Advertisement
| night death mississippi poem: A Ballad of Remembrance Robert Earl Hayden, 1962 |
| night death mississippi poem: Robert Hayden Pontheolla T. Williams, 1987 |
| night death mississippi poem: Collected Prose Robert Hayden, 2021-08-02 A collection of essays on poetry and the experiences that influenced poet Robert Hayden. Contents include The History of Punchinello: A Baroque Play in One Act, Hayden's introductory remarks to volumes like Kaleidoscope: Poems by American Negro Poet and The New Negro, and interviews with Hayden. |
| night death mississippi poem: Poem Unlimited David Kerler, Timo Müller, 2019-09-23 Questions of genres as well as their possible definitions, taxonomies, and functions have been discussed since antiquity. Even though categories of genre today are far from being fixed, they have for decades been upheld without question. The goal of this volume is to problematize traditional definitions of poetic genres and to situate them in a broader socio-cultural, historical, and theoretical context. The contributions encompass numerous methodological approaches (including hermeneutics, poststructuralism, reception theory, cultural studies, gender studies), periods (Romanticism, Modernism, Postmodernism), genres (elegy, sonnet, visual poetry, performance poetry, hip hop) as well as languages and national literatures. From this interdisciplinary and multi-methodological perspective, genres, periods, languages, and literatures are put into fruitful dialogue, new perspectives are discovered, and suggestions for further research are provided. |
| night death mississippi poem: Poem Central Shirley McPhillips, 2023-10-10 In everything we have to understand, poetry can help. Tony Hoagland, Harper's , April 2013 In Poem Central: Word Journeys with Readers and Writers , Shirley McPhillips helps us better understand the central role poetry can play in our personal lives and in the life of our classrooms. She introduces us to professional poets, teachers, and students----people of different ages and walks of life---who are actively engaged in reading and making poems. Their stories and their work show us the power of poems to illuminate the ordinary, to nurture, inspire and stand alongside us for the journey. Poem Central is divided into three main parts-;weaving poetry into our lives and our classrooms, reading poems, and writing poems. McPhillipshas structured the book in short sections that are easy to read and dip into. Each section has a specific focus, provides background knowledge, shows poets at work, highlights information on crafting, defines poetic terms, features finished work, includes classroom examples, and lists additional resources. In Poem Central -; a place where people and poems meet-;teachers and students will discover how to find their way into a poem, have conversations around poems, and learn fresh and exciting ways to make poems. Readers will enjoy the dozens of poems throughout the book that serve to instruct, to inspire, and to send us on unique word journeys of the mind and heart. |
| night death mississippi poem: Robert Hayden Laurence Goldstein, Robert Chrisman, 2013-10-16 This collection of essays by leading critics and poets charts Robert Hayden’s growing reputation as a major writer of some of the twentieth century’s most important poems on African-American themes, including the famed “Middle Passage” and “Frederick Douglass.” The essays illuminate the themes and techniques that established Hayden as a modernist writer with affinities to T. S. Eliot, Federico Garcia Lorca, and W. B. Yeats, as well as to traditions of African-American writings that include such figures as Countee Cullen and Langston Hughes. Robert Hayden: Essays on the Poetryis the first and only book to collect significant essays on this distinguished poet. Covering sixty years of commentary, book reviews, essays, and Hayden’s own published materials, this volume is an invaluable contribution to our understanding of the poet’s vision of experience, artistry, and influence. The book includes forty different works that examine the life and poetry of Hayden, the first African-American to serve as Consultant in Poetry to the Library of Congress (the post now called Poet Laureate) and to receive the Grand Prix de la Poesie at the First World Festival of Negro Arts, Dakar, Senegal, in 1966. |
| night death mississippi poem: Crossroads Modernism Edward Michael Pavlić, 2002 Crossroads Modernism provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African American modernist creative process. Whereas much has been said about the (generally racist) use of blackness in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of blackness in African American aesthetics. --Publisher. |
