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| plauto amphitruo: Amphitryon. The Comedy of Asses. The Pot of Gold. The Two Bacchises. The Captives Plautus, 2011 |
| plauto amphitruo: Plautus AMPHITRUO Titus Maccius Plautus, 1966 |
| plauto amphitruo: The Amphitruo of Plautus Arthur Palmer, 1890 |
| plauto amphitruo: Amphitruo, the Amphitruo of Plautus Titus Maccius Plautus, 1890 |
| plauto amphitruo: The Origins of European Scholarship Iōannēs G. Taiphakos, 2005 Contents Ioannis Taifacos: Preface Pierre Swiggers / Alfons Wouters: L'elaboration de la grammaire comme discipline otechniqueo Stephanos Matthaios: Das Wortartensystem der Alexandriner. Skizze seiner Entwicklungsgeschichte und Nachwirkung Christos Nifadopoulos: Herodian on the nature of olinguistic pathoso Michael von Albrecht: Latin Literature and Roman Scholarship Wolfram Ax: Zur de voce-Definition der romischen Grammatik. Eine Antwort auf Wilfried Stroh Henry David Jocelyn: The Text of Plautus, Pseud. 817-18 and the Grammarians Flavius Caper and C. Iulius Romanus Giuseppina Barabino: L'auctoritas di Plauto in Nonio Marcello Javier Uria Varela: What can we learn from place-names in Charisius' aeArs grammatica'? Louis Holtz: Prolegomenes a une edition critique du commentaire de Pompee, grammairien africain Mariarosaria Pugliarello: Lingua scritta e lingua parlata nel trattato di Martirio De b muta et v vocali Bengt Lofstedt: Nochmals zum Latein des Virgilius Maro Grammaticus Jacqueline Hamesse: Les glossaires bilingues, instruments de travail des traducteurs medievaux William O. Duba: Aristotelian Traditions in Franciscan Thought: Matter and Potency according to Scotus and Auriol Chris Schabel: Haec Ille: Citation, Quotation, and Plagiarism in 14th Century Scholasticism Farouk Grewing: Wider ein barbarisches Latein: Zu Adriano Castellis Kampf gegen die malorum auctorum imitatio zu Beginn des 16. Jahrhunderts Ioannnis Taifacos: The Notes to the first Grammarians' corpus discovered: Helias van Putschen, 1605. An interim Report. |
| plauto amphitruo: Poet, Public, and Performance in Ancient Greece Lowell Edmunds, Robert W. Wallace, 1997 Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Performance in Ancient Greece, Lowell Edmunds and Robert W. Wallace bring together a distinguished group of contributors to reconstruct the performance context of a wide array of works, including epic, tragedy, lyric, elegy, and proverb. Analyzing the passage in the Odyssey in which a collective delirium comes over the suitors, Giulio Guidorizzi reveals how the poet describes a scene that lies outside the narrative themes and diction of epic. Antonio Aloni offers a reading of Simonides' elegy for the Greeks who fell at Plataea. Lowell Edmunds interprets the so-called seal of Theognis as lying on a borderline between the performed and the textual. Taking up proverbs, maxims, and apothegms, Joseph Russo examines the performance of wisdom. Charles Segal focuses on the unusual role played by the chorus in Euripides' Bacchae. Reading the plot of Euripides' Ion, Thomas Cole concludes that the task of constructing the meaning of the play is to some extent delegated to the public. Robert Wallace describes the performance of the Athenian audience and provides a catalog of good and bad behavior: whistling, shouting, and throwing objects of every kind. Finally, Maria Grazia Bonanno stresses the importance of performance in lyric poetry. |
| plauto amphitruo: 2012 , 2013-03-01 Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued. |
| plauto amphitruo: Laughing at domestica facta Giuseppe Eugenio Rallo, 2024-01-22 In this monograph, the author embarks on a captivating journey to shed fresh light on the togata, a mid-Republican theatrical genre which survives only in fragments. The book seeks to answer pressing questions surrounding the togata's significance in identity construction during the middle Republic from a literary and cultural perspective. Delving deep into the fragmentary textual remains of the togata, the book explores how the Roman elite fashioned their identity. The author challenges the notion of monolithic identity construction, and explores the diverse forms of identity within the togata, offering a new perspective on the subject. This study thus positions the togata as a vital source for discerning the characteristics and beliefs by which the Romans distinguished themselves and their culture from others. By examining how Romans perceived themselves, their ideas about different social groups, and their literary and cultural ties to earlier traditions, this book aims to transform our understanding of the togata's role in Roman drama. |
