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| paul mooney jokes: Black Is the New White Paul Mooney, 2010 For more than forty years...Paul Mooney has been provocative, incisive- and absolutely hilarious. His comedy has always been indisputably real and raw, reflecting race issues in America... As head writer for The Richard Pryor Show, he helped tear down racial barriers and change the course of comedy. He helped Robin Williams and Sarah Bernhard break into show business. He paved the way for superstars like Eddie Murphy. Few have witnessed as much comedy history as Mooney; even fewer could recount it with such riotous honesty and depth of insight--from back cover. |
| paul mooney jokes: Black Is the New White Paul Mooney, 2009-11-03 OTHER COMEDIANS TELL JOKES. PAUL MOONEY TELLS THE TRUTH. For more than forty years—whether writing for Richard Pryor and Saturday Night Live or performing stand-up to sold-out crowds around the country—Paul Mooney has been provocative, incisive . . . and absolutely hilarious. His comedy has always been indisputably real and raw, reflecting race issues in America, and this fascinating, fearless new memoir continues that unapologetically candid tradition. While other stars soared only to crash and burn, Paul Mooney has stayed chiefly behind the scenes, and he’s got a lifetime of stories to show for it. As head writer for The Richard Pryor Show, he helped tear down racial barriers and change the course of comedy. He helped Robin Williams and Sarah Bernhard break into show business. He paved the way for superstars like Eddie Murphy. Few have witnessed as much comedy history as Mooney; even fewer could recount it with such riotous honesty and depth of insight. He reveals the truth about his celebrated partnership with the brilliant, self-destructive Richard Pryor, from their first meeting to the very last joke, and reflects on some of his most notorious moments. Decades ago, Paul Mooney set out not just make audiences laugh but to make them think. Black Is the New White is his blisteringly funny, no-holds-barred memoir of how he continues to succeed wildly at both. |
| paul mooney jokes: The Comedians Kliph Nesteroff, 2015-11-03 “Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal |
| paul mooney jokes: Rob Delaney Rob Delaney, 2014-12-02 From a Deadpool 2 fan favorite comes a “hilarious, raw” (Rolling Stone) memoir about love, sex, parenthood, work, substance abuse, and everything else that makes life wonderful and/or horrible. Updated with new material! Rob Delaney is a comedy superstar. But if you’re ever watched him steal scenes as Peter in Deadpool 2, binged his streaming series Catastrophe, encountered his raunchy and mischievous Twitter presence, or witnessed the hilarious and painful sharing he does in his stand-up, you already know that. In his first book, he traces his journey from middle-class theater geek to public menace to devoted family man and passionately engaged model citizen—from his youthful obsession (and pen pal relationship) with heavy metal band Danzig and an episode of drunken bungee jumping off the Brooklyn Bridge, to his court-ordered stint in rehab and the miracle of his son’s birth. All together, these essays make clear why it is he is so darn lovable—and so f#!%ing funny. Praise for Rob Delaney “Unlike some books by comics, Delaney’s volume offers a rich, deeply considered (and yes, funny) look at his life. . . . A great read by any standard, but even more so for including stories about needing (and failing) to find a bathroom while jogging.”—E! Online “One of the most hilarious bundles of words we have ever read.”—Vice “A book as funny, sincere, weird, wet, and wonderful as Rob Delaney himself.”—Jimmy Kimmel “Heart-wrenchingly true tales exuding self-effacing whimsy and smart-guy charm.”—Splitsider “Delaney has a knack for pinpointing what’s hilarious and sad about adolescent bed-wetting and his own abundant body hair, but somehow the darkest chapters [in this book] make you laugh hardest.”—Entertainment Weekly “Rob Delaney has done it again! Actually, this is his first book, so he has not ‘done it again.’ Actually, this book is so good, I doubt he will be able to do it again. He’s peaked.”—Judd Apatow “Rob’s transition from tweets to book is like a gold medal sprinter winning the marathon the next day. I am jealous and angry.”—Seth Meyers “WARNING: This book may cause involuntary seepage. Some funny, funny, funny, funny s*** from the most dangerous man on Twitter. The fact that he’s just as funny in long form makes me want to vomit with envy.”—Anthony Bourdain |
