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| paul nash shell guide to dorset: Paul Nash Paul Nash, 2000 This is a critical edition of the art writings of the painter Paul Nash (1889-1946). Alongside the very different Wyndham Lewis, Nash was the only major British artist of his generation who was also a regular critic of, and essayist on, art. He knew and read the leading critics of his day, and evolved a distinctive position in relation to them. His relationship to British modernism and the mutual stimulus of art and criticism, the opening up of his criticism and that of others to poetic and literary influences under the influence of Surrealism is discussed by Andrew Causey. Nash's writings span the years 1919 to 1946, with the majority dating from the 1930s; they were framed by his profession of painting and his activities as an art teacher, a product designer, and his involvement, as organiser and polemicist, in the art world. All of these helped for form the individuality of his writing. |
| paul nash shell guide to dorset: Paul Nash Book Designs Clare Colvin, 1982 |
| paul nash shell guide to dorset: Dorset. Shell Guide. Compiled and Written by P. Nash. [With Plates and Maps.]. Paul Nash, 1936 |
| paul nash shell guide to dorset: The Landscape Vision of Paul Nash Roger Cardinal, 2013-02-15 Paul Nash (1889-1946) has long been admired as one of the outstanding English landscape painters of this century. Nash has a deep affinity for such favourite sites in Southern England as the rolling downland near Swanage, the gaunt coastline at Dymchurch, the enigmatic stone circles at Avebury, and the twin hills in Oxfordshire known as the Wittenham Clumps which became his ultimate 'Place' and the focal symbol of his art. In this book Roger Cardinal surveys the full range of Nash's work, from the ravaged Flanders landscapes of World War One to the spectacular aerial battles of World War Two and the meditative late oils, his final materpieces. |
| paul nash shell guide to dorset: Mapping the Wessex Novel Andrew Radford, 2010-10-28 Considers four regional writers and their complex relationship with concepts of space and place at a time of seismic social change. > |
| paul nash shell guide to dorset: Paul Nash Emma Chambers, 2016 Published on the occasion of the exhibition Paul Nash, Tate Britain, London, 26 October 2016 - 5 March 2017. |
| paul nash shell guide to dorset: Imagining England's Past Susan Owens, 2023-04-26 England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy? By exploring the imaginations of successive generations, this book reveals how diverse notions of the past have inspired literature, art, music, architecture and fashion. It shines a light on subjects from myths to mock-Tudor houses, Stonehenge to steampunk, and asks how and why the past continues so powerfully to shape the present. Not a history of England, but a history of those who have written, painted and dreamed it into being, Imagining England's Past offers a lively, erudite account of the making and manipulation of the days of old. |
| paul nash shell guide to dorset: Peter Lanyon Andrew Causey, 2013-06-01 British painter Peter Lanyon transformed the art of landscape, rescuing it from picturesque depictions of the English countryside and resituating it as an art form capable of expressing radical ideas. The old European tradition of landscape—mostly concerned with ownership and leisure and not the daily life of the working class—was of no interest to Lanyon. His work instead reframed the consequences of war and industrialization upon a rapidly changing coastal landscape. In Peter Lanyon, Andrew Causey sets out to explain just how this transformation occurred. Lanyon’s family resided in West Cornwall for generations, and Causey asserts that the artist’s concern with regional identity, along with his resistance to what he saw as a history of outsider exploitation of St. Ives and the surrounding areas, were integral to his art. Drawing on recent work by cultural geographers, anthropologists, and archeologists, Causey makes sense of Lanyon’s relationship to the landscape and the pre-capitalist economy of his region. Provocative and insightful, Peter Lanyon is a thoroughly illuminating examination of the modern life of a landscape artist. |
| paul nash shell guide to dorset: Paul Nash Andrew Causey, 1980 |