| plauto amphitruo: Greeks and Romans on the Latin American Stage Rosa Andújar, Konstantinos P. Nikoloutsos, 2020-01-09 The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play. A comprehensive introduction provides a critical overview of the varying issues and complexities that arise when studying the afterlife of the European classics in the theatrical stages across this diverse and vast region. Fourteen chapters, divided into three general geographical sub-regions (Southern Cone, Brazil and the Caribbean and North America) present a strong connection to an ancient dramatic source text as well as comment upon important socio-political crises in the modern history of Latin America. The diversity and expertise of the voices in this volume translate into a multi-ranging approach to the topic that encompasses a variety of theoretical and interdisciplinary perspectives from classics, Latin American studies and theatre and performance studies. |
| plauto amphitruo: The Oxford Handbook of Greek and Roman Comedy Michael Fontaine, Adele C. Scafuro, 2014-04 The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain. |
| plauto amphitruo: Amphitryon Titus Maccius Plautus, 1890 |
| plauto amphitruo: Plautus: Amphitruo Plautus, 2000-07-20 This is the first edition of Platus' Amphitruo to appear in English for approximately forty years. It contains introductory essays, Latin text and a line-by-line commentary. Students will find this an indispensable tool in reading and translating the play, which was enormously popular in antiquity and has inspired modern adaptations by Molière, Giraudoux and Harold Pinter, among others. Dr. Christenson makes use of both current critical approaches to theater and traditional classical scholarship to offer many new insights into this delightful comedy. |
| plauto amphitruo: Ancient Comedy and Reception S. Douglas Olson, 2013-12-12 This wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns. |
| plauto amphitruo: Sublime Cosmos in Graeco-Roman Literature and its Reception David Christenson, Cynthia White, 2024-03-07 The essays collected in this volume examine manifestations of our sublime cosmos in ancient literature and its reception. Individual themes include religious mystery; calendrical and cyclical thinking as ordering principles of human experience; divine birth and the manifold nature of divinity (both awesome and terrifying); contemplation of the sky and meteorological (ir)regularity; fears associated with overpowering natural and anthropogenic events; and the aspirations and limitations of human expression. In texts ranging from Homer to Keats, the volume's chapters apply diverse critical methods and approaches that engage with sublimity in various aesthetic, agential and metaphysical aspects. The ancient texts – epic, dramatic, historiographic and lyric – treated here are rooted in a remote world where, within a framework of (perceived) celestial order, literature, myth and science still communicated profoundly, a tradition that continued in literary receptions of these ancient works. This volume honours the intellectual legacy of Thomas D. Worthen, a scholar whose expertise and insights cut across multiple disciplines, and who influenced and inspired students and colleagues at the University of Arizona, USA, for over three decades. Beyond clarifying temporally and culturally distant contemplations of the human universe, these essays aim to inform the continuing sense of wonder and horror at the sublime heights and depths of our ever-changing cosmos. |
| plauto amphitruo: A Bibliography of Scholarship on Plautus J. David Hughes, 1975 |
| plauto amphitruo: Reading Republican Oratory Christa Gray, Andrea Balbo, Richard M. A. Marshall, Catherine E. W. Steel, 2018-02-13 Public speech was a key aspect of politics in Republican Rome, both in theory and in practice, and recent decades have seen a surge in scholarly discussion of its significance and performance. Yet the partial nature of the surviving evidence means that our understanding of its workings is dominated by one man, whose texts are the only examples to have survived in complete form since antiquity: Cicero. This collection of essays aims to broaden our conception of the oratory of the Roman Republic by exploring how it was practiced by individuals other than Cicero, whether major statesmen, jobbing lawyers, or, exceptionally, the wives of politicians. It focuses particularly on the surviving fragments of such oratory, with individual essays tackling the challenges posed both by the partial and often unreliable nature of the evidence about these other Roman orators-often known to us chiefly through the tendentious observations of Cicero himself-and the complex intersections of the written fragments and the oral phenomenon. Collectively, the essays are concerned with the methods by which we are able to reconstruct non-Ciceronian oratory and the exploration of new ways of interpreting this evidence to tell us about the content, context, and delivery of those speeches. They are arranged into two thematic Parts, the first addressing questions of reception, selection, and transmission, and the second those of reconstruction, contextualization, and interpretation: together they represent a comprehensive overview of the non-Ciceronian speeches that will be of use to all ancient historians, philologists, and literary classicists with an interest in the oratory of the Roman Republic. |