| paul mooney jokes: Furious Cool David Henry, Joe Henry, 2014-01-01 Provides a rare glimpse into the life of an outrageously human, fearlessly black, openly angry and profanely outspoken comedic genius whose humble beginnings as the child of a prostitute helped shaped him into one of the most influential and outstanding performers of our time. |
| paul mooney jokes: Hokum Paul Beatty, 2008-12-10 Edited by the author of The Sellout, winner of the 2016 Man Booker Prize, Hokum is a liberating, eccentric, savagely comic anthology of the funniest writing by black Americans. This book is less a comprehensive collection than it is a mix-tape narrative dubbed by a trusted friend-a sampler of underground classics, rare grooves, and timeless summer jams, poetry and prose juxtaposed with the blues, hip-hop, political speeches, and the world's funniest radio sermon. The subtle musings of Toni Cade Bambara, Henry Dumas, and Harryette Mullen are bracketed by the profane and often loud ruminations of Langston Hughes, Darius James, Wanda Coleman, Tish Benson, Steve Cannon, and Hattie Gossett. Some of the funniest writers don't write, so included are selections from well-known yet unpublished wits Lightnin' Hopkins, Mike Tyson, and the Reverend Al Sharpton. Selections also come from public figures and authors whose humor, although incisive and profound, is often overlooked: Malcolm X, Suzan-Lori Parks, Zora Neale Hurston, Sojourner Truth, and W.E.B. Dubois. Groundbreaking, fierce, and hilarious, this is a necessary anthology for any fan or student of American writing, with a huge range and a smart, political grasp of the uses of humor. |
| paul mooney jokes: We Had a Little Real Estate Problem Kliph Nesteroff, 2022-02-15 From renowned comedy journalist and historian Kliph Nesteroff comes the underappreciated story of Native Americans and comedy-- |
| paul mooney jokes: Black Is the New White Paul Mooney, 2009-11-03 With his no-holds-barred delivery and unique worldview, Paul Mooney continues to stir anger, generate laughter, and provoke thought while attempting to tear down racial and social barriers through his juicy memoir about his years writing comedy with the likes of Richard Pryor, Redd Foxx, the Wayans' Brothers, and Dave Chappelle. For more than forty years—whether writing for Richard Pryor and Saturday Night Live or performing stand-up to sold-out crowds around the country—Paul Mooney has been provocative, incisive, and absolutely hilarious. His comedy has always been indisputably real and raw, reflecting race issues in America, and this fascinating, fearless new memoir continues that unapologetically candid tradition. While other stars soared only to crash and burn, Paul Mooney has stayed chiefly behind the scenes, and he’s got a lifetime of stories to show for it. As head writer for The Richard Pryor Show, he helped tear down racial barriers and change the course of comedy. He helped Robin Williams and Sarah Bernhard break into show business. He paved the way for superstars like Eddie Murphy. Few have witnessed as much comedy history as Mooney; even fewer could recount it with such riotous honesty and depth of insight. He reveals the truth about his celebrated partnership with the brilliant, self-destructive Richard Pryor, from their first meeting to the very last joke, and reflects on some of his most notorious moments. Decades ago, Paul Mooney set out not just make audiences laugh but to make them think. Black Is the New White is his blisteringly funny, no-holds-barred memoir of how he continues to succeed wildly at both. |
| paul mooney jokes: Black Is the New White Paul Mooney, 2010-07-06 OTHER COMEDIANS TELL JOKES. PAUL MOONEY TELLS THE TRUTH. For more than forty years—whether writing for Richard Pryor and Saturday Night Live or performing stand-up to sold-out crowds around the country—Paul Mooney has been provocative, incisive . . . and absolutely hilarious. His comedy has always been indisputably real and raw, reflecting race issues in America, and this fascinating, fearless new memoir continues that unapologetically candid tradition. While other stars soared only to crash and burn, Paul Mooney has stayed chiefly behind the scenes, and he’s got a lifetime of stories to show for it. As head writer for The Richard Pryor Show, he helped tear down racial barriers and change the course of comedy. He helped Robin Williams and Sarah Bernhard break into show business. He paved the way for superstars like Eddie Murphy. Few have witnessed as much comedy history as Mooney; even fewer could recount it with such riotous honesty and depth of insight. He reveals the truth about his celebrated partnership with the brilliant, self-destructive Richard Pryor, from their first meeting to the very last joke, and reflects on some of his most notorious moments. Decades ago, Paul Mooney set out not just make audiences laugh but to make them think. Black Is the New White is his blisteringly funny, no-holds-barred memoir of how he continues to succeed wildly at both. |
