Painting And Drawing In Waldorf Schools

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  painting and drawing in waldorf schools: Drawing and Painting in Rudolf Steiner Schools Margrit Jünemann, Fritz Weitmann, 1994-01 A Steiner Waldorf book that shows how artistic and thinking activities help children develop healthily through the unfolding stages of their voyage. It combines detailed practical advice with clearly defined philosophy on aesthetic education.
  painting and drawing in waldorf schools: Painting and Drawing in Waldorf Schools, Classes 1 to 8 Thomas Wildgruber, 2012 Painting and drawing are key artistic expressions and play important roles in children's physical, emotional, and spiritual development. This comprehensive teachers' guide provides a complete artistic curriculum for Waldorf school classes 1 to 8 (ages 6 to 14). At each stage, the book shows the skills that teachers can help children to develop. Included are 280 practical exercises for teachers, and more than 800 children's drawings and paintings that serve as inspiring examples of artistic possibilities. The curriculum moves from free to guided color exercises and precise perspective drawing. Throughout, the author draws on art theory and shows that art is truly a universal language. Painting and Drawing in Waldorf Schools is also suitable for adult self-study.
  painting and drawing in waldorf schools: Arts and Crafts in Waldorf Schools Michael Martin, 2017 Arts and crafts are a core part of the Steiner-Waldorf curriculum, helping children to develop practical skills as well as spacial awareness, creativity and self-discovery. This comprehensive book addresses every aspect of arts and crafts, including wood work, forestry, metal work and pottery. Written by experienced Waldorf craft teachers, this large, comprehensive book presents many ideas for craft activity classes, whilst analysing their role in the student's self-discovery and creative development. Educating Through Arts and Crafts argues for the importance of creativity and craft-based classes throughout a child's life in school.
  painting and drawing in waldorf schools: Creative Form Drawing Angela Lord, 2017 Creative form drawing helps children develop hand to eye co-ordination, spatial orientation, observation skills, attention, confident movement, drawing skills and the foundation skills for handwriting. Originally developed by Rudolf Steiner, creative form drawing is used widely in Steiner and Waldorf Schools to enable healthy child development and learning. Form drawing can also be used for helping transform learning difficulties. This books covers the why, what and how of creative form drawing, providing a comprehensive, practical resource for teachers of children aged 6 to 12 years.
  painting and drawing in waldorf schools: Drawing from the Book of Nature Dennis Klocek, 1990 When students are given fixed and finalized abstractions from the beginning, they do not have to use their own inner forces to overcome the resistance of the world to arrive at truth or to create beauty. The result is that their inner pictures are devoid of life. To arrive at a truth or to create beauty that reflects the order and harmony of the Creator, we must always begin humbly, in ignorance and ugliness. By striving out of ignorance and ugliness toward the true and beautiful, both scientists and artists can bring new, creative forces into the world. Neither memorizing data nor copying a beautiful drawing engages the true imagination of students as it is by drawing a flower from life. It is precisely this lack of an active, striving inner creativity that can result in the frequently overwhelming feelings of anxiety and alienation experienced by so many people today. As a counterbalance, education must--in all areas of knowledge--increasingly focus on the personal creation of what, through its beauty, speaks truth and through its truth radiates beauty. Drawing from the Book of Nature is about both drawing and the natural world of plants and animals. It is a valuable resource for teachers, students, and anyone who wants to develop a capacity for artistic observation of natural phenomena. Dennis Klocek provides a refreshing combination of depth and clarity, offering a wealth of insight into the lives that constitute living nature. The text is supported by easy-to-follow lessons that help the reader bring the kingdoms of nature to life on paper. This book is a resource through which teachers, students, and others can find their own way toward reuniting with beauty and truth.
  painting and drawing in waldorf schools: Creative Form Drawing for the Four Temperaments Angela Lord, 2019-11 A step-by-step guide with form drawing exercises for the four temperaments, which have a harmonizing, transformative and strengthening effect on child development. Creative form drawing helps children develop hand to eye coordination, spatial orientation, observation skills, attention, confident movement, drawing skills and the foundation skills for handwriting. Originally developed by Rudolf Steiner, creative form drawing is used widely in Steiner and Waldorf Schools to enable healthy child development and learning. This books covers the why, what and how of creative form drawing, for balancing and deepening the four temperaments.