| paul nash shell guide to dorset: Rural Modernity, Everyday Life and Visual Culture Rosemary Shirley, 2016-03-03 Through the lens of the everyday, this book explores ’the countryside’ as an inhabited and practised realm with lived rhythms and routines. It relocates the topography of everyday life from its habitually urban focus, out into the English countryside. The rural is often portrayed as existing outside of modernity, or as its passive victim. Here, the rural is recast as an active and complex site of modernity, a shift which contributes alternative ways of thinking the rural and a new perspective on the everyday. In each chapter, pieces of visual culture - including scrapbooks, art works, adverts, photographs and films - are presented as tools of analysis which articulate how aspects of the everyday might operate differently in non-metropolitan places. The book features new readings of the work of significant artists and photographers, such as Jeremy Deller and Alan Kane, Stephen Willats, Anna Fox, Andrew Cross, Tony Ray Jones and Homer Sykes, seen through this rural lens, together with analysis of visually fascinating archival materials including early Shell Guides and rarely seen scrapbooks made by the Women’s Institute. Combining everyday life, rural modernity and visual cultures, this book is able to uncover new and different stories about the English countryside and contribute significantly to current thinking on everyday life, rural geographies and visual cultures. |
| paul nash shell guide to dorset: Women Artists and the Surrealist Movement Whitney Chadwick, 2021-11-23 A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement. |
| paul nash shell guide to dorset: Shadow Sites Kitty Hauser, 2007-03-29 At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanteda number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities betweenphotography as a medium to capture traces of the past as well as their absence. |
| paul nash shell guide to dorset: Image, Text, Architecture Robin Wilson, 2016-03-09 Image, Text, Architecture brings a radical and detailed analysis of the modern and contemporary architectural media, addressing issues of architectural criticism, architectural photography and the role of journal editors. It covers examples as diverse as an article by British artist Paul Nash in The Architectural Review, 1940, an early project by French architects Lacaton & Vassal published in the journal 2G, 2001, and recent photography by Hisao Suzuki for the Spanish journal El Croquis. At the intersection of image and text the book also reveals the role of the utopian impulse within the architectural media, drawing on theories of utopian discourse from the work of the French semiotician and art theorist Louis Marin, and the American Marxist critic Fredric Jameson. Through this it builds a fresh theoretical approach to journal studies, revealing a hitherto unexplored dimension of latent or unconscious discourse within the media portrait of architecture. The purpose of this enquiry is to highlight moments where a different type of critical voice emerges on the architectural journal page, indicating the possibility of a more progressive engagement with the media as a platform for critical and speculative thinking about architecture, and to rethink the journals’ role within architectural history. |
| paul nash shell guide to dorset: Romantic Moderns Alexandra Harris, 2023-04-06 While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that the modern need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjemans nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton. |
| paul nash shell guide to dorset: Mary Butts and British Neo-Romanticism Andrew Radford, 2014-08-28 Mary Butts was an important figure in inter-war modernist circles and one who reviewed and associated with some of the major literary figures of the era, from T.S. Eliot to Gertrude Stein. Despite her importance and the varied nature of her writing, she has been a neglected figure in modernist scholarship. Providing a new analysis of the interwar literary period, Mary Butts and British Neo-Romanticism revisits her work - vividly experimental writings spanning memoir, poetry, polemic and fiction - through the lens of mid-20th-century British neo-Romanticism. The book argues that behind Butts's eco-feminist writings lies an intricate political and philosophical commentary. |
| paul nash shell guide to dorset: A Fractured Landscape of Modernity J. Wilkes, 2014-01-21 This book uses the contradictions, fractures and coincidences of a twentieth-century rural landscape to explore new methods of writing place beyond 'new nature writing'. In doing so it opens up new ways of reading modernist artists and writers such as Vanessa Bell, Mary Butts and Paul Nash. |
| paul nash shell guide to dorset: Sybil & Cyril Jenny Uglow, 2022-12-06 From Jenny Uglow, one of our most admired writers, a beautifully illustrated story of a love affair and a dynamic artistic partnership between the wars. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts—streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight. Jenny Uglow’s Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war. |
