. Have you noticed how often things turn out to have been invented by monks in the middle ages, or by prehistoric Chinamen, or seventeenth-century Englishmen? - Heavy sigh.) John Dickson Carr, the master of locked-room mystery, named The Mystery of the Yellow Room as the finest locked room tale ever written in his 1935 novel the Hollow Man. |
| pdf phantom of the opera: The Phantom Image Patrick R. Crowley, 2019-12-10 Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image. |
| pdf phantom of the opera: The Andrew Lloyd Webber Sheet Music Collection for Easy Piano , 2017-08-01 (Easy Piano Composer Collection). 25 Lloyd Webber classics arranged for intermediate-level player. Includes songs from his entire career, from Joseph and the Amazing Technicolor Dreamcoat through School of Rock. Songs include: All I Ask of You * Any Dream Will Do * As If We Never Said Goodbye * Close Every Door * Don't Cry for Me Argentina * I Don't Know How to Love Him * Love Changes Everything * Memory * The Music of the Night * The Phantom of the Opera * Pie Jesu * Stick It to the Man * You Must Love Me * You're in the Band * and more. |
| pdf phantom of the opera: The Oxford Handbook of Music and Disability Studies Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, Joseph Straus, 2015-10-15 The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity. |
| pdf phantom of the opera: The Megamusical Jessica Sternfeld, 2002 |
| pdf phantom of the opera: Le Gothic Avril Horner, 2015-12-17 This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form. |
| pdf phantom of the opera: Lessons from the Phantom of the Opera Holland Legacy Publishing, Vicki Hopkins, 2011-03 The Phantom of the Opera is a chilling tale interlaced with darkness, despair, love, and redemption. Originally penned by Gaston Leroux, the book is classic literature. Leroux weaves the tale of a deformed man living in isolation underneath the Paris Opera House, who desperately loves a beautiful girl named Christine Daae. The masked man has many names-Phantom of the Opera, Opera Ghost, Angel of Music, and Erik. He is a broken soul who yearns for beauty, but lives in hell. His desperate search for love takes him down a road of obsession and violence, and the cry of his despair echoes in our hearts. All I wanted was to be loved for myself. Lessons from The Phantom of the Opera steps behind the scenes and examines the symbolism hidden in the characters, emotions, sets, and events. The book leads its readers on an emotional journey studying the motivations of the characters and the numerous symbols hidden throughout the Opera House. It examines not only Leroux's original work, but also analyzes the play and movie. As a result, lessons and life applications emerge from a timeless masterpiece for everyone to enjoy. |
| pdf phantom of the opera: Phantom Phantasia E. a. Bucchianeri, 2014-02-01 The Opera Ghost really existed, Gaston Leroux declared, introducing the world to his most famous literary character, the Phantom of the Opera. The legendary Opera Ghost continues to live in the hearts of Phans dedicated to Leroux's tale of mystery, passion and unrequited love. Phantom Phantasia by E.A. Bucchianeri is a poetical celebration of the enigmatic masked genius haunting the depths of the Paris Opera house. A collection of twenty poems varying in style from the serious to the comic, each poem is richly illustrated with vintage images in addition to artwork, photographs and original colour plates designed by the author evoking the elegant Belle Epoque days of Paris. |
| pdf phantom of the opera: Oxford World's Classics , 2008 |
| pdf phantom of the opera: The Phantom of the Opera Gaston Leroux, 2019-01-01 Amidst rumors that the Paris opera house is haunted, Christine Daaé, a young Swedish girl, performs at a gala and attracts attention from both her childhood sweetheart, Raoul, and the Phantom, who is living underground. Suddenly, mysterious circumstances abound at the opera house: a stagehand is found dead, managers receive letters demanding that Christine sing the lead role, and a chandelier crashes down into the audience. When Christine reunites with Raoul, the phantom grows dangerously jealous. Will Christine stay on the stage or disappear into the opera house's dark cellars and grim secrets? Gaston Leroux's Gothic novel was first published in French in 1911. This is an unabridged version of the translation by Alexander Teixeira de Mattos, published the same year. |