  painting and drawing in waldorf schools: Painting in Waldorf Education Dick Bruin, Attie Lichthart, 2015-05 The uniqueness and importance of watercolor painting is significant to the stages of child development in Waldorf schools.This lovely book is a thorough and complete study of watercolor painting in the Waldorf curriculum. Included are practical advice, clear exercises and beautiful examples. Goethe's theory of color is discussed and as well as how to paint with different ages and grades, from kindergarten through high school.
  painting and drawing in waldorf schools: Understanding Waldorf Education Jack Petrash, 2010-03 Written by a teacher with more than 25 years of experience, this book offers a jargon-free view of Waldorf education and its philosophy of the importance of a three-dimensional education. Through learning experiences that involve all of the senses, children use a variety of intelligences to develop thought, feeling, and intentional, purposeful activity. Whether you're Waldorf parent or teacher, or you just want to learn more about these innovative educational concepts, this book contains important ideas on learning that you can apply today.
  painting and drawing in waldorf schools: Form Drawing and Colouring Angela Lord, 2016-08 Creative form drawing is a fascinating and meaningful artistic activity for health and wellbeing. It helps with focus and is fun. It engages the right brain by getting into the flow of color, form, and movement. It offers the opportunity for personal creativity, using stunning, colorful forms to stimulate originality. Creative form drawing can be energizing and relaxing, calming and enlivening, and a valuable aid to harmonizing body and soul. This first creative form drawing book for adults features fourfold patterns of increasing challenge, featuring Celtic, Moorish, Native American, and Buddhist patterns and encourages the development of new forms. The forms have symmetry--balance between left and right and between above and below, connecting the center with the periphery while providing stability and harmony. Some forms are rhythmic, with patterns that move in flowing rhythms and lines. Other forms are inspired organically by nature's colors and formations. Flowers provide inspiring ideas for color combinations and new forms. Drawing with line, form, color, and beauty is a balancing, healing, and enlivening process. Originally developed by Rudolf Steiner, creative form drawing is widely used in Waldorf education to support healthy development and learning of children of all ages, aiding eye-hand coordination, balance, confident movement, observation, and drawing skills.
  painting and drawing in waldorf schools: Learning about the World Through Modeling Arthur Auer, 2001 Hands-on modelling is key skill for children, leading to the development of their mind and intelligence through a rich complexity of sense experiences.Arthur and Elizabeth Auer make a plea to parents and teachers alike to 'let children work with their hands'. This comprehensive, heavily illustrated book demonstrates a multitude of modelling projects for different ages using different materials including clay, beeswax, plasticine, dough, sand and snow.
  painting and drawing in waldorf schools: Writing to Reading the Steiner Waldorf Way Abi Allanson, 2020-05-03 This is both a theoretical and practical book giving a complete pathway to teaching children how to write and read in Classes 1 and 2. This book provides teachers with appealing, easy-to-use plans and practical activities for immediate use. It also sets out fundamental principles of Steiner Waldorf pedagogy. It shows how this dovetails with the best of both mainstream primary approaches and specialist dyslexia-friendly methods. Teachers can use these principles to become confident in creating their own activities and resources. The book showcases the holistic, creative aspects of the Steiner Waldorf literacy approach. The teaching of writing before reading is prioritized so as to engage children's creativity in learning. Developing the child's own voice through writing and storytelling, to lead over into reading, is highly effective for motivation and success.
  painting and drawing in waldorf schools: Deeper Insights in Education Rudolf Steiner, 1983 Speaking to the teachers at the first Waldorf school in Stuttgart, Steiner addresses three issues: a living synthesis of gymnast, rhetorician, and professor as a necessity for successful teaching.
  painting and drawing in waldorf schools: The King of Irelands Son Padraic Colum, 1916 Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.
  painting and drawing in waldorf schools: The Tales of Tiptoes Lightly Reg Down, 2004 The adventures of Tiptoes Lightly, who lives in an acorn high up in the branches of a Great Oak Tree.
  painting and drawing in waldorf schools: Finger Plays for Nursery and Kindergarten Emilie Poulsson, Cornelia C. Roeske, 1893 Text and illustrations introduce eighteen finger games with music.