| night death mississippi poem: Robert Hayden Laurence Goldstein, Robert Chrisman, 2013-10-16 Vital perspectives from leading critics and scholars on one of the most distinguished African American poets of the twentieth century |
| night death mississippi poem: The Columbia Granger's Index to African-American Poetry Nicholas Frankovich, David Larzelere, 1999 Responding to the enormous interest in African-American literature, Columbia University Press is publishing a Granger's(R) index devoted exclusively to poetry by African-Americans. To compile the Index to African-American Poetry, a team of consultants indentified the best, most widely available anthologies and volumes of collected and selected works. The result: this new index includes more than 11,000 poems by 659 poets. |
| night death mississippi poem: Stumbling Blocks and Other Unfinished Work Delores Phillips, 2023-10-15 Stumbling Blocks expands and contextualizes the unpublished works of the late African American writer Delores Phillips. Born in Cartersville, Georgia in 1950, Delores Faye Phillips spent much of her childhood in Georgia before moving to Cleveland, Ohio. Best known for her 2004 novel The Darkest Child, which follows the Quinn family as they attempt to survive and escape racism, lynchings, and poverty in Jim Crow Georgia during the 1950s, Phillips wrote much more than that. While the novel was met with critical acclaim, little is known about Phillips herself or about her other writings. Indeed, in the 2018 reissue of The Darkest Child, Tayari Jones remarks in the introduction that when she heard Phillips had passed away in 2014, she was “weighted down with longing for the other books that she would never write.” This volume, then, corrects the misconception that The Darkest Child was Phillips’s only published work. Rather, it establishes her as an experienced and prolific writer who created multi-genre literature throughout her life. It paints a broader picture of Phillips, who was not just a novelist but also a poet and short story writer as well. Just as Alice Walker’s recovery work on Zora Neale Hurston in the 1970s was critical to a revival and appreciation of Hurston as “a genius of the South,” Stumbling Blocks illuminates and expands the legacy of an underrepresented writer who is uniquely situated at the intersections of multiple identities including race, gender, disability, and region. In addition to the sequel to The Darkest Child, this collection also includes an unfinished third novel (No Ordinary Rain), ten poems, seven short stories, contextualizing essays, and an in-depth biography of Phillips. It is also bookended by a foreword from Phillips’s sister, Linda Miller, and an afterword from renowned literary scholar Trudier Harris. |
| night death mississippi poem: Robert Hayden in Verse Derik Smith, 2018-08-22 This book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature. In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates. |
| night death mississippi poem: Poetic Inquiry Sandra L. Faulkner, 2019-07-22 Poetic Inquiry: Craft, Method and Practice examines the use of poetry as a form of qualitative research, representation, and method used by researchers, practitioners, and students from across the social sciences and humanities. It serves as a practical manual for using poetry in qualitative research through the presentation of varied examples of Poetic Inquiry. It provides how-to exercises for developing and using poetry as a qualitative research method. The book begins by mapping out what doing and critiquing Poetic Inquiry entails via a discussion of the power of poetry, poets’, and researchers’ goals for the use of poetry, and the kinds of projects that are best suited for Poetic Inquiry. It also provides descriptions of the process and craft of creating Poetic Inquiry, and suggestions for how to evaluate and engage with Poetic Inquiry. The book further contends with questions of method, process, and craft from poets’ and researchers’ perspectives. It shows the implications for the aesthetic and epistemic concerns in poetry, and furthers transdisciplinary dialogues between the humanities and social sciences. Faulkner shows the importance of considering the form and function of Poetic Inquiry in qualitative research through discussions of poetry as research method, poetry as qualitative analysis and representation, and Poetic Inquiry as a powerful research tool. |