| paul mooney jokes: I Ain't Scared of You Bernie Mac, 2002-02-17 A laugh-out-loud humor book from one of the most celebrated comedians, Bernie Mac, the star of Fox's The Bernie Mac Show, winner of the prestigious Peabody Award. The Chicago-bred performer and royal king of the Original Kings of Comedy, Bernie Mac, has won over countless fans of cutting comedy and family humor with an edgy show that tells it like it is but never loses heart. No surprise, Mac has earned a reputation as perhaps the truest voice of modern humor. Here, in his debut book, Mac brilliantly captures the R-rated side of his comedic genius in print. Touring through a wide range of topics with equal parts insight and irreverence, Bernie presents a way of looking at the world guaranteed to make you laugh. Tackling superstar athletes, the movie business, his fellow comedians, his marriage, and, of course, his friends and family, Mac offers side-splitting riffs on sex, religion, hygiene, money, and more. Nobody is safe; nothing is sacred. Not even Bernie himself. Throughout I Ain't Scared of You, Mac turns his humor inward, firing off hilarious self-deprecating salvos about his golf game and his own hypocrisies. Bernie Mac's hit show and his vital live performances have earned him critical acclaim and international popularity. Now, I Ain't Scared of You reveals his humor whole—unpretentious, unafraid, and unbelievably funny and raw. |
| paul mooney jokes: Stand-Up Comedy Judy Carter, 2010-03-03 If you think you’re funny, buy this book! Whether you dream of becoming a star . . . A better public speaker . . . A more effective communicator . . . A funnier, happier human being . . . You can learn to leave ‘em laughing! David Letterman learned to do it. Jay Leno learned to do it. Roseanne Barr learned to do it. So can you! Now successful stand-up comic Judy Carter—who went from teaching high school to performing in Las Vegas, Atlantic City, Lake Tahoe, and on over 45 major TV shows—gives you the same hands-on, step-by-step instruction she’s taught to students in her comedy workshops. She shows you how to do it: create an act, perform it, make money with it, or apply it to everyday life. Discover: • The formulas for creating comedy material • How to find your own style • The three steps to putting your act together • Rehearsal do’s and don’ts • What to do if you bomb • Ways to punch up your everyday life with humor |
| paul mooney jokes: Becoming Richard Pryor Scott Saul, 2015-12-08 A major biography—intimate, gripping, revelatory—of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family’s brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he’d known. He brought that trembling vitality to Hollywood, where his movie career—Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar—flowed directly out of his spirit of creative improvisation. The major studios considered him dangerous. Audiences felt plugged directly into the socket of life. Becoming Richard Pryor brings the man and his comic genius into focus as never before. Drawing upon a mountain of original research—interviews with family and friends, court transcripts, unpublished journals, screenplay drafts—Scott Saul traces Pryor’s rough journey to the heights of fame: from his heartbreaking childhood, his trials in the Army, and his apprentice days in Greenwich Village to his soul-searching interlude in Berkeley and his ascent in the “New Hollywood” of the 1970s. Becoming Richard Pryor illuminates an entertainer who, by bringing together the spirits of the black freedom movement and the counterculture, forever altered the DNA of American comedy. It reveals that, while Pryor made himself a legend with his own account of his life onstage, the full truth of that life is more bracing still. |
| paul mooney jokes: God Is My Broker Christopher Buckley, John Tierney, 2012-02-01 This is an incredible story. The author, a failed, alcoholic Wall Street trader, had retreated to a monastery. It, too, was failing. Then, one fateful day, Brother Ty decided to let God be his broker--and not only saved the monastery but discovered the 7 1/2 Laws of Spiritual and Financial Growth. Brother Ty's remarkable success has been studied at the nation's leading business schools and scrutinized by Wall Street's greatest minds, but until now the secret to his 7 1/2 Laws of Spiritual and Financial Growth have been available only to a select few: • 87 percent of America's billionaires • 28 recent Academy Award winners • Over half the recipients of the Nobel Peace Prize • No members of the U.S. Congress Now, for the first time, Brother Ty reveals the secrets he has gleaned from the ancient texts of the monks, and tells how you can get God to be your broker. God Is My Broker is the first truly great self-help business novel. Open this book and open your heart. It will change your life. |