  painting and drawing in waldorf schools: Alice in Wonderland Lewis Carroll, 2024-09-25 Alice's Adventures in Wonderland is an 1865 English children's novel by Lewis Carroll, a mathematics don at the University of Oxford. It details the story of a girl named Alice who falls through a rabbit hole into a fantasy world of anthropomorphic creatures. It is seen as an example of the literary nonsense genre. The artist John Tenniel provided 42 wood-engraved illustrations for the book.It received positive reviews upon release and is now one of the best-known works of Victorian literature; its narrative, structure, characters and imagery have had a widespread influence on popular culture and literature, especially in the fantasy genre. It is credited as helping end an era of didacticism in children's literature, inaugurating an era in which writing for children aimed to delight or entertain. The tale plays with logic, giving the story lasting popularity with adults as well as with children. The titular character Alice shares her name with Alice Liddell, a girl Carroll knewscholars disagree about the extent to which the character was based upon her.
  painting and drawing in waldorf schools: The Roadmap to Literacy: A Guide to Teaching Language Arts in Waldorf Schools Grades 1 Through 3 Janet Langley, Jennifer Militzer-Kopperl, 2019-02-12
  painting and drawing in waldorf schools: Colour Dynamics Angela Lord, 2010-08 Angela Lord invites readers to develop their own colour insights with materials and techniques, exploring colours, painting rainbows, colour clashes, complementary colours, after-images, painting the colour circle and complementary colours, enhancing colours, a new colour circle, the interplay of light and dark, sunrise and sunset, colour dynamics and composition, an overview of colour through history, watercolour painting and the Steiner Waldorf curriculum, resources, glossary and references.
  painting and drawing in waldorf schools: Vincent's Starry Night and Other Stories Michael Bird, 2016 Go on an enthralling journey through 40,000 years of art and learn about everything from cave paintings to Cubism! Written by educator and art historian Michael Bird, and illustrated by Kate Evans, Vincent's Starry Night and Other Stories is made up of 68 chapters of stories about art through the ages. The book also includes reproductions of featured artworks, a comprehensive timeline of events, and extra feature spreads on places connected with art. An essential reference book for all children who love art and stories, this book is the perfect blend of both. Discover artists and their art around the world, in exciting and imaginative tales about artists and the way they created their work.Fresh, new take on presenting the history of art - using a well-thought-out timeline, carefully selected artists and artworks, beautiful illustrations, and engaging storytelling, this book will delight all curious mindsPerfect for home, classroom or school library - an interesting supplement to learning about art and history for parents and teachersBe inspired - the stories explore art from different parts of the world, and they draw on events from history that inspired many great works of artA beautiful gift - this is a beautiful book; hardcover with exquisite illustrations and photographs throughoutLet your child discover the wonder of art and history with Vincent's Starry Night and Other Stories. Michael Bird is a writer, art historian and radio broadcaster. His books include 100 Ideas that Changed Art. He has also published many essays and articles, and lectures widely. He currently holds a Goodison Fellowship at the British Library, where he is researching the oral history of modern British art. Kate Evans is a freelance illustrator with clients including HarperCollins, The Guardian, Macmillan Books, National Geographic, Transport for London and V&A Magazine. She has had exhibitions in Bristol, Bath, London and Stockholm. Kate lives and works in Bristol.