| plauto amphitruo: British Museum Catalogue of printed Books , 1894 |
| plauto amphitruo: Anfitrione AA.VV., 2023-02-24T00:00:00+01:00 La vicenda di Anfitrione è tra i miti antichi più ripresi in età moderna: valoroso condottiero e sposo felice di Alcmena, l’eroe è vittima di un inganno perpetrato da Giove, che ne assume le sembianze per sedurne la sposa e generare con lei il semidio Ercole. Connesso da un lato all’archetipo del fanciullo divino, figlio di un dio e di una donna mortale, dall’altro al tema del doppio, il mito si è prestato a molteplici riletture. Tra i testi qui proposti – coincidenti con i momenti chiave della lunga storia di Anfitrione – la «tragicommedia» di Plauto si impone come ineludibile punto di partenza: commedia degli equivoci e degli inganni, incentrata sul «furto di identità» (nasce da qui il significato moderno di «sosia»), l’Anfitrione plautino è un esempio di come la cultura antica intendeva il tema del doppio. L’adulterio è invece al centro dell’Amphitryon di Molière, che rilegge il modello antico adattandolo alla realtà e ai gusti del suo tempo: sulle inquietudini del doppio prevale la beffa ai danni del marito tradito. Ancora diverso il testo di Kleist: apparentemente ispirato al fortunatissimo modello molieriano, in realtà se ne distacca radicalmente, sviluppando in modo originale il potenziale tragico della vicenda. Segnata dal conflitto tra apparenza e realtà, la commedia di Kleist appare perciò venata da una sottile amarezza. Infine, l’Amphitryon 38 di Giraudoux, meno noto al pubblico italiano, è forse la più brillante tra le varie riprese del mito nel Novecento: commedia degli equivoci lieve e ricca di humour, pone in primo piano il tema della coppia che miracolosamente resiste alle insidie del destino ed esalta il personaggio di Alcmena come donna padrona di se stessa e capace di gestire la propria vita. |
| plauto amphitruo: Amphitrvo Titus Maccius Plautus, 2000-07-20 Plautus' Amphitruo is the sole specimen of mythological burlesque in ancient comedy to come down to us in nearly complete form. This sex farce delighted Roman audiences and readers for centuries and continues to inspire adaptations to this day. Dr Christenson utilizes recent work in performance criticism in conjunction with traditional philological analysis to provide new insights into the play in performance. The edition aims to recover the essence of Plautine spectacle from the most concrete details of staging to the complex performative dynamics played out among the actors themselves and the actors and the audience. Included in the Introduction is an account of the mythic and dramatic background to Plautus' play as well as of its influence in post-classical drama. Plautus' metres are explained in a manner students will find helpful and instructive. Dr Christenson presents a new text that includes stage directions in English. |
| plauto amphitruo: Poesías castellanas y autos Luís de Camões, 1929 |
| plauto amphitruo: A Companion to Plautus Dorota Dutsch, George Fredric Franko, 2020-02-25 An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history. |
| plauto amphitruo: Performative Plautus Rodrigo Tadeu Gonçalves, 2015-10-05 This book provides a theoretical and philosophical framework for the analysis of Plautus within a performative and philosophical perspective on language and theatrical performance. The book offers an insightful understanding of Plautus’ texts as more than simple literary remains of “archaic” Latin literature, but as witnesses of a process of using language to perform an entire world through the recognition of the power of language itself as a creative and constitutive agent of theatrical codification and variation of its own rules and conventions. The analyses of several of Plautus’ plays are carried out through the lenses of Cassin’s proposal of an effet monde as a result of a performative sophistic view on language, as well as Florence Dupont’s unique stance on Roman Comedy as an example of non-Aristotelian theater, based on metatheater and convention-variation as special characteristics of a ludic theater which plays around with its own rules after putting them in the foreground. Barbara Cassin and Florence Dupont also contribute with a foreword and a preface. |
| plauto amphitruo: Autos Luís de Camões, 1928 |