| paul mooney jokes: Oreo Fran Ross, 2015-07-07 A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other. |
| paul mooney jokes: Home Town Tracy Kidder, 2012-09-05 In this splendid book, one of America's masters of nonfiction takes us home--into Hometown, U.S.A., the town of Northampton, Massachusetts, and into the extraordinary, and the ordinary, lives that people live there. As Tracy Kidder reveals how, beneath its amiable surface, a small town is a place of startling complexity, he also explores what it takes to make a modern small city a success story. Weaving together compelling stories of individual lives, delving into a rich and varied past, moving among all the levels of Northampton's social hierarchy, Kidder reveals the sheer abundance of life contained within a town's narrow boundaries. Does the kind of small town that many Americans came from, and long for, still exist? Kidder says yes, although not quite in the form we may imagine. A book about civilization in microcosm, Home Town makes us marvel afresh at the wonder of individuality, creativity, and civic order--how a disparate group of individuals can find common cause and a code of values that transforms a place into a home. And this book makes you feel you live there. |
| paul mooney jokes: It's Even Worse Than It Looks Thomas E. Mann, Norman J. Ornstein, 2016-04-05 Acrimony and hyperpartisanship have seeped into every part of the political process. Congress is deadlocked and its approval ratings are at record lows. America's two main political parties have given up their traditions of compromise, endangering our very system of constitutional democracy. And one of these parties has taken on the role of insurgent outlier; the Republicans have become ideologically extreme, scornful of compromise, and ardently opposed to the established social and economic policy regime.In It's Even Worse Than It Looks, congressional scholars Thomas Mann and Norman Ornstein identify two overriding problems that have led Congress -- and the United States -- to the brink of institutional collapse. The first is the serious mismatch between our political parties, which have become as vehemently adversarial as parliamentary parties, and a governing system that, unlike a parliamentary democracy, makes it extremely difficult for majorities to act. Second, while both parties participate in tribal warfare, both sides are not equally culpable. The political system faces what the authors call &asymmetric polarization, with the Republican Party implacably refusing to allow anything that might help the Democrats politically, no matter the cost.With dysfunction rooted in long-term political trends, a coarsened political culture and a new partisan media, the authors conclude that there is no &silver bullet; reform that can solve everything. But they offer a panoply of useful ideas and reforms, endorsing some solutions, like greater public participation and institutional restructuring of the House and Senate, while debunking others, like independent or third-party candidates. Above all, they call on the media as well as the public at large to focus on the true causes of dysfunction rather than just throwing the bums out every election cycle. Until voters learn to act strategically to reward problem solving and punish obstruction, American democracy will remain in serious danger. |
| paul mooney jokes: Fletch Gregory Mcdonald, 2018-08-07 Book one in the bestselling mystery series that brought to life an iconic literary antihero of subversion and schemes Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000. Intrigued, Fletch can’t help but dig into this suspicious deal he’s being offered. Dodging the shady beach police as his case begins to break open, and with his temperamental editor Clara pushing for his article, he soon discovers that Stanwyk has a lot to hide and this plan is anything but what it seems. |
| paul mooney jokes: Pryor Convictions, and Other Life Sentences Richard Pryor, Todd Gold, 1997-08 Pryor tells the story of his life, from his childhood in Peoria, Illinois, through his growth as a comedian, to his battle with addiction and, in later years, multiple sclerosis. |
