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| perkins gilman the yellow wallpaper: The Yellow Wall-Paper Charlotte Perkins Gilman, 2024 She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2020-10-21 The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper Illustrated Charlotte Perkins Gilman, 2020-11-16 The Yellow Wallpaper is a short story by Charlotte Perkins Gilman, published 1892 in The New England Magazine.[1] It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working or writing, and is encouraged to eat well and get plenty of air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women during that period.[2][3][4]The narrator devotes many journal entries to describing the wallpaper in the room - its sickly color, its yellow smell, its bizarre and disturbing pattern like an interminable string of toadstools, budding and sprouting in endless convolutions, its missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.When her husband arrives home, the narrator refuses to unlock her door. When he returns with the key, he finds her creeping around the room, rubbing against the wallpaper, and exclaiming I've got out at last... in spite of you. He faints, but she continues to circle the room, creeping over his inert body each time she passes it, believing herself to have become the woman trapped behind the yellow wallpaper. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper and Other Stories Charlotte Perkins Gilman, 2012-03-01 Seven charming tales explore relations between the sexes and offer witty insights from a feminist perspective. Includes the 1892 title classic, plus Cottagette, Turned, Mr. Peebles' Heart, and more. |
| perkins gilman the yellow wallpaper: Wild Unrest Helen Lefkowitz Horowitz, 2010-11-05 In Wild Unrest, Helen Lefkowitz Horowitz offers a vivid portrait of Charlotte Perkins Gilman in the 1880s, drawing new connections between the author's life and work and illuminating the predicament of women then and now. Horowitz draws on a treasure trove of primary sources to explore the nature of 19th-century nervous illness and to illuminate the making of Gilman's famous short story, The Yellow Wall-Paper: Gilman's journals and letters, which closely track her daily life and the reading that most influenced her; the voluminous diaries of her husband, Walter Stetson; and the writings, published and unpublished of S. Weir Mitchell, whose rest cure dominated the treatment of female hysteria in late 19th-century America. Horowitz argues that these sources ultimately reveal that Gilman's great story emerged more from emotions rooted in the confinement and tensions of her unhappy marriage than from distress following Mitchell's rest cure. Hailed by The Boston Globe as an engaging portrait of the woman and her times, Wild Unrest adds immeasurably to our understanding of Charlotte Perkins Gilman as well as the literary and personal sources behind The Yellow Wall-Paper. |
| perkins gilman the yellow wallpaper: Charlotte Perkins Gilman's “The Yellow Wall-paper” and the History of Its Publication and Reception Julie Bates Dock, 1998-02-27 Since its publication in 1892, Charlotte Perkins Gilman's The Yellow Wall-paper has always been recognized as a powerful statement about the victimization of a woman whose neurasthenic condition is completely misdiagnosed, mistreated, and misunderstood, leaving her to face insanity alone, as a prisoner in her own bedroom. Never before, however, has the story itself been portrayed as victimized. In this first critical edition of Gilman's The Yellow Wall-paper, accompanied by contemporary reviews and previously unpublished letters, Julie Bates Dock examines the various myth-frames that have been used to legitimize Gilman's story. The editor discusses how modern feminist critics' readings (and misreadings) of the available documents uphold a set of legends that originated with Gilman herself and that promulgate an almost saintly view of the pioneering feminist author. The documents made available in the collection enable scholars and students to evaluate firsthand Gilman's claims regarding the story's impact on its first audiences. Dock presents an authoritative text of The Yellow Wall-paper for the first time since its initial publication. Included are a textual commentary, full descriptions of all relevant texts, lists of editorial emendations and pre-copy-text substantive variants, a complete historical collation that documents all the variants found in important editions after 1892, and a listing of textual sources for more than one hundred reprintings of the story in anthologies and textbooks. Other documents in the casebook that illuminate the story's publication and reception histories include Gilman's successive and varying accounts of the story's history, her diary and manuscript log entries and letters pertaining to the story, W. D. Howells's correspondence with Gilman and Horace Scudder, editor of The Atlantic Monthly, and his remarks on the story when he reprinted it in Great American Short Stories, and more than two dozen reviews of the story by Gilman's contemporaries. Taken together, the criticism, text, documents, and annotations constitute a rich and valuable contribution to Gilman scholarship, calling into question the feminist literary criticism that has helped to shape interpretations of a literary masterpiece. |