| pdf phantom of the opera: The Shelf Phyllis Rose, 2014-05-13 Phyllis Rose embarks on a grand literary experiment -- to systematically read her way through a random shelf of books in the library, LEQ-LES, fairly sure that no one in the history of the world has read exactly this series of novels. An original take on literary taste and habits by the acclaimed author of Parallel Lives. Rose, after a career of reading from syllabuses and writing about canonical books, decided to read like an explorer. She wanted to sample, more democratically, the actual ground of literature. Casting herself into the untracked wilderness of the New York Society Library's stacks, she chose a shelf of fiction almost at random and read her way through it. What results is a spirited experiment in Off-Road or Extreme Reading. Rose's shelf of roughly thirty books has everything she could wish for—a remarkable variety of authors and a range of literary ambitions and styles. The early-nineteenth-century Russian classic A Hero of Our Time by Mikhail Lermontov is spine by spine with The Phantom of the Opera by Gaston Leroux. Stories of French Canadian farmers sit beside tales about aristocratic Austrians. California detective novels about a novel from an Afrikaans writer who fascinates Rose to the extent that she ends up watching a YouTube video of his funeral. A joyous testament to the thrill of engagement with books high and low, The Shelf leaves us with the feeling that there are treasures to be found on every library or bookstore shelf. Rose investigates her own discoveries with exuberance, candor, and while pondering the many questions her experiment raises and measuring her discoveries against her own inner shelf. “Exhilarating, adventurous, original--Phyllis Rose's The Shelf is a reminder of what reading and writing are all about.” -- Azar Nafisi, author of Reading Lolita in Tehran |
| pdf phantom of the opera: Quicklet on Gaston Leroux's The Phantom of the Opera (CliffsNotes-like Summary, Analysis, and Commentary) Jean Asta, 2012-03-02 ABOUT THE BOOK In my elementary school, the library had a small section dedicated to children’s versions of classic novel adaptations. Even now, I can remember that my favorite adaptation was “The Phantom of the Opera.” The translation was a watered-down version with plenty of pictures, and I was intrigued by the mysterious ‘Angel of Music’ who enchanted the pretty little Christine Daaé. This gentleman could throw his voice as if to sound disembodied, he taught Christine to sing, and he loved her fiercely and passionately. The phantom’s story stayed with me until my freshman year at high school, when much to my delight, I saw Andrew Lloyd Webber’s musical adaptation as my first Broadway production. I bought the original score book (which I still possess years later), and kept the entire bus awake by singing the haunting music throughout the fourteen-hour ride back home. MEET THE AUTHOR Jean Asta is the owner of Asta Communications, a freelance communications company providing writing, editing, and training services for clients around the globe. She has a BA in English Literature and a Master's in Public Administration, both from the University of Georgia. EXCERPT FROM THE BOOK “The Phantom of the Opera” was inspired by a corpse that Leroux chanced upon in the catacombs of the Opera House in Paris while working on a story about the prisoners of the Paris Commune held there. The expansive underground structures beneath the Paris Opera House, kindled his imagination, and Leroux was able to unleash a passionate tale of misguided and unrequited love. As a book, the “Phantom of the Opera” received very little literary praise. Critics and readers enjoyed the suspense, but they found the story implausible, and the plot convoluted. It wasn’t until 1925, when Universal Studio made a silent film version of the novel casting Lon Cheney as the Phantom, that his story started getting popular attention. The cinematic phantom was so gruesome that women were forewarned to bring smelling salts to the theater lest they faint, and quite a few members of the audience did... Buy a copy to keep reading! |
| pdf phantom of the opera: The Piano on Film David Huckvale, 2022-02-22 Since the early days of silent film accompaniment, the piano has played an integral part in the history of cinema. Film's fascination with the piano, both in soundtracks and onscreen as a status symbol and icon of popular romanticism, offers a revealing opportunity to chart the changing perception of the instrument. From Mozart to Elton John, this book surveys the cultural history of the piano through the instrument's cinematic functions. Composer biopics, such as A Song to Remember, romantic melodramas like the Liberace vehicle Sincerely Yours, and horror films such as The Hands of Orlac, along with animated cartoons featuring Bugs Bunny and Tom and Jerry demonstrate just how pervasive the cinematic image of the piano once was during a period when the piano itself began its noticeable decline in everyday life. By examining these depictions of the piano onscreen, readers will begin to understand not only the decline of the piano but also the decline of the idealistic culture to which it gave birth in the nineteenth century. |
| pdf phantom of the opera: The Oxford Handbook of the Global Stage Musical Robert Gordon, Olaf Jubin, 2023-11-14 The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals. |
