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| nonton dangerous boy: Rebels Leerom Medovoi, 2005-11-23 Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home. Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics. |
| nonton dangerous boy: TLA Film, Video, and DVD Guide 2002-2003 David Bleiler, 2014-04-08 The TLA Film, Video & DVD Guide 2002-2003 is the absolutely indispensible guide for the true lover of cinema. By focusing on independent and international films, and avoiding much of the made-for-TV/made-for-cable/made-for-video dreck, this guide offers more comprehensive coverage of the films the reader may actually want to rent and see. The guide includes: * Reviews of more than 10,000 films * Four detailed indexes - by star, director, theme, genre, and country of origin * More than 450 photos throughout * A listing of all the major film awards, TLA Bests and recommended films * A comprehensive selection of cinema from over 50 countries From one of the finest names in video retailing and a growing rental chain comes the latest edition of one of the most respected film, video, and DVD guides. The TLA Film, Video & DVD Guide is perfect for anyone whose tastes range from All About My Mother to Fight Club; from This Is Spinal Tap to Ma Vie en Rose. |
| nonton dangerous boy: The ... Film Daily Year Book of Motion Pictures , 1929 |
| nonton dangerous boy: The 1931-1940: American Film Institute Catalog of Motion Pictures Produced in the United States American Film Institute, 1993 The entire field of film historians awaits the AFI volumes with eagerness.--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog.--Thomas Cripps Endlessly absorbing as an excursion into cultural history and national memory.--Arthur Schlesinger, Jr. |
| nonton dangerous boy: Screening American Independent Film Justin Wyatt, W.D. Phillips, 2023-05-31 This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of independence. The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema. |
| nonton dangerous boy: A Biographical Dictionary of Silent Film Western Actors and Actresses George A. Katchmer, 2015-05-20 Long before sound became an essential part of motion pictures, Westerns were an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their careers began. More than a thousand of these once-silent Western players are featured in this fully indexed encyclopedic work. Each entry includes a detailed biography, covering both personal and professional milestones and a complete Western filmography. A foreword is supplied by Diana Serra Cary (formerly the child star Baby Peggy), who performed with many of the actors herein. |
| nonton dangerous boy: The Oxford Handbook of Children's Film Noel Brown, 2022 Offers a comprehensive and wide-ranging study of children's film, Takes an interdisciplinary approach that encompasses contributions from scholars in the fields of film studies, children's education, children's media studies, children's literature studies, animation studies, and fandom studies, Features an international scope, covering iconic films from Hollywood (including Disney), as well as from Britain France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, and Kenya, Includes chapters written from a range of critical approaches to children's film, including genre, ideology, narrative, stardom, music, industry studies, and primary research on audiences and reception Book jacket. |
| nonton dangerous boy: The Film Renter and Moving Picture News , 1926 |
| nonton dangerous boy: The Encyclopedia of Hollywood Film Actors Barry Monush, 2003-04 RENT: THE COMPLETE BOOK AND LYRICS OF THE BROADWAY MUSICAL |
| nonton dangerous boy: Shaping the Future of African American Film Monica White Ndounou, 2014-04-29 In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films. How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history. By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film. |
| nonton dangerous boy: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
| nonton dangerous boy: Prehistoric Humans in Film and Television Michael Klossner, 2015-01-09 From the early days of the movies, cavemen have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works. |
| nonton dangerous boy: Encyclopedia of Film Themes, Settings and Series Richard B. Armstrong, Mary Willems Armstrong, 2009-12-07 The first editon was called the most valuable film reference in several years by Library Journal. The new edition published in hardcover in 2001 includes more than 670 entries. The current work is a paperback reprint of that edition. Each entry contains a mini-essay that defines the topic, followed by a chronological list of representative films. From the Abominable Snowman to Zorro, this encyclopedia provides film scholars and fans with an easy-to-use reference for researching film themes or tracking down obscure movies on subjects such as suspended animation, viral epidemics, robots, submarines, reincarnation, ventriloquists and the Olympics (Excellent said Cult Movies). The volume also contains an extensive list of film characters and series, including B-movie detectives, Western heroes, made-for-television film series, and foreign film heroes and villains. |
| nonton dangerous boy: Pixar's Boy Stories Shannon R. Wooden, Ken Gillam, 2014-03-27 This volume examines films produced by Pixar Animation Studios between 1995 and 2013, exploring how boys become men and how men measure up in films from Toy Story to Monsters University. Offering counterintuitive readings of such works, this book describes how the films quietly but forcefully reiterate traditional masculine norms, in terms of what they praise and what they condemn. |
| nonton dangerous boy: Catalog of Copyright Entries, Third Series , 1951 The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.). |
| nonton dangerous boy: Catalog of Copyright Entries Library of Congress. Copyright Office, 1951 |
| nonton dangerous boy: The Invisible Art of Film Music Laurence E. MacDonald, 1998-01-01 A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
| nonton dangerous boy: The Tudors on Film and Television Sue Parrill, William B. Robison, 2013-03-12 With its mix of family drama, sex and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made. |
| nonton dangerous boy: Contemporary British and Irish Film Directors Yoram Allon, Del Cullen, Hannah Patterson, 2001 The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas. |
| nonton dangerous boy: Encyclopedia of Film Noir Geoff Mayer, Brian McDonnell, 2007-06-30 When viewers think of film noir, they often picture actors like Humphrey Bogart playing characters like Sam Spade in The Maltese Falcon, the film based on the book by Dashiell Hammett. Yet film noir is a genre much richer. The authors first examine the debate surrounding the parameters of the genre and the many different ways it is defined. They discuss the Noir City, its setting and backdrop, and also the cultural (WWII) and institutional (the House UnAmerican Activities Committee, and the Production Code Administration) influences on the subgenres. An analysis of the low budget and series film noirs provides information on those cult classics. With over 200 entries on films, directors, and actors, the Encyclopedia of Film Noir is the most complete resource for film fans, students, and scholars. |
| nonton dangerous boy: TLA Film and Video Guide David Bleiler, 1999 *Detailed indexes by star, director, genre, country of origin, and theme *Lavishly illustrated with over 450 photos *Comprehensive selection of international cinema from over 50 countries *Over 9,000 films reviewed *Up-to-date information on video availability and pricing *Appendices with award listings, TLA Bests, and recommended films |
| nonton dangerous boy: The Film Mercury , 1929 |
| nonton dangerous boy: Suicide in the Entertainment Industry David K. Frasier, 2015-09-11 This work covers 840 intentional suicide cases initially reported in Daily Variety (the entertainment industry's trade journal), but also drawing attention from mainstream news media. These cases are taken from the ranks of vaudeville, film, theatre, dance, music, literature (writers with direct connections to film), and other allied fields in the entertainment industry from 1905 through 2000. Accidentally self-inflicted deaths are omitted, except for a few controversial cases. It includes the suicides of well-known personalities such as actress Peg Entwistle, who is the only person to ever commit suicide by jumping from the top of the Hollywood Sign, Marilyn Monroe and Dorothy Dandridge, who are believed to have overdosed on drugs, and Richard Farnsworth and Brian Keith, who shot themselves to end the misery of terminal cancer. Also mentioned, but in less detail, are the suicides of unknown and lesser-known members of the entertainment industry. Arranged alphabetically, each entry covers the person's personal and professional background, method of suicide, and, in some instances, includes actual statements taken from the suicide note. |
| nonton dangerous boy: The Dilys Powell Film Reader Dilys Powell, 1991 Dilys Powell is the doyenne of British film critics. Reviewing for the Sunday Times, and more recently Punch, she has built up a reputation for perceptive assessment. Divided into thematic sections, this selection from over fifty years of criticism reveals her views on such topics as British cinema, the French, film stars, genres, adaptations, and censorship. In addition to critiques of such key films as Citizen Kane and Rashomon, there are entertaining pieces on biblical epics, biopics, and the musical, and sections on films she loathed and those she tried hard to like. |
| nonton dangerous boy: Screen World Presents the Encyclopedia of Hollywood Film Actors: From the silent era to 1965 Barry Monush, 2003 (Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos! |
| nonton dangerous boy: The New York Times Film Reviews 1999-2000 New York Times Theater Reviews, 2001-12 From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries. |
| nonton dangerous boy: Film Moments James Walters, Tom Brown, 2017-10-07 Film is made of moments. In its earliest form, the cinema was a moment: mere seconds recorded and projected into the darkness. Even as film has developed into today's complex and intricate medium, it is the brief, temporary and transitory that combines to create the whole. Our memories of films are composed of the moments we deem to be crucial: touchstones for our understanding and appreciation. Moments matter. The 38 specially commissioned essays in Film Moments examine a wide selection of key scenes across a broad spectrum of national cinemas, historical periods and genres, featuring films by renowned auteurs including Alfred Hitchcock, Jean Renoir and Vincente Minnelli and important contemporary directors such as Pedro Costa, Zhang Ke Jia and Quentin Tarantino, addressing films including City Lights, Gone with the Wind, The Wizard of Oz, The Night of the Hunter, Wild Strawberries, 8 1?2, Bonnie and Clyde, Star Wars, Conte d'été, United 93 and Lord of the Rings: Return of the King. Film Moments provides both an enlightening introduction for students to the diversity of approaches and concerns in the study of film, and a dynamic and vibrant account of key film sequences for anyone interested in enhancing their understanding of cinema. |
| nonton dangerous boy: Boys' Life , 1926-01 Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting. |
| nonton dangerous boy: The Film Daily ... Year Book , 1929 |
| nonton dangerous boy: The Film Daily Directors' Annual and Production Guide , 1929 |
| nonton dangerous boy: Black Boys Clive Chijioke Nwonka, 2023-08-24 In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity. |
| nonton dangerous boy: The Film Weekly , 1956 |
| nonton dangerous boy: The American Film Institute Catalog of Motion Pictures Produced in the United States American Film Institute, 1997 After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when movies became talkies, and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume. |
| nonton dangerous boy: Film Year Book , 1938 |
| nonton dangerous boy: Swordsmen of the Screen Jeffrey Richards, 2014-03-26 This fascinating study of the genre of swashbuckling films received wide critical acclaim when it was first published in 1977. Jeffrey Richards assesses the contributions to the genre of directors, designers and fencing masters, as well as of the stars themselves, and devotes several chapters to the principal subjects if the swashbucklers – pirates, highwaymen, cavaliers and knights. The result is to recall, however fleetingly, the golden days of the silver screen. Reviews of the original edition: ‘An intelligent, scholarly, well-written account of adventure films, this work is sensitive both to cinema history and to the literary origins of the swashbuckler....Essential for any library with books on film, it may very well be the definitive book on its subject.’ – Library Journal |
| nonton dangerous boy: Report Commonwealth Shipping Committee, 1914 |
| nonton dangerous boy: Parliamentary Papers Great Britain. Parliament. House of Commons, 1914 |
| nonton dangerous boy: Possessed Women, Haunted States Christopher J. Olson, CarrieLynn D. Reinhard, 2016-11-02 Films depicting demoniacally possessed women who can only be saved by male religious figures through exorcism rituals have been produced and released around the world. This book considers the history of exorcism cinema and how such films reinforce or challenge the traditional exorcism narrative. |
| nonton dangerous boy: Film World and A-V World News Magazine , 1945 |
| nonton dangerous boy: Theaters of Occupation Jennifer Fay, 2008 In the aftermath of total war and unconditional surrender, Germans found themselves receiving instruction from their American occupiers. It was not a conventional education. In their effort to transform German national identity and convert a Nazi past into a democratic future, the Americans deployed what they perceived as the most powerful and convincing weapon-movies. In a rigorous analysis of the American occupation of postwar Germany and the military’s use of “soft power,” Jennifer Fay considers how Hollywood films, including Ninotchka, Gaslight, and Stagecoach, influenced German culture and cinema. In this cinematic pedagogy, dark fantasies of American democracy and its history were unwittingly played out on-screen. Theaters of Occupation reveals how Germans responded to these education efforts and offers new insights about American exceptionalism and virtual democracy at the dawn of the cold war. Fay’s innovative approach examines the culture of occupation not only as a phase in U.S.–German relations but as a distinct space with its own discrete cultural practices. As the American occupation of Germany has become a paradigm for more recent military operations, Fay argues that we must question its efficacy as a mechanism of cultural and political change. Jennifer Fay is associate professor and codirector of film studies in the Department of English at Michigan State University. |
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