| perkins gilman the yellow wallpaper: Herland, The Yellow Wall-paper, and Selected Writings Charlotte Perkins Gilman, 1999 Charlotte Perkins Gilman (1860-1935) penned this sardonic remark in her autobiography, encapsulating a lifetime of frustration with the gender-based double standard that prevailed in turn-of-the-century America. With her slyly humorous novel, Herland (1915), she created a fictional utopia where not only is face powder obsolete, but an all-female population has created a peaceful, progressive, environmentally-conscious country from which men have been absent for two thousand years. Gilman was enormously prolific, publishing five hundred poems, two hundred short stories, hundreds of essays, eight novels, and seven years' worth of her monthly magazine, The Forerunner. She emerged as one of the key figures in the women's movement of her day, advocating equality of the sexes, the right of women to work, and socialized child care, among other issues. Today Gilman is perhaps best known for the chilling depiction of a woman's mental breakdown in her unforgettable short story, The Yellow Wall-Paper. This Penguin Twentieth-Century Classics edition includes both this landmark work and Herland, together with a selection of Gilman's major short stories and her poems. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper & Herland Charlotte Perkins Gilman, 2022-03-31 HarperCollins is proud to present its incredible range of best-loved, essential classics. |
| perkins gilman the yellow wallpaper: Herland Charlotte Perkins Gilman, 2025-01-21 Herland author Charlotte Perkins Gilman’s captivating masterpiece takes readers to a hidden utopia where gender roles have been redefined, a secret society where women reign supreme. In this Feminist Utopian novel, Gilman’s compelling narrative is told from the perspective of Van Jennings, a sociology student who forms an expedition party. He travels with two friends, Terry and Jeff, to explore an area of uncharted land. These fearless adventurers travel to a land rumored to be home to a society consisting only of women. They enter a world beyond imagination, an isolated land untouched by the influence of men. Within this harmonious civilization, where community is essential to the all-female society, bonds of sisterhood unite its inhabitants. The society is built on cooperation, respect, and intellectual prowess. It is a land where education is paramount. War, greed, and inequality do not exist. Women bear children without men and every individual is valued for their unique contributions. The women maintain their individuality while working with others within the community to reach a consensus. The three explorers grapple with their ingrained beliefs and preconceived notions of their own male dominated society. In this poignant social critique of the early 20th century, readers are immersed in a vision of what society could be when limitations are not imposed on women. Gilman’s vivid storytelling stimulates the imagination and leaves an indelible mark on the reader’s mind. Her eloquence and insight captivating and will leave you with a renewed sense of hope and possibility. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper and Other Stories Charlotte Perkins Gilman, Logan Thomas, 2011 The first volume to contain both gothic stories 'The Unwatched Door' and 'Clifford's Tower' since their first publication in 1894. Two great pieces of literature lost until now. Both stories were re-discovered by the filmmakers of The Yellow Wallpaper feature film. This Official Motion Picture book includes an excerpt from the screenplay, as well as integrated film images throughout. The Gothic Collection comprises most of Charlotte Perkins Gilmans' gothic work, with a few cross-over selections. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2020-10-26 The Yellow Wallpaper is a short story by Charlotte Perkins Gilman, published 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century. Wikipedia |
| perkins gilman the yellow wallpaper: Charlotte Perkins Gilman's The Yellow Wall-paper Charlotte Perkins Gilman, 2004 This sourcebook combines extracts from contemporary documents and critical reviews, providing an introduction, a publishing and critical history, a chronology of key events, a guide to further reading and original pictures. |
| perkins gilman the yellow wallpaper: The Charlotte Perkins Gilman Reader Charlotte Perkins Gilman, 1999 THE CHARLOTTE PERKINS GILMAN READER is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of The Yellow Wallpaper, in which a woman is driven mad by chauvinist psychiatry, Gilman wrote numerous other short stories and novels reflecting her radical socialist and feminist view of turn-of-the-century America. Collected here by noted Gilman scholar Ann J. Lane are eighteen stories and fragments, including a selection from Herland, Gilman's feminist Utopia. The resulting anthology provides a provocative blueprint to Gilman's intellectual and creative production. |