| night death mississippi poem: Reading the Middle Generation Anew Eric Haralson, 2006-04 Ten original essays by advanced scholars and well-published poets address the middle generation of American poets, including the familiar---Robert Lowell, Elizabeth Bishop, Randall Jarrell, and John Berryman---and various important contemporaries: Delmore Schwartz, Theodore Roethke, Robert Hayden, and Lorine Niedecker. This was a famously troubled cohort of writers, for reasons both personal and cultural, and collectively their poems give us powerful, moving insights into American social life in the transforming decades of the 1940s through the 1960s.In addition to having worked during the broad middle of the last century, these poets constitute the center of twentieth-century American poetry in the larger sense, refuting invidious connotations of “middle” as coming after the great moderns and being superseded by a proliferating postmodern experimentation. This middle generation mediates the so-called American century and its prodigious body of poetry, even as it complicates historical and aesthetic categorizations.Taking diverse formal and thematic angles on these poets---biographical-historical, deconstructionist, and more formalist accounts---this book re-examines their between-ness and ambivalence: their various positionings and repositionings in aesthetic, political, and personal matters. The essays study the interplay between these writers and such shifting formations as religious discourse, consumerism, militarism and war, the ideology of America as “nature's nation,” and U.S. race relations and ethnic conflicts. Reading the Middle Generation Anew also shows the legacy of the middle generation, the ways in which their lives and writings continue to be a shaping force in American poetry. This fresh and invigorating collection will be of great interest to literary scholars and poets. |
| night death mississippi poem: English and American Studies Martin Middeke, 2016-08-17 Das ganze Studium der Anglistik und Amerikanistik in einem Band. Ob englische und amerikanische Literatur, Sprachwissenschaft, Literatur- und Kulturtheorie, Fachdidaktik oder die Analyse von Filmen und kulturellen Phänomenen führende Fachvertreter geben in englischer Sprache einen ausführlichen Überblick über alle relevanten Teildisziplinen. BA- und MA-Studierende finden hier die wichtigsten Grundlagen und Wissensgebiete auf einen Blick. Durch die übersichtliche Darstellung und das Sachregister optimal für das systematische Lernen und zum Nachschlagen geeignet. |
| night death mississippi poem: The New Anthology of American Poetry Steven Gould Axelrod, Camille Roman, Thomas Travisano, 2012-04-15 Steven Gould Axelrod, Camille Roman, and Thomas Travisano continue the standard of excellence set in Volumes I and II of this extraordinary anthology. Volume III provides the most compelling and wide-ranging selection available of American poetry from 1950 to the present. Its contents are just as diverse and multifaceted as America itself and invite readers to explore the world of poetry in the larger historical context of American culture. Nearly three hundred poems allow readers to explore canonical works by such poets as Elizabeth Bishop, Robert Lowell, and Sylvia Plath, as well as song lyrics from such popular musicians as Bob Dylan and Queen Latifah. Because contemporary American culture transcends the borders of the continental United States, the anthology also includes numerous transnational poets, from Julia de Burgos to Derek Walcott. Whether they are the works of oblique avant-gardists like John Ashbery or direct, populist poets like Allen Ginsberg, all of the selections are accompanied by extensive introductions and footnotes, making the great poetry of the period fully accessible to readers for the first time. |
| night death mississippi poem: Black American Literature Forum , 1991 Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings. |
| night death mississippi poem: Collected Poems Robert Hayden, 2013-04-01 An exquisite body of work celebrating the centennial of one of the most important African-American poets of the twentieth century. Robert Hayden was one of the most important American poets of the twentieth century. He left behind an exquisite body of work, collected in this definitive edition, including A Ballad of Remembrance, Words in the Mourning Time, The Night-Blooming Cereus, Angle of Ascent, and American Journal, which was nominated for a National Book Award. Also included is an introduction by American poet Reginald Dwayne Betts, as well as an afterword by Arnold Rampersad that provides a critical and historical context. In Hayden’s work the actualities of history and culture became the launching places for flights of imagination and intelligence. His voice—characterized by musical diction and an exquisite feeling for the formality of pattern—is a seminal one in American life and literature. |