| paul mooney jokes: Prison Truth William J. Drummond, 2020-01-07 San Quentin State Prison, California’s oldest prison and the nation’s largest, is notorious for once holding America’s most dangerous prisoners. But in 2008, the Bastille-by-the-Bay became a beacon for rehabilitation through the prisoner-run newspaper the San Quentin News. Prison Truth tells the story of how prisoners, many serving life terms, transformed the prison climate from what Johnny Cash called a living hell to an environment that fostered positive change in inmates’ lives. Award-winning journalist William J. Drummond takes us behind bars, introducing us to Arnulfo García, the visionary prisoner who led the revival of the newspaper. Drummond describes how the San Quentin News, after a twenty-year shutdown, was recalled to life under an enlightened warden and the small group of local retired newspaper veterans serving as advisers, which Drummond joined in 2012. Sharing how officials cautiously and often unwittingly allowed the newspaper to tell the stories of the incarcerated, Prison Truth illustrates the power of prison media to humanize the experiences of people inside penitentiary walls and to forge alliances with social justice networks seeking reform. |
| paul mooney jokes: The Missing Chris Mooney, 2008-02-26 In this riveting thriller, a female police officer discovers that the serial killer she's tracking is a psychopath from her past--and she's next on his list. Absolutely gripping suspense.--Michael Connelly. |
| paul mooney jokes: Filthy, Funny, and Totally Offensive Jeffrey Gurian, Tripp Whetsell, 2007 The only collection of the most offensive, politically incorrect and often disgusting (but hilarious) dirty jokes that the hottest comics in the worldwill only tell each other! No-one is spared: ranging from the silly to the sick, the sadistic to the sublime, these are the jokes comedians share only among themselves, finally compiled in one place for the first time ever. |
| paul mooney jokes: The Oxford Handbook of the Science of Science Communication Kathleen Hall Jamieson, Dan M. Kahan, Dietram Scheufele, 2017 On topics from genetic engineering and mad cow disease to vaccination and climate change, this Handbook draws on the insights of 57 leading science of science communication scholars who explore what social scientists know about how citizens come to understand and act on what is known by science. |
| paul mooney jokes: Nigger Dick Gregory, Robert Lipsyte, 2019-06-11 Comedian and civil rights activist Dick Gregory’s million-copy-plus bestselling memoir—now in trade paperback for the first time. “Powerful and ugly and beautiful...a moving story of a man who deeply wants a world without malice and hate and is doing something about it.”—The New York Times Fifty-five years ago, in 1964, an incredibly honest and revealing memoir by one of the America's best-loved comedians and activists, Dick Gregory, was published. With a shocking title and breathtaking writing, Dick Gregory defined a genre and changed the way race was discussed in America. Telling stories that range from his hardscrabble childhood in St. Louis to his pioneering early days as a comedian to his indefatigable activism alongside Medgar Evers and Dr. Martin Luther King, Jr., Gregory's memoir riveted readers in the sixties. In the years and decades to come, the stories and lessons became more relevant than ever, and the book attained the status of a classic. The book has sold over a million copies and become core text about race relations and civil rights, continuing to inspire readers everywhere with Dick Gregory's incredible story about triumphing over racism and poverty to become an American legend. |
| paul mooney jokes: Satiristas Paul Provenza, Dan Dion, 2010-05-11 Our nation's finest comedians, contrarians, and comic subversives come together to discuss the nature of humor, its relevance to society, and how simply speaking the truth as one sees it can give life meaning We are living in a new golden age of satire. In a nation divided, polarized, and cynical of official news and information, it's no surprise that more young people get their news today from Jon Stewart and Stephen Colbert than from 60 Minutes and CNN—the people who speak the most openly and fearlessly are our satirists. Politics and culture are analyzed, criticized, scandalized, and energized by comedians with no agenda other than to create the laughter and shock that comes from recognition and truth. Perhaps the greatest collection of comic talents ever between two covers, ¡Satiristas! is a collaboration between Paul Provenza—comedy's insider inquisitor extraordinaire, director/co-creator of the film The Aristocrats, and star of Showtime's The Green Room with Paul Provenza—and Dan Dion, comedy's most celebrated portrait photographer. A virtual who's who of iconoclastic comedy, the book is an epic, hilarious, multivoiced manifesto on satire and comedy, and a revelatory study of the complexities and inner workings of the comic mind. Balancing on the razor's edge of communicating important ideas without pretense or condescension, political comedians Stephen Colbert, Bill