| perkins gilman the yellow wallpaper: Charlotte Perkins Gilman Cynthia Davis, 2010-03-02 A biography of Charlotte Perkins Gilman (1860-1935): Beecher-descendent, zealous reformer, exhilarating lecturer, prolific writer, scandalous divorcee, unnatural mother, international celebrity, and life-long controversialist. |
| perkins gilman the yellow wallpaper: Poe, “The House of Usher,” and the American Gothic D. Perry, Carl H. Sederholm, 2009-04-27 Poe, 'The House of Usher,' and the American Gothic discusses the interrelation between Poe's tale and the modern horror genre, demonstrating how Poe's work continues to serve as a model for exploring the deepest and most primitive corners of the human mind and heart. |
| perkins gilman the yellow wallpaper: Great Short Stories by American Women Candace Ward, 2012-03-01 Choice collection of 13 stories includes Life in the Iron Mills by Rebecca Harding Davis, Zora Neale Hurston's Sweat, plus superb fiction by Kate Chopin, Willa Cather, Edith Wharton, many others. |
| perkins gilman the yellow wallpaper: A Good Man is Hard to Find Flannery O'Connor, 1955 See publisher description: |
| perkins gilman the yellow wallpaper: Fruit of the Lemon Andrea Levy, 2007-01-23 From the award-winning author of Small Island, “a bittersweet exploration of an outsider’s experience of British culture” (Bookmarks). Faith Jackson knows little about her parents’ lives before they moved to England. Happy to be starting her first job in the costume department at BBC television, and to be sharing a house with friends, Faith is full of hope and expectation. But when her parents announce that they are moving “home” to Jamaica, Faith’s fragile sense of her identity is threatened. Angry and perplexed as to why her parents would move to a country they so rarely mention, Faith becomes increasingly aware of the covert and public racism of her daily life, at home and at work. At her parents’ suggestion, in the hope it will help her to understand where she comes from, Faith goes to Jamaica for the first time. There she meets her Aunt Coral, whose storytelling provides Faith with ancestors, whose lives reach from Cuba and Panama to Harlem and Scotland. Branch by branch, story by story, Faith scales the family tree, and discovers her own vibrant heritage, which is far richer and wilder than she could have imagined. “Levy has chosen her title shrewdly: like the lemon, her loaded satire is bright and alluring, but its bite is sharp.” —Booklist “Levy’s raw sense of realism and depth of feeling infuses every line.” —Elle “Bright and inventive . . . Levy’s command of voices, whether English or Jamaican, is fine, fresh and funny.” —The Observer |
| perkins gilman the yellow wallpaper: New Historicism and Cultural Materialism John Brannigan, 2016-02-12 New historicism and cultural materialism emerged in the early 1980s as prominent literary theories and came to represent a revival of interest in history and in historicising literature. Their proponents rejected both formalist criticism and earlier attempts to read literature in its historical context and defined new ways of thinking about literature in relation to history. This study explains the development of these theories and demonstrates both their uses and weaknesses as critical practices. The potential future direction for the theories is explored and the controversial debates about their validity in literary studies are discussed. |
| perkins gilman the yellow wallpaper: The Murderer Next Door Rafael Yglesias, 2010-11-16 To protect the child she loves, Molly Gray must cooperate with a killer in this critically acclaimed novel from a master of contemporary American fiction Molly Gray never trusted Ben Fleiss, her best friend Wendy’s abusive husband. When Wendy’s broken body is found in a dumpster, Molly is devastated—and knows exactly who the killer is. But as viscerally as Molly hates Ben, she loves Ben and Wendy’s seven-year-old child, Naomi. While awaiting trial, Ben retains custody of his daughter, and Molly soon realizes the only way to keep Naomi safe is to stay as close to Ben as possible—even if it means consoling and flattering the man who murdered her friend. Yglesias’s most suspenseful work, The Murderer Next Door is rich with startling twists and revelations hinged to uncanny psychological insight. This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection. |
| perkins gilman the yellow wallpaper: Women and Economics Illustrated Charlotte Perkins Gilman, 2020-02-07 Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, [1] and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.[2]The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves.[3] It was near the end of this tumultuous decade that Gilman's very popular book emerged |