| night death mississippi poem: The Columbia Granger's Dictionary of Poetry Quotations Edith P. Hazen, 1992 Why do smokers claim that the first cigarette of the day is the best? What is the biological basis behind some heavy drinkers' belief that the hair-of-the-dog method alleviates the effects of a hangover? Why does marijuana seem to affect ones problem-solving capacity? Intoxicating Minds is, in the author's words, a grand excavation of drug myth. Neither extolling nor condemning drug use, it is a story of scientific and artistic achievement, war and greed, empires and religions, and lessons for the future. Ciaran Regan looks at each class of drugs, describing the historical evolution of their use, explaining how they work within the brain's neurophysiology, and outlining the basic pharmacology of those substances. From a consideration of the effect of stimulants, such as caffeine and nicotine, and the reasons and consequences of their sudden popularity in the seventeenth century, the book moves to a discussion of more modern stimulants, such as cocaine and ecstasy. In addition, Regan explains how we process memory, the nature of thought disorders, and therapies for treating depression and schizophrenia. Regan then considers psychedelic drugs and their perceived mystical properties and traces the history of placebos to ancient civilizations. Finally, Intoxicating Minds considers the physical consequences of our co-evolution with drugs -- how they have altered our very being -- and offers a glimpse of the brave new world of drug therapies. |
| night death mississippi poem: Eating the Black Body Carlyle Van Thompson, 2006 Textbook |
| night death mississippi poem: Call Me By My True Names Thich Nhat Hanh, 2022-11-08 THE THICH NHAT HANH POETRY COLLECTION: Over 50 inspiring poems from the world-renowned Zen monk, peace activist, and author of The Miracle of Mindfulness. “ . . . the antidote to our modern pain and sorrows. His books help me be more human, more me than I was before.” —Ocean Vuong, author of On Earth We’re Briefly Gorgeous Though he is best known for his groundbreaking and accessible works on applying mindfulness to everyday life, Thich Nhat Hanh is also a distinguished poet and Nobel Peace Prize nominee. This stunning poetry collection explores these lesser-known facets of Nhat Hanh’s life, revealing not only his path to becoming a Zen meditation teacher but his skill as a poet, his achievements as a peace activist, and his experiences as a young refugee. Through more than 50 poems spanning several decades, Nhat Hanh reveals the stories of his past—from his childhood in war-torn Vietnam to the beginnings of his own spiritual journey—and shares his ideas on how we can come together to create a more peaceful, compassionate world. Uplifting, insightful, and profound, Call Me By My True Names is at once an exquisite work of poetry and a portrait of one of the world’s greatest Zen masters and peacemakers. |
| night death mississippi poem: Today's Poets; American and British Poetry Since the 1930's Chad Walsh, 1972 |
| night death mississippi poem: Poetry of Mourning Jahan Ramazani, 1994-05-28 Through readings of elegies, self-elegies, war poems and the blues, this book covers a wide range of poets, including Thomas Hardy, Wilfred Owen, Wallace Stevens, Langston Hughes, W.H. Auden, Sylvia Plath and Seamus Heaney. It is grounded in genre theory and in the psychoanalysis of mourning. |
| night death mississippi poem: The Voice That Is Great Within Us Hayden Carruth, 1983-09-01 “What an achievement, these sixty years of poetry! In whatever terms we Americans regard the rest of our recent history, the score of things done well and done ill, this much at least we have done superlatively.”—Hayden Carruth This famous anthology includes the works of more than 130 major American poets of the modern period—Robert Frost, Paul Goodman, Carl Sandburg, T.S. Eliot, Ezra Pound, Allen Ginsberg, and Gwendolyn Brooks among them—along with short biographies of each. “Not only the best on its period, I think, but is even perhaps safe from the competition of rivals.”—Robert Lowell |
| night death mississippi poem: Do Not Go Gentle Into That Good Night DYLAN. THOMAS, 2025-04-17 |
| night death mississippi poem: The Oxford Anthology of African-American Poetry Arnold Rampersad, Hilary Herbold, 2006 Presents a comprehensive anthology of African-American poetry covering over two centuries, and includes selections by Langston Hughes, Gwendolyn Brooks, W.E.B. Du Bois, and many more. |