Maher, and Lewis Black weigh in with late-night monologists Jay Leno and Craig Ferguson. Veterans like Conan O'Brien, Robin Williams, Richard Lewis, and Roseanne Barr speak their minds alongside comedy legends such as the Smothers Brothers, Tom Lehrer, Lily Tomlin, and the late, great George Carlin. Also represented are creators, writers, and producers of The Daily Show, South Park, Mr. Show, This Is Spinal Tap, Wonder Showzen, Kids in the Hall, Freaks and Geeks, Superbad, The Simpsons, Monty Python's Flying Circus, and Saturday Night Live as well as fresh, up-and-coming talents and a new generation of comedy stars. Together, this cross-section of subversive comic artists offers insight into what drives them and makes them tick, and what drives them crazy and ticks them off. Paul Provenza's casual, intimate, artist-to-artist interviews are intelligent, outrageous, controversial, and even downright sick—but no idea or opinion is censored, and the unabashed honesty that results is funny, thought-provoking and inspirational. The intimate photographic portraits by Dan Dion, comedy's Richard Avedon, are art pieces that take us through the stand-up routine to the person underneath, making ¡Satiristas! something that will change the way you look at comedians and the art of comedy. |
| paul mooney jokes: Walking With Ghosts Gabriel Byrne, 2020-11-10 In vivid, melodic prose, Gabriel revisits his childhood in Ireland, a world that has long since been renovated by time, and juxtaposes these memories with scenes from later years, in which he develops and occupies that strange identity of movie star. Impressionistic and sensual, Byrne's visions of home, of boyhood and adolescence, are gracefully interspersed with jump-cuts to pointedly unglamorous scenes from his life as he becomes an actor, as he becomes celebrated, as he becomes forever recognizable. Byrne is interested in exploring the pathos in what it means to be famous, in what it means to be praised when everything you’ve learned tells you that are not worthy of praise. |
| paul mooney jokes: The Mentality of Racist White America Is the Mentality of Black America Robert McMlillan Jr., 2010-05-18 This book is about the Mentality of African/Black Americans, Past and Present, and how it correlates with the Mentality of Racist White Americans, Past and Present. And how can we change the way we Think. Also, an in-depth look at the Mentality of Men and WomenSexuallyAnd how Mens Sexual Mentality correlates with Womens Sexual Mentality. The two are the same. Hence, the Breakdown of the African\Black American family. When you add it all up, when you have African\Black Americans Thinking like Racist White Americans, And African\Black American Women [Women in general] Thinking like African\Black American males [Men in general], the end results for African\Black Americans as a Unit, Family, and People [not as an individual] is sad and tragic. |
| paul mooney jokes: Git-R-Done Larry the Cable Guy, 2005-10-11 Git-R-Done is chock-full of fart jokes and straight talk about America. I sat down one day and said to myself, “Larry, you’ve done it all. You’ve got three gold records, a successful DVD, a hit TV show, a picture of Shania Twain givin’ ya the finger, and most important, the high score on Frogger. What more could you possibly do?” Then I started thinking about writing a book. I wanted mostly to write Git-R-Done for all those good Americans who just wanna laugh like I do. Come on inside and hear me make fun of Janet Reno, Rosie O’Donnell, and my fat sister, who caused a twelve-tray pileup in front of the caramel nut rolls at the country buffet. I’m gonna tell you why Dick Trickle is my hero, why we need to get back to good ol’ common sense, and why I prefer a picture of the Last Supper with NASCAR drivers as the disciples over just about anything. Lord, I apologize! The book will go down in history as one of America’s most important events since the breakup of Aldo Nova. Even my mom liked the book—here’s what she said: “There’s really not much I can say here except for I apologize to everyone ahead of time for the crap you are about to read.” Git-R-Done is just plain funny, I don’t care who ya are! Also available as an eBook. |