| perkins gilman the yellow wallpaper: The Body Project Joan Jacobs Brumberg, 2010-06-09 The award-winning author of Fasting Girls explores what teenage girls have lost in this new world of freedom and consumerism—a world in which the body is their primary project. Fascinating ... riveting ... Women and girls should read this fine book together. —The New York Times Book Review A hundred years ago, women were lacing themselves into corsets and teaching their daughters to do the same. The ideal of the day, however, was inner beauty: a focus on good deeds and a pure heart. Today American women have more social choices and personal freedom than ever before. But fifty-three percent of our girls are dissatisfied with their bodies by the age of thirteen, and many begin a pattern of weight obsession and dieting as early as eight or nine. Why? In The Body Project, historian Joan Jacobs Brumberg answers this question, drawing on diary excerpts and media images from 1830 to the present. Tracing girls' attitudes toward topics ranging from breast size and menstruation to hair, clothing, and cosmetics, she exposes the shift from the Victorian concern with character to our modern focus on outward appearance—in particular, the desire to be model-thin and sexy. Compassionate, insightful, and gracefully written, The Body Project explores the gains and losses adolescent girls have inherited since they shed the corset and the ideal of virginity for a new world of sexual freedom and consumerism—a world in which the body is their primary project. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper and Other Writings Charlotte Perkins Gilman, 1989-10-01 Known primarily for her classic and haunting story The Yellow Wallpaper, Charlotte Perkins Gilman was an enormously influential American feminist and sociologist. Her early-twentieth-century writings continue to inspire writers and activists today. This collection includes selections from both her fiction and nonfiction work. In addition to the title story, there are seven short stories collected here that combine humor, anger, and startling vision to suggest how women's place in society should be changed to benefit all. The nonfiction selections are from Gilman's The Man-Made World: Our Androcentric Culture and her masterpiece, Women And Economics, which was translated into seven languages and established her international reputation as a theorist. Also included in a delightful excerpt from Gilman's utopian novel, Herland, an acidly funny tale about three American male explorers who stumble into an all-female society and begin their odyssey by insisting, This is a civilized country . . . there must be men. Gilman's analyses of economic and women's issues are as incisive and relevant today as they were upon their original publication. This volume is an unprecedented opportunity to rediscover a powerful American writer. |
| perkins gilman the yellow wallpaper: The Ice Twins S.K. Tremayne, 2015-05-19 In the tradition of The Girl on the Train comes the UK bestseller The Ice Twins, a terrifying psychological thriller with a twisting plot worthy of Gillian Flynn. One of Sarah's daughters died. But can she be sure which one? A year after one of their identical twin daughters, Lydia, dies in an accident, Angus and Sarah Moorcroft move to the tiny Scottish island Angus inherited from his grandmother, hoping to put together the pieces of their shattered lives. But when their surviving daughter, Kirstie, claims they have mistaken her identity--that she, in fact, is Lydia--their world comes crashing down once again. As winter encroaches, Angus is forced to travel away from the island for work, Sarah is feeling isolated, and Kirstie (or is it Lydia?) is growing more disturbed. When a violent storm leaves Sarah and her daughter stranded, they are forced to confront what really happened on that fateful day. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2022-06-13 ‘The Yellow Wallpaper’, by Charlotte Perkins Gilman, is a short story first published in January 1892. The psychological thriller by the renowned US women’s rights writer and campaigner is an autobiographical-inspired novella based upon her own experience of severe postnatal depression, leading to post-natal psychosis. At the time, women with PND (known in America as postpartum depression) were seen as hysterical and were often dismissed by doctors who overlooked treatment options through lack of understanding of the condition. In Perkins’ short story, written tellingly from the first-person perspective, the nameless female protagonist is forced to sleep in an attic with yellow wallpaper and is driven mad by her enforced imprisonment following the birth of her first child. The book describes in detail how she sees imagined beings and ghostly sightings in the house. Disturbing in its nature yet utterly realistic to the heroine, the protagonist offers a diary-style narrative detailing her experience as a new mother suffering with severe mental illness: I don’t know why I should write this. I don’t want to. I don’t feel able. And I know John would think it absurd. But I must say what I feel and think in some way—it is such a relief! But the effort is getting to be greater than the relief. Evoking gothic themes of Charlotte Bronte’s 'Jane Eyre', in both Jane Eyre’s own tortuous and notorious Red Room and Bertha Mason's confinement in her loft prison, the book was made into a film in 2011 – directed by Logan Thomas and starring Aric Cushing and Juliet Landau. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self- declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that the domestic environment oppressed women through the patriarchal beliefs upheld by society. A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she chose chloroform over cancer. |