| night death mississippi poem: A History of American Poetry Richard Gray, 2015-03-02 A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries |
| night death mississippi poem: Heating & Cooling: 52 Micro-Memoirs Beth Ann Fennelly, 2017-10-10 “A surprisingly maximalist portrait of a life.” —New York Times Book Review The 52 micro-memoirs in genre-defying Heating & Cooling offer bright glimpses into a richly lived life, combining the compression of poetry with the truth-telling of nonfiction into one heartfelt, celebratory book. Alternatingly wistful and wry, ranging from childhood recollections to quirky cultural observations, these micro-memoirs build on one another to shape a life from unexpectedly illuminating moments. |
| night death mississippi poem: The Cross and the Lynching Tree James H. Cone, 2011 A landmark in the conversation about race and religion in America. They put him to death by hanging him on a tree. Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and black death, the cross symbolizes divine power and black life God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice. |
| night death mississippi poem: From the Auroral Darkness Dr. John Hatcher, John S. Hatcher, 1984 |
| night death mississippi poem: Vise and Shadow Peter Balakian, 2015-05-06 In Vise and Shadow, the critically acclaimed poet and memoirist Peter Balakian brings together his most influential essays of the past twenty-five years. He argues that the force of the lyric imagination is able to hold experience under pressure like a vise, while it also shadows history. Precise, lyrical, and eloquent, Balakian's essays explore the ways poetry engages disaster and ingests mass violence without succumbing to the didactic. He gives us new insights into the relationships between trauma, memory, and aesthetic form; his essays on major Armenian voices and the aftermath of genocide are a fresh contribution to contemporary literature and art. Other essays engage painting, collage, song lyrics, and film as forms of enduring lyric knowledge. With a range that includes W. B. Yeats, YeghisheCharents, Joan Didion, Hart Crane, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, Arshile Gorky, and Adrienne Rich, Vise and Shadow offers a cosmopolitan vision of the power and resilience of the human imagination. |
| night death mississippi poem: American Poets and Poetry Jeffrey Gray, Mary McAleer Balkun, James McCorkle, 2015-03-10 The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine, as Walt Whitman wrote, adding Of every hue and caste am I, of every rank and religion. Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and language poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points. |
| night death mississippi poem: A Murmuration of Starlings Jake Adam York, 2008-02-08 A Murmuration of Starlings elegizes the martyrs of the civil rights movement, whose names are inscribed on the stone table of the Civil Rights Memorial in Montgomery, Alabama. Individually, Jake Adam York’s poems are elegies for individuals; collectively, they consider the violence of a racist culture and the determination to resist that racism. York follows Sun Ra, a Birmingham jazz musician whose response to racial violence was to secede from planet Earth, considers the testimony in the trial of J. W. Milam and Roy Bryant for the murder of Emmet Till in 1955, and recreates events of Selma, Alabama, in 1965. Throughout the collection, an invasion of starlings imagesthe racial hatred and bloodshed. While the 1950s spawned violence, the movement in the early 1960s transformed the language of brutality and turned the violence against the violent, says York. So, the starlings, first produced by violence, become instruments of resistance. York’s collection responds to and participates inrecent movements to find and punish the perpetrators of the crimes that defined the civil rights movement. A Murmuration of Starlings participates in the search for justice, satisfaction, and closure. |
| night death mississippi poem: When Blackness Rhymes with Blackness (Dalkey Archive Scholarly Series) Rowan Ricardo Phillips, 2010-07-20 Lyrical, provocative, and highly original—a groundbreaking book by one of America’s smartest young poet-critics. In When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling “our desire to think of African American poetry as African American poetry.” Phillips reads African American poetry as inherently allegorical and thus “a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems.” Arguing in favor of the “counterintuitive imagination,” Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, “where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition.” From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance (“at a concert”), or in that performance’s retrospection (“in a cafe?”), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley’s visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley. |
