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| peter eisenman terragni: Giuseppe Terragni Peter Eisenman, 1993 Forty years in the making, Giuseppe Terragni: Transformations, Decompositions, Critiques documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio (1933-36) and the Casa Giuliani-Frigerio (1939-40), both in Como. This far-reaching study -- illustrated with more than five hundred original architectural diagrams and archival photographs -- employs what Eisenman calls critical and textual reading of both buildings. He attempts to broaden the definition of the formal from a narrow aesthetic and compositional view to include first the conceptual and then the textual. It is through this idea of the textual that Eisenman begins to define an idea of the critical in architecture. Eisenman's methodology is wholly removed from traditional approaches -- social, historical, aesthetic, functional. Instead, the various articulations and openings on the facades constitute a set of marks, notations that provide the basis for his analysis. In the Casa del Fascio, for example, each of the four sequential design schemes records the previous state, encoding the process of transformation in the final building. In the Casa Giuliani-Frigerio it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni and a critique by Manfredo Tafuri. In the end, it is the dual protagonists -- the architect and the author -- who together establish a new theoretical and analytical framework. |
| peter eisenman terragni: Giuseppe Terragni: Transformations, Decompositions Critiques Peter Eisenman, Giuseppe Terragni, Manfredo Tafuri, 2003-09-15 This book documents and investigates two of Italian rationalist architect Terragni's masterwords: the Casa del Fascio (1933-1936) and the Casa Giuliani-Frigerio (1939-1940). This is a far-reaching study, which gives what Eisenmann calls a critical and textual reading of the buildings. |
| peter eisenman terragni: Houses of Cards Peter Eisenman, Rosalind E. Krauss, Manfredo Tafuri, 1987 Peter Eisenman is known internationally for his innovative and provocative architecture and writings. One of the New York Five, he has been a leading figure in the architectural community for many years, as teacher, as founder and former director of the Institute for Architecture and Urban Studies, and as builder. This long-awaited book is a rich and complex investigation of his first six houses, which he calls Houses of Cards and specifically about House IV and House VI. In these houses, Eisenman has tried to strip architecture of its traditional meanings and associations, making the planes, walls, and elements of the houses as valueless as an arrangement of playing cards. This book contains the architect's own texts on House IV and House VI, which he wrote in 1974, and 1976, as they were being designed, as well as an overview in which he places these houses in the context of his work as a whole. In his essay Manfredo Tafuri offers a psychological perspective; in hers Rosalind Krauss provides cultural and historical contexts. The book is profusely illustrated with sketches, diagrams, and photographs. In some ways, the book itself becomes a new project--somewhat of a metaphor for Eisenman's new approach to architecture--layered with absences and presences, a complex fiction. |
| peter eisenman terragni: From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman Stefano Corbo, 2016-04-15 Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his career on, Eisenman has been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. For him, form is not simply a cognitive tool that determines a physical structure, which discriminates all that is active from what is passive, what is inside from what is outside. He has always tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently,by discovering Henri Bergson's idea of Time. These different moments underline different phases, different projects, different programmatic manifestos; and above all, an evolving notion of form. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work. |
| peter eisenman terragni: Architecture's Pretexts Aarati Kanekar, 2014-11-13 The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture. Architecture’s Pretexts seeks to cultivate a vision for architecture that sponsors operative links between the discipline of architecture and those outside of architecture. Exploring the works of various architects including Guiseppe Terragni, Peter Eisenman, Peter Zumthor, Perry Kulper and Smout Allen, and Rem Koolhaas, this book provides the framework to understanding architecture through the lens of art. Key concepts discussed are: allegories, diagrams, form, material, montage, movement, musical ratios, narrative sequence and representation. A valuable tool, with over 75 black and white illustrations, for students and professionals interested in interdisciplinary methods of design thinking. |
| peter eisenman terragni: John Hejduk, 7 Houses John Hejduk, 1979 |