| perkins gilman the yellow wallpaper: The Living of Charlotte Perkins Gilman Charlotte Perkins Gilman, 2014-04-15 This early work by Charlotte Perkins Gilman was originally published in 1935. It is the autobiography of the American sociologist, novelist and poet who is best remembered for her semi-autobiographical short story 'The Yellow Wallpaper'. |
| perkins gilman the yellow wallpaper: The Captive Imagination Catherine Golden, 1992-01 A century of critical discussion about Charlotte Perkins Gilman's classic, The Yellow Wallpaper, is combined with excerpts from Gilman's autobiography and interpretations of the story's imagery, plot, and psychological significance |
| perkins gilman the yellow wallpaper: Figuring Madness in Nineteenth-Century Fiction C. Wiesenthal, 1997-08-29 How are signs and symptoms of psychic alienation variously enfigured in literary texts? And how do readers invariably figure in some form of the 'madness' they attempt to figure out? These are some of the questions addressed by Figuring Madness , a study which employs the insights of current post-structuralist psychoanalysis and semiotic theory to examine the complex interimplication of the subject and object of madness that is always implied by the dynamics of analytic dia-gnosis. In its focus on the implications of writing and reading signs of madness, the study offers new interpretations of both canonical and non-canonical texts by authors spanning the period from Jane Austen and Anthony Trollope to Charlotte Perkins Gilman and Henry James. |
| perkins gilman the yellow wallpaper: The Age of Magic Ben Okri, 2024-02-13 In this enchanting novel from the Booker Prize–winning author, a group of world-weary travelers discover the meaning of life in a mysterious Swiss mountain village. The Age of Magic has begun. Unveil your eyes. Eight weary filmmakers, traveling from Paris to Basel, arrive at a small Swiss hotel on the shores of a luminous lake. Above them, strewn with lights that twinkle in the darkness, looms the towering Rigi mountain. Over the course of three days and two nights, the travelers will find themselves drawn into the mystery of the mountain reflected in the lake. One by one, they will be disturbed, enlightened, and transformed, each in a different way. An intoxicating and dreamlike tale unfolds. Allow yourself to be transformed. Having shown a different way of seeing the world, Ben Okri now offers a different way of reading. |
| perkins gilman the yellow wallpaper: When I Was a Witch & Other Stories Charlotte Perkins Gilman, 2023-08-29 A powerful collection of early feminist stories from the activist and writer Charlotte Perkins Gilman. Gilman created a world that could be viewed from the feminist gaze. She focused on how women were not just stay-at-home mothers they were expected to be but also people who had dreams, who were able to travel and work just as men did, and whose goals included a society where women were just as important as men. In the early 1900s this was striking and revolutionary. The stories in this collection are: 'A Coincidence'; 'According To Solomon', 'An Offender', 'A Middle-Sized Artist', 'Martha's Mother', 'Her Housekeeper', 'When I Was A Witch', 'Making a Living', 'A Coincidence, The Cottagette', 'The Boys and the Butter', 'My Astonishing Dodo', and 'A Word In Season'. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper By: Charlotte Perkins (a Horror Short Stories) Annotated Edition Charlotte Perkins Gilman, 2021-06-14 How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedContain Author Biography and overview.The Yellow Wallpaper is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health.The story is written in the first person as a series of journal entries. The narrator is a woman whose husband -- a physician -- has confined her to the upstairs bedroom of a house he has rented for the summer. She is forbidden from working and has to hide her journal entries from him so that she can recuperate from what he has diagnosed as a temporary nervous depression -- a slight hysterical tendency; a diagnosis common to women in that period. The windows of the room are barred, and there is a gate across the top of the stairs, allowing her husband to control her access to the rest of the house.The story illustrates the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the room's wallpaper. |