| plauto amphitruo: O Livro do Tempo: Escritas e reescritas Maria de Fátima Sousa e Silva, Maria do Céu Grácio Zambujo Fialho, José Luís Lopes Brandão, 2016-12-30 Estes dois volumes reúnem um conjunto de estudos sobre teatro grego e latino (I) e sua recepção (II). Da Antiguidade são considerados, além da análise de diversos textos concretos, aspectos relacionados com a evolução dos géneros trágico e cómico, com os seus agentes e com a função cívica que deles se espera. Os estudos de recepção (II) abrangem colaboradores de um âmbito geográfico alargado e incluem inúmeros estudos de caso, sobretudo no âmbito da literatura e do teatro do mundo latino e ibero-americano. These two volumes collect several studies about Greek and Latin theatre (I) and its reception (II). From Antiquity, beside the analysis of specific texts, are considered aspects related with the evolution of the tragic and comic genres, their agents and their civic function. The reception studies (II) put together collaborators from a large geography and include a big number of case studies, mainly considering literature and theatre from the latin and iberoamerican world. |
| plauto amphitruo: Roma Augusta Emmanuel Virdis, 2024-12-17 A través de un análisis minucioso y profundamente documentado, Roma Augusta de Emmanuel Virdis narra cómo Roma emergió como una fuerza dominante en Occidente tras la Segunda Guerra Púnica. El texto explora las tensiones políticas, la resistencia cultural y la influencia de líderes visionarios en una era de transformaciones. Con un enfoque en la figura de Escipión el Africano y su enfrentamiento con Aníbal, la obra desvela cómo las decisiones militares, las intrigas senatoriales y los ideales filosóficos griegos moldearon el destino de Roma, cimentando su papel en la historia universal. |
| plauto amphitruo: Obras Giambattista Vico, 2002 1. : Oraciones inaugurales ; La antiquísima sabiduría de los italianos. |
| plauto amphitruo: Catalogue of the Barton Collection Boston Public Library. Barton Collection, 1888 |
| plauto amphitruo: Myths of Europe Richard Littlejohns, Sara Soncini, 2007 Myths of Europe focuses on the identity of Europe, seeking to re-assess its cultural, literary and political traditions in the context of the 21st century. Over 20 authors - historians, political scientists, literary scholars, art and cultural historians - from five countries here enter into a debate. How far are the myths by which Europe has defined itself for centuries relevant to its role in global politics after 9/11? Can 'Old Europe' maintain its traditional identity now that the European Union includes countries previously supposed to be on its periphery? How has Europe handled relations with the non-European Other in the past and how is it reacting now to an influx of immigrants and asylum seekers? It becomes clear that founding myths such as Hamlet and St Nicholas have helped construct the European consciousness but also that these and other European myths have disturbing Eurocentric implications. Are these myths still viable today and, if so, to what extent and for what purpose? This volume sits on the interface between culture and politics and is important reading for all those interested in the transmission of myth and in both the past and the future of Europe. |
| plauto amphitruo: Catalogue of the Miscellaneous Portion of the Barton Collection Boston Public Library. Barton Collection, José Francisco Carret, 1888 |
| plauto amphitruo: Catalogue of the Barton Collection, Boston Public Library Boston Public Library. Barton Collection, 1888 |
| plauto amphitruo: Lustrum Hans Joachim Mette, Andreas Thierfelder, 1990 |
| plauto amphitruo: Mandragola Niccolò Machiavelli, Niccolò Macchiavelli, 2011-01-03 Capolavoro assoluto del teatro rinascimentale italiano, la Mandragola è anche un amaro e disilluso ritratto di Firenze e dell'Italia del primo Cinquecento, abitata da uomini mossi dagli istinti più primordiali e privi di ogni determinazione morale o ideale. Ossessionato dal desiderio di paternità, lo sciocco messer Nicia si affida al sedicente medico Callimaco che, innamorato della bella moglie di Nicia, gli promette di guarirne la sterilità con una pozione di mandragola dalla letale (quanto falsa) controindicazione: il primo che farà l'amore con Lucrezia morirà entro otto giorni. E il primo sarà naturalmente Callimaco travestito, che Nicia stesso, gongolante, condurrà al letto della moglie. Una commedia insieme vitalistica e pessimistica, che il commento di Rinaldo Rinaldi illustra in tutta la sua poliedrica complessità. |
| plauto amphitruo: Credo iam ut solet iurgabit Federica Iurescia, 2019-04-15 The research is concerned with verbal and non-verbal behaviour during private quarrels in ancient Rome. Its aim is twofold: as first, to offer a linguistic description of the expressions occurring in this kind of conflictual communication; as second, to attempt a reconstruction of the behavioural code underpinning it. The theoretical approach that Federica Iurescia applies to the Latin literary texts is to be framed in the realm of impoliteness theories: they provide methodological tools which proved to be the most suitable for a thorough pragmatic description of the speakers' behaviour. After the introduction where the state of the research and the authors stance in this realm of studies are described, she focuses on representations of quarrels, in order to show the language use; starting from the metalanguage about quarrel's lexicon, she presents the results of a lexical enquiry on the main Latin terms for quarrel, in order to gain further information about the speakers' perceptions of this interaction. Both these proceedings point to the same evidence: Latin texts tend to show a negative evaluation of quarrelling. |