| night death mississippi poem: African American Poets Joyce Pettis, 2002-06-30 Profiles 46 African American poets, from the 18th century to the present, including George Moses Horton, Maya Angelou, Gwendolyn Brooks, Countee Cullen, Rita Dove, Langston Hughes, Ishmael Reed, Sonia Sanchez, Jean Toomer, and Phillis Wheatley, along with information on various editions of their work and bibliographies. |
| night death mississippi poem: Race, Gender, and Human Identity in a Diverse Society Chuck Smith, 1998 |
| night death mississippi poem: Blue Rooms Morri Creech, 2018 Poetry. A former winner of the Anthony Hecht Poetry Prize, and a finalist for the Pulitzer Prize for Poetry, Morri Creech is one of America's finest poets. His fourth collection, BLUE ROOMS, explores the uncertain terrain between conscious perception and the objective world. This new collection includes powerful lyric sequences that examine Magritte's surreal investigations of the elusive self, Cezanne's attempts to limn the dynamic nature of reality, and Goya's unflinching depictions of cosmic and historical horrors--all while balancing rich language with an exacting formal control. In these poems, Morri Creech, one of our finest formal poets, confronts the fundamental mystery of language--the way the world is captured by and transformed into words. In the tradition of Wallace Stevens, he combines philosophical insight with eloquence and wit, as he marvels at how the mind is able 'to conjure matter purely through perception.'--Adam Kirsch BLUE ROOMS is a clear-sighted book, arresting in the beauty of its imaginative and linguistic artistry, but also in the elegiac power it wrings from the poet's dead-level doubts about the whole idea of arresting beauty with imagination and language. Creech pushes these anxieties past conventional literary paradox into the realm of human consequence, till they open out, naturally, into a number of serial meditations that furnish the poet with occasions to ponder the limits of memory, experience, perception, and reality itself, all with his usual tact and acuity. Then, in the same book, Creech can turn around and give us, in a less speculative vein, 'The Confession,' a devastating monologue, spoken by one of the perpetrators of a lynching, that affirms the promise of good poetry as a spur to serious moral reflection. Morri Creech engages and challenges his reader, and himself, at the intellectual, philosophical, and emotional levels, and the result is a truly dynamic and remarkable book.--Joshua Mehigan These lucid, elegant poems suggest an indebtedness to Wallace Stevens and Anthony Hecht, but it is primarily the late Howard Nemerov whose temperament and genius Morri Creech has so brilliantly rechanneled in BLUE ROOMS. Like his precursor, Creech attends to the everyday (what he calls 'the modest raptures of the ordinary') with grace and gravity, to move us 'beyond the reach of language.' This stunning, compact volume delicately leads us from the familiar to the infinite, blending together seamlessly the imagined and the real. I loved reading this book.--Willard Spiegelman |
| night death mississippi poem: Chicorel Index to Poetry in Anthologies and Collections in Print Marietta Chicorel, 1975 |
| night death mississippi poem: The Oxford Handbook of Modern and Contemporary American Poetry Cary Nelson, 2012-02-16 The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape. |
| night death mississippi poem: Solitude and Solidarity Michael Fitzgerald, 2000 |
| night death mississippi poem: The poems of Walt Whitman Walt Whitman, 1886 |
At Night or In the Night? - English Language & Usage Stack Exchange
Mar 13, 2015 · The same with in the night, if someone said that you would think of any time between the hours of 8pm and 6am, or thereabouts. However, at night generally means the specific time …
Is 'Night an acceptable informal variant of "Good Night"?
Dec 29, 2016 · The spoken use of "night" as an informal, familiar version of "good night" (wishing one a restful sleep) is common, but I'm not sure what the proper written equivalent is - if there is …
single word requests - Precise names for parts of a day - English ...
"Good night" as noted by yourself means to have a good night's sleep, so "Good Evening" is used instead. "Evening" lasts from after Afternoon(4 p.m.) till after sunset, depending on where you …
What is an appropriate greeting to use at night time?