  painting and drawing in waldorf schools: Conversations about Painting with Rudolf Steiner Peter Stebbing, 2008 The purpose of this illustrated volume of first-hand recollections is to increase appreciation in the world for Rudolf Steiner's artistic contributions to modern culture. The authors represented in Conversations about Painting with Rudolf Steiner offer insights into Steiner's intentions as he responded to artists' questions about the deeper, spiritual aspects of painting, color, and role of the arts as a whole in culture and society. Peter Stebbing's inspiration for translating these conversations was an early reading of Hilde Boos-Hamburger's book on Steiner's new art impulse (included here). Through the years, Stebbing also came to recognize the importance of other artists who were influenced by Steiner. Margarita Voloschin, for example, describes the inner transformation required of artists who wish to deepen their artistic sensibilities as described by Rudolf Steiner. Henni Geck, though she wrote little on art, is an important figure in this school of artistic renewal through having elicited numerous training sketches from Steiner. Assya Turgenieff was a pioneer artist who worked with stained glass. Her discussion of the artistic approach she used--which incorporated both color and sculpting techniques--can be applied to other visual arts as well. Conversations about Painting with Rudolf Steiner is an extraordinary contribution to a deeper understanding of the anthroposophic arts. Richly illustrated, this volume will warrant serious study and frequent rereading and browsing. A great book for the coffee table. CONTENTS: MARIA STRAKOSCH-GIESLER Indications Given by Rudolf Steiner to a Painter A Color Meditation Given by Rudolf Steiner The Human Form and Color Recollections of Two Lectures by Rudolf Steiner on Painting About Maria Strakosch-Giesler by Peter Stebbing HILDE BOOS-HAMBURGER Preliminary Remarks Experiences in Painting the Cupolas of the First Goetheanum The Struggle for the Underlying Principles of a New Spiritualized Painting Impulse Some Experiences in Teaching Older Children About Hilde Boos-Hamburger by Roy Wilkinson & Jan Pohl HENNI GECK The Sketches Given by Rudolf Steiner 1922-1924 The Motif Sketches of Rudolf Steiner by Fritz Billing The Work in Painting at the Goetheanum with Henni Geck by Clara Bosshardt On Studying in Henni Geck's Painting School by Gerard Wagner About Henni Geck by Ernst Marti Recollections of the Teacher by Walter Roggenkamp Thoughts on Method by Bettina Roder Henni Geck's Quest by Ingrid Stinzing-Eriksson MARGARITA VOLOSCHIN Self-portrait Memory-Pictures from a Time of Intensive Work How Rudolf Steiner Himself Painted in the Small Cupola by Luise Clason About Margarita Voloschin by Rosemarie Wermbter ASSYA TURGENIEFF Working on 'Light and Dark' Recollections of the Beginning of Studies in Light and Dark A Drawing Class with Rudolf Steiner by Daniel J. van Bemmelen About Assya Turgenieff by Jakob Streit & Christiane Haid Also includes an afterword and a selected bibliography.
  painting and drawing in waldorf schools: The Waldorf Book of Poetry David Kennedy, 2012-11-11 425 poems from classic and modern poets for poetry lovers, parents, teachers and children.
  painting and drawing in waldorf schools: Children's Drawings Georges Henri Luquet, 2001 nterest in children's drawings is contemporary with the birth of modern psychology but as yet there is no psychological theory that successfully accounts for the nature of children's drawing. The two main theories, visual realism and intellectual realism, fall short. The work of Georges-Henri Luquet is important because it goes beyond both theories. Luquet's work, though important and of interest to developmental psychologists, remains untranslated to date and so is often inaccurately cited. This translation of Le Dessin Enfantin makes Luquet's ideas available to a wider readership for the first time.
  painting and drawing in waldorf schools: Education as an Art Rudolf Steiner, 1988
  painting and drawing in waldorf schools: The Waldorf Main Lesson Eric G. Müller, 2020-09-15 The so called Main Lesson, which starts off each and every day in Waldorf Schools around the world is the most enduring and consistent innovation in Waldorf Education and is its signature difference that distinguishes it from other educational systems. Right from the movement's inception in 1919, Stuttgart, Germany, this long morning lesson, where the focus is on one subject for a block of time spanning a number of weeks, has formed the foundation on which the rest of the pedagogy stands. What are its enduring qualities? How is it structured? Why is it given such a pivotal position in Waldorf education? How do teachers utilize the time at their disposal? What are its lasting benefits? When and how does the structure change according to the needs of the lower, middle, and high school students? Who determines the structure? How can Rudolf Steiner's unique pedagogical gift be applied in the most optimal manner? These and many more questions are addressed in The Waldorf Main Lesson. Eric G. Müller examines multiple facets of this mainstay of Waldorf education, hoping that it will encourage and help readers, especially Waldorf teachers, to arrive at their own deeper insights and perspectives on the Main Lesson and its far-reaching significance.