| perkins gilman the yellow wallpaper: Women's Encounters with the Mental Health Establishment Elayne Clift, 2014-01-27 Explore women’s first-person experiences with the mental health establishment! This unique contemporary anthology of women’s experiential writing shares women’s realities, perceptions, and experiences (positive and negative) within the therapeutic environment. These artistic expressions of personal experience will help women understand their own encounters in a new light. They are also instructive and enlightening for any practitioner working with women in a mental health setting. Charlotte Perkins Gilman’s famous short story (included here), The Yellow Wallpaper, which inspired this title, has come to represent the struggle of contemporary women to be understood by the therapeutic milieu from whom they seek psychological support and psychiatric treatment. An icon of feminist writing, the 1892 story symbolizes affirmation and validation for the female experience regarding mental health and therapy. This anthology, in the spirit of Gilman’s work, gives voice to today’s women so that their own encounters with the mental health establishment can be validating and affirming to others. It will also enlighten those in the helping professions as they extend their services to women in a time of growing need and shrinking resources. In addition to The Yellow Wallpaper and a foreword and afterword by noted psychiatric professionals, Women’s Encouters with the Mental Health Establishment: Escaping the Yellow Wallpaper also contains works by authors including: Sylvia Plath Kate Millett Anne Sexton Lauren Slater Martha Manning Elayne Clift and many more! Through prose and poetry, the contributors to this volume offer a creative, artistic, and highly readable contribution to the literatures of women’s studies and psychology! Visit the author’s website at http://www.sover.net/~eclift. |
| perkins gilman the yellow wallpaper: Charlotte Perkins Gilman, the Yellow Wallpaper Charlotte Perkins Gilman, 1998 |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper by Charlotte Perkins Gilman Charlotte Perkins Gilman, 2014-05-14 It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. |
| perkins gilman the yellow wallpaper: Moving the Mountain Charlotte Perkins Gilman, 2022-10-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2014-08-23 It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper Charlotte Perkins Gilman, 2013-03-06 This semi-autobiographical short story details how Charlotte Perkins Gilman suffered from postpartum depression and was forced to endure lonely isolation intended to cure hysteria. An unnamed woman regales her story through diary entries as she suffers through enforced isolation. Following a bout of postpartum psychosis, the woman is prescribed bed rest by her physician husband. The couple rent an old mansion in the countryside, and the woman is trapped in an upstairs room with loathsome yellow wallpaper that slowly takes over her mind. She’s banned from working or writing and does so secretly while commenting on society’s complex patriarchal oppression. First published in 1892, Charlotte Perkins Gilman’s The Yellow Wallpaper is an early feminist short story and an important piece of American literature. This volume features an author biography as well as her essay, ‘Why I Wrote the Yellow Wallpaper’, not to be missed by fans of feminist writings. |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper (Annotated) Charlotte Perkins Gilman, 2017-12-05 This is an annotated version of the book1. contains an updated biography of the author at the end of the book for a better understanding of the text.2. This book has been checked and corrected for spelling errorsIt is very seldom that mere ordinary people like John and myself secureancestral halls for the summer.A colonial mansion, a hereditary estate, I would say a haunted house, andreach the height of romantic felicity--but that would be asking toomuch of fate!Still I will proudly declare that there is something queer about it.Else, why should it be let so cheaply? And why have stood so longuntenanted?John laughs at me, of course, but one expects that in marriage.John is practical in the extreme. He has no patience with faith, anintense horror of superstition, and he scoffs openly at any talk of thingsnot to be felt and seen and put down in figures.John is a physician, and perhaps--(I would not say it to a livingsoul, of course, but this is dead paper and a great relief to mymind)--perhaps that is one reason I do not get well faster.You see, he does not believe I am sick!And what can one do?If a physician of high standing, and one's own husband, assures friendsand relatives that there is really nothing the matter with one buttemporary nervous depression--a slight hysterical tendency--whatis one to do?My brother is also a physician, and also of high standing, and he says thesame thing.So I take phosphates or phosphites--whichever it is, and tonics, andjourneys, and air, and exercise, and am absolutely forbidden to workuntil I am well again.Personally, I