| paul nash shell guide to dorset: George Pitt-Rivers and the Nazis Bradley W. Hart, 2015-10-29 George Pitt-Rivers began his career as one of Britain's most promising young anthropologists, conducting research in the South Pacific and publishing articles in the country's leading academic journals. With a museum in Oxford bearing his family name, Pitt-Rivers appeared to be on track for a sterling academic career that might even have matched that of his grandfather, one of the most prominent archaeologists of his day. By the early 1930s, however, Pitt-Rivers had turned from his academic work to politics. Writing a series of books attacking international communism and praising the ideas of Benito Mussolini and Adolf Hitler, Pitt-Rivers fell into the circles of the anti-Semitic far right. In 1937 he attended the Nuremberg Rally and personally met Adolf Hitler and other leading Nazis. With the outbreak of war in 1940 Pitt-Rivers was arrested and interned by the British government on the suspicion that he might harm the war effort by publicly sharing his views, effectively ending his academic career. This book traces the remarkable career of a man who might have been remembered as one of Britain's leading 20th century anthropologists but instead became involved in a far-right milieu that would result in his professional ruin and the relegation of most of his research to margins of scientific history. At the same time, his wider legacy would persist far beyond the academic sphere and can be found to the present day. |
| paul nash shell guide to dorset: The Real and the Romantic Frances Spalding, 2022-07-07 The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of the real was set against, and sometimes merged with, an inclination towards the romantic, as English artists sought to respond to their subjects and their times. |
| paul nash shell guide to dorset: The English Catalogue of Books Published from January, 1835, to January, 1863 , 1864 |
| paul nash shell guide to dorset: British literature and archaeology, 1880–1930 Angela Blumberg, 2022-09-27 British literature and archaeology, 1880-1930 reveals how British writers and artists across the long turn of the twentieth century engaged with archaeological discourse—its artefacts, landscapes, bodies, and methods—uncovering the materials of the past to envision radical possibilities for the present and future. This project traces how archaeology shaped major late-Victorian and modern discussions: informing debates over shifting gender roles; facilitating the development of queer iconography and the recovery of silenced or neglected histories; inspiring artefactual forgery and transforming modern conceptions of authenticity; and helping writers and artists historicise the traumas of the First World War. Ultimately unearthing archaeology at the centre of these major discourses, this book simultaneously positions literary and artistic engagements with the archaeological imagination as forms of archaeological knowledge in themselves. |
| paul nash shell guide to dorset: The Jurassic Coast Britain's Heritage Coast Paul Harris, 2014-05-15 A look at the history and heritage of the Jurassic Coast |
| paul nash shell guide to dorset: Books and Bookmen , 1965 |
| paul nash shell guide to dorset: The Spectralities Reader Maria del Pilar Blanco, Esther Peeren, 2013-08-29 Ghosts, spirits, and specters have played important roles in narratives throughout history and across nations and cultures. A watershed moment for this area of study was the publication of Derrida's Specters of Marx in 1993, marking the inauguration of a spectral turn in cultural criticism. Gathering together the most compelling texts of the past twenty years, the editors transform the field of spectral studies with this first ever reader, employing the ghost as an analytical and methodological tool. The Spectralities Reader takes ghosts and haunting on their own terms, as wide-ranging phenomena that are not conscripted to a single aesthetic genre or style. Divided into six thematically discreet sections, the reader covers issues of philosophy, politics, media, spatiality, subject formation (gender, race and sexuality), and historiography. It anthologizes the previously published work of theoretical heavyweights from different disciplinary and cultural backgrounds, such as Jacques Derrida, Gayatri Spivak, and Giorgio Agamben, alongside work by literary and cultural historians such as Jeffrey Sconce and Roger Luckhurst. |
| paul nash shell guide to dorset: Modernism on Sea Lara Feigel, Alexandra Harris, 2009 These lively and intelligent essays examine artistic responses to the British seaside from the 1930s onwards, including writers and artists such as Virginia Woolf, Sylvia Plath, and John Piper. |