  painting and drawing in waldorf schools: Educating for Balance and Resilience: Developmental Movement, Drawing, and Painting in Waldorf Education Jeff Tunkey, 2020-05-06 A practical guide to strengthening the foundations for professional development, student capacities and readiness, and parent support - - - Our rightful place as educators is to be removers of hindrances. --Rudolf Steiner (Aug. 19, 1922) There is growing recognition in educational circles that helping children to build the skills they need to thrive in adult life is as important as content delivery linked to achievements on benchmark tests. These important skills include communication, persistence in the face of challenge, adaptability, teamwork, good manners, self-control, responsibility, and punctuality. A unifying goal for every Waldorf-Steiner school--anywhere in the world, large or small--is to provide a gradual progression of challenging academic content for which the students are (or soon will be) emotionally and physiologically prepared. Waldorf schoolteachers recognize that all true learning requires inner composure and flexibility, and that what can be seen and developed through outer movement is vital for mental health and acuity throughout life. Physical activity fuels the brain with oxygen and decreases stress. Every movement creates and strengthens connections within the brain and in the nerve pathways throughout the body. The importance of developmental movement is also clearly validated by modern science as a path to physiological and emotional development, and might be just as important as academic presentation, especially in the early grades. Activities that build such basics as postural control, spatial orientation, physical coordination, and body geography are not merely classroom extras. All children (perhaps more than ever before) need a rich diet of developmental movement, drawing, and painting exercises, as indicated by Rudolf Steiner, Audrey McAllen, Karl König, Olive Whicher, and numerous others. Although nearly all of these tools have been within the domain of Extra Lesson practitioners and Waldorf movement teachers for decades, Jeff Tunkey asserts that they should be staples for all students, in all classes, every day. C O N T E N T S Foreword Guiding Thoughts 1. Lenses on Teacher Development 2. Foundations for Student Capacities and Readiness 3. Exercises and Activities for Strengthening the Whole Class 4. The Values of Organized Play 5. Building a Schoolwide Culture 6. Building Bridges with Parents Appendix and Resources Afterword Bibliographic Notes Index of Exercises
  painting and drawing in waldorf schools: Decorative Ornament Owen Jones, 2007-04-01 'Decorative Ornament' is an authoritative and encyclopaedic survey of great decorative design.
  painting and drawing in waldorf schools: Coloring with Block Crayons, Emphasizing the Primary Colors, a Manual of Coloring Techniques for Teaching to Children Sieglinde De Francesca, 2007
  painting and drawing in waldorf schools: A Handbook for Steiner-Waldorf Class Teachers Kevin Avison, 2016 First published in 1995 by Steiner Waldorf Schools Fellowship -- Title page verso.
  painting and drawing in waldorf schools: Geometry Lessons in the Waldorf School Ernst Schuberth, 2004 Second volume of geometry lessons for the Waldorf school, for Classes 4 and 5 (age 10-12).
  painting and drawing in waldorf schools: Teaching Mathematics in Rudolf Steiner Schools Ron Jarman, 1998-06 A resource book for Waldorf teachers which covers the Class 1 to 8 Steiner-Waldorf maths curriculum. Features include: ... how arithmetic can be introduced effectively in the early years so you can start teaching with confidence ... Draws number work from everyday life to stimulate children's interest and enthusiasm ... Gives examples for you to devise your own exercises ... Indicates how mixed ability teaching can be improved ... Relates maths to other subjects and to children's development.
  painting and drawing in waldorf schools: Festival of Colors Kabir Sehgal, Surishtha Sehgal, 2019 Siblings Chintoo and Mintoo collect flowers and press the petals into a fine powder as they prepare for Holi, the Indian springtime Festival of Colors. Includes author's note.
  painting and drawing in waldorf schools: The Education of the Child in the Light of Anthroposophy Rudolf Steiner, 1965
  painting and drawing in waldorf schools: Light, Darkness and Colour in Painting Therapy Liane Collot D'Herbois, 2000 'One should try to see health and disease in the light of the theory of colour.' -- Rudolf SteinerThrough her work as an art teacher, Liane Collot d'Herbois discovered that an individual's constitution, temperament and illnesss were often revealed through their painting.Using Rudolf Steiner's remark as a starting point, together with her own observations, she went on to develop therapeutic painting.Art therapy helps bring about balance and health in the human being through working with an understanding of the relationship between the opposing tendencies of light and darkness in art and in the human constitution.
  painting and drawing in waldorf schools: Rhythms of Learning Rudolf Steiner, 1998 Key lectures on children and education have been thoughtfully chosen from the vast amount of material by Steiner and presented in a context that makes them approachable and accessible. In his many discussions and lectures, Steiner shared his vision of an education that considers the spirit, soul, and physiology in children as they grow.