| pdf phantom of the opera: The Creative Class Goes Global Charlotta Mellander, Richard Florida, Bjørn T. Asheim, Meric Gertler, 2013-11-07 The whole landscape of research in urban studies was revolutionized by the publication of Richard Florida’s The Rise of the Creative Class in 2002, and his subsequent book entitled The Flight of the Creative Class has helped to maintain a decade-long explosion of interest in the field. While these two books examine the creative class in the context of the United States, research has emerged which investigates the creative class worldwide. This book brings together detailed studies of the creative class in cities across the globe, examining the impact of the creative class on growth and development. The countries covered include the United Kingdom, the Netherlands, Germany, Australia, China, Japan and Canada, in addition to the United States. Taken together, the contributions deepen our understanding of the creative class and the various factors that affect regional development, highlighting the similarities and differences between the creative class and economic development across countries. This book will be of great interest to scholars of economic geography, regional economics, urban sociology and cultural policy, as well as policy makers involved in urban development. |
| pdf phantom of the opera: .NET 4 Wrox PDF Bundle Bill Evjen, Christian Nagel, Rod Stephens, Robert Vieira, Nick Randolph, 2010-09-17 The books included in this set are: 9780470502204 Professional ASP.NET 4: in C# and VB: Written by three highly recognized and regarded ASP.NET experts, this book provides comprehensive coverage on ASP.NET 4 with a unique approach featuring examples in both C# and VB, as is the incomparable coverage of core ASP.NET. After a fast-paced refresher on essentials such as server controls, the book delves into expert coverage of all the latest capabilities of ASP.NET 4. 9780470502259 Professional C# 4 and .NET 4: After a quick refresher on C# basics, the author dream team moves on to provide you with details of language and framework features including LINQ, LINQ to SQL, LINQ to XML, WCF, WPF, Workflow, and Generics. Coverage also spans ASP.NET programming with C#, working in Visual Studio 2010 with C#, and more. With this book, you'll quickly get up to date on all the newest capabilities of C# 4. 9780470548653 Professional Visual Studio 2010: This book gets you quickly up to speed on what you can expect from Visual Studio 2010. Packed with helpful examples, this comprehensive guide explains examines the features of Visual Studio 2010, which allows you to create and manage programming projects for the Windows platform. It walks you through every facet of the Integrated Development Environment (IDE), from common tasks and functions to its powerful tools 9780470499832 Visual Basic 2010 Programmer's Reference: This reference guide provides you with a broad, solid understanding of essential Visual Basic 2010 topics and clearly explains how to use this powerful programming language to perform a variety of tasks. As a tutorial, the book describes the Visual Basic language and covers essential Visual Basic topics. The material presents categorized information regarding specific operations and reveals useful tips, tricks, and tidbits to help you make the most of the new Visual Basic 2010. 9780470477229 WPF Programmer's Reference: Windows Presentation Foundation with C# 2010 and .NET 4: Written by a leading expert on Microsoft graphics programming, this richly illustrated book provides an introduction to WPF development and explains fundamental WPF concepts. It is packed with helpful examples and progresses through a range of topics that gradually increase in their complexity. 9780470257029 Professional SQL Server 2008 Programming: This expanded best-seller includes new coverage of SQL Server 2008's new datatypes, new indexing structures, manageability features, and advanced time-zone handling. As an added bonus, also includes Professional SQL Server 2005 Programmers for .NET 4 developers still working in a SQL Server 2005 setting. |
| pdf phantom of the opera: The Continuing Imperialism of Free Trade Jo Grady, Chris Grocott, 2018-10-08 In 1953, John Gallagher and Ronald Robinson shook the foundations of imperial history with their essay ‘The Imperialism of Free Trade’. They reshaped how historians saw the British empire, focussing not on the ‘red bits on the map’ and the wishes of policy makers in London, but rather on British economic and political influence globally. Expanding on this analysis, this volume provides an examination of imperialism which brings the reader right up to the present. This book offers an innovative assessment and analysis of the history and contemporary status of imperial control. It does so in four parts, examining the historical emergence and traditions of imperialism; the relationships between the periphery and the metropolitan; the role of supranational agencies in the extension of imperial control; and