Jan 21, 2013 · "Good night" as a greeting was once a feature found almost exclusively in Ireland. In James Joyce's "The Dead", for example, it is used both as greeting: —O, Mr Conroy, said Lily to …
How do people greet each other when in different time zones?
Mar 27, 2020 · It has nothing to do with the dateline. The relevance of that is whether someone else's time is ahead or behind yours, and, it is not necessarily as business meeting. A younger …
phrases - "Good night" or "good evening"? - English Language
Feb 18, 2011 · Even if you are meeting a person at 10 p.m. at night, the first time of the day, you can still greet him/her with "Good morning". This means it's a positive, well wishing statement, that's …
What's the difference between “by night” and “at night”?
"The tiger hunts by night" sounds more dramatic than "The tiger hunts at night." Consider the title of the following film: They Drive by Night, which is a hyped-up way of presenting a movie about …
meaning - How should "midnight on..." be interpreted? - English ...
Dec 9, 2010 · The convention stems from the term itself. Midnight comes from 'mid-night.' In conversation, the 'night' of which 'midnight' is in the middle, is considered the night of the date …
word usage - 1 o'clock in the morning OR 1 o'clock at night?
Sep 8, 2015 · 'Night' is defined as: "The period of time between 'Evening' and 'Dawn' ". People tend to get confused at the difference between the terms 'DAY' and 'DATE'. If it is Monday and it …
What is a word for someone who is both an early bird and a night …
Mar 30, 2024 · Throughout the night, the mastines take turns at sleeping while the one on watch sits silently, scanning the surroundings from a good vantage point, and from time to time walks …
At Night or In the Night? - English Language & Usage Stack …
Mar 13, 2015 · The same with in the night, if someone said that you would think of any time between the hours of 8pm and 6am, or thereabouts. However, at night generally means the …
Is 'Night an acceptable informal variant of "Good Night"?
Dec 29, 2016 · The spoken use of "night" as an informal, familiar version of "good night" (wishing one a restful sleep) is common, but I'm not sure what the proper written equivalent is - if there …
single word requests - Precise names for parts of a day - English ...
"Good night" as noted by yourself means to have a good night's sleep, so "Good Evening" is used instead. "Evening" lasts from after Afternoon(4 p.m.) till after sunset, depending on where you …
What is an appropriate greeting to use at night time?
Jan 21, 2013 · "Good night" as a greeting was once a feature found almost exclusively in Ireland. In James Joyce's "The Dead", for example, it is used both as greeting: —O, Mr Conroy, said …
How do people greet each other when in different time zones?
Mar 27, 2020 · It has nothing to do with the dateline. The relevance of that is whether someone else's time is ahead or behind yours, and, it is not necessarily as business meeting. A younger …
phrases - "Good night" or "good evening"? - English Language
Feb 18, 2011 · Even if you are meeting a person at 10 p.m. at night, the first time of the day, you can still greet him/her with "Good morning". This means it's a positive, well wishing statement, …
What's the difference between “by night” and “at night”?
"The tiger hunts by night" sounds more dramatic than "The tiger hunts at night." Consider the title of the following film: They Drive by Night, which is a hyped-up way of presenting a movie …
meaning - How should "midnight on..." be interpreted? - English ...
Dec 9, 2010 · The convention stems from the term itself. Midnight comes from 'mid-night.' In conversation, the 'night' of which 'midnight' is in the middle, is considered the night of the date …
word usage - 1 o'clock in the morning OR 1 o'clock at night?
Sep 8, 2015 · 'Night' is defined as: "The period of time between 'Evening' and 'Dawn' ". People tend to get confused at the difference between the terms 'DAY' and 'DATE'. If it is Monday and …
What is a word for someone who is both an early bird and a night …
Mar 30, 2024 · Throughout the night, the mastines take turns at sleeping while the one on watch sits silently, scanning the surroundings from a good vantage point, and from time to time walks …