| plauto amphitruo: Frases latinas Ángela María Zanoner, 2016-10-14 * Est modus in rebus es una invitación a no exagerar, pero ¿qué significa exactamente? ¿De qué obra procede? * Ab urbe condita es una expresión muy conocida, pero ¿cuál es su significado exacto? ¿Quién la empleó por primera vez en un escrito? * ¿Es cierto que César dijo «alea jacta est» al pasar el Rubicón? * Estas expresiones y muchas otras se consignan en este libro por orden alfabético y señalando el autor, significado y sentido general; se incluye también un comentario con sugerencias para su empleo * Este libro es más que un diccionario: es un repertorio para leer, escribir, hablar y escuchar. Una ayuda preciosa que no se limita a las fórmulas más utilizadas, sino que se extiende también a las citas más agudas y menos conocidas Angela Maria Zanover es licenciada en Lengua y Literatura Europeas. Su formación clásica la ha llevado a profundizar en el aspecto filológico de las lenguas neolatinas y germánicas, así como de sus literaturas, desde la Edad Media hasta nuestros días. |
| plauto amphitruo: Comedias Publio Terencio Africano, 1991 |
| plauto amphitruo: Criticón Institut d'études hispaniques et hispano-américaines (Toulouse), Université de Toulouse-Le Mirail, 1999 |
| plauto amphitruo: Revista de bibliografía chilena y extranjera , 1915 |
| plauto amphitruo: Roma soy yo (Serie Julio César 1) Santiago Posteguillo, 2022-04-05 LA NOVELA MÁS VENDIDA DEL AÑO. DESPUÉS DE JULIO CÉSAR, EL MUNDO NUNCA VOLVIÓ A SER EL MISMO. Si alguna vez hubo un hombre nacido para cambiar el curso de la Historia, ese fue Julio César. Su leyenda, veinte siglos después, sigue más viva que nunca. Roma, año 77 a.C. El cruel senador Dolabela va a ser juzgado por corrupción, pero ha contratado a los mejores abogados, ha comprado al jurado y, además, es conocido por usar la violencia contra todos los que se enfrentan a él. Nadie se atreve a ser el fiscal, hasta que de pronto, contra todo pronóstico, un joven patricio de tan solo veintitrés años acepta llevar la acusación, defender al pueblo de Roma y desafiar el poder de las élites. El nombre del desconocido abogado es Cayo Julio César. Combinando con maestría un exhaustivo rigor histórico y una capacidad narrativa extraordinaria, Santiago Posteguillo logra sumergir al lector en el fragor de las batallas, hacerle caminar por las calles más peligrosas mientras los sicarios de los senadores acechan en cualquier esquina, vivir la gran historia de amor de Julio César con Cornelia, su primera esposa, y comprender, en definitiva, cómo fueron los orígenes del hombre tras el mito. Hay personajes que cambian la historia del mundo, pero también hay momentos que cambian la vida de esos personajes. Roma soy yo es el relato de los extraordinarios sucesos que marcaron el destino de César. |
| plauto amphitruo: Dativo y locativo en el singular de la flexión nominal indoeuropea Francisco Villar, 1981-01-01 |
| plauto amphitruo: Las relaciones interoracionales en español María Victoria Pavón Lucero, 2016-07-11 Este volumen recoge diversos estudios sobre la subordinación adverbial en español. Este fenómeno comprende una multiplicidad de estructuras sintácticas en las que intervienen categorías gramaticales como las preposiciones, conjunciones y adverbios, que, en comparación con otras, han recibido poca atención desde el punto de vista de la sintaxis formal. Los fenómenos se analizan teniendo en cuenta el panorama lingüístico actual, por lo que se exponen explicaciones y generalizaciones cuyo alcance va más allá de la gramática de una lengua particular. El volumen está dividido en dos partes. En la primera se presentan los planteamientos generales que han guiado los trabajos que lo componen y se analizan diversas cuestiones de índole diacrónica. La segunda parte recoge una serie de trabajos de tipo sincrónico que revisan cuestiones relacionadas con las diferentes estructuras sintácticas que tradicionalmente se han acogido como parte de la subordinación adverbial y, en consecuencia, los diferentes tipos de categorías sintácticas que encabezan estas construcciones. En definitiva, el lector encontrará en esta obra una selección de trabajos que tratan de aportar luz al fenómeno de la subordinación adverbial en el caso particular del español. |
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