| paul nash shell guide to dorset: Transfixed by Prehistory Maria Stavrinaki, 2022-05-24 An examination of how modern art was impacted by the concept of prehistory and the prehistoric Prehistory is an invention of the late nineteenth century. In that moment of technological progress and acceleration of production and circulation, three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to surmise the age of the Earth; second, to find the point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if considered through these three interwoven inventions of the longue durée. Transfixed by Prehistory attempts to articulate such a history, which turns out to be more complex than an inevitable march of progress leading up to the Anthropocene. Rather, it is a history of stupor, defamiliarization, regressive acceleration, and incessant invention, since the “new” was also found in the deep sediments of the Earth. Composed of as much speed as slowness, as much change as deep time, as much confidence as skepticism and doubt, modernity is a complex phenomenon that needs to be rethought. Stavrinaki focuses on this intrinsic tension through major artistic practices (Cézanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jünger), and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology. |
| paul nash shell guide to dorset: Luxury Railway Travel Martyn Pring, 2019-10-30 “Reads like an extravagant time travel through Britain’s opulence era where train travel was just as stylish and fanciful as the elite class themselves.” —Manhattan with a Twist Martyn Pring has carried out considerable research tracing the evolution of British luxury train travel weaving railway, social and travel history threads around a number of Britain’s mainline routes traditionally associated with glamorous trains. Drawing on contemporary coverage, he chronicles the luxury products and services shaped by railway companies and hospitality businesses for Britain’s burgeoning upper and middle classes and wealthy overseas visitors, particularly Americans, who demanded more civilized and comfortable rail travel. By Edwardian times, a pleasure-palace industry emerged as entrepreneurs, hotel proprietors, local authorities and railway companies all collaborated developing upscale destinations, building civic amenities, creating sightseeing and leisure pursuits and in place-making initiatives to attract prosperous patrons. Luxury named trains delivered sophisticated and fashionable settings encouraging a golden age of civilized business and leisure travel. Harkening back to the inter-war years, modern luxury train operators now redefine and capture the allure and excitement of dining and train travel experiences. “Martyn’s extraordinarily beautiful book is more than a collection of classic railway posters—it describes a way of life that’s now lost in the mists of the twentieth century . . . As a piece of social history, this book is faultless, and a precious reminder of luxury and class distinction . . . [a] fabulous book. Exceptional.” —Books Monthly “A comprehensive account of luxury ‘hotel trains,’ dining trains and the presentations of heritage railways brings the story to its unexpected conclusion . . . this is a lively take on a neglected topic.” —BackTrack |
| paul nash shell guide to dorset: John Craxton Ian Collins, 2021-06-22 Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death. |
| paul nash shell guide to dorset: Rare Book Review , 2005 |
| paul nash shell guide to dorset: Studio International , 1973-07 |
| paul nash shell guide to dorset: Picturing England between the Wars Stuart Sillars, 2021-11-11 A richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period. During the 1920s and 30s, words and pictures in print were the main way in which people received ideas and entertainment, the two working together in a great variety of forms. Many books of the twenties argued against the loss of the countryside because of suburban building. But the demand for post-war building was great and, following the lead of a government report, many books appeared that showed house designs, allowing readers to design or imagine their ownership. Book designs became attractive, helped by colourful dust jackets and internal pictures. Magazines developed individual talents and special interests for both men and women. And, at the periods close, word and image were combined to publicise the growing RAF and give advice about protecting houses from bombing. In all these, words and images worked together as a complex form of art, communication, and entertainment. |