| paul mooney jokes: Jokes My Father Never Taught Me Rain Pryor, Cathy Crimmins, 2009-10-13 The loving, witty, yet brutally honest memoir of the daughter of comedy legend Richard Pryor. Rain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children. Rain’s father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era, a man whose self-destructiveness was as legendary as his groundbreaking comedy. Jokes My Father Never Taught Me is an intimate, harrowing, poignant, and often hilarious memoir that explores the divided heritage and the forces that shaped a wildly schizophrenic childhood. It is the story of a girl who grew up adoring her father even as she feared him—and feared for him, as his drug problems got worse. Both lovingly told and painfully frank, it is an unprecedented look at the life of a comedy icon, told by a daughter who both understood the genius and knew the tortured man within. Praise for Jokes My Father Never Taught Me “Rain Pryor pulls no punches . . . Using the same profanity-laced wit her father perfected, she unspools darkly comic stories . . . but never devolves into self-pity or bitterness.” —Entertainment Weekly “Vital, entertaining and appalling, Pryor has fleshed out a familiar dysfunctional family refrain—”It was a lot easier to love him if you didn’t know him”—with bravery and wit.” —Publishers Weekly |
| paul mooney jokes: All Joking Aside Rebecca Krefting, 2014-09 A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline. |
| paul mooney jokes: Not Funny Ha-Ha Leah Hayes, 2015-08-08 Not Funny Ha-Ha is a bold, slightly wry graphic novel illustrating the lives of two young women from different cultural, family, and financial backgrounds who go through two different abortions (medical and surgical). It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur. |
| paul mooney jokes: Theories of Attachment Carol Garhart Mooney, 2009-02-01 Complex information on six trailblazing early childhood theorists made accessible for child care providers and educators. |
| paul mooney jokes: Living in Color: What's Funny About Me Tommy Davidson, 2020-01-28 “Tommy Davidson is a journeyman performer. He knows the how and the what and his timing is off the hook. He's one of my favorite performers. Oh and did I mention he's funny, REALLY funny.” —Whoopi Goldberg In this revealing memoir, Tommy Davidson shares his unique perspective on making it in Hollywood, being an integral part of television history, on fame and family, and on living a life that has never been black and white—just funny and true . . . Abandoned as an infant on the streets of Greenville, Mississippi, and rescued by a loving white family, Tommy Davidson spent most of his childhood unaware that he was different from his brother and sister. All that changed as he came of age in a society of racial barriers—ones that he was soon to help break. On a fledgling network, Tommy joined the cast of In Living Color, alongside other relative newcomers all united by an ingenious throng of Wayans siblings, poised to break new ground. Now Tommy gives readers the never-before-told behind-the-scenes story of the first show born of the Hip Hop Nation: from its incredible rise, to his own creation of such unforgettable characters as Sweet Tooth Jones and dead-on impressions of Sammy Davis, Jr., Michael Jackson, M.C. Hammer and Sugar Ray Leonard, and appearing in such classic sketches as “Homie The Clown,” the “Hey Mon, family,” and the “Ugly Woman,” through guest-star skirmishes (and black eyes) to backstage tensions and the eventual fall of this pop-culture touchstone. He reveals his own nascent career on the stand-up circuit, as well as reflections on working with Spike Lee, Halle Berry, Chris Rock, and Jada Pinkett Smith. He also shares his very personal story of living with—and being inspired and empowered by—two distinct family histories. Told with humor and hard-won honesty, Living in Color is a bracing, illuminating, and remarkable success story. |
| paul mooney jokes: Alive at the End of the World Saeed Jones, 2022-09-13 Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses. In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us. Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what’s within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we’ve been living on top of fault lines. As these poems seek ways to love and survive through America’s existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being. |
| paul mooney jokes: The Comedy of Dave Chappelle K.A. Wisniewski, 2014-01-10 Perhaps best known for his highly acclaimed, short-lived Comedy Central program Chappelle's Show, Dave Chappelle is widely regarded as one of today's most culturally significant comedians. Through the sketch comedy show and his stand-up act, Chappelle has offered truly memorable commentary on racial and ethnic tensions in American society. This book assembles 13 essays that examine motifs common in Chappelle's comedy, including technology and digital culture; race, gender, and ethnicity; economics and politics; music, television, film, and performance; and memory, language, and identity. |