disagree with their ideas.Personally, I believe that congenial work, with excitement and change,would do me good.But what is one to do?I did write for a while in spite of them; but it does exhaust me a gooddeal--having to be so sly about it, or else meet with heavyopposition.I sometimes fancy that in my condition if I had less opposition and moresociety and stimulus--but John says the very worst thing I can do isto think about my condition, and I confess it always makes me feel bad.So I will let it alone and talk about the house.The most beautiful place! It is quite alone, standing well back from theroad, quite three miles from the village. It makes me think of Englishplaces that you read about, for there are hedges and walls and gates thatlock, and lots of separate little houses for the gardeners and people.There is a delicious garden! I never saw such a garden--large andshady, full of box-bordered paths, and lined with long grape-coveredarbors with seats under them.There were greenhouses, too, but they are all broken now.There was some legal trouble, I believe, something about the heirs andco-heirs; anyhow, the place has been empty for years.That spoils my ghostliness, I am afraid; but I don't care--there issomething strange about the house--I can feel it.I even said so to John one moonlight evening, but he said what I felt wasa draught, and shut the window.I get unreasonably angry with John sometimes. I'm sure I never used to beso sensitive. I think it is due to this nervous condition.But John says if I feel so I shall neglect proper self-control; so I takepains to control myself,--before him, at least,--and that makes |
| perkins gilman the yellow wallpaper: The Yellow Wallpaper, the Complete Original Novella Charlotte Perkins Gilman, 2015-09-02 Many and many a reader has asked that. When the story first came out, in the New England Magazine about 1891, a Boston physician made protest in The Transcript. Such a story ought not to be written, he said; it was enough to drive anyone mad to read it. Another physician, in Kansas I think, wrote to say that it was the best description of incipient insanity he had ever seen, and--begging my pardon--had I been there? Now the story of the story is this: For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to live as domestic a life as far as possible, to have but two hours' intellectual life a day, and never to touch pen, brush, or pencil again as long as I lived. This was in 1887. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over. Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again--work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite--ultimately recovering some measure of power. Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it. The little book is valued by alienists and as a good specimen of one kind of literature. It has, to my knowledge, saved one woman from a similar fate--so terrifying her family that they let her out into normal activity and she recovered. But the best result is this. Many years later I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The Yellow Wallpaper. It was not intended to drive people crazy, but to save people from being driven crazy, and it worked. |
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With a history stretching back 90 years, Perkins is one of the world’s leading providers of diesel engines. We aim to set standards of engineering excellence, providing the most comprehensive …
Home | Perkins American Food Co.
Perkins American Food Co.In 1958, a humble pancake house was born. Through the years, we've stayed true to our breakfast roots while welcoming American classics and homestyle plates. …
Diesel Engines | Perkins
With an engine range from .5 to 36 litres, Perkins engines power more than five thousand different applications throughout the world. And that's all thanks to our global network of manufacturing …
Menu | Perkins Restaurants
Click HERE for a map of our locationsWORK HERE
Perkins | Perkins Restaurant & Bakery
Perkins Restaurant & BakerySearch for your store to view menu
Perkins Engine Parts - Buy Online
The engine serial number is on a metal plate, typically found on the left- hand side of the block. Copy the full 15 or more digits as printed on the engine, excluding any spaces. The minimum …
Perkins Engines - Wikipedia
Perkins Engines Company Limited is primarily a diesel engine manufacturer for several markets including agricultural, construction, material handling, power generation, and industrial. It was …
Locations | Perkins American Food Co.
Perkins American Food Co.Perkins American Food Co. is an ASCENT Hospitality Management brand
Unbeatable range of power solutions | Perkins
Our engines make a difference. You can always depend on Perkins engines, Perkins motors and Perkins diesel wherever you are.
Menu | Perkins American Food Co.
Perkins American Food Co.
Company | Perkins
With a history stretching back 90 years, Perkins is one of the world’s leading providers of diesel engines. We aim to set standards of engineering excellence, providing the most …