how these connect to financialisation and international political economy. The book provides a dynamic and unique perspective on imperialism by bringing together a range of contributors – both established and up-and-coming scholars, activists, and those from industry – from a wide range of disciplines and backgrounds. In providing these authors a space to apply their insights, this engaging volume sheds light on the practical implications of imperialism for the contemporary world. With a broad chronological and geographical sweep, this book provides theoretical and empirical engagements with the nature of imperialism and its effects upon societies. It will be of great interest to a broad range of disciplines across the humanities and social sciences, especially those working in History, Politics, and Management and Organisation Studies. |
| pdf phantom of the opera: Patrick McGrath Sue Zlosnik, 2011-04-15 Patrick McGrath is one of Britain's foremost contemporary novelists but very little has been written about his work to date. This new book offers readings of McGrath's fiction informed by recent scholarship and evaluates his creative contribution to the continuation of the Gothic tradition into the twenty-first century. |
| pdf phantom of the opera: Innovative Start-Ups and the Distribution of Human Capital Ronney Aamoucke, 2016-09-14 This book contributes to our understanding of the reasons for the uneven geographic emergence and distribution of innovative start-ups and human capital, analyzing the role of the regional knowledge base and specifically academic knowledge. Using extensive datasets from West German regions and advanced econometric tools, it confirms a strong relationship between the presence of higher education institutions and the emergence of innovative start-ups. It also shows that the influence increases in direct relation with the innovativeness of the respective start-up, and that certain fields of knowledge are more influential than others in fostering innovative start-ups. In a second step, the multidimensional concept of quality of life is used to explain the geography of human capital across West German regions. Based on these empirical findings, the book shares valuable insights for higher education and regional development policy. |
| pdf phantom of the opera: Statebuilding and Justice Reform Matteo Tondini, 2010-02-25 The book provides an updated account of justice reform in Afghanistan, which started in the wake of the US-led military intervention of 2001. In particular, it focuses on the role of international actors and their interaction with local stakeholders, highlighting some provisional results, together with problems and dilemmas encountered in the reform activities. Since the mid-1990s, justice system reform has become increasingly important in state-building operations, particularly with regard to the international administrations of Bosnia, Kosovo, East Slavonia and East Timor. Statebuilding and Justice Reform examines in depth the reform of justice in Afghanistan, evaluating whether the success of reform may be linked to any specific feature or approach. In doing so, it stresses the need for development programmes in the field of justice to be implemented through a multilateral approach, involving domestic authorities and other relevant stakeholders. Success is therefore linked to limiting the political interests of donors; establishing functioning pooled financing mechanisms; restricting the use of bilateral projects; improving the efficacy of technical and financial aid; and concentrating the attention on the ‘demand for justice’ at local level rather than on the traditional supply of financial and technical assistance. This book will be of much interest to students of Afghanistan, intervention and statebuilding, peacekeeping, and post-conflict reconstruction, as well as International Relations in general. Matteo Tondini is a researcher and a legal advisor. He has served as a project advisor to the Embassy of Italy in Kabul, Development Cooperation Unit, working within the ‘Afghanistan Justice Program’ and has a Phd in Political Systems and Institutional Change, from the Institute of Advanced Studies, Lucca, Italy. |
| pdf phantom of the opera: Whoever Gets There First Karl L Hultman, 2011-04-14 Steve Barrie is a police detective at Boston's A1 station. He gets assigned to a murder case that grows into a hunt for the main antagonist; a ruthless drug dealer from Poland who is in business with the local mob. During the investigation, he discovers that one of his colleagues at the station is the killer, and decides to find out the reasons behind it. It turns out more of his colleagues are involved with organized crime, and he has to be careful as he methodically works his way to the conclusion. He has to decide where his loyalties lie as the case progresses. Meanwhile, a large chunk of money ends up missing... |
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