  painting and drawing in waldorf schools: Drawing and Painting in Rudolf Steiner Schools Margrit Jünemann, Fritz Weitmann, 1994 This book gives an overview of the Waldorf School teaching plan and art curriculum. The book thoroughly investigates many aspects of art that Rudolf Steiner spoke of in lectures, notes, and demonstrations. Particular emphasis is placed upon his work on color. Specific lessons are given for the elementary classes, and discussions of principles and various suggestions are given for the secondary classes. The curriculum leads the child through the intricacies of his or her physical and spiritual development, integrated through artistic and intellectual activities. In the lower classes students develop observational skills through imaging and imagining of fairy tales, myths, and legends. Artistic handling of nature, soul moods, and portraits are taught in the upper classes. This book is divided into three parts: (1) The Basic Principles of Painting from the First to the Eighth Class (Margrit Junemann); (2) Lessons in Making Things that are both Practical and Artistic in Classes Nine to Twelve (Fritz Weitmann); and (3) Rudolf Steiner's Recommendations Regarding a New Kind of Art Education (Fritz Weitmann). Full page color photograph examples from each lesson are provided. (LB)
  painting and drawing in waldorf schools: Educating as an Art Carol Ann Bärtges, Nick Lyons, 2003 Perlas brilliantly articulates the competing cultural and intellectual constructs driving the competition between elite globalization and global civil society, and outlines a path forward by which we may resolve that conflict in the favor of life. A must read for all who work for a positive future. -- David C. Korten, Ph.D., author, The Post-Corporate World
  painting and drawing in waldorf schools: Painting in Waldorf Education Dick Bruin, Attie Lichthart, 2004 The uniqueness and importance of watercolor painting is significant to the stages of child development in Waldorf schools.This lovely book is a thorough and complete study of watercolor painting in the Waldorf curriculum. Included are practical advice, clear exercises and beautiful examples. Goethe's theory of color is discussed and as well as how to paint with different ages and grades, from kindergarten through high school.
  painting and drawing in waldorf schools: Painting at School Dick Bruin, Artie Lichthart, 2018-03-14 Watercolour painting is a key part of the Waldorf curriculum, and is important in the healthy development of a child.This lovely book is a thorough overview of watercolor painting in the Waldorf curriculum, up to Class 12 (age 18). It includes practical advice for teachers and clear exercises. It discusses Goethe's theory of colour as well as how to paint with different ages and grades.
  painting and drawing in waldorf schools: Rudolf Steiner Speaks to the British Rudolf Steiner, 1998 10 selected lectures and other assorted materials As demonstrated by the contents of this book, Rudolf Steiner was able to speak to the British in a very direct and lively way. He did not need to give a long introductory build-up to his main theme, as was expected of him in Germany for instance, but could refer immediately to esoteric ideas. The intention of this volume is to give a fuller picture of Rudolf Steiner's work in Britain, and his approach to esoteric ideas while on British soil. Although the major lecture series he gave in Britain have been previously published, this book gathers together various lectures, addresses, question-and-answer sessions, minutes of important meetings and articles--a good deal of which has been unavailable in English until now. It also features a complete list of all the lectures and addresses Steiner gave in Britain, making it a valuable reference book for students of Steiner's work.
  painting and drawing in waldorf schools: Waldorf Schools and the History of Steiner Education Thomas Stehlik, 2019-10-31 This book marks the centenary of the first Waldorf School, established by Rudolf Steiner in Stuttgart in 1919. With around 1,150 Waldorf Schools and over 1,800 Waldorf Kindergartens established in over 60 countries, this book examines and analyses how the initial impulse of Steiner education has grown over the last century to become a worldwide alternative movement in education. The author documents and compares the growth and development of Waldorf schools and Steiner-inspired educational institutions around the world, and determines the extent to which the original underpinning philosophy has been maintained against the contexts and challenges of contemporary global trends in education. Within such diverse international contexts, it is significant that the schools retain such a distinctive identity, and clearly redefine how ‘alternative education’ can be viewed. This comprehensive volume will be of interest and value to scholars of Steiner education and Waldorf schools as well as alternative education more widely.
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