| paul mooney jokes: Make 'em Laugh! Zeke Jarvis, 2015-04-07 This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. This unprecedented look at the history of satire in America showcases the means by which our society is informed by humor—from the way we examine the news, to how we communicate with each other, to what we seek out for entertainment. From biographical information to critical reception of material and personalities, the book features humorists from both literary and popular culture settings spanning the past 100 years. Through its 180 entries, this comprehensive volume covers a range of artists—individuals such as Joan Rivers, Hunter S. Thompson, and Chris Rock—and topics, including vaudeville, cartoons, and live performances. The content is organized by media and genre to showcase connections between writers and performers. Chapters include an alphabetical listing of humorists grouped by television and film stars, stand-up and performance comics, literary humorists, and humorists in popular print. |
| paul mooney jokes: The Confession of Copeland Cane Keenan Norris, 2023-10-17 A significant new voice in fiction, Norris has written what may be one of the defining novels of the era at the intersection between Black Lives Matter and COVID-19. --BuzzFeed One of Publishers Weekly's Best Novels of the Summer ∙ One of The Millions' Most Anticipated Books of June ∙ One of ALTA's Recommended Reads for June ∙ One of BuzzFeed's Amazing Small Press Books To Add To Your Summer Reading List Copeland Cane V, the child who fell outta Colored People Time and into America, is a fugitive... He is also just a regular teenager coming up in a terrifying world. A slightly eccentric, flip-phone loving kid with analog tendencies and a sideline hustling sneakers, the boundaries of Copeland's life are demarcated from the jump by urban toxicity, an educational apparatus with confounding intentions, and a police state that has merged with media conglomerates--the highly-rated Insurgency Alert Desk that surveils and harasses his neighborhood in the name of anti-terrorism. Recruited by the nearby private school even as he and his folks face eviction, Copeland is doing his damnedest to do right by himself, for himself. And yet the forces at play entrap him in a reality that chews up his past and obscures his future. Copeland's wry awareness of the absurd keeps life passable, as do his friends and their surprising array of survival skills. And yet in the aftermath of a protest rally against police violence, everything changes, and Copeland finds himself caught in the flood of history. Set in East Oakland, California in a very near future, The Confession of Copeland Cane introduces us to a prescient and contemporary voice, one whose take on coming of age in America becomes a startling reflection of our present moment. |
| paul mooney jokes: The Persistence of Whiteness Daniel Bernardi, 2007-09-12 The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema. |
| paul mooney jokes: Just a French Guy Cooking Alexis Gabriel Ainouz, 2018-09-04 French Guy Cooking is a YouTube sensation. A Frenchman living in Paris, Alexis loves to demystify cooking by experimenting with food and cooking methods to take the fear factor out of cooking, make it fun and accessible, and charm everyone with his geeky approach to food. In this, his debut cookbook, he shares 100 of his absolute favorite recipes - from amazingly tasty toast ideas all the way to some classic but super-simple French dishes. Along the way, he shares ingenious kitchen hacks - six ways with a can of sardines, a cheat's guide to wine, three knives you need in your kitchen - so that anyone can throw together great food without any fuss. |
| paul mooney jokes: Language, Society and Power Annabelle Mooney, Jean Stilwell Peccei, Suzanne LaBelle, 2011-01 This book examines the ways in which language functions, how it influences thought and how it varies according to age, ethnicity, class and gender. It seeks to answer such questions as: How can a language reflect the status of children and older people? Do men and women talk differently? How can our use of language mark our ethnic identity? It also looks at language use in politics and the media and investigates how language affects and constructs our identities, exploring notions of correctness and attitudes towards language use. While it can be used as a stand-alone text, this edition of Language, Society and Power has also been fully cross-referenced with the new companion title: The Language, Society and Power Reader. Together these books provide the complete resource for students of English language and linguistics, media, communication, cultural studies, sociology and psychology. --Book Jacket. |
| paul mooney jokes: The Color of Christ Edward J. Blum, Paul Harvey, 2012 Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured. |
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