| peter eisenman terragni: Architecture in the Twentieth Century Peter Go ssel, Gabriele Leuthäuser, 2001 After several pages of prologue summing up 18th century highlights--especially the rise in importance of geometry--some forty pages cover 1784-1916, focusing on the heavily fenestrated high-rises of the Chicago School and the iron and glass pavilions of Europe. The chapter spanning 1892-1925 concentrates on the many disputes over the trajectory of modernism: Nieuwe Kunst, Stile Liberty, Jugendstil, and Art Nouveau, all arguing the direction that the boom of prisons, hospitals, schools, town halls, and other institutional buildings would take. Three more time divisions follow and a concise compendium of architect biographies ends the volume. Along with an array of great pictures (par for Taschen), Gossel and Leuthauser--both active in the private sector--add a strong prose style attentive to debates among architects and the socioeconomic stage on which architects act. Annotation copyrighted by Book News, Inc., Portland, OR |
| peter eisenman terragni: House X Peter Eisenman, 1982 |
| peter eisenman terragni: CodeX Cynthia Davidson, 2005 |
| peter eisenman terragni: Cities of Artificial Excavation Peter Eisenman, Alan Balfour, 1994 |
| peter eisenman terragni: The Architecture of Modern Italy Terry Kirk, 2005-06-02 “Modern Italy”may sound like an oxymoron. For Western civilization,Italian culture represents the classical past and the continuity of canonical tradition,while modernity is understood in contrary terms of rupture and rapid innovation. Charting the evolution of a culture renowned for its historical past into the 10 modern era challenges our understanding of both the resilience of tradition and the elasticity of modernity. We have a tendency when imagining Italy to look to a rather distant and definitely premodern setting. The ancient forum, medieval cloisters,baroque piazzas,and papal palaces constitute our ideal itinerary of Italian civilization. The Campo of Siena,Saint Peter’s,all of Venice and San Gimignano satisfy us with their seemingly unbroken panoramas onto historical moments untouched by time;but elsewhere modern intrusions alter and obstruct the view to the landscapes of our expectations. As seasonal tourist or seasoned historian,we edit the encroachments time and change have wrought on our image of Italy. The learning of history is always a complex task,one that in the Italian environment is complicated by the changes wrought everywhere over the past 250 years. Culture on the peninsula continues to evolve with characteristic vibrancy. Italy is not a museum. To think of it as such—as a disorganized yet phenomenally rich museum unchanging in its exhibits—is to misunderstand the nature of the Italian cultural condition and the writing of history itself. |
| peter eisenman terragni: Eisenman Architects Peter Eisenman, Stephen Dobney, 1995 |
| peter eisenman terragni: Peter Einsenman in Dialog with Architects and Philosophers Vladan Djokić, Petar Bojanic, 2017 Peter Eisenman (Yale School of Architecture, New Haven, Eisenman Architects, New York, USA) discusses with architects and philosophers: Jorg H. Gleiter (Germany), Kim Forster (Switzerland), Preston Scott Cohen (USA), Emmanuel Petit (USA), Mario Carpo (USA), Sarah M. Whiting (USA), Manuel Orazi (Italy), John McMorrough (USA), Gabriele Mastrigli (Italy), Panayotis Pangalos (Greece), Cynthia Davidson (USA), Ingeborg M. Rocker (USA), Alejandro Zaera-Polo (USA), Djordje Stojanović (Serbia), Greg Lynn (USA) performing on the stage for two days in Belgrade. |
| peter eisenman terragni: Digital Eisenman Luca Galofaro, Luca Garofalo, 1999 How should an innovative architect react today to the electronic revolution which is taking place? This work explores the answer by looking at the work of New York architect, Peter Eisenman. It includes a selection of excepts from Eisenman's writings and an analysis of some of his projects. |
| peter eisenman terragni: Anti-architecture and Deconstruction Nikos Angelos Salingaros, 2004 |
| peter eisenman terragni: Twenty Buildings Every Architect Should Understand Simon Unwin, 2010-02-25 Have you ever wondered how the ideas behind the world’s greatest architectural designs came about? What process does an architect go through to design buildings which become world-renowned for their excellence? This book reveals the secrets behind these buildings. He asks you to ‘read’ the building and understand its starting point by analyzing its final form. Through the gradual revelations made by an understanding of the thinking behind the form, you learn a unique methodology which can be used every time you look at any building. |
| peter eisenman terragni: By Other Means Global Art Affairs, 2017-02-20 Peter Eisenman is an internationally recognized architect and educator. For more than a half century, he has profoundly influenced generations of academics and practitioners with his buildings, writing, and teaching.By developing formal and linguistic critiques of architecture's bourgeois conventions, his activism seeks to undermine authority by creating architecture demanding close attention.By Other Means traces Eisenman's evolution from his formative years to his well-known Houses series and beyond. Unpublished work from his undergraduate, master's, and doctoral studies reveal an 'Eisenman before Eisenman'.This material is printed along with correspondence from Colin Rowe, ephemera from the Institute for Architecture and Urban Studies, and previously unseen sketches/diagrams for Houses I, II, VI, and X.Featuring drawings and ephemera relating to various projects and proposals in the United States (e.g. Princeton and New York) and Europe (e.g. Liverpool and Venice).This book is published on the occasion of the exhibition By Other Means, curated by Mathew Ford with Jeffrey Kipnis as part of Time- Space - Existence, organized by GAA-Foundation at the Palazzo Bembo in Venice, Italy, for the 15th International Architecture Exhibition, May 28 - November 27, 2016.Eisenman is most well known for his iconic and controversial design of the Memorial to the Murdered Jews of Europe (Holocaust Memorial) in Berlin, 2003/04. |
| peter eisenman terragni: The Future of Architecture Since 1889 Jean-Louis Cohen, 2012-03-28 Truly far-ranging -- both conceptually and geographically -- The Future of Architecture Since 1889 is a rich, compelling history that will shape future thinking out this period for years to come. Jean-Louis Cohen, one of today's most distinguished architectural historians and critics, gives an authoritative and compelling account of the twentieth century, tracing an arc from industrialization through computerization, and linking architecture to developments in art, technology, urbanism and critical theory. Encompassing both well-known masters and previously neglected but significant architects, this book also reflects Cohen's deep knowledge of architecture across the globe, and in places such Eastern Europe and colonial Africa and South America that have rarely been included in histories of this period. It is richly illustrated not only with buildings, projects and plans, but also with publications, portraits, paintings, diagrams, film stills, and exhibitions, showing the immense diversity of architectural thought and production throughout the twentieth century. |
| peter eisenman terragni: Difficult Heritage Sharon Macdonald, 2010-10-04 How does a city and a nation deal with a legacy of perpetrating atrocity? How are contemporary identities negotiated and shaped in the face of concrete reminders of a past that most wish they did not have? Difficult Heritage focuses on the case of Nuremberg – a city whose name is indelibly linked with Nazism – to explore these questions and their implications. Using an original in-depth research, using archival, interview and ethnographic sources, it provides not only fascinating new material and perspectives, but also more general original theorizing of the relationship between heritage, identity and material culture. The book looks at how Nuremberg has dealt with its Nazi past post-1945. It focuses especially, but not exclusively, on the city’s architectural heritage, in particular, the former Nazi party rally grounds, on which the Nuremburg rallies were staged. The book draws on original sources, such as city council debates and interviews, to chart a lively picture of debate, action and inaction in relation to this site and significant others, in Nuremberg and elsewhere. In doing so, Difficult Heritage seeks to highlight changes over time in the ways in which the Nazi past has been dealt with in Germany, and the underlying cultural assumptions, motivations and sources of friction involved. Whilst referencing wider debates and giving examples of what was happening elsewhere in Germany and beyond, Difficult Heritage provides a rich in-depth account of this most fascinating of cases. It also engages in comparative reflection on developments underway elsewhere in order to contextualize what was happening in Nuremberg and to show similarities to and differences from the ways in which other ‘difficult heritages’ have been dealt with elsewhere. By doing so, the author offers an informed perspective on ways of dealing with difficult heritage, today and in the future, discussing innovative museological, educational and artistic practice. |
| peter eisenman terragni: The Formal Basis of Modern Architecture Peter Eisenman, 2006 |
| peter eisenman terragni: Five Architects Museum of Modern Art (New York, N.Y.), 1975 Five Architects, originally published in 1975, grew out of a meeting of the CASE group (Conference of Architects for the Study of the Environment) held at the Museum of Modern Art in 1969. The purpose of this gathering was to exhibit and criticize the work of five architects -- Eisenman, Graves, Gwathmey, Hejduk, and Meier -- who constituted a New York school, and who are now among the most influential architects working today.The buildings shown here have more diversity than one might expect from a school, but share certain properties of form, scale, and treatment of material. Collectively, their work makes a modest claim: it is only architecture, not the salvation of man and the redemption of the earth.Providing complete drawings and photographic documentation, this collection also includes a comparative critique by Kenneth Frampton, an Introduction by Colin Rowe that suggests a still broader context for the work as a whole, and two short texts in which individual positions are outlined. Now back in,print, Five Architects serves as a reference to the early work of some of America's most important architects and provides us with a glimpse back at the direction of architecture as they saw it over twenty years ago. |
| peter eisenman terragni: Transparency Colin Rowe, Robert Slutzky, Bernhard Hoesli, 1997 Transparency, by Colin Rowe and Robert Slutzky, originally published in English in 1964 (in Perspecta 8), followed by a German translation in 1968, is one of the main modern reference texts for any student of architecture. Rowe and Slutzky co-founded the architects group Texas Rangers at the University of Texas in Austin, together with John Hejduk, Werner Seligmann and Bernhard Hoesli. In conjunction with their teaching activities, the group members sought to develop a new method for architectural design and proceeded to test their models in the teaching environment. This edition of Transparency is provided with a commentary by Bernhard Hoesli and an introduction by the art and architecture historian Werner Oechslin. |
| peter eisenman terragni: Perspecta 47 James Andrachuk, Christos C. Bolos, Avi Forman, Marcus A. Hooks, 2014-08-22 Investigating money's ambiguous position in architecture, with reflections on topics that range from the aesthetics of austerity to the underwriting of large-scale art projects. Money plays a paradoxical role in the creation of architecture. Formless itself, money is a fundamental form giver. At all scales, and across the ages, architecture is a product of the financial environment in which it is conceived, for better or worse. Yet despite its ubiquity, money is often disregarded as a factor in conceptual design and is persistently avoided by architectural academia as a serious field of inquiry. It is time to break these habits. In the contemporary world, in which economies are increasingly connected, architects must creatively harness the financial logics behind architecture in order to contribute meaningfully to the development of the built environment. This issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—examines the ways in which money intersects with architectural discourse, design practice, and urban form, in order to encourage a productive relationship between money and the discipline. Contributions from a diverse group of scholars, practitioners, and artists create a dialogue about money's ambiguous position in architecture, reflecting on topics that range from the aesthetics of austerity to the underwriting of large-scale art projects to the economic implications of building information modeling. Contributors AOC, JT Bachman, Phil Bernstein, Mario Carpo, Christo, Peggy Deamer, Keller Easterling, Peter Eisenman, Mark Foster Gage, Frank Gehry, Thomas Gluck, Kevin D. Gray, Charles Holland, Hasty Johnson & Jerry Lea, Naomi R. Lamoreaux, Mira Locher, Vivian Loftness, Gregg Pasquarelli, Cesar Pelli & Fred Clarke, Nina Rappaport, Todd Reisz, Brent Ryan & Lorena Bello, Michelangelo Sabatino, David Ross Scheer, Robert Shiller, Robert A.M. Stern, Elisabetta Terragni, Kazys Varnelis, Andrew Waugh & Michael Green, Jay Wickersham & Christopher Milford, Alejandro Zaera-Polo |
| peter eisenman terragni: History of Architecture Louisa Caroline Tuthill, 1848 |
| peter eisenman terragni: Deleuze and Architecture Helene Frichot, 2013-05-20 Critiques the legacy and ongoing influence of Deleuze on the discipline and practice of architecture. This collection looks critically at how Deleuze challenges architecture as a discipline, how architecture contributes to philosophy and how we can come to understand the complex politics of space of our increasingly networked world. Since the 1980s, Deleuze's philosophy has fuelled a generation of architectural thinking, and can be seen in the design of a global range of contemporary built environments. His work has also alerted architecture to crucial ecological, political and social problems that the discipline needs to reconcile. |
| peter eisenman terragni: Venice and the Renaissance Manfredo Tafuri, 1995-03-27 Pursuing the intersections of Venetian culture from the beginning of the sixteenth century through the first decades of the seventeenth, Manfredo Tafuri develops a story crowded with characters and full of surprises. He engages the doges Andrea Gritti and Leonardo Dona; architects and artists Sansovino, Serlio, Palladio, and Scamozzi; and scientists Francesco Barozzi and Galileo. He records the battle that was fought for architecture as metaphor for absolute truth and good government, and contrasts these with the myths that inspired them. |
| peter eisenman terragni: An Introduction to Architectural Theory Harry Francis Mallgrave, David J. Goodman, 2011-04-18 A sharp and lively text that covers issues in depth but not to the point that they become inaccessible to beginning students, An Introduction to Architectural Theory is the first narrative history of this period, charting the veritable revolution in architectural thinking that has taken place, as well as the implications of this intellectual upheaval. The first comprehensive and critical history of architectural theory over the last fifty years surveys the intellectual history of architecture since 1968, including criticisms of high modernism, the rise of postmodern and poststructural theory, critical regionalism and tectonics Offers a comprehensive overview of the significant changes that architectural thinking has undergone in the past fifteen years Includes an analysis of where architecture stands and where it will likely move in the coming years |
| peter eisenman terragni: Architecture in the 20th Century Peter Gössel, Gabriele Leuthäuser, 2020 The Must-Have Architectural Manual A century of great buildings and their creators From Frank Lloyd Wright to Antoni Gaud , Frank O. Gehry to Shigeru Ban and all the best stuff in between, it's all here. This essential guide celebrates 100 years of architecture's finest, gathering large-format photos, drawings, and floor plans alongside a chronological overview to take you to the heart of the ideas, trends, and transitions that defined the 20th century. |
| peter eisenman terragni: Schinkel Kurt W. Forster, 2018 The 19th-century German architect and artist, Karl Friedrich Schinkel, was among the great personalities in the world of architecture. Classicism and Romanticism moved towards Modern Architecture in his buildings; his Collection of Architectural Designs led the way to our contemporary understanding of the work of the architect; and as a state master building he shaped the architectural culture of his time. A universal scholar and versatile artist, Schinkel led an intensive, if not boundless exchange with the society and the developments of the 19th century. The (equally) ingenious portrayal by one of the most renowned art and architectural historians of our time displays in richly illustrated thematic chapters the dialogue between Schinkel as a person, his oeuvre and his cultural world. |
| peter eisenman terragni: Living the Boundary Francesco Cacciatore, 2017 The design of a house always represents a sort of research project. Intense, for the familiarity we have with the program. Unique, for the specificity and peculiarity of each situation. Indeed, the house is the program we are most familiar with. Starting from well-defined constraints and possibilities, each house materializes through construction, defining its own function and appearance. Therefore, the question of materiality becomes crucial, as it defines a boundary, a well-defined field of forces, a new centrality. Almost as a way of underlining the experimental role the program and the design of single family houses have in our particular design research and, at the same time, in contemporary architectural debate, this book by Francesco Cacciatore gathers the main single family house designs we have developed since the late Nineties. 130 b/w illustrations |
| peter eisenman terragni: A Scientific Autobiography Aldo Rossi, 1984 An influential Italian architect recalls his childhood, his philosophical observations about architecture, and his approach to design |
| peter eisenman terragni: Precedent and Invention , 1986 |
| peter eisenman terragni: Giuseppe Terragni Peter Eisenman, 1994-02-01 |
| peter eisenman terragni: Diagram Diaries Peter Eisenman, R. E. Somol, 1999 It has been said that Peter Eisenman considers architecture a form of shock therapy: whatever his intent, he has created one of the most controversial bodies of work of any contemporary American architect. |
| peter eisenman terragni: The Meaning of Modern Architecture Hans Rudolf Morgenthaler, 2016-03-09 Using empathy, as established by the Vienna School of Art History, complemented by insights on how the mind processes visual stimuli, as demonstrated by late 19th-century psychologists and art theorists, this book puts forward an innovative interpretative method of decoding the forms and spaces of Modern buildings. This method was first developed as scholars realized that the new abstract art appearing needed to be analysed differently than the previous figurative works. Since architecture experienced a similar development in the 1920s and 30s, this book argues that the empathetic method can also be used in architectural interpretation. While most existing scholarship tends to focus on formal and functional analysis, this book proposes that Modern architecture is too diverse to be reduced to a few common formal or ornamental features. Instead, by relying on the viewer’s innate psycho-physiological perceptive abilities, sensual and intuitive understandings of composition, form, and space are emphasized. These aspects are especially significant because Modern Architecture lacks the traditional stylistic signs. Including building analyses, it shows how, by visually reducing cubical forms and spaces to linear configurations, the exteriors and interiors of Modern buildings can be interpreted via human perceptive abilities as dynamic movement systems commensurate with the new industrial transportation age. This reveals an inner necessity these buildings express about themselves and their culture, rather than just an explanation of how they are assembled and how they should be used. The case studies highlight the contrasts between buildings designed by different architects, rather than concentrating on the few features that relate them to the zeitgeist. It analyses the buildings directly as the objects of study, not indirectly, as designs filtered through a philosophical or theoretical discourse. The book demonstrates that, with technology and science affecting culture |
| peter eisenman terragni: Peter Eisenman Peter Eisenman, 2006 Impregnated with culture in the broadest sense, the works of Peter Eisenman reflect many years of important study on the meaning and sense of design. Architecture understood as History, as Philosophy, as Art, as Mathematics, as Literature, Architecture understood - as it should be that is - as a strict discipline that aims to recover its operational fields, defining with precision its limits and the potential for a profession that must constantly face destabilising visual and technological systems. Within history and yet outside it so that it can continue, within Tradition yet outside of tradition in order to avoid becoming sterile, the architecture of Peter Eisenman does not aim to console with the simple suggestion of a difficult-to-define aesthetic or the illusion of an evanescent technique. The unpredictability of his work anchors design to individuation and the clarification of its objectives by focussing on the value of the sign understood as a fundamental conceptual expression and not as simple formal distortion. The validity of this formidable theoretical system intended to return a renewed and personal linguistic system to fields of architecture, is confirmed by examining the continued expansion of the territorial system, as evidenced by projects on a territorial scale such as the Memorial of Berlin or the Cultural Centre of Galizia, the most recent projects which demonstrate the vitality of a design system that is constantly renewing itself. |
| peter eisenman terragni: Peter Eisenman Vladan Djokić, Petar Bojanić, 2017-05-30T00:00:00+02:00 Peter Eisenman discusses with architects and philosophers: Jörg H. Gleiter (Germany), Kim Förster (Switzerland), Preston Scott Cohen (USA), Emmanuel Petit (USA), Mario Carpo (USA), Sarah M. Whiting (USA), Manuel Orazi (Italy), John McMorrough (USA), Gabriele Mastrigli (Italy), Panayotis Pangalos (Greece), Cynthia Davidson (USA), Ingeborg M. Rocker (USA), Alejandro Zaera-Polo (USA), Djordje Stojanović (Serbia), Greg Lynn (USA) performing on the stage for two days in Belgrade. Through the structure of the monograph, the book represents a dynamic approach to the development of contemporary architectural thought. The dialogue between architects and philosophers with different social and cultural roots creates new agreements and reflections. |
| peter eisenman terragni: Sigurd Lewerentz Mikael Andersson, 2021-05-20 The definitive monograph on Swedish modernist architect Sigurd Lewerentz. Sigurd Lewerentz (1885-1975) is one of the most highly revered--as well as one of the most heavily mythologized--protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential for architects around the world today than he was during his lifetime. Countless architecture lovers from around the world visit his buildings. Stockholm's woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage Site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national center for architecture and design, where his archive and personal library are kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs, and more from his estate, most of which are published here for the first time, alongside new photographs of his realized buildings. Essays by leading experts explore Lewerentz's life and work, his legacy, and lasting significance from a contemporary perspective. This substantial, beautifully designed book offers the most comprehensive survey to date of Lewerentz's achievements in all fields of his multifaceted work. |
| peter eisenman terragni: Architectural Possibilities in the Work of Eisenman Michael Jasper, 2022-11-11 This book examines the central decades of Peter Eisenman’s work through a formal and thematic analysis of key architectural projects and writings, revealing underlying characteristics and arguing for their productive continuity and transformative role. The book explores Eisenman’s approach to architectural form generation and thinking. It does this through a thematic and formal analysis of projects and writings from the mid-1970s to the mid-1990s. Following an introductory chapter addressing the theme of potentialities, the book is organised in two parts. The first part focuses on key period writings of Eisenman, framing the close reading around a practice of resistance, the architect’s approach to history as analysis, and the transformative conceptualisation of time. In the second part, the book undertakes an analysis of select projects from the 1980s and 1990s. Three formal preoccupations and conceptual orientations – ground manipulations, figuration, and spatial events – organise this part of the book. Previously unpublished material from the Peter Eisenman fonds, Canadian Centre for Architecture, Montréal, provides primary source material. A concluding chapter addresses Eisenman’s teaching, its relation to his larger project, and possible legacies for educators, practitioners, scholars, and theorists. |
Saint Peter - Wikipedia
Saint Peter [note 1] (born Shimon Bar Yonah; 1 BC – AD 64/68), [1] also known as Peter the Apostle, Simon Peter, Simeon, Simon, or Cephas, was one of the Twelve Apostles of Jesus …
Who Was the Apostle Peter? The Beginner’s Guide
Apr 2, 2019 · The Apostle Peter (also known as Saint Peter, Simon Peter, and Cephas) was one of the 12 main disciples of Jesus Christ, and along with James and John, he was one of Jesus’ …
Saint Peter the Apostle | History, Facts, & Feast Day | Britannica
Jun 7, 2025 · Saint Peter the Apostle, one of the 12 disciples of Jesus Christ and, according to Roman Catholic tradition, the first pope. Peter, a Jewish fisherman, was called to be a disciple …
Who was Peter in the Bible? | GotQuestions.org
Feb 6, 2024 · Simon Peter, also known as Cephas (John 1:42), was one of the first followers of Jesus Christ. He was an outspoken and ardent disciple, one of Jesus’ closest friends, an …
Apostle Peter Biography: Timeline, Life, and Death
The Apostle Peter is one of the great stories of a changed life in the Bible. Check out this timeline and biography of the life of Peter.
Peter in the Bible - Scripture Quotes and Summary
Oct 19, 2020 · Who is Peter in the Bible? Saint Peter was one of the Twelve Apostles of Jesus Christ and the first leader of the early Church. The gospels of Matthew, Mark, and Luke list …
Peter in the Bible - His Life and Story in the New Testament
Jan 29, 2025 · Peter, also known as Simon, Simon Peter, Simeon, or Cephas, was a fisherman by trade and one of the Twelve Apostles of Jesus. He's known for walking on water briefly before …
Life of Apostle Peter Timeline - Bible Study
Learn about the events in the Apostle Peter's life from his calling until Jesus' last Passover!
Saint Peter - World History Encyclopedia
Mar 12, 2021 · Saint Peter the Apostle was a well-known figure in early Christianity. Although there is no information on the life of Peter outside the Bible, in the Christian tradition, he is …
Who Was Peter in the Bible? Why Was He So Important?
May 30, 2018 · Peter, also known as Simon Peter, is one of the most prominent figures in the Bible's New Testament. He was one of the twelve apostles of Jesus Christ and is often …
Saint Peter - Wikipedia
Saint Peter [note 1] (born Shimon Bar Yonah; 1 BC – AD 64/68), [1] also known as Peter the Apostle, Simon Peter, Simeon, Simon, or Cephas, was one of the Twelve Apostles of Jesus …
Who Was the Apostle Peter? The Beginner’s Guide
Apr 2, 2019 · The Apostle Peter (also known as Saint Peter, Simon Peter, and Cephas) was one of the 12 main disciples of Jesus Christ, and along with James and John, he was one of Jesus’ …
Saint Peter the Apostle | History, Facts, & Feast Day | Britannica
Jun 7, 2025 · Saint Peter the Apostle, one of the 12 disciples of Jesus Christ and, according to Roman Catholic tradition, the first pope. Peter, a Jewish fisherman, was called to be a disciple …
Who was Peter in the Bible? | GotQuestions.org
Feb 6, 2024 · Simon Peter, also known as Cephas (John 1:42), was one of the first followers of Jesus Christ. He was an outspoken and ardent disciple, one of Jesus’ closest friends, an …
Apostle Peter Biography: Timeline, Life, and Death
The Apostle Peter is one of the great stories of a changed life in the Bible. Check out this timeline and biography of the life of Peter.
Peter in the Bible - Scripture Quotes and Summary
Oct 19, 2020 · Who is Peter in the Bible? Saint Peter was one of the Twelve Apostles of Jesus Christ and the first leader of the early Church. The gospels of Matthew, Mark, and Luke list …
Peter in the Bible - His Life and Story in the New Testament
Jan 29, 2025 · Peter, also known as Simon, Simon Peter, Simeon, or Cephas, was a fisherman by trade and one of the Twelve Apostles of Jesus. He's known for walking on water briefly before …
Life of Apostle Peter Timeline - Bible Study
Learn about the events in the Apostle Peter's life from his calling until Jesus' last Passover!
Saint Peter - World History Encyclopedia
Mar 12, 2021 · Saint Peter the Apostle was a well-known figure in early Christianity. Although there is no information on the life of Peter outside the Bible, in the Christian tradition, he is …
Who Was Peter in the Bible? Why Was He So Important?
May 30, 2018 · Peter, also known as Simon Peter, is one of the most prominent figures in the Bible's New Testament. He was one of the twelve apostles of Jesus Christ and is often …