| paul nash shell guide to dorset: A Dictionary of Modern and Contemporary Art Ian Chilvers, John Glaves-Smith, 2009 This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers. |
| paul nash shell guide to dorset: Ravilious & Co.: The Pattern of Friendship Andy Friend, 2017-07-11 A dynamic tale of art and friendship, set between the World Wars, against the backdrop of a rapidly changing world Eric Ravilious is one of the best-known twentieth-century English artists. For many, his watercolors capture the spirit of midcentury England. But while he had a style of his own, he did not work in isolation; he worked within a network of artists that included fellow students at the Royal College of Art such as Edward Bawden, Barnett Freedman, Enid Marx, Percy Horton, Peggy Angus, and Helen Binyon. The story of this beloved artist is also a biography of the group of fellow creators with whom he associated—men and women who inspired, challenged, and influenced one another—from their student days up through the Second World War. Drawing on extensive research, Andy Friend considers the predecessors in the English watercolor and wood-engraving tradition that influenced the group’s art and demonstrates the significance of women artists, whose place within this interwar-era network has often been neglected. Published to coincide with the seventy-fifth anniversary of Ravilious’s death, Ravilious & Co. accompanies an exhibition of the same name, touring throughout England in 2017. |
| paul nash shell guide to dorset: Design Brian Webb, Peyton Skipwith, 2006 An excellent introduction to the careers of two major British artists and designers. |
| paul nash shell guide to dorset: Worth the Detour Nicholas T Parsons, 2007-05-24 The guidebook has a long and distinguished history, going back to Biblical times and encompassing major cultural and social changes that have witnessed the transformation of travel. This book presents a journey through centuries of travel writing. |
| paul nash shell guide to dorset: The Village that Died for England Patrick Wright, 1995 It was extinction that made Tyneham famous. The fields of the village on the Dorset coast were ideal tank country and when Churchill evacuated it, he vowed that the people could return after the war. Attlee broke the promise and Tyneham became a symbol of unrewarded patriotic sacrifice, or a rural English idyll destroyed by the state. |
| paul nash shell guide to dorset: Nash and Nevinson in War and Peace Paul Nash, 1977 |
| paul nash shell guide to dorset: Frances Hodgkins Iain Buchanan, Frances Hodgkins, Michael Dunn, Elizabeth Eastmond, 2001 Three extensive essays by leading New Zealand art historians explore in depth the growth and development of Hodgkins's distinctive artistic practice. They show how a colonial watercolourist endowed with determination and courage as well as considerable talent was able to absorb European influences such as Surrealism and Cubism and was responsive to a variety of other inspirations, from child art to abstraction. Hodgkins is seen experimenting in a variety of mediums and styles, an artist working confidently and with growing maturity towards her unique late phase, at its most brilliant in her still-life landscapes.--BOOK JACKET. |
| paul nash shell guide to dorset: Auction Catalogs, Hodgson's Rooms Sotheby Parke Bernet & Co, 1979 |
| paul nash shell guide to dorset: S.R. Badmin and the English Landscape Chris Beetles, Stanley Roy Badmin, 1985 |
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Depuis plus de 130 ans, la Maison PAUL imagine et confectionne son pain dans la tradition de l'art de vivre à la française. Au fil du temps, nous nous efforçons également d'inventer de …
Pâtisserie - PAUL
Maison boulangère de qualité depuis 1889, PAUL vous propose un assortiment de pâtisseries gourmandes et sophistiquées. Des plus classiques aux plus audacieuses, nos pâtisseries, …
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La Maison PAUL vous propose sa sélection variée de viennoiseries et autres créations gourmandes à commander directement sur notre site. Chez PAUL nous nous engageons à …
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Paris est la capitale de l’amour, de l’élégance, de la mode et de la vie romantique. Au gré de ces cafés, croissants et viennoiseries, PAUL Traiteur a peu à peu développé une gamme de mets …
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Établie depuis 1889, la Maison PAUL conçoit chaque jour de délicieuses quiches et pizzas pour vos repas du midi. Nos produits sont fabriqués avec soin et sont désormais disponibles à …
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Conformément à la loi Informatique et Libertés n°78-17 du 6 janvier 1978 modifiée et au Règlement Général sur la Protection des Données à caractère personnel n° 2016